Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-05-01T10:47:11.966Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  21 July 2022

Elizabeth Helsinger
Affiliation:
University of Chicago
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Conversing in Verse
Conversation in Nineteenth-Century English Poetry
, pp. 185 - 194
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrams, Meyer H.Structure and Style in the Greater Romantic Lyric.” In Romanticism and Consciousness: Essays in Criticism, edited by Bloom, Harold, 201–29. New York: W. W. Norton, 1970.Google Scholar
Adorno, Theodor W.Culture and Criticism.” In Prisms, translated by Samuel and Shierry Weber, 17–34. Cambridge, MA: MIT Press, 1981.Google Scholar
Adorno, Theodor W.On Lyric Poetry and Society.” In Notes to Literature, vol. 1, edited by Tiedemann, Rolf, translated by Shierry Weber Nicholsen, 37–54. New York: Columbia University Press, 1991.Google Scholar
Alford, Henry. Chapters on the Poets of Ancient Greece. London: Whittaker, 1841.Google Scholar
Armstrong, Isobel. “Meter and Meaning.” In Meter Matters: Verse Cultures of the Long Nineteenth Century, edited by Hall, Jason David, 26–52. Athens: Ohio University Press, 2011.Google Scholar
Armstrong, Isobel. Victorian Poetry: Poetry, Politics and Poetics. London and New York: Routledge, 1993.Google Scholar
Atkinson, David. The Anglo-Scottish Ballad and Its Imaginary Contexts. Cambridge: Open Book Publishers, 2014.Google Scholar
Attridge, Derek. The Experience of Poetry: From Homer’s Listeners to Shakespeare’s Readers. Oxford: Oxford University Press, 2019.Google Scholar
Attridge, Derek. Moving Words: Forms of English Poetry. Oxford: Oxford University Press, 2013.Google Scholar
Barzilai, Maya. “‘One Should Finally Learn How to Read This Breath’: Paul Celan and the Buber-Rosenzweig Bible.” Comparative Literature 74, no. 4 (2019): 436–54.Google Scholar
Baudelaire, Charles. Oeuvres complètes, edited by Yves-Gérard le Dantec and Pichois, Claude. Paris: Éditions Gallimard (Bibliothèque de la Pléiade), 1961.Google Scholar
Becker, Andrew S.Contest or Concert: A Speculative Essay on Ecphrasis and Rivalry between the Arts.” Classical and Modern Literature 23, no. 1 (2003): 1–14.Google Scholar
Bishop, Elizabeth. The Complete Poems, 1927–1979. New York: Farrar, Straus and Giroux, 1963.Google Scholar
Blair, Hugh. Lectures on Rhetoric and Belles Lettres. 3 vols. Edinburgh: A. Strahan, T. Cadell, and W. Creech, 1787.Google Scholar
Blanchot, Maurice. The Infinite Conversation, translated by Susan Hanson. Minneapolis: University of Minnesota Press, 1993.Google Scholar
Bolla, Peter de. “Portraiture as Conversation.” In The Concept and Practice of Conversation in the Long Eighteenth Century, 1688–1848, edited by Halsey, Katie and Slinn, Jane, 170–83. Newcastle: Cambridge Scholars Publishing, 2008.Google Scholar
Bowles, Rev. William Lisle. Poems. 4 vols. London: T. Cadell and W. Davies, 1803–09.Google Scholar
Bratton, Jacqueline S. The Victorian Popular Ballad. London: Macmillan, 1975.Google Scholar
Bronson, Bertrand H.Personification Reconsidered.” English Literary History 14, no. 3 (1947): 163–77.Google Scholar
Browning, Elizabeth Barrett. Elizabeth Barrett Browning: Selected Poems, edited by Stone, Marjorie and Taylor, Beverly. Buffalo, NY: Broadview Editions, 2009.Google Scholar
Browning, Elizabeth Barrett. The Letters of Elizabeth Barrett Browning, edited by Kenyon, Frederic G.. 2 vols. New York: Macmillan, 1897.Google Scholar
