Skip to main content
  • Print publication year: 2010
  • Online publication date: November 2010


Recommend this book

Email your librarian or administrator to recommend adding this book to your organisation's collection.

Cupid in Early Modern Literature and Culture
  • Online ISBN: 9780511779695
  • Book DOI:
Please enter your name
Please enter a valid email address
Who would you like to send this to *
Primary material
Acts and Ordinances of the Interregnum 1642–1660, ed. Firth, C. H. and Rait, R. S. (London: HMSO, 1911).
Adlington, William, The xi Bookes of the Golden Asse … with an excellent narration of the Mariage of Cupide and Psiches (London, 1566).
Ainsworth, Henry, An Arrow Against Idolatrie: Taken out of the quiver of the Lord of hosts (Amsterdam, 1611).
Alciato, Andrea, Andreae Alciati Emblematum Fontes Quatuor, ed. Green, Henry (London: Trübner & Co., 1870).
Alciato, Andrea, Clarissimi Viri D. Andreae Alciati Emblematum Libri Duo (Lugduni, 1547).
Alciato, Andrea, Emblemata: Lyons, 1550, trans. Knott, Betty I. (Aldershot: Scolar Press, 1996).
Alighieri, Dante, Dante's Vita Nuova, trans. Musa, Mark (OxfordUniversity Press, 1992).
Anacreon, , Anacreon. Bion. Moschus (London, 1651).
Apuleius, Lucius, Luc. Apulee de l'Ane doré XI livres, trans. Louveau, Jean (Lyons, 1558).
Apuleius, Lucius, Metamorphoses, trans. J. Arthur Hanson, 2 vols. (Cambridge, MA: Harvard University Press, 1989).
Ascham, Roger, English Works, ed. Wright, William Aldis (CambridgeUniversity Press, 1904).
Bacon, Sir Francis, Essays, or, Counsels, Civil and Moral, ed. Vickers, Brian (OxfordUniversity Press, 2002).
Beard, Thomas, A Theatre of God's Judgement (London, 1597).
Beaumont, Francis, Beaumont and Fletcher: Dramatic Works, ed. Fredson Bowers, 10 vols. (CambridgeUniversity Press, 1970).
Beaumont, Francis, The Knight of the Burning Pestle, ed. Gurr, Andrew (Edinburgh: Oliver & Boyd, 1968).
Beaumont, Francis, The Works of Beaumont and Fletcher, ed. L. Theobald, T. Seward and J. Simpson, 10 vols. (London: Tonson and Draper, 1750).
Becon, Thomas, The Catechism of Thomas Becon, ed. Ayre, John (Whitefish: Kessinger Publishing, 2003).
Boccaccio, Giovanni, Decameron, ed. Vittore Branca, 2 vols. (Turin: Einaudi, 1980).
Boccaccio, Giovanni, Boccaccio's Decameron, trans. Hutton, Edward (1620) (London: David Nutt, 1909).
Boccaccio, Giovanni, Decameron, trans. G. H. McWilliam, 2nd edn (London: Penguin, 1995).
Bownd, Nicholas, The Doctrine of the Sabbath Plainely Layde Forth (London, 1595).
Brice, Thomas, Against Filthy Writing and Such Like Delighting (London, 1562).
Burton, Robert, The Anatomy of Melancholy, ed. Faulkner, Thomas C., Kiessling, Nicolas K. and Rhonda L. Blair, 4 vols. (Oxford: Clarendon Press, 1989–94).
Burton, Robert, Calendar of Letters and State Papers: Spanish, ed. Hume, M. A. (London, 1892).
Burton, Robert, Calendar of the State Papers relating to Scotland and Mary, Queen of Scots, ed. Bain, Joseph (Edinburgh, 1900).
Burton, Robert, Calendar of State Papers: Venetian, 1527–1533, ed. Brown, Rawdon (London, 1871).
Calvin, Jean, The Institution of Christian Religion, wrytten in Latine by maister Jhon Calvin, trans. Norton, Thomas (London 1561).
Calvin, Jean, A Treatise on Relics, trans. Krasinski, Count Valerian (Edinburgh: Johnstone, Hunter & Co., 1870).
