Chapter 4 analyzes Jalal Al-e Ahmad’s “Jashn-e Farkhondeh” ("The Auspicious Celebration"), set in the 1930s, drawing on the 1936 police-enforced unveiling decree of Reza Shah. The narrator’s father, a cleric, has been invited to Reza Shah’s organized event for the Emancipation of Women where he will have to take his wife unveiled. To avoid this, he decides to contract a sigheh for two hours with a friend’s more modern daughter, so he can attend without violating the royal command, but able to disobey the state’s unveiling decree by not attending it with his formal wife. Al-e Ahmad shows how female sexuality is regulated and the female body is exploited under a religious façade to the benefit of the sociocultural, religious, and political institutions during the early years of the Pahlavi regime. Al-e Ahmad addresses the issue of modernization, how it intersects with anxieties over losing or sacrificing indigenous culture, and the role of women within this new nation-state, which is heading toward a Western model of modernization. In so doing, “Jashn-e Farkhondeh” depicts how modern Iranian womanhood came to be defined through the struggle between religion and politics, as well as the interaction between modernity and tradition, among other factors.