Browning, Elizabeth Barrett. Poetical Works. Cambridge Edition. Boston, MA: Houghton Mifflin, 1974.Google Scholar
Browning, Robert. The Poems, edited by Pettigrew, John and Collins, Thomas J.. 2 vols. London: Penguin, 1981.Google Scholar
Bruns, Gerald. “[Review of Leslie Hill’s] Maurice Blanchot and Fragmentary Writing: A Change of Epoch,” Notre Dame Philosophical Reviews (November 8, 2012), https://ndpr.nd.edu/news/maurice-blanchot-and-fragmentary-writing-a-change-of-epoch/ Accessed 9 April 2022.Google Scholar
Bruns, Gerald. “Should Poetry Be Ethical or Otherwise?SubStance 38, no. 3 (2009): 72–91.Google Scholar
Büber, Martin. I and Thou. 2nd ed., translated by Ronald Gregor Smith. New York: Charles Scribner’s Sons, 1958.Google Scholar
Byron, , Gordon, George, Lord, . Letters and Journals of Lord Byron, edited by Moore, Thomas. 2 vols. London: John Murray, 1830.Google Scholar
Byron, Glynnis. Dramatic Monologue. London: Routledge, 2003.Google Scholar
Cairns, Francis. “Theocritus’ First Idyll: The Literary Programme.” Wiener Studien 97 (1984): 89‒113.Google Scholar
Carlyle, Thomas. Chartism. Boston, MA: Charles C. Little and James Brown, 1840.Google Scholar
Celan, Paul. Collected Prose, translated by Rosmarie Waldrop. New York: Routledge, 2003.Google Scholar
Celan, Paul. Selected Poems and Prose of Paul Celan, translated by John Felstiner. New York: W. W. Norton, 2001.Google Scholar
Celan, Paul. Reading of “Todesfuge.” www.youtube.com/watch?v=pHgYRtefUqs. Accessed 9 April 2022.Google Scholar
Chapin, Chester F. Personification in Eighteenth-Century English Poetry. New York: Columbia University Press, 1955.Google Scholar
Charney, Hannah. “‘Weisst du noch, dass ich sang?’: Conversation in Celan’s Poetry.Connotations 11, no. 1 (2001–02): 29–41.Google Scholar
Child, Francis James, ed. The English and Scottish Popular Ballads. 5 vols. New York: Dover, 1965.Google Scholar
Child, Francis James. “Francis J. Child, ‘Ballad Poetry’, Johnson’s Universal Cyclopaedia, 1900.Journal of Folklore Research 31, nos. 1–3 (1994): 214–22.Google Scholar
Christensen, Jerome. “‘Thoughts That Do Often Lie Too Deep for Tears’: Toward a Romantic Concept of Lyrical Drama.The Wordsworth Circle 12 (1981): 52–64.Google Scholar
Clare, John. John Clare, edited by Robinson, Eric and Powell, David. Oxford Authors Series. Oxford: Oxford University Press, 1984.Google Scholar
Cohen, Ralph. The Unfolding of the Seasons. Baltimore, MD: Johns Hopkins University Press, 1970.Google Scholar
Coleridge, Samuel Taylor. “Biographia Literaria.” In Selected Poetry and Prose of Coleridge, edited by Stauffer, Donald A., 109–428. New York: Modern Library and Random House, 1951.Google Scholar
Coleridge, Samuel Taylor. Collected Letters of Samuel Taylor Coleridge, edited by Griggs, Earl Leslie. 4 vols. Oxford: Clarendon Press, 1956.Google Scholar
Coleridge, Samuel Taylor. The Poems of Samuel Taylor Coleridge, edited by Coleridge, Ernest Hartley. London: Humphrey Milford and Oxford University Press, 1924.Google Scholar
Culler, Dwight. The Poetry of Tennyson. New Haven, CT: Yale University Press, 1977.Google Scholar
Culler, Jonathan. Theory of the Lyric. Cambridge, MA: Harvard University Press, 2015.CrossRefGoogle Scholar
Darwin, Charles. On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. London: John Murray, 1859.Google Scholar
Davidson, Donald. Still Rebels, Still Yankees and Other Essays. Baton Rouge: Louisiana State University Press, 1972.Google Scholar
Davie, Donald. “Personification.Essays in Criticism 31, no. 2 (1981): 91–104.Google Scholar
