Abrams, M. H., Doing Things with Texts: Essays in Criticism and Critical Theory, ed. Michael Fischer (New York: W. W. Norton, 1989)

Abrams, M. H., The Mirror and the Lamp (Oxford: Oxford University Press, 1953)

Abrams, M. H., Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: W. W. Norton, 1971)

Adams, Hazard, and Searle, Leroy (eds.), Critical Theory Since 1965 (Tallahassee, FL: Florida State University Press, 1986)

Adorno, Theodor W., Aesthetic Theory, ed. and trans. Robert Hullot-Kentor (Minneapolis, MN: University of Minnesota Press, 1997)

Adorno, Theodor W., Negative Dialectics, trans. E. B. Ashton (New York: Continuum, 1973)

Adorno, Theodor, “Resignation,” Telos 35 (spring 1968), pp. 165–68Google Scholar

Althusser, Louis, “Ideology and Ideological State Apparatuses,” trans. Ben Brewster, reprinted in Critical Theory Since 1965, ed. Adams and Searle, pp. 239–50

Altieri, Charles, Subjective Agency (Oxford: Basil Blackwell, 1994)

Aristotle, Poetics, trans. Richard Janko (Indianapolis, IN: Hackett, 1987)

Aristotle, Rhetoric, trans. W. Rhys Roberts, in The Basic Works of Aristotle, ed. Richard McKeon (New York: Random House, 1941), pp. 1325–451

Bahktin, Mikhail M., The Dialogic Imagination, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist (Austin, TX: University of Texas Press, 1981)

Barrell, John, Poetry, Language and Politics (Manchester: Manchester University Press, 1988)

Barthes, Roland, “The Death of the Author,” (1968); reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 386–90

Battersby, Christine, Gender and Genius: Towards a Feminist Aesthetics (London: Women's Press, 1989; reprinted Bloomington, IN: Indiana University Press, 1990)

Baxandall, Michael, Patterns of Intention: On the Historical Explanation of Pictures (New Haven, CT: Yale University Press, 1985)

Beardsley, Monroe C., Aesthetics: Problems in the Philosophy of Criticism, 2nd edn (Indianapolis, IN: Hackett, 1981)

Beardsley, Monroe C., Aesthetics from Classical Greece to the Present: A Short History (University, AL: University of Alabama Press, 1975)

Bell, Clive, Art (1914), chapter 1, “The Aesthetic Hypothesis,” reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 99–110

Benjamin, Walter, “The Work of Art in the Age of Mechanical Reproduction,” in Walter Benjamin, Illuminations, trans. Harry Zohn, ed. Hannah Arendt (New York: Harcourt, Brace, & World, 1968), pp. 217–51

Berger, John, Ways of Seeing (Harmondsworth: Penguin, 1972)

Bernstein, J. M., “Aesthetics, Modernism, Literature: Cavell's Transformations of Philosophy,” in Stanley Cavell, ed. R. Eldridge (Cambridge: Cambridge University Press, 2003), pp. 107–42

Binkley, Timothy, “Piece: Contra Aesthetics,” Journal of Aesthetics and Art Criticism 35 (1977), pp. 265–77; reprinted in Philosophy Looks at the Arts, ed. Margolis, pp. 25–44

Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (Oxford: Oxford University Press, 1973)

Booth, Wayne C., The Company we Keep: An Ethics of Fiction (Berkeley, CA: University of California Press, 1988)

Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, MA: Harvard University Press, 1984)

Brooks, Cleanth, The Well Wrought Urn (New York: Reynal & Hitchcock, 1947)

Carroll, Noël, “Art and Ethical Criticism: An Overview of Recent Directions of Research,” Ethics 110, 2 (January 2000), pp. 350–87CrossRefGoogle Scholar

Carroll, Noël, “Art, Narrative, and Moral Understanding,” in Aesthetics and Ethics, ed. Levinson, pp. 126–60

Carroll, Noël, Beyond Aesthetics: Philosophical Essays (Cambridge: Cambridge University Press, 2001)

