To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
What is the moral foundation of human rights, justice, and the rule of law? In a time of deep cultural and political division, this volume charts the rich history of one of the most enduring ideas in Western thought: that moral and legal norms are rooted in human nature and accessible to reason. Spanning ancient, medieval, early modern, and contemporary traditions-including Islamic and African-American perspectives-the volume shows how Natural Law has evolved and how it continues to shape debates in ethics, politics, and jurisprudence. With chapters on Aristotle, Aquinas, Grotius, Locke, and the American Founders, as well as modern voices like Jacques Maritain and Martin Luther King, it offers both historical depth and philosophical clarity. Essential reading for students and scholars in philosophy, law, theology, and political theory, it invites readers to rediscover a tradition that speaks urgently to the moral challenges of our time.
Covering the earliest known Anglophone literature for children from its medieval forms, its evolution in the early modern period and towards its emergence in the world of print culture, this volume explores the very foundations of the field through to its establishment as a popular genre for nineteenth-century consumers. In-depth discussion of specific sub-periods is provided in the opening chapters, while the remainder trace both major and more subtle changes in genre and style over time, charting an age of experimentation in form including both successful innovations and frequent failed attempts. The geographical range primarily focuses on the British Isles, but chapters also investigate early developments in children's books from North America and the wider impacts of colonialism and slavery. The shifting currents of didacticism and reading for pleasure across a variety of genres, bolstered by Enlightenment educational ideals, intersect here with new thinking about politics, sex, science, and faith.
Highlighting the vibrancy and courage of women's contributions to the Romantic era's cultural politics, this History explores – from the perspective of women – the period's British incarnations to demonstrate how female accomplishment challenged secondary social status and initiated an early form of feminist protest and gender study. Separate chapters examine the media that women used – including (but not limited to) song, music, needlework, drawing, and empirical experimentation – and the range of venues and locales where they performed their gender identities and cultural assessments. While making space for writers, writing, and textual literacy, the History resists prevalent bias toward these media as agents of social transformation, prioritizing instead collective, improvisatorial, and embodied modes of creativity and protest. Recognizing the contested nature of both 'British Romanticism' and 'women' in today's critical discourse, this major work puts these two constructed entities into dialogue to explore the history and evolution of their creative critical interactions.
Volume II offers an authoritative new guide to life in the Crusader States of the Levant and the Eastern Mediterranean. Across nineteen chapters, leading experts explore how the crusaders not only imposed their own ideas and practices on the Levant but also adapted to its diverse landscapes and societies. With a strong emphasis on material culture, this volume offers a series of interpretative essays covering medicine, law, intellectual life and religious practice, while also providing a fresh treatment of topics including warfare, castles, the Military Orders, art, architecture, archaeology, and many aspects of daily life.
The Cambridge History of Irish Poetry is a one-volume, multi-authored history of the poetic traditions on the island of Ireland and their relation to the courses of poetry beyond its shores. It attends to the crucial developments in the history of Irish poetry as well as the social, political, and cultural conditions underlying those developments, including the complex position of poets in Ireland during different historical eras. Individual chapters describe the ways in which formal, aesthetic, and compositional practices were inflected by political and social structures; provide expert accounts of the institutional and textual histories that have shaped the body of Irish poetry as we have it; and highlight the tradition's major texts, writers, and formations. Unparalleled in scope and depth, this book offers the most comprehensive and authoritative critical account of the Irish poetic tradition.
Volume III focuses on the evolution of crusading beyond the Holy Land, the ways in which crusading impacted the people of Europe, and the cultural, political and religious legacies that were left behind. As a major cultural driver of the medieval age, it did much to shape religious thinking and practices, as well as influencing royal, knightly and civic ideology. Across twenty-one chapters, leading experts reveal the impact the Crusades had on women, Jews and emphasises the prominent presence of the Military Orders. Further essays show the rapid diversification of crusading to encompass enemies of the Catholic Church in Iberia, the Baltic and eastern Europe, the heretical Cathars, as well as the Ottoman Turks in the sixteenth century. It concludes with extensive coverage of the vast and diverse legacies of the Crusades, revealing the complexity and contemporary relevance of these contrasting memories in the West and the Muslim world.
Volume I provides this generation's definitive account to crusading history, beginning with the First Crusade in 1095, through Richard the Lionheart, Saladin and the Third Crusade (1187–92), to the fall of the Holy Land in 1291. Across twenty-four chapters, leading experts also provide broad coverage of the source material, delivering fresh perspectives and interpretations. The volume brings together new insights into the establishment of crusader rule and the ongoing interaction of these new Christian territories – in military, religious, cultural and economic terms – with local societies and regimes, most notably the Muslims and the Byzantine Greeks.
The Cambridge History of the Irish Novel appears at a moment when the novel in Ireland is particularly vibrant, with new work by Irish novelists achieving global prominence. The Cambridge History of the Irish Novel offers the first full multi-author survey of the Irish novel to extend from the earliest Irish novels in the seventeenth century to the present. Each of its forty-seven chapters is written by a leading scholar in the field. Cutting across this chronological organisation, The Cambridge History of the Irish Novel also features more than 300 internal cross-references, allowing the reader to track, for instance, the recurrence of the gothic, or the transnational, across genres, across readerships, and across centuries. As such, The Cambridge History of the Irish Novel provides, quite simply, the most extensive view of one of the world's great cultures of the novel.