Derrida, Jacques. “Language Is Never Owned: An Interview.” In Sovereignties in Question: The Poetics of Paul Celan, edited by Dutoit, Thomas and Pasanen, Outi, 97–17. New York: Fordham University Press, 2005.Google Scholar
Dickinson, Emily. The Poems of Emily Dickinson, edited by Bianchi, Martha Dickinson and Hampson, Alfred Leete. London: Jonathan Cape, 1937.Google Scholar
Dilworth, Ernest. Walter Savage Landor. New York: Twayne, 1971.Google Scholar
Eliot, T. S. Collected Poems 1909–1962. London: Faber and Faber, 1963.Google Scholar
Elsner, Jas. “Introduction: The Genres of Ekphrasis.” Ramus 31, nos. 1–2 (2002): 1–18.Google Scholar
Elsner, Jas. “Seeing and Saying: A Psychoanalytic Account of Ekphrasis.” Helios 31, nos. 1–2 (2004): 157–85.Google Scholar
Empson, William. Some Versions of Pastoral. Norfolk, CT: New Directions, 1960.Google Scholar
Fairer, David. Organizing Poetry: The Coleridge Circle, 1790–1798. Oxford: Oxford University Press, 2009.Google Scholar
Felstiner, John. Paul Celan: Poet, Survivor, Jew. New Haven, CT: Yale University Press, 2001.Google Scholar
Ferguson, Frances. “Canons, Poetics, and Social Value.” Modern Language Notes 110 (1995): 1148–64.Google Scholar
Field, Michael [Bradley, Katherine Harris and Cooper, Edith Emma]. Sight and Song. London: Elkin Mathews and John Lane/Bodley Head, 1892.Google Scholar
Fischer, Barbara K. Museum Meditations: Reframing Ekphrasis in Contemporary American Poetry. New York: Routledge, 2006.Google Scholar
Fowler, Elizabeth. “Personification.” In The Princeton Encyclopedia of Poetry and Poetics, 4th edition, edited by Greene, Roland and Cushman, Stephen, 1025. Princeton, NJ: Princeton University Press, 2021.Google Scholar
Freedman, Jonathan L. Professions of Taste: Henry James, British Aestheticism and Commodity Culture. Stanford, CA: Stanford University Press, 1993.Google Scholar
Freud, Sigmund. “On Transience.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 14 (1914–16), translated by James Strachey, 305–07. London: The Hogarth Press, 1957.Google Scholar
Glück, Louise. Meadowlands. Hopewell, NJ: Ecco Press, 1996.Google Scholar
Glück, Louise. Nobel Lecture. Nobel Media AB 2021. www.nobelprize.org/prizes/literature/2020/gluck/lecture/, accessed March 9, 2021.Google Scholar
Glück, Louise. The Wild Iris. Hopewell, NJ: Ecco Press, 1992.Google Scholar
Goffen, Rona. “Nostra Conversatio in Caelis Est: Observations on the Sacra Conversazione in the Trecento.The Art Bulletin 61, no. 2 (June 1979): 198–222.Google Scholar
Greek Anthology, The, with an English Translation. 5 vols., translated by William Rogers Paton. Loeb Classical Library Edition. London: W. Heinemann, 1916–18.Google Scholar
Gregory, Valiska and Harrington, Emily. “Introduction: Angry Women and the Dramatic Monologue.Victorian Studies 62, no. 2 (Winter 2020): 178–81.CrossRefGoogle Scholar
Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Clarendon Press, 1989.Google Scholar
Gunmere, Francis Barton. The Beginnings of Poetry. New York: Macmillan, 1901.Google Scholar
Gunn, Tom. “Hardy and Ballads.” In The Occasions of Poetry. Essays in Criticism and Autobiography, edited by Wilmer, Clive. London: Faber and Faber, 1982.Google Scholar
Gutzwiller, Kathryn J. Theocritus’ Pastoral Analogies: The Formation of a Genre. Madison, WI: University of Wisconsin Press, 1991.Google Scholar
Hallam, Arthur Henry. “On Some of the Characteristics of Modern Poetry” (Englishman’s Magazine 1, August 1831). In Victorian Scrutinies: Reviews of Poetry 1830–1870, by Armstrong, Isobel, 84–101. London: Athlone Press, 1972.Google Scholar