Carroll, Noël, “Moderate Moralism,” British Journal of Aesthetics 36, 3 (1996), pp. 223–37CrossRefGoogle Scholar

Carroll, Noël, “Morality and Aesthetics: Historical and Conceptual Overview,” in Encyclopedia of Aesthetics, ed. Kelly, vol. III, pp. 79–82

Carroll, Noël, Philosophy of Art: A Contemporary Introduction (London: Routledge, 1999)

Carroll, Noël, The Philosophy of Horror, or Paradoxes of the Heart (London: Routledge, 1990)

Carroll, Noël, A Philosophy of Mass Art (Oxford: Clarendon Press, 1998)

Carroll, Noël, “The Wheel of Virtue: Art, Literature, and Moral Knowledge,” Journal of Aesthetics and Art Criticism 60, 1 (winter 2002), pp. 3–26CrossRefGoogle Scholar

Cavell, Stanley, “Aesthetic Problems of Modern Philosophy,” in Cavell, Must We Mean What We Say?, pp. 73–96

Cavell, Stanley, “Being Odd, Getting Even,” in Cavell, In Quest of the Ordinary, pp. 105–49

Cavell, Stanley, In Quest of the Ordinary: Lines of Skepticism and Romanticism (Chicago, IL: University of Chicago Press, 1988)

Cavell, Stanley, “Music Discomposed,” in Cavell, Must We Mean What We Say?, pp. 180–212

Cavell, Stanley, Must We Mean What We Say? (New York: Charles Scribner's Sons, 1969)

Cavell, Stanley, This New yet Unapproachable America: Lectures after Emerson after Wittgenstein (Albuquerque, NM: Living Batch Press, 1989)

Chipp, Herschel B. (ed.), Theories of Modern Art (Berkeley, CA: University of California Press, 1968)

Chua, Daniel K. L., Absolute Music and the Construction of Meaning (Cambridge: Cambridge University Press, 1999)

Cohen, Ted, “Aesthetic/non-Aesthetic and the Concept of Taste: A Critique of Sibley's Position,” Theoria 29 (1973), pp. 113–52; reprinted in Aesthetics, ed. Dickie and Sclafani, pp. 838–66

Cohen, Ted, “High and Low Thinking About High and Low Art,” Journal of Aesthetics and Art Criticism 51, 2 (spring 1993), pp. 151–56CrossRefGoogle Scholar

Cohen, Ted, “Identifying with Metaphor: Metaphors of Personal Identification,” Journal of Aesthetics and Art Criticism 57, 4 (fall 1999), pp. 399–409CrossRefGoogle Scholar

Cohen, Ted, “Television: Contemporary Thought,” in Encyclopedia of Aesthetics, ed. Kelly, vol. IV, pp. 369–70

Cohen, Ted, “Three Problems in Kant's Aesthetics,” British Journal of Aesthetics 42, 1 (January 2002), pp. 1–12CrossRefGoogle Scholar

Cohen, Ted, and Guyer, Paul (eds.), Essays in Kant's Aesthetics (Chicago, IL: University of Chicago Press, 1982)

Coleridge, Samuel Taylor, Biographia Literaria, ed. George Watson (London: J. M. Dent, 1965)

Collingwood, R. G., The Principles of Art (Oxford: Clarendon Press, 1938)

Crisp, Roger, and Slote, Michael (eds.), Virtue Ethics (Oxford: Oxford University Press, 1997)

Currie, Gregory, “The Moral Psychology of Fiction,” Australasian Journal of Philosophy 73 (1995), pp. 250–59CrossRefGoogle Scholar

Currie, Gregory, “Realism of Character and the Value of Fiction,” in Aesthetics and Ethics, ed. Levinson, pp. 161–81

Dahlhaus, Carl, The Idea of Absolute Music, trans. Roger Lustig (Chicago, IL: University of Chicago Press, 1989)

Danto, Arthur C., Embodied Meanings: Critical Essays and Aesthetic Meditations (New York: Farrar, Straus, & Giroux, 1994)

Danto, Arthur C., “Philosophy as/and/of Literature,” Grand Street 3, 3 (spring 1984), pp. 151–76CrossRefGoogle Scholar

