In arguably his most political novel, Demons,1 Russian novelist Fyodor Dostoyevsky warned that in ‘turbulent times of upheaval or transition low characters always come to the front everywhere’. Throughout his works, but most especially in this book, Dostoyevsky was absorbed by the perils of disruptive change in the ruins of a crumbling Czarist regime, as radicals and hardliners sought to establish a brave new world in a rapidly modernising yet tempestuous milieu. Quite presciently, he foresaw the dangers of what Italian thinker Antonio Gramsci, writing half a century later, most famously described as an impossible situation whereby ‘the old [order] is dying and the new cannot be born,’ thus ‘in this interregnum, a great variety of morbid symptoms [begin to] appear’. Confronting the advent of European fascism, Gramsci warned of ‘incurable structural contradictions [that] have revealed themselves’, with mainstream ‘political forces … struggling to conserve and defend the existing structure’.2