Halperin, David M. Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry. New Haven, CT, and London: Yale University Press, 1983.CrossRefGoogle Scholar
Hansen, Michael. “Arthur Hallam’s ‘Characteristics’ and Pleasure’s Moral Sense.Modern Philology 114, no. 4 (May 2017): 899–921.Google Scholar
Hardy, Barbara. Thomas Hardy: Imagining Imagination in Hardy’s Poetry and Fiction. London: The Athlone Press, 2000.Google Scholar
Hardy, Florence Emily. The Early Life of Thomas Hardy, 1840–91. New York: Macmillan, 1928.Google Scholar
Hardy, Thomas. Collected Poems of Thomas Hardy. New York: Macmillan, 1925.Google Scholar
Hardy, Thomas. Satires of Circumstance: Lyrics and Reveries with Miscellaneous Pieces. London: Macmillan, 1914.Google Scholar
Harrington, Emily. Second Person Singular: Late Victorian Women Poets and the Bonds of Verse. Charlottesville: University of Virginia Press, 2014.Google Scholar
Hazlitt, William. An Essay on the Principles of Human Action: Being an Argument in Favour of the Natural Disinterestedness of the Human Mind. London: J. Johnson, 1805.Google Scholar
Heffernan, James A. W. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press, 1993.Google Scholar
Helsinger, Elizabeth K.. Poetry and the Thought of Song in Nineteenth-Century Britain. Charlottesville: University of Virginia Press, 2015.Google Scholar
Helsinger, Elizabeth K.. Rural Scenes and National Representation: Britain, 1815–1850. Princeton, NJ: Princeton University Press, 1997.Google Scholar
Helsinger, Elizabeth K.. “Swinburne’s Expansive Poetics.” In Defining Pre-Raphaelite Poetics, edited by Witcher, Heather Bozant and Huseby, Amy Kahrmann, 233–54. Cham, Switzerland: Palgrave Macmillan/Springer Nature, 2020.Google Scholar
Hill, Leslie. “‘Distrust of Poetry’: Levinas, Blanchot, Celan.Modern Language Notes 120, no. 5 (December 2005): 986–1008.Google Scholar
Hollander, John. The Gazer’s Spirit: Poems Speaking to Silent Works of Art. Chicago: University of Chicago Press, 1995.Google Scholar
Hunt, Leigh. Foliage, or, Poems Original and Translated. London: C & J Ollier, 1818.Google Scholar
Hunt, Leigh. A Jar of Honey from Mount Hybla. London: Smith Elder, 1848.Google Scholar
Hunter, Paul. “Couplets and Conversation.” In The Cambridge Companion to Eighteenth Century Poetry, edited by Sitter, John, 11–35. Cambridge: Cambridge University Press, 2001.Google Scholar
Irvine, William and Honan, Park. The Book, the Ring, and the Poet: A Biography of Robert Browning. New York: McGraw-Hill, 1974.Google Scholar
Jackson, Virginia. “Lyric.” In The Princeton Encyclopedia of Poetry and Poetics, 4th edition, edited by Greene, Roland and Cushman, Stephen, 826–34. Princeton, NJ: Princeton University Press, 2012.Google Scholar
Jarvis, Simon. “Swinburne: The Insuperable Sea.” In The Oxford Handbook of Victorian Poetry, edited by Bevis, Matthew, 521–35. Oxford: Oxford University Press, 2013.Google Scholar
Karlin, Daniel. Browning’s Hatreds. Oxford: Clarendon, 1993.Google Scholar
Karlin, Daniel. “Robert Browning’s Pleasure-House,” introduction to Robert Browning: The Major Works, edited by Roberts, Adam, xl–xxvii. Oxford: Oxford University Press, 1997.Google Scholar
Keats, John. The Letters of John Keats, 1814–21, edited by Rollins, Hyder Edward. 2 vols. Cambridge, MA: Harvard University Press, 1958.Google Scholar
Keats, John. The Poetical Works of John Keats, edited by Forman, H. Buxton. London: Humphrey Milford/Oxford University Press, 1922.Google Scholar