Danto, Arthur C., “The Space of Beauty: Review of The Power of the Center: A Study of Composition in the Visual Arts by Rudolf Arnheim,” New Republic (November 15, 1982), pp. 32B–35B

Danto, Arthur C., The Transfiguration of the Commonplace (Cambridge, MA: Harvard University Press, 1981)

Danto, Arthur C., The Wake of Art: Criticism, Philosophy, and the Ends of Taste, ed. Gregg Horowitz and Tom Huhn (Amsterdam: Overseas Publishers Association, 1998)

Davidson, Donald, “The Second Person,” in Davidson, Subjective, Intersubjective, Objective, pp. 107–21

Davidson, Donald, Subjective, Intersubjective, Objective (Oxford: Clarendon Press, 2001)

Davies, Stephen, Musical Meaning and Expression (Ithaca, NY: Cornell University Press, 1994)

Derrida, Jacques, Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore, MD: Johns Hopkins University Press, 1974)

Derrida, Jacques, “Structure, Sign and Play in the Discourse of the Human Sciences,” in Structuralist Controversy, ed. Macksey and Donato, pp. 247–65

Dewey, John, Art as Experience (New York: Penguin Putnam, 1934)

Dickie, George, Art and the Aesthetic (Ithaca, NY: Cornell University Press, 1974)

Dickie, George, The Art Circle (New York: Haven Publications, 1984)

Dickie, George, and Sclafani, Richard J. (eds.), Aesthetics: A Critical Anthology (New York: St. Martin's Press, 1977)

Duchamp, Marcel, “Interview with James Johnson Sweeney,” in “Eleven Europeans in America,” Bulletin of the Museum of Modern Art (New York) 12, 4–5 (1946); reprinted in Theories of Modern Art, ed. Chipp, pp. 392–95

Eaton, Marcia, “Morality and Ethics: Contemporary Aesthetics and Ethics,” in The Encyclopedia of Philosophy, ed. Kelly, vol. III, pp. 282–85

Eldridge, Richard, “Aesthetics and Ethics,” in Oxford Handbook to Aesthetics, ed. Levinson, pp. 722–32

Eldridge, Richard, “Althusser and Ideological Criticism of the Arts,” in Explanation and Value in the Arts, ed. Ivan Gaskell and Salim Kemal; reprinted in Eldridge, Persistence of Romanticism, pp. 165–88

Eldridge, Richard, “Form and Content: An Aesthetic Theory of Art,” British Journal of Aesthetics 25, 4 (autumn 1985), pp. 303–16; reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 239–53

Eldridge, Richard, Leading a Human Life: Wittgenstein, Intentionality, and Romanticism (Chicago, IL: University of Chicago Press, 1997)

Eldridge, Richard, On Moral Personhood: Philosophy, Literature, Criticism, and Self-Understanding (Chicago, IL: University of Chicago Press, 1987)

Eldridge, Richard, The Persistence of Romanticism: Essays in Philosophy and Literature (Cambridge: Cambridge University Press, 2001)

Eldridge, Richard, “Problems and Prospects of Wittgensteinian Aesthetics,” Journal of Aesthetics and Art Criticism 45, 3 (spring 1987), pp. 251–61CrossRefGoogle Scholar

Emerson, Ralph Waldo, “Self-Reliance,” in Selections from Ralph Waldo Emerson, ed. Stephen E. Whicher (Boston, MA: Houghton Mifflin, 1957), pp. 147–68

Feagin, Susan L., Reading with Feeling (Ithaca, NY: Cornell University Press, 1996)

Fish, Stanley, “Is there a Text in this Class?,” in S. Fish, Is there a Text in this Class (Cambridge, MA: Harvard University Press, 1980); reprinted in Critical Theory Since 1965, ed. Adams and Searle, pp. 525–33

Foster, Hal, “Postmodernism: A Preface,” in The Anti-Aesthetic: Essays on Post-Modern Culture, ed. H. Foster (Port Townsend, WA: Bay Press, 1983), pp. ⅸ–ⅹⅵ

