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1645 results for Ibrahim Qabbani

Page 1 of 83

  • Chapter 37 - Pablo Neruda in Dialogue with Nizâr Qabbânî and Mahmûd Darwîsh

  • from Part VI - Worldwide Influence, Reception, and Legacy
  • Edited by Ignacio López-Calvo, University of California Merced
  • Book:
    Pablo Neruda in Context
    Published online:
    27 February 2026
    Print publication:
    19 March 2026, pp 374-381

  • Summary

    Pablo Neruda is a fundamental author in twentieth-century Latin American literature. He is a poet who has been characterized by his commitment to the scope of love, and, at the same time, his political work makes him an intellectual of universal stature. Due to his love poetry, in the Arab world he has been associated with authors such as Nizâr Qabbânî and Mahmûd Darwîsh. This text tries to trace the dialogue that Pablo Neruda has established with the Arab world and how his topics have allowed us to respond symbolically to the issues of our time and the need of certain social and political situations.

  • Poetry as a Social Document: The Social Position of the Arab Woman as Reflected in the Poetry of Nizâr Qabbânî

  • Arieh Loya
  • Journal:
    International Journal of Middle East Studies / Volume 6 / Issue 4 / October 1975
    Published online by Cambridge University Press:
    29 January 2009, pp. 481-494
    Print publication:
    October 1975

  • No other people in the world, perhaps, have given more information in their poetry on their cultural and social life than have the Arabs over the centuries. Many years before the advent of Islam and long before they had any national political organization, the Arabs had developed a highly articulate poetic art, strict in its syntax and metrical schemes and fantastically rich in its vocabulary and observation of detail. The merciless desert, the harsh environment in which the Arabs lived, their ever shifting nomadic life, left almost no traces of their social structure and the cultural aspects of their life. It is only in their poetry – these monuments built of words – that we find such evidence, and it speaks more eloquently than cuneiform on marble statues ever could.

Sonallah Ibrahim
  • Rebel with a Pen
  • Paul Starkey
  • Published by:
    Edinburgh University Press
    Published online:
    23 September 2017
    Print publication:
    17 June 2016
  • This book provides an introduction not only to the works of Sun'Allah Ibrahim, but also, more generally, to the modern literature of Egypt (and elsewhere in the Arab world) over a 40-year period, in its social, historical and political setting.

  • Kashim Ibrahim Library

  • Journal:
    Africa / Volume 45 / Issue 1 / January 1975
    Published online by Cambridge University Press:
    23 January 2012, p. 92
    Print publication:
    January 1975
    • Article
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  • Ḥāfiẓ Ibrāhīm and Shauqi

  • A. J. Arberry
  • Journal:
    Journal of the Royal Asiatic Society of Great Britain and Ireland (New Series) / Volume 69 / Issue 1 / January 1937
    Published online by Cambridge University Press:
    15 March 2011, pp. 41-58
    Print publication:
    January 1937

  • In the summer of 1933, within the short space of two months, Egypt, and with her the whole Islamic world, was twice plunged into deep mourning, by the deaths of two men who, widely divergent in circumstances and character though they were, were in their generation the greatest and the most universally esteemed of Arabic poets. In their own country they had won titles which well indicate the appreciation, even the affection which they enjoyed: Ḥāfiẓ Ibrāhīm was called the “Poet of the Nile”, but Shauqī was called the “Prince of Poets”.

  • Ibrāhīm Sulṭān’s Muṣḥaf: The Qurʾān Calligraphed by Ibrāhīm Sulṭān in the Pars Museum

  • Mohammad Sadeq Mirza-Abolqasemi
  • Journal:
    Iranian Studies / Volume 52 / Issue 5-6 / November 2019
    Published online by Cambridge University Press:
    01 January 2022, pp. 973-990
    Print publication:
    November 2019

  • This article presents a very rare manuscript of a Muntakhab al-Suwar (selection of Qur’anic chapters) calligraphed by Ibrāhīm Sulṭān b. Shāhrukh. This manuscript was transcribed in large format in Ramaḍān 830 AH/June 1427 AD and endowed to the holy shrine of Shāh-Chirāgh in Ramaḍān 834 AH/May‒June 1431 AD. Therefore, it is considered to be one of the last known works calligraphed by Ibrāhīm Sulṭān. It is kept in the Pars museum in Shiraz. In this article, the unique codicology and special characteristics of this masterpiece are studied, and the important historical aspects of Ibrāhīm Sulṭān and the art works attributed to him are elaborated. The style of his calligraphy will also be examined to find out the sources of inspiration for his distinct style.

  • In re Ibrahim Moussa Costa.

  • Argentine. 23 April 1935
  • Journal:
    Annual Digest and Reports of Public International Law Cases / Volume 8 / 1945
    Published online by Cambridge University Press:
    01 January 2021, pp. 382-384
    Print publication:
    1945

  • Extradition — In General — Position of Persons Sentenced In absentia.

    Extradition — In General — Request on behalf of Another State — Request of Mandatory on behalf of Mandated Territory.

    Extradition — Conditions of — Statutes of Limitations — Position of Person Convicted in absentia — Request on behalf of Another State — Mandatory’s Request on behalf of Mandated Territory — Argentine Law.

  • Laila ‘Ali Ibrahim (1917-2002)

  • Nasser Rabbat
  • Journal:
    Middle East Studies Association Bulletin / Volume 36 / Issue 2 / Winter 2003
    Published online by Cambridge University Press:
    09 March 2016, pp. 275-276
    Print publication:
    Winter 2003
    • Article
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Page 1 of 83