Keenleyside, Heather. “Personification for the People: On James Thomson’s The Seasons.” English Literary History 76, no. 2 (Summer 2009): 447–72.Google Scholar
Keenleyside, Heather. “The Rise of the Novel and the Fall of Personification.” In Eighteenth-Century Poetry and the Rise of the Novel Reconsidered, edited by Parker, Kate and Smith, Courtney Weiss, 105–33. Lanham, MD: Bucknell UP, 2013.Google Scholar
Kerlin, Robert Thomas. Theocritus in English Literature. Lynchburg, VA: J. P. Bell, 1910.Google Scholar
Kilbride, Laura McCormick. “‘A Renouveau of English Prosody’: Rereading Swinburne’s Atalanta in Calydon. Essays in Criticism 68, no. 1 (2018): 25–53.Google Scholar
Kilbride, Laura McCormick. Swinburne’s Style: An Experiment in Verse History. Cambridge: Legenda/Modern Humanities Research Association, 2018.Google Scholar
Kittredge, George Lyman. Introduction to English and Popular Ballads, Edited from the Collection of Francis James Child, edited by Sargent, Helen Child and Kittredge, George Lyman, xvi–xviii. Boston, MA: Houghton Mifflin, 1904.Google Scholar
Kramer, Lawrence. “Song as Paraphrase.New Literary History 46, no. 4 (2015): 573–94.Google Scholar
Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore, MD: Johns Hopkins University Press, 1992.Google Scholar
Lacoue-Labarthe, Philippe. Poetry As Experience, translated by Andrea Tarnowski. Stanford, CA: Stanford University Press, 1999.Google Scholar
Lakoff, George and Johnson, Mark. Metaphors We Live By. Chicago: University of Chicago Press, 2003.Google Scholar
Landor, Walter Savage. Hellenics. London: Edward Moxon, 1847.Google Scholar
Landor, Walter Savage. Hellenics, comprising Heroic Idyls, &c. New Edition, enlarged. Edinburgh: James Nichol and London: R. Griffin, 1859.Google Scholar
Landor, Walter Savage. Heroic Idyls: with additional poems. London: T. C. Newby, 1863.Google Scholar
Landor, Walter Savage.The Idyls of Theocritus.The Foreign Quarterly Review 30 (October 1842): 86–100.Google Scholar
Landor, Walter Savage. Pericles and Aspasia. 2 vols. London: Saunders and Otley, 1836.Google Scholar
Lee, Vernon [Paget, Viola] and Anstruther-Thomson, Clementina. Beauty and Ugliness: and Other Studies in Psychological Aesthetics. London: John Lane/Bodley Head, 1912.Google Scholar
Levinas, Emmanuel. Collected Philosophical Papers. Dordrecht: Martinus Nijhoff, 1987.Google Scholar
Levinas, Emmanuel. “Ethics As First Philosophy,” “Substitution,” and “Time and the Other,” in The Levinas Reader, edited by Hand, Seán. Oxford: Blackwell, 1989.Google Scholar
Levinas, Emmanuel. Proper Names, translated by Smith, Michael B.. Stanford, CA: Stanford University Press, 1996.Google Scholar
Luu, Helen. “A Matter of Life and Death: The Auditor-Function of the Dramatic Monologue.Victorian Poetry 54, no. 1 (Spring 2016): 19–38.CrossRefGoogle Scholar
Mahaffy, John P. The Principles of the Art of Conversation. London: Macmillan, 1887.Google Scholar
Mallarmé, Stéphane. Oeuvres Complètes de Stéphane Mallarmé, edited by Mondor, Henri and Jean-Aubry, G.. Paris: Éditions Gallimard, 1945.Google Scholar
Marx, Karl. Capital: A Critique of Political Economy, vol. 1, translated by Fowkes, Ben. New York: Vintage, 1977.Google Scholar
Maynard, John. Browning’s Youth. Cambridge, MA: Harvard University Press, 1977.Google Scholar
McGann, Jerome J. Swinburne: An Experiment in Criticism. Chicago: University of Chicago Press, 1972.Google Scholar
McGann, Jerome J., ed. The Rossetti Archive. www.Rossettiarchive.org, accessed April 9, 2022.Google Scholar