Foster, Hal, The Return of the Real (Cambridge, MA: MIT Press, 1996)

Foucault, Michel, The Order of Things, trans. not named (New York: Random House, 1970)

Foucault, Michel, “What is an Author?,” in Critical Theory Since 1965, ed. Adams and Searle, pp. 138–48

Freeland, Cynthia, But is it Art? (Oxford: Oxford University Press, 2001)

Fried, Michael, Absorption and Theatricality: Painting and Beholder in the Age of Diderot (Berkeley, CA: University of California Press, 1980)

Fried, Michael, Art and Objecthood: Essays and Reviews (Chicago, IL: University of Chicago Press, 1998)

Frye, Northrop, “The Drunken Boat,” in Romanticism Reconsidered, ed. N. Frye (New York: Columbia University Press, 1963), pp. 1–25

Furtak, Rick Anthony, “Poetics of Sentimentality,” Philosophy and Literature 26, 1 (April 2002), pp. 207–15CrossRefGoogle Scholar

Gallie, W. B., “Is The Prelude a Philosophical Poem?,” Philosophy 22 (1947), pp. 124–38; reprinted in Wordsworth, Prelude 1799, 1805, 1850, pp. 663–78CrossRefGoogle Scholar

Gardner, John, On Moral Fiction (New York: Harper Collins, 1978)

Gaskell, Ivan, Vermeer's Wager: Speculations on Art History, Theory, and Museums (London: Reaktion, 2000)

Gaskell, Ivan, and Kemal, Salim (eds.), Explanation and Value in the Arts (Cambridge: Cambridge University Press, 1993)

Gaut, Berys, “The Ethical Criticism of Art,” in Aesthetics and Ethics, ed. Levinson, pp. 182–203

Goffen, Rona (ed.), Titian's Venus of Urbino (Cambridge: Cambridge University Press, 1997)

Goldman, Alan, “Representation: Conceptual and Historical Overview,” in Encyclopedia of Aesthetics, ed. Kelly, vol. IV, pp. 137A–139B

Goodman, Nelson, The Languages of Art, 2nd edn (Indianapolis, IN: Hackett, 1976

Goodman, Nelson, Ways of Worldmaking (Indianapolis, IN: Hackett, 1978)

Gould, Timothy, “The Audience of Originality: Kant and Wordsworth on the Reception of Genius,” in Essays in Kant's Aesthetics, ed. Cohen and Guyer, pp. 179–93

Gould, Timothy, “Genius: Conceptual and Historical Overview,” in Encyclopedia of Aesthetics, ed. Kelly, vol. II, pp. 287–92

Guyer, Paul, Kant and the Claims of Taste (Cambridge, MA: Harvard University Press, 1979)

Hagberg, G. L., Art as Language: Wittgenstein, Meaning, and Aesthetic Theory (Ithaca, NY: Cornell University Press, 1995)

Hampshire, Stuart, “Logic and Appreciation,” World Review (October 1952); reprinted in Art and Philosophy, ed. Kennick, pp. 651–57

Hanson, Karen, “How Bad Can Good Art Be?,” in Aesthetics and Ethics, ed. Levinson, pp. 204–26

Harrison, Bernard, Inconvenient Fictions: Literature and the Limits of Theory (New Haven, CT: Yale University Press, 1991)

Hegel, G. W. F., Aesthetics: Lectures on Fine Art, trans. T. M. Knox (Oxford: Clarendon Press, 1975)

Hegel, G. W. F., Elements of the Philosophy of Right, ed. Allen W. Wood, trans. H. B. Nisbet (Cambridge: Cambridge University Press, 1991)

Hegel, G. W. F., Phenomenology of Spirit, trans. A. V. Miller (Oxford: Clarendon Press, 1977)

Heidegger, Martin, “The Origin of the Work of Art,” trans. Albert Hofstadter, in Poetry, Language, Thought (New York: Harper & Row, 1971), pp. 17– 87

Hölderlin, Friedrich, Essays and Letters on Theory, ed. and trans. Thomas Pfau (Albany, NY: State University of New York Press, 1988)

