Published online by Cambridge University Press: 27 February 2026
An examination of the importance of idiosyncrasy, individuated expressiveness, nurturing the excessive and a willingness to learn from accident and surprise. The chapter begins with elaboration of Proust’s fervent interest in Ruskin’s interest in the disturbed imagination, before also discussing the London studio pottery of the Martin Brothers, along with contemporary examples of work that upsets established hierarchies and categories, as well as taking functionality to its limits.
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