Carew, Thomas, The Poems of Thomas Carew, ed. Dunlap, Rhodes (Oxford: Clarendon Press, 1948).
Castiglione, Baldassare, The Book of the Courtier, ed. Javitch, Daniel, trans. Sir Hoby, Thomas (New York and London: W. W. Norton, 2002).
Chaucer, Geoffrey, The Complete Works of Geoffrey Chaucer, ed. Skeat, Walter W. (Oxford: Clarendon Press, 1897).
Chaucer, Geoffrey, The Riverside Chaucer, ed. Benson, Larry D. (OxfordUniversity Press, 1988, repr. 1992).
Churchyard, Thomas, A Discourse of the Queenes Majesties Entertainment in Suffolk and Norfolk (London, 1578).
Cleaver, Robert and Dod, John, A Godly Forme of Houshold Government (London, 1598, repr. 1621).
Coeffeteau, Nicolas, A Table of Humane Passions, trans. Grimeston, Edward (London, 1621).
Conti, Natale, Natale Conti's Mythologies: A Select Translation by DiMatteo, Anthony (New York and London: Garland Publishing, 1994).
Crooke, Helkiah, Microcosmographia (London, 1615).
Crooke, Helkiah, The Danse Macabre of Women, ed. Tukey, Ann (Kent, OH, and London: Kent State University Press, 1994).
Lorris, Guillaume, The Romance of the Rose, trans. Dahlberg, Charles (Princeton University Press, 1995).
Lorris, Guillaume, The Romance of the Rose, trans. Horgan, Frances (OxfordUniversity Press, 1994, repr. 2008).
Voragine, Jacobus, The Golden Legend: Selections, trans. Stace, Christopher (London: Penguin, 1998).
Dekker, Thomas, Non-Dramatic Works, ed. A. B. Grosart, 4 vols. (London, 1884–6).
Dering, Edward, A Briefe and necessary Catechisme or Instruction (London, 1572).
Dod, John, A Plaine and Familiar Exposition of the Ten Commandments with a Catechism (London, 1605).
Donne, John, John Donne: The Complete English Poems, ed. A Patrides, C. (London: Everyman, 1991).
Donne, John, The Sermons of John Donne, ed. Potter, George R. and Evelyn M. Simpson, 10 vols. (Berkeley: University of California Press, 1953–62).
Donne, John, Early English Versions of the Tales of Guiscarde and Ghismonda and Titus and Gisippus from the Decameron, ed. Wright, Herbert G. (London: Early English Text Society, 1937).
Elizabeth, I, Elizabeth I: Collected Works, ed. Marcus, Leah S., Mueller, Janel and Rose, Mary Beth (Chicago and London: University of Chicago Press, 2000).
The Poems of Queen Elizabeth I, ed. Bradner, Leicester (Providence: Brown University Press, 1964).
Euripides, , Euripides: Alcestis, Medea, Hippolytus, trans. Svarlien, Diane Arnson (Indianapolis: Hackett, 2007).
Euripides, , Euripides' Hippolytos, trans. Barrett, W. S. (Oxford: Clarendon Press, 1964, repr. 1992).
Euripides, , Hippolytos, trans. Bagg, Robert (London: Oxford University Press, 1974).
Ficino, Marsilio, Commentary on Plato's Symposium on Love, trans. Jayne, Sears (Dallas: Spring Publications, 1985).
Florio, Jean, Florios Second Frutes (London, 1591).
Florio, Jean, Queen Anna's New World of Words (London, 1611).
Florio, Jean, A Worlde of Wordes (London, 1598).
Ford, John, The Broken Heart, ed. Morris, Brian (London: A & C Black, 1994).
Ford, John, 'Tis Pity She's a Whore, ed. Roper, Derek (ManchesterUniversity Press, 1997).
Fulgentius, , Fulgentius the Mythographer, trans. Whitbread, Leslie George (Columbus: Ohio State University Press, 1971).
Monmouth, Geoffrey of, The History of the Kings of Britain, trans. Thorpe, Lewis (Harmondsworth: Penguin, 1966, repr. 1973).
Googe, Barnabe, Eclogues, Epitaphs and Sonnets, ed. Kennedy, Judith M. (Toronto and London: University of Toronto Press, 1989).