Horowitz, Gregg, and Huhn, Tom, “The Wake of Art: Criticism, Philosophy, and the Ends of Taste,” in Danto, Wake of Art, pp. 1–56

Huhn, Tom, book review, “The Field of Cultural Production: Essays on Art and Literature by Pierre Bourdieu,” Journal of Aesthetics and Art Criticism 54, 7 (winter 1996), pp. 88–90CrossRefGoogle Scholar

Hume, David, An Enquiry Concerning Human Understanding, ed. Eric Steinberg (Indianapolis, IL: Hackett, 1977)

Hume, David, “Of the Standard of Taste,” in Philosophy of Art, ed. Neill and Ridley, pp. 255–68

Hume, David, “Of Tragedy,” in D. Hume, Essays Moral, Political and Literary (Oxford: Oxford University Press, 1963), pp. 221–30

Hutcheson, Francis, An Inquiry Concerning Beauty, Harmony, and Design, ed. Peter Kivy (The Hague: Martinus Nijhoff, 1973)

Isenberg, Arnold, “Critical Communication,” Philosophical Review 57 (July 1949), pp. 330–44; reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 363–73

Kant, Immanuel, Critique of the Power of Judgment, trans. Paul Guyer and Eric Matthews (Cambridge: Cambridge University Press, 2000)

Kelly, Michael (ed.), Encyclopedia of Aesthetics, 4 vols. (Oxford: Oxford University Press, 1998)

Kemal, Salim, Kant's Aesthetic Theory: An Introduction (New York: St. Martin's Press, 1992)

Kennick, W. E., “Does Traditional Aesthetics Rest on a Mistake?,” Mind 67, 267 (July 1958); reprinted in Aesthetics Today, ed. Philipson and Gudel, pp. 459–76

Kennick, W. E. (ed.), Art and Philosophy, 2nd edn (New York: St. Martin's Press, 1979)

Kerman, Joseph, Contemplating Music (Cambridge, MA: Harvard University Press, 1985)

Kieran, Matthew, “Art, Imagination, and the Cultivation of Morals,” Journal of Aesthetics and Art Criticism 54, 4 (fall 1996), pp. 337–51CrossRefGoogle Scholar

Kivy, Peter, The Chorded Shell: Reflections on Musical Expression (Princeton, NJ: Princeton University Press, 1980)

Kivy, Peter, “Recent Scholarship and the British Tradition: A Logic of Taste – The First Fifty Years,” in Aesthetics: A Critical Anthology, ed. Dickie and Sclafani, pp. 626–42

Kramer, Lawrence, Classical Music and Postmodern Knowledge (Berkeley, CA: University of California Press, 1995)

Kristeller, Paul Oskar, “The Modern System of the Arts,” Journal of the History of Ideas 12 (1951, 1952); reprinted in Art and Philosophy, ed. Kennick, pp. 7–33

Levinson, Jerrold (ed.), Aesthetics and Ethics: Essays at the Intersection (Cambridge: Cambridge University Press, 1998)

Levinson, Jerrold, “Defining Art Historically,” British Journal of Aesthetics 19 (1979); reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 223–39

Levinson, Jerrold, “Music and Negative Emotion,” in Music and Meaning, ed. Robinson, pp. 215–41

Levinson, Jerrold (ed.), The Oxford Handbook to Aesthetics (Oxford: Oxford University Press, 2003)

Léⅵ-Strauss, Claude, The Raw and the Cooked: Introduction to a Science of Mythology, volume I, trans. John Weightman and Doreen Weightman (New York: Harper & Row, 1969)

Lippard, Lucy, “The Spirit and the Letter,” Art in America 80, 4 (April 1990), pp. 238–45Google Scholar

Lopes, Dominic M. McIver, “Representation: Depiction,” in Encyclopedia of Aesthetics, ed. Kelly, vol. IV, pp. 139B–143B

Lukács, Georg, “Art and Objective Truth,” (1954); reprinted in Critical Theory Since 1965, ed. Adams and Searle, pp. 791–807