McGann, Jerome J.Wagner, Baudelaire, Swinburne: Poetry in the Condition of Music.Victorian Poetry 47, no. 4 (Winter 2009): 619–32.Google Scholar
McGill, Meredith L.What Is a Ballad? Reading for Genre, Format, and Medium.” In The Ballad: A Special Issue on Historical Poetics and Genre, edited by Cohen, Michael C., 156–75. Nineteenth-Century Literature 71, no. 2 (2016).Google Scholar
Mermin, Dorothy. The Audience in the Poem: Five Victorian Poets. New Brunswick, NJ: Rutgers University Press, 1983.Google Scholar
Miller, Stephen. Conversation: A History of a Declining Art. New Haven, CT: Yale University Press, 2006.Google Scholar
Millgate, Michael. Thomas Hardy. New York: Random House, 1982.Google Scholar
Mitchell, W. J. T. Picture Theory. Chicago: University of Chicago Press, 1994.Google Scholar
Morgan, Benjamin. The Outward Mind: Materialist Aesthetics in Victorian Science. Chicago: University of Chicago Press, 2017.Google Scholar
Morra, Irene. Verse Drama in England, 1900–2015: Art, Modernity and the National Stage. London: Bloomsbury Methuen Drama/Bloomsbury Publishing, 2016.Google Scholar
Nagy, Gregory. Poetry as Performance: Homer and Beyond. Cambridge: Cambridge University Press, 1996.Google Scholar
Nersessian, Anahid. The Calamity Form: On Poetry and Social Life. Chicago: University of Chicago Press, 2020.Google Scholar
Nerstad, Erin. “Decomposing but to Recompose: Browning, Biblical Hermeneutics, and the Dramatic Monologue.Victorian Poetry 50, no. 4 (Winter 2012): 543–61.Google Scholar
Nerstad, Erin. “George Eliot’s Evangelical Insight: Close Contact and Realizing Views.Victorian Literature and Culture 45, no. 3 (September 2017): 569–91.Google Scholar
Nerstad, Erin. “The Lyric Varieties of Nineteenth-Century Religious Experience,” Ph.D. Dissertation, University of Chicago, 2015.Google Scholar
Nowell Smith, David. On Voice in Poetry: The Work of Animation. New York: Palgrave Macmillan, 2015.Google Scholar
O’Donnell, Angela G.‘English Idyls’: Studies in Poetic Decorum.Studies in Philology 85, no. 1 (Winter 1988): 124–44.Google Scholar
Pask, Gordon. Conversation, Cognition and Learning. New York: Elsevier, 1975.Google Scholar
Pask, Gordon. Conversation Theory. New York: Elsevier, 1976.Google Scholar
Pask, Gordon. The Cybernetics of Human Learning and Performance. London: Hutchinson Educational, 1976.Google Scholar
Pater, Walter. Studies in the History of the Renaissance, edited by Beaumont, Matthew. Oxford: Oxford University Press, 2010.Google Scholar
Pattison, Robert. Tennyson and Tradition. Cambridge, MA: Harvard University Press, 1979.Google Scholar
Paulin, Tom. Thomas Hardy: The Poetry of Perception. London: Macmillan, 1986.CrossRefGoogle Scholar
Payne, Mark. “Ecphrasis and Song in Theocritus’ Idyll 1.Greek, Roman, and Byzantine Studies 42 (2001): 263–87.Google Scholar
Pearce, James B.Theocritus and Oral Tradition.Oral Tradition 8, no. 1 (1993): 59–86.Google Scholar
Pearsall, Cornelia D. J.The Dramatic Monologue.” In The Cambridge Companion to Victorian Poetry, edited by Bristow, Joseph, 67–88. Cambridge: Cambridge University Press, 2000.Google Scholar
Peart, Andrew. “‘The Abstract Pathos of Song’: Carl Sandburg, John Lomax, and the Modernist Revival of Folksong.New Literary History 46, no. 4 (2015): 690–714.Google Scholar
Pinsky, Robert. Landor’s Poetry. Chicago: University of Chicago Press, 1968.Google Scholar
Prins, Yopie. “Voice Inverse.Victorian Poetry 42, no. 1 (2004): 43–59.CrossRefGoogle Scholar
Richardson, Alan. A Mental Theater: Poetic Drama and Consciousness in the Romantic Age. University Park and London: Pennsylvania State University Press, 1988.Google Scholar