This volume provides the most expansive interrogation to date of the field of war and society, offering a magisterial overview of the American experience of war from the colonial era to the War on Terror. It brings together leading scholars to examine how societies go to war, experience it, and invest it with meaning. Those ideas unfold across three thematic sections entitled 'War Times,' 'War Societies,' and 'War Meanings.' The essays scrutinize the symbiotic relationship between warfare and the armed forces on one side, and broader trends in political, social, cultural, and economic life on the other. They consider the radiating impact of war on individuals, communities, culture, and politics – and conversely, the projection of social patterns onto the military and wartime life. Across three sections, thirty chapters, and a roundtable discussion, the volume illuminates the questions, methodologies, and sources that exemplify war and society scholarship at its very best.
Spain's musical history has often resided on – or been consigned to – the margins of historical narratives about mainstream European culture. As a result, Spanish music is universally popular but seldom well understood outside Iberia. This volume offers, for the first time in English, a comprehensive survey of music in Spain from the Middle Ages to the modern era, including both classical and popular traditions. With chapters from a group of leading music scholars, the book reevaluates the history of music in Spain, from devotional works of the Middle Ages and Renaissance to masterpieces of the postwar avant-garde. It surveys a deep legacy of classical music as well as a rich heritage of folklore comprising songs and dances from Spain's many regions, especially but not exclusively Andalusian flamenco. Folklore in turn informed the nationalist repertoire with which music lovers are most familiar, including pieces by Albéniz, Granados, Falla, Rodrigo, and many others.
The Cambridge History of American Popular Culture is a comprehensive treatment of American popular culture. It is organized around the major time frames for defining American history, as well as genres of popular culture and, pivotally, around historical instances where American popular culture has been a key transformative agent shaping American history, values, and society. This ambitious book by a team of scholarly experts from across the humanities offers unique historical breadth and depth of knowledge about the ongoing power of commercial entertainment. The Cambridge History of American Popular Culture is a fresh, original and authoritative treatment of the aesthetics, producers and artists involved in American popular culture, a phenomena that exerts tremendous cultural power both domestically and internationally.
Volume IV of The Cambridge History of International Law explores the existence and scope of international law in Antiquity, spanning approximately 1800 BCE to 650 CE. During this period, the territories surrounding the Mediterranean engaged in various forms of cross-border interaction, from trade wars to diplomacy; this traffic was regulated through a patchwork of laws, regulations and treaties. However, the existence of international law as a coherent concept in Antiquity remains contested. We can speak only about 'territories', which include empires, tribal lands and cities, not about 'countries' or 'nations' in the modern sense. Rather than offering an overview of legal relations between territories surrounding the Mediterranean in Antiquity, this volume presents a set of case studies centred around various topics commonly associated with the modern idea of international law. Together, these studies result in a novel but accessible perspective on the (in)existence of international law in Antiquity.
This chapter sets out a framework to analyse the existence of international law in thirteenth-century Mongol Eurasia. It uses the category of the Universal Mongol Empire and the creation and use of the yasa (Chinggis Khan’s legal code) as the basis of the legal arena of the time. In addition to the Universal Mongol Empire, Inner Eurasia as a unit of history, the Mongol Commonwealth and the Mongol world system are used to identify the making and practice of international law in this period. The Mongol Khans articulated a specific world view that accommodated the disparateness of the Eurasian landscape, be it peoples, civilizations, religions or political ideologies. Governance (political and economic) of this multifarious empire relied on institutions that permeated throughout the empire and gave it coherence. Thus the focus is on conveying the meaning of sovereignty and law which was a product of interpolity relations that had taken place over centuries. Consequently the chapter seeks to broaden the discipline of modern international law by engaging with historic Eurasia, specifically Mongol rule in the thirteenth century.
As the tensions between the Chinese population and the foreign sojourners and settlers of the treaty powers in post-1842 China led to a series of violent riots and deadly conflicts in the second half of the nineteenth century, the foreign powers were desperate to find an effective mechanism to prevent such occurrences. Influenced by a colonial siege mentality and the idea of a state of emergency, the treaty powers created an exception to international law, Western law and Chinese law by subjecting the Chinese government authorities to a regime of strict liability, holding them legally liable for all the ’anti-foreign’ incidents and the resulting damage to foreign interests, regardless of circumstances. This chapter investigates the historical forces and international politics that prompted this regime of strict liability in late Qing China. It calls for more attention to the deep-rooted connections between such practices in the age of empire and the various forms of emergency powers and security regimes that have continued to plague our modern world today.
How did the Sinitic empires of the Qin and Han interact with their neighbours before the adoption of the concept of international law from the West, following the establishment of the nation state with fixed frontiers in the late seventeenth century? The dominant model is the concept of ‘tribute’ first outlined by John K. Fairbank based on the foreign-relations practices of the late imperial Qing empire. This chapter argues that is incorrect. Apart from engaging in military action, the early East Asian empires followed the ways in which states had related to each other for centuries prior to the establishment of the empires, i.e. by accepting hostages, which developed into the giving of pledges (both used the same term, zhi), and in establishing marriage relations. The earlier ritual of ‘covenant making’ was replaced by a new legal instrument, the binding yue ‘agreement,’ a form of contract. Although local and regional authorities gave ‘prestations’ to the central court in imperial times, it is argued that ‘tribute’ (gong) was not significant until the later Han, when, on the basis of the mention of tribute in two canonical texts, it was incorporated into Confucian world view.