Lyas, Colin, Aesthetics (Montreal: McGill-Queen's University Press, 1997)

Macksey, Richard, and Donato, Eugenio (eds.), The Structuralist Controversy: The Languages of Criticism and the Sciences of Man (Baltimore, MD: Johns Hopkins University Press, 1972)

Mandelbaum, Maurice, “Family Resemblances and Generalization Concerning the Arts,” American Philosophical Quarterly 2, 3 (1965); reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 193–201

Marcuse, Herbert, The Aesthetic Dimension: Toward A Critique of Marxist Aesthetics, trans. Erica Sherover (Boston, MA: Beacon Press, 1977)

Margolis, Joseph (ed.), Philosophy Looks at the Arts, revised edn (Philadelphia, PN: Temple University Press, 1978)

Marx, Karl, “Economico-Philosophic Manuscripts of 1844,” in The Portable Karl Marx, ed. Eugene Kamenka (Harmondsworth: Penguin, 1983), pp. 131–52

Maus, Fred Everett, “Music as Drama,” in Music and Meaning, ed. J. Robinson, pp. 105–30

McClary, Susan, Feminine Endings: Music, Gender, and Sexuality (Minneapolis, MN: University of Minnesota Press, 1991)

McLaughlin, Thomas M., “Clive Bell's Aesthetic: Tradition and Significant Form,” Journal of Aesthetics and Art Criticism 35, 4 (summer 1977), pp. 433–43CrossRefGoogle Scholar

Meltzer, Françoise, “Originality in Literature,” in Encyclopedia of Aesthetics, ed. Kelly, vol. III, pp. 413–16

Meyer, Leonard B., Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, new edn (Chicago, IL: University of Chicago Press, 1994)

Mill, J. S., “On Liberty,” in J. S. Mill, Utilitarianism; On Liberty; Essay on Bentham, ed. Mary Warnock (New York: New American Library, 1974), pp. 126–250

Mothersill, Mary, Beauty Restored (Oxford: Clarendon Press, 1984)

Mullin, Amy, “Evaluating Art: Morally Significant Imagining Versus Moral Soundness,” Journal of Aesthetics and Art Criticism 60, 2 (spring 2002), pp. 137–48CrossRefGoogle Scholar

Murdoch, Iris, Metaphysics as a Guide to Morals (Harmondsworth: Penguin, 1991)

Nehamas, Alexander, “Return of the Beautiful: Morality, Pleasure, and the Value of Uncertainty,” Journal of Aesthetics and Art Criticism 58, 4 (fall 2000), pp. 392–403Google Scholar

Neill, Alex, “‘An Unaccountable Pleasure’: Hume on Tragedy and the Passions,” Hume Studies 24, 2 (November 1998), pp. 335–54Google Scholar

Neill, Alex, “Fear, Fiction, and Make-Believe,” Journal of Aesthetics and Art Criticism 49, 1 (winter 1991), pp. 47–56CrossRefGoogle Scholar

Neill, Alex, “Hume's ‘Singular Phenomenon,’” British Journal of Aesthetics 39, 2 (April 1999), pp. 112–25CrossRefGoogle Scholar

Neill, Alex, and Ridley, Aaron (eds.), The Philosophy of Art: Readings Ancient and Modern (New York: McGraw-Hill, 1995)

Newcomb, Anthony, “Action and Agency in Mahler's Ninth Symphony, Second Movement,” in Music and Meaning, ed. J. Robinson, pp. 131–53

Nietzsche, Friedrich, The Birth of Tragedy and the Case of Wagner, trans. Walter Kaufmann (New York: Random House, 1967)

Nussbaum, Martha C., “Exactly and Responsibly: A Defense of Ethical Criticism,” Philosophy and Literature 22, 2 (October 1998), pp. 343–65CrossRefGoogle Scholar

Nussbaum, Martha C., The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy (Cambridge: Cambridge University Press, 1986)

Nussbaum, Martha C., “Literature and Ethical Theory: Allies or Adversaries?,” Yale Journal of Ethics 9 (2000), pp. 5–16Google Scholar