Riley, Kathleen. The Reception and Performance of Euripides’ Herakles: Reasoning Madness. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Rossetti, Christina. The Complete Poems of Christina Rossetti: A Variorum Edition. 3 vols., edited by Crump, Rebecca W.. Baton Rouge: Louisiana State University Press, 1979–90.Google Scholar
Rossetti, Dante Gabriel. The Correspondence of Dante Gabriel Rossetti: The Formative Years, 1835–62, vol. 2: 1855–62, edited by Fredeman, William E.. Cambridge: D. S. Brewer, 2002.Google Scholar
Rossetti, Dante Gabriel. Dante Gabriel Rossetti: Collected Poetry and Prose, edited by McGann, Jerome J.. New Haven, CT: Yale University Press, 2003.Google Scholar
Ruskin, John. The Works of John Ruskin, 39 vols., edited by Cook, Edward T. and Wedderburn, Alexander. London: George Allen, 1903–12.Google Scholar
Ryals, Clyde de L. Browning’s Later Poetry, 1871–1889. Ithaca, NY: Cornell University Press, 1975.Google Scholar
Sacks, Harvey. Lectures on Conversation, 1961–68, edited by Jefferson, Gail and Schegloff, Emanuel. Oxford: Blackwell, 1995.Google Scholar
Schegloff, Emanuel. Sequence Organization in Interaction: A Primer in Conversational Analysis. Cambridge: Cambridge University Press, 2007.Google Scholar
Shelley, Percy Bysshe. Essays, Letters from Abroad, Translations and Fragments, by Percy Bysshe Shelley, 2 vols., edited by Shelley, Mary. London: Edward Moxon, 1840.Google Scholar
Shelley, Percy Bysshe. Shelley’s Poetry and Prose, edited by Reiman, Donald H. and Powers, Sharon B.. New York: W. W. Norton, 1977.Google Scholar
Siegel, Jonah. Desire and Excess: The Nineteenth Century Culture of Art. Princeton, NJ: Princeton University Press, 2000.Google Scholar
Siegel, Jonah. Material Inspirations: The Interests of the Art Object in the Nineteenth Century and After. Oxford: Oxford University Press, 2020.Google Scholar
Sitter, John. Literary Loneliness in Mid-Eighteenth Century England. Ithaca, NY and London: Cornell University Press, 1982.Google Scholar
Sitter, John. “Personification.” In The Cambridge Introduction to Eighteenth Century Poetry, 158–64. Cambridge: Cambridge University Press, 2011.Google Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.Google Scholar
Squire, Michael. “Ecphrasis: Visual and Verbal Interactions in Ancient Greek and Latin Literature.” Oxford Handbooks Online: Scholarly Research Reviews, April 2015. Oxfordhandbooks.com. Accessed April 9, 2022.Google Scholar
Squire, Michael. “Making Myron’s Cow Moo? Ecphrastic Epigram and the Poetics of Simulation.American Journal of Philology 131, no. 4 (2010): 589–634.Google Scholar
Squire, Michael. “Reading a View: Poem and Picture in the Greek Anthology.Ramus 39, no. 2 (2010): 73–103.Google Scholar
St. George, E. A. W. (Andrew). Browning and Conversation. London: Macmillan, 1993.Google Scholar
Sturgeon, Mary. Michael Field. London: George G. Harrap, 1922.Google Scholar
Super, Robert H. The Publication of Landor’s Works. London: Bibliographical Society, 1954.Google Scholar
Super, Robert H. Walter Savage Landor: A Biography. New York: New York University Press, 1954.Google Scholar
Swinburne, Algernon Charles. Erechtheus: A Tragedy. New Edition. London, Chatto and Windus, 1881.Google Scholar
Swinburne, Algernon Charles. Major Poems and Selected Prose, edited by McGann, Jerome J. and Sligh, Charles L.. New Haven, CT: Yale University Press, 2004.Google Scholar
