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  • Print publication year: 2009
  • Online publication date: May 2009

18 - Romanticism and poetic autonomy

from Part III - Histories: Writing in the New Movements
Summary
The symbiotic growth of critical and literary self-consciousness is so striking a feature of the Romantic period that many participants and many subsequent commentators have thought it the historical key to understanding Romanticism. The critical dynamic is most conspicuously in play in that commonplace of Romanticism, on whose existence very different schools of interpretation have continued to agree: its insistence on the autonomy of poetry. Poetic autonomy could refer to a distinctive use of language inappropriate in any other discourse. Poetic and critical establishments interacted to the mutual enhancement of each other's authority. The dialectic between poetry and criticism has a continuing relevance. Romantic poetry's radicalism can appear undeniable: fundamentally, this art presents itself as essentially committed to innovation and transformation. The act of criticism or of bringing to reflection is the hallmark of Romantic philosophical activity from Kant to Hegel. The autonomy of poetry advocated by Romanticism was advanced on several fronts.
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The Cambridge History of English Romantic Literature
  • Online ISBN: 9781139055970
  • Book DOI: https://doi.org/10.1017/CHOL9780521790079
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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.


Simon Jarvis , Wordsworth’s Philosophic Song: Poetic Thinking in Wordsworth, Cambridge: Cambridge University Press, 2006.

Immanuel Kant , Critique of the Power of Judgement, trans. Paul Guyer and Eric Matthews , Cambridge: Cambridge University Press, 2000.

Peter Murphy , Poetry as an Occupation and an Art in Britain 1760–1830, Cambridge: Cambridge University Press, 1993.

David Simpson , Irony and Authority in English Romantic Poetry, London: Macmillan, 1979.