Nussbaum, Martha C., Love's Knowledge: Essays on Philosophy and Literature (Oxford: Oxford University Press, 1990)

Paddison, Max, Adorno's Aesthetics of Music (Cambridge: Cambridge University Press, 1993)

Palmer, Frank, Literature and Moral Understanding (Oxford: Clarendon Press, 1992)

Pavel, Thomas G., Fictional Worlds (Cambridge, MA: Harvard University Press, 1986)

Philipson, M., and Gudel, P. J. (eds.), Aesthetics Today, revised edn (New York: New American Library, 1980)

Pillow, Kirk, Sublime Understanding (Cambridge, MA: MIT Press, 2001)

Pippin, Robert B., Henry James and Modern Moral Life (Cambridge: Cambridge University Press, 2000)

Plato, Ion, trans. Lane Cooper, in Plato, The Collected Dialogues, ed. Edith Hamilton and Huntingdon Cairns (Princeton, NJ: Princeton University Press, 1961), pp. 215–28

Plato, Republic, trans. G. M. A. Grube, revised C. D. C. Reeve (Indianapolis, IN: Hackett, 1992)

Plato, Symposium, trans. Alexander Nehamas and Paul Woodruff (Indianapolis, IN: Hackett, 1989)

Posner, Richard, “Against Ethical Criticism,” Philosophy and Literature 21, 1 (April 1997), pp. 1–27CrossRefGoogle Scholar

Putnam, Hilary, “Literature, Science, and Reflection,” in H. Putnam, Meaning and the Moral Sciences (London: Routledge & Kegan Paul, 1978), pp. 83–96

Robinson, Jenefer (ed.), Music and Meaning (Ithaca, NY: Cornell University Press, 1997)

Radford, Colin, “How can We be Moved by the Fate of Anna Karenina?,” Proceedings of the Aristotelian Society, supplementary vol. 49 (1975), pp. 67–80CrossRefGoogle Scholar

Robinson, Lillian S., “Treason our Text: Feminist Challenges to the Literary Canon,” Tulsa Studies in Women's Literature (1983); reprinted in Critical Theory Since 1965, ed. Adams and Searle, pp. 572–82

Rorty, Richard, “The Contingency of Selfhood,' in R. Rorty, Contingency, Irony, and Solidarity (Cambridge: Cambridge University Press, 1989), pp. 23–43

Savile, Anthony, The Test of Time: An Essay in Philosophical Aesthetics (Oxford: Clarendon Press, 1982)

Schapiro, Meyer, “On the Aesthetic Attitude in Romanesque Art,” in M. Schapiro, Romanesque Art: Selected Papers (New York: G. Braziller, 1977), pp. 1–28

Schier, Flint, Deeper into Pictures: An Essay on Pictorial Representation (Cambridge: Cambridge University Press, 1986)

Schiller, Friedrich, Essays, ed. Walter Hinderer and Daniel O. Dahlstrom (New York: Continuum, 1993)

Schiller, Friedrich, “On Naïve and Sentimental Poetry,” trans. Daniel O. Dahlstrom, in Schiller, Essays, pp. 179–260

Schiller, Friedrich, On the Aesthetic Education of Man, in a Series of Letters, trans. Reginald Snell (London: Routledge & Kegan Paul, 1954)

Schlegel, Friedrich, Philosophical Fragments, trans. Peter Firchow (Minneapolis, MN: University of Minnesota Press, 1991)

Saussure, Fernand de, Course in General Linguistics, trans. Wade Baskin (New York: McGraw Hill, 1959)

Scruton, Roger, The Aesthetics of Music (Oxford: Oxford University Press, 1997)

Scruton, Roger, Art and Imagination (London: Routledge & Kegan Paul, 1982)

Sheppard, Anne, Aesthetics: An Introduction to the Philosophy of Art (Oxford: Oxford University Press, 1987)

Shusterman, Richard, “Art as Dramatization,” Journal of Aesthetics and Art Criticism 59, 4 (fall 2001), pp. 363–72Google Scholar