Googe, William, Of Domesticall Duties (London, 1622).
Gosson, Stephen, Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson, ed. Kinney, Arthur F. (Universität Salzburg, 1974).
Gower, John, The English Works of John Gower, ed. Macaulay, G. C. (London: Kegan Paul, 1900).
Gower, John, The Greek Anthology, trans. Paton, W. R., 5 vols. (London: William Heinemann, 1918).
Greville, Sir Fulke, Selected Poems, ed. Powell, Neil (Manchester: Carcanet Press, 1990).
Greville, Sir Fulke, The Prose Works of Fulke Greville, Lord Brooke, ed. Gouws, John (Oxford: Clarendon Press, 1986).
Guillemeau, Jacques, De la Nourriture et Gouvernement des Enfants, trans. The Nursing of Children (London, 1612).
Hall, Bishop Joseph, Hard Measure, in The Shaking of the Olive-Tree (London, 1660).
Harris, John, Navigantium atque Itineratium Bibliotheca: Or, A Compleat Collection of Voyages and Travels, 2 vols. (London, 1705).
Harris, John, Henry Stanford's Anthology: An Edition of Cambridge University Library Manuscript D.d.5.75, ed. May, Steven W. (New York and London: Garland, 1988).
Hesiod, , Theogony and Works and Days, trans. West, M. L. (OxfordUniversity Press, 1988, repr. 1999).
Heywood, Thomas, Love's Mistress, or the Queen's Masque, ed. Shady, Raymond C. (Salzburg: Institut für englische Sprache und Literatur, 1977).
Heywood, Thomas, An Homily against Peril of Idolatry, in Certain Sermons or Homilies appointed to be read in churches, ed. Rickey, Mary Ellen and Stroup, Thomas B. (Gainesville: Scholars' Facsimiles, 1968).
Heywood, Thomas, Le Huitieme Livre d'Amadis de Gaule, trans. Herberay, Nicolas (Lyons, 1577).
Heywood, Thomas, Inventaires de la Royne Descosse Douairiere de France: Catalogues of the Jewels, Dresses, Furniture, Books and Paintings of Mary Queen of Scots 1556–1569, ed. Robertson, Joseph (Edinburgh: Bannatyne Club, 1863).
Isidore, , The Etymologies of Isidore of Seville, trans. Barney, Stephen A., Lewis, W. J., Beach, J. A. and Berghof, Oliver (CambridgeUniversity Press, 2006).
James, VI, The Poems of James VI of Scotland, ed. James Craigie, 2 vols. (London and Edinburgh: William Blackwood & Sons, 1955).
Jenye, Thomas, ‘Maister Randolphes Phantasey’, in Satirical Poems of the Time of the Reformation, ed. James Cranstoun, 2 vols. (Edinburgh and London, 1891).
Johnson, Richard, A Crowne-Garland of goulden Roses (London, 1612).
Jones, Inigo, Inigo Jones: The Theatre of the Stuart Court, ed. Orgel, Stephen and Roy Strong, 2 vols. (Sotheby Parke Bernet: University of California Press, 1973).
Jonson, Ben, Ben Jonson: Poems, ed. Donaldson, Ian (London: Oxford University Press, 1975).
Jonson, Ben, Ben Jonson: The Complete Masques, ed. Orgel, Stephen (New Haven and London: Yale University Press, 1969).
Knox, John, The Political Writings of John Knox, ed. Breslow, Marvin A. (Washington, DC, and London: Folger Books, 1985).
Knox, John, The Works of John Knox, ed. David Laing, 6 vols. (Edinburgh, 1848).
Luther, Martin, What Luther Says: An Anthology, ed. Ewald M. Plass, 3 vols. (St Louis: Concordia Publishing House, 1959).
Lyly, John, Campaspe and Sappho and Phao, ed. Hunter, G. K. and Bevington, David (ManchesterUniversity Press, 1991, repr. 1999).
Lyly, John, Gallathea and Midas, ed. Lancashire, Anne Begor (London: Edward Arnold, 1969).
Lyly, John, The Complete Works of John Lyly, ed. R. Warwick Bond, 3 vols. (Oxford: Clarendon Press, 1902).
Machyn, Henry, The Diary of Henry Machyn, ed. Nichols, J. G. (London, 1848).