Swinburne, Algernon Charles. The Swinburne Letters. 6 vols., edited by Lang, Cecil Y.. New Haven, CT: Yale University Press, 1959–62.Google Scholar
Swinburne, Algernon Charles. William Blake: A Critical Essay, 1868, edited by Luke, Hugh J.. Lincoln: University of Nebraska Press, 1970.Google Scholar
Symonds, John Addington. Studies of the Greek Poets. 2 vols. New York: Harper & Brothers, 1880.Google Scholar
Taylor, Dennis. Hardy’s Metres and Victorian Prosody with A Metrical Appendix of Hardy’s Stanza Forms. Oxford: Clarendon Press, 1988.Google Scholar
Tennyson, Alfred, Lord. The Poems of Tennyson, 3 vols., edited by Ricks, Christopher. 2nd edition. Berkeley: University of California Press, 1987.Google Scholar
Tennyson, Hallam. Alfred Lord Tennyson, A Memoir by His Son. New York: Macmillan, 1898.Google Scholar
Theocritus. Theocritus. Moschus. Bion, edited and translated by Hopkinson, Neil. Loeb Classical Library 28. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Thomson, James. The Four Seasons, and Other Poems. London: J. Millan, 1735.Google Scholar
Thomson, James. The Poetical Works of James Thomson. London: William Pickering, 1847.Google Scholar
Tucker, Herbert F. Browning’s Beginnings: The Art of Disclosure. Minneapolis: University of Minnesota Press, 1980.Google Scholar
Tucker, Herbert. “Dramatic Monologue and the Overhearing of Lyric.” In Critical Essays on Robert Browning, edited by Gibson, Mary Ellis, 226–43. New York: G. K. Hall, 1992.Google Scholar
Turner, Paul. Tennyson. London: Routledge & Kegan Paul, 1976.Google Scholar
Visick, Mary. “‘Tease us out of thought’: Keats’s ‘Epistle to Reynolds’ and the Odes.Keats-Shelley Journal 15 (Winter 1966): 87–98.Google Scholar
Wasserman, Earl R.The Inherent Values of Personification.Publications of the Modern Language Association 65 (1950): 435–63.Google Scholar
Webb, Ruth. “Ekphrasis Ancient and Modern: The Invention of a Genre.Word and Image 15 (1999): 7–18.Google Scholar
Weiner, Stephanie Kuduk. Clare’s Lyric: John Clare and Three Modern Poets. Oxford: Oxford University Press, 2014.Google Scholar
Williams, Carolyn. “Parodies of the Pre-Raphaelite Ballad Refrain.” In The Ballad: A Special Issue on Historical Poetics and Genre, edited by Cohen, Michael, 227–55. Nineteenth-Century Literature 71, No. 2 (2016).Google Scholar
Wordsworth, Dorothy and William, . The Early Letters of William and Dorothy Wordsworth (1787–1805), edited by de Selincourt, Ernest. Oxford: Clarendon Press, 1935.Google Scholar
Wordsworth, William. Preface to Lyrical Ballads (1802). In William Wordsworth and Samuel Taylor Coleridge: Lyrical Ballads and Related Writings, edited by Richey, William and Robinson, Daniel, 390–411. Boston, MA: Houghton Mifflin, 2002.Google Scholar
Wordsworth, William. Preface to Poems, 2 vols. London: Longman, Hurst, Rees, Orme, and Brown, 1815.Google Scholar
Wordsworth, William. The Prelude: 1799, 1805, 1850, edited by Wordsworth, Jonathan, Abrams, Meyer H., and Gill, Stephen. New York: W. W. Norton, 1979.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Elizabeth Helsinger, University of Chicago
  • Book: Conversing in Verse
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009200189.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Elizabeth Helsinger, University of Chicago
  • Book: Conversing in Verse
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009200189.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Elizabeth Helsinger, University of Chicago
  • Book: Conversing in Verse
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009200189.009
Available formats
×