For the order in which topics are dealt with, see Table of Contents. Items are listed in chronological order within each section, and alphabetically by author within a given year. For additional material, see the general works listed in Chapter II (b).

(a) Manuscripts, miniatures, and Manuscript Illumination

See Index of Manuscripts (to find out about recent work on, say, Arsenal, 3172, consultation of the Index under that item for items above 894 – the first number in the present volume – will lead the reader to Reno, 1942). It should be noted that only items not identifiable via that index are listed here. See also Champion, 894; Zimmermann, 960, 962; Chance, 1014; Quental, 1085; Sherman, 1177; Lewis, 1236;Willard, 1368; Sherman, 1394; Margolis, 1441; Havice in 1506; Miller in 1513; Laidlaw in 1522; Brown, 1625; Schoell-Glass, 1662; Trotlein, 1663; Camille, 1664; Badel, 1665; Carrara, 1668; Sangl, 1669; Wlosok, 1680; Deslauriers, 1686; Wolfthal, 1688; Jeanneret, 1691; Quilligan, 1774, 1781; Baumgartner, 1796; Kolve, 1800; Curry, 1812; Korsch, 1822; Wolfthal, 1890; Chance, 1914; Catalogue, 1921; Varty, 1957; Wheeler, 1986; Dulac, 1995; Catalogue, 2018; De Baecker, 2021; Dufresne, 2024; Gibbons, 2097.

963 *Miner, D. E. Anastaise and her Sisters: Women Artists of the Middle Ages, Baltimore, 1974.

964 Buettner, Brigitte. ‘Jacques Raponde: “marchand de manuscrits enluminés” ’, Médiévales, 14 (1988), 23–32.

Fascinating account of the role of a Parisian merchant (of Italian origins) in the circulation and commissioning of manuscripts in the late Middle Ages.

965 *Pantens, Christiane. Les manuscrits à peintures (1460–1485): catalogue des expositions organisées à la Bibliothèque royale Albert Ier, 223, Bruxelles: BR Albert Ier, 1989.

Rev.: .1 Jacques Lemaire, Script, 49 (1995), 184*.

966 Laidlaw, James C. ‘Christine de Pizan: From Scriptorium to Database and Back Again’, Journal of the Institute of Romance Studies, 1 (1992), 59–67.

Discusses progress to date in the creation of a database. The first stage was based on a series of computer files, each devoted to a single published work. The next stage will ideally include a database of each of CP’s successive collected works in manuscript: the Livre de Christine of 1402, the Duke’s manuscript of 1405–08, and the Queen’s manuscript of 1410–11.