Marlowe, Christopher, The Complete Works of Christopher Marlowe, ed. Roma Gill, 4 vols. (Oxford: Clarendon Press, 1987).
Marston, John, The Metamorphoses of Pygmalion's Image, in Amorous Rites: Elizabethan Erotic Verse, ed. Clark, Sandra (London: J. M. Dent & Sons, 1994).
Melanchthon, Philip, Melanchthon on Christian Doctrine: Loci Communes 1555, trans. Manschreck, Clyde L. (New York: Oxford University Press, 1965).
Michault, Pierre, La Danse aux aveugles et autres poesies du XV siecle: Extraites, ed. Douxfils, Lambert (Lille, 1748).
Middleton, Thomas, Thomas Middleton: Five Plays, ed. Loughrey, Bryan and Taylor, Neil (London: Penguin, 1988).
Thomas Middleton: The Collected Works, ed. Taylor, Gary and Lavagnino, John (OxfordUniversity Press, 2007).
Northbrooke, John, A Treatise against Dicing, Dancing, Plays and Interludes (1577) (London: Shakespeare Society Reprint, 1843).
Ovid, , The Art of Love and Other Poems, trans. Mozley, J. H. (London: William Heinemann, 1929).
Ovid, , Heroides and Amores, trans. Showerman, Grant (London: William Heinemann, 1914).
Ovid, , Metamorphoses, trans. Miller, Frank Justus (London: Loeb, 1916).
Ovid, , Metamorphoses, trans. Hanson, J. Arthur, 2 vols. (Cambridge, MA, and London: Harvard University Press, 1989).
Ovid, , Ovid's Metamorphoses: The Arthur Golding Translation, ed. Nims, John Frederick (London and New York: Macmillan, 1965).
Paré, Ambroise, ‘Of the Causes of Lues Venerea’, in Workes, trans. Johnson, T. (London, 1634).
Pausanias, , Pausanias, trans. W. H. S. Jones, 6 vols. (London: William Heinemann, 1918).
Peacham, Henry, The Compleat Gentleman (London, 1622).
Peele, George, The Life and Works of George Peele, gen. ed. Charles Tyler Prouty, 3 vols. (New Haven: Yale University Press, 1952–70).
Perkins, William, A Warning Against the Idolatrie of the Last Times (Cambridge, 1601).
Petrarch, Francesco, Petrarch's Lyric Poems: The Rime Sparse and Other Lyrics, trans. Durling, Robert M. (Cambridge, MA, and London: Harvard University Press, 1976).
Petrarch's Secretum with Introduction, Notes and Critical Anthology, ed. Carozza, Davy A. and Shey, H. James (New York: Peter Lang, 1989).
Petrarch, Francesco, The Triumphs of Petrarch, trans. Wilkins, Ernest Hatch (Chicago and London: University of Chicago Press, 1962).
Pettie, George, A Petite Pallace of Pettie his Pleasure (London, 1576).
Plato, , Symposium, trans. Waterfield, Robin (OxfordUniversity Press, 1994, repr. 2008).
Pollard, Tanya (ed.), Shakespeare's Theater: A Sourcebook (Oxford: Blackwell, 2004).
Preston, Thomas, Cambyses, in The Minor Elizabethan Drama: Pre-Shakespearean Tragedies, ed. Thorndike, Ashley (London and New York: Everyman, 1958, repr. 1967).
Primaudaye, Pierre, The French Academie, trans. Bowes, T. (London, 1596).
Primaudaye, Pierre, The Progresses and Public Processions of Queen Elizabeth, ed. Nichols, John, 3 vols. (London: Society of Antiquaries of London, 1788).
Prynne, William, Histrio-Mastix The Players Scourge, or, Actors Tragaedie (London, 1633).
Puttenham, George, The Arte of English Poesie (London, 1589).
Riche, Barnabe, My Ladies Looking-Glasse (London, 1616).
Ridley, Nicholas, The Works of Nicholas Ridley, ed. Christmas, Henry (CambridgeUniversity Press, 1841).
Ripa, Cesare, Iconologia (Rome, 1603).
Ronsard, Pierre, Les Œuvres de Pierre de Ronsard: Texte