Shusterman, Richard, Practicing Philosophy: Pragmatism and the Philosophical Life (London: Routledge, 1997)

Shusterman, Richard, Pragmatist Aesthetics: Living Beauty, Rethinking Art (Oxford: Basil Blackwell, 1992)

Sircello, Guy, “Arguing About Art,” in Aesthetics Today, ed. Philipson and Gudel, pp. 477–96

Sircello, Guy, Mind and Art: An Essay on the Varieties of Expression (Princeton, NJ: Princeton University Press, 1972)

Smith, Barbara Herrnstein, Contingencies of Value: Alternative Perspectives for Critical Theory (Cambridge, MA: Harvard University Press, 1988)

Steiner, George, Real Presences (Chicago, IL: University of Chicago Press, 1989)

Stolnitz, Jerome, “Of the Origins of ‘Aesthetic Disinterestedness,’” in Aesthetics: A Critical Anthology, ed. Dickie and Sclafani, pp. 606–25

Subotnik, Rose Rosengard, “How Could Chopin's A-Major Prelude be Deconstructed?,” in R. R. Subotnik, Deconstructive Variations: Music and Reason in Western Society (Minneapolis, MN: University of Minnesota Press, 1996), pp. 39–147

Tolstoy, Leo, What is Art?, trans. Aylmer Maude (Indianapolis, IN: Bobbs-Merrill, 1960)

Tomasello, Michael, The Cultural Origins of Human Cognition (Cambridge, MA: Harvard University Press, 1999)

Tormey, Alan, “Art and Expression: A Critique,” in Philosophy Looks at the Arts, ed. Margolis, pp. 346–61

Walton, Kendall, “Categories of Art,” Philosophical Review 79 (1970), pp. 334–67; reprinted in Philosophy Looks at the Arts, ed. Margolis, pp. 88–114

Walton, Kendall, Mimesis as Make-Believe: On the Foundations of the Representational Arts (Cambridge, MA: Harvard University Press, 1990)

Weintraub, Linda, Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s–1990s (Litchfield, CT: Art Insights, 1996)

Weitz, Morris, “The Role of Theory in Aesthetics,” Journal of Aesthetics and Art Criticism 15 (1956); reprinted in Philosophy of Art, ed. Neill and Ridley, pp. 183–92

Wilde, Oscar, “Preface,” in The Picture of Dorian Gray, ed. Peter Ackroyd (Harmondsworth: Penguin, 1982)

Wittgenstein, Ludwig, The Brown Book, in Ludwig Wittgenstein, The Blue and Brown Books (New York: Harper & Row, 1958)

Wittgenstein, Ludwig, Philosophical Investigations, 3rd edn, trans. G. E. M. Anscombe (New York: Macmillan, 1958)

Wolfe, Tom, The Painted Word (New York: Farrar, Straus, & Giroux, 1975)

Wollheim, Richard, Art and its Objects, 2nd edn (Cambridge: Cambridge University Press, 1980)

Wollheim, Richard, Painting as an Art (Princeton, NJ: Princeton University Press, 1987)

Woodmansee, Martha, The Author, Art, and the Market: Rereading the History of Aesthetics (New York: Columbia University Press, 1994)

Woodruff, Paul, “Aristotle on Mimesis,” in Essays on Aristotle's Poetics, ed. A. Rorty (Princeton, NJ: Princeton University Press, 1992), pp. 73–95

Wordsworth, William, “Essay Supplementary to the Preface (1815),” in Selected Poems and Prefaces, ed. Stillinger, pp. 471–81

Wordsworth, William, “Preface to Lyrical Ballads,” in Selected Poems and Prefaces, ed. Stillinger, pp. 445–64

Wordsworth, William, The Prelude (1850), in Selected Poems and Prefaces, ed. Stillinger, pp. 193–366

Wordsworth, William, The Prelude 1799, 1805, 1850, ed. Jonathan Wordsworth, M. H. Abrams, and Stephen Gill (New York: W. W. Norton, 1979)

Wordsworth, William, Selected Poems and Prefaces, ed. Jack Stillinger (Boston, MA: Houghton Mifflin, 1965)