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3 - Norman Italy and the Crusades: Thoughts on the ‘Homefront’

Published online by Cambridge University Press:  25 May 2021

William M. Aird
Affiliation:
Lecturer in History, School of History, Classics and Archaeology, University of Edinburgh.
Natasha R. Hodgson
Affiliation:
Lecturer in Medieval History, Nottingham Trent University.
Kathryn Hurlock
Affiliation:
Senior Lecturer in Medieval History, Manchester Metropolitan University
Paul Oldfield
Affiliation:
Lecturer in Medieval History, University of Manchester
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Summary

Never will I be comforted,

nor do I wish to be cheered.

The ships have arrived at port

and are about to set sail.

The noblest of men is leaving

for a land across the sea;

and I, alas, forlorn –

what am I to do?

Holy, holy, holy God,

who came to the Virgin

save and keep my love,

since you have taken him away from me.

The cross saves the people –

and it is my undoing.

The cross is the source of my pain.

and my prayers to God do me no good.

O pilgrims’ cross,

why have you destroyed me?

Poor wretched me –

I am all in flames!

The Emperor rules

all the world in peace –

and on me he makes war,

for he has taken away my hope.

When he took the Cross,

he certainly did not think of me –

that man who loved me so,

and I loved him so.

The ships have hoisted their sails;

may they have a propitious journey,

the ships, and my love,

and the people who must travel there!

O Father Creator,

lead them to port,

for they go to serve

the holy Cross.

Già mai non mi comforto, or ‘never will I be comforted’, by thirteenth-century Italian poet Rinaldo d’Aquino, details the emotional world, the sorrows and the frustrations of a woman who had just seen her lover off on crusade, most likely from the shores of Messina, Sicily. She expresses her feelings of abandonment, neglect; she asks what will happen to her, whether anyone had thought of her. She exclaims that while ‘the Cross’ may save others it ‘destroyed’ her and is her ‘undoing’. She denounces those whom she holds accountable – in addition to her lover – including the emperor (Frederick II) who called the crusade, the Cross (i.e., the mission), and God.

The poem belongs to a genre of thirteenth-century Sicilian lyric love poetry. In this particular example, several broad themes converge: first, the crusades in the Mediterranean; next, Sicily and the kingdom of southern Italy, or the Regno; and finally the impact of the crusades on those left behind.

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Publisher: Boydell & Brewer
Print publication year: 2015

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