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French Technological Thought and the Nonhuman Turn traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary ‘nonhuman turn’ in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.
Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts – and questions – for the egalitarian ontological commitments of contemporary post- and nonhuman thinking.
The re-examination of Saint Paul’s letters in contemporary European philosophy is one of the most important developments at the crossroads of philosophy and theology today.
In discussion with a range of authors contributing to this movement, including Heidegger, Badiou, Agamben, and Taubes, Gert-Jan van der Heiden offers a new and systematic account of the philosophical potential of these letters. He does so by uncovering a dialectic of exception, which revolves around the Pauline notions of the outcast and the spirit.
Against a general tendency to understand the significance of Paul in politico-theological terms alone, van der Heiden focuses on the ontological potential of Saint Paul’s letters by elucidating what they imply for our thinking about (non-)beings, world, event, time, exception and spirit. Ultimately, he shows how this dialectic implies a new understanding of being and thinking and gives rise to a new art of living, both ethically and politically.
Bill Ross demonstrates the relation between Gilles Deleuze's philosophy of difference and the conceptual foundations of contemporary physics through careful engagements with the theory of relativity, quantum physics and chaos and complexity theory. Ross shows that recent work in cosmology by figures such as Lee Smolin and David Bohm calls into question the assumption that the laws of physics are universal and unchanging, a view that Deleuze anticipates. The second law of thermodynamics tells us that order in the universe as a whole is destined to break down. Against this, Ross demonstrates that, given Deleuze's conception of the event as an expression of non-locality, and his emphasis on dissymmetry over symmetry, at the cosmological scale the universe is not destined towards disorder: evolution outruns entropy.
Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-François Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Rancière and the recent Speculative Realism movement.
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