The papers in this volume point to an analysis of synaesthesia which is not merely grounded in firstness, the free unconstrained play of fancy, cross-modal iconism, and metaphoric slippage of adjectives randomly from one body to another, but to the way synaesthesia is transitive, grounded in affective encounters between bodies (secondness), leaping from one body to another related body, involving indexicality, metonyms, hence “synaesthetic encounters.”