from Part III - Culture and Ideas
Published online by Cambridge University Press: 16 May 2025
In the 1990s, the challenges of representing the (perhaps, arguably) unrepresentable horror of the Holocaust were hotly debated. The issue still poses crucial theoretical questions that have animated a wide array of both scholarly and aesthetic responses. One might think, for instance, of the very different representational strategies adopted by Claude Lanzmann in Shoah and Steven Spielberg in Schindler’s List as marking two ends of the spectrum on how to represent the Holocaust. This chapter articulates the theoretical terrain upon which Holocaust representation unfolds and, in this respect, serves as a theoretical companion to the topic-specific culture chapters that follow.
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