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The Cambridge History of Nineteenth-Century Music
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  • Cited by 5
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Vives-Riera, Antoni 2018. Tourism and nationalism in the production of regional culture: the shaping of Majorca's popular songbook between 1837 and 1936. Nations and Nationalism, Vol. 24, Issue. 3, p. 695.

    CHENG, WILLIAM 2017. Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions. Journal of the Society for American Music, Vol. 11, Issue. 02, p. 184.

    Baker, Alan R. H. 2017. Amateur Musical Societies and Sports Clubs in Provincial France, 1848-1914. p. 1.

    Locke, Ralph P. 2004. Nineteenth-Century Music: Quantity, Quality, Qualities. Nineteenth-Century Music Review, Vol. 1, Issue. 01, p. 3.

    Brincker, Benedikte and Brincker, Jens 2004. Musical constructions of nationalism: a comparative study of Bartok and Stravinsky. Nations and Nationalism, Vol. 10, Issue. 4, p. 579.

  • Edited by Jim Samson, Royal Holloway, University of London
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    The Cambridge History of Nineteenth-Century Music
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Book description

This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800–1850 and 1850–1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available.


'… a comprehensive, impressive overview of the music of the period in question … Jim Samson has assembled an equally impressive selection of Anglo-American musicological minds to write it with him. There is in fact nothing gimmicky here, but much to admire. The book on its own terms remains a significant contribution to the current literature, of which any publisher should be proud.'

Source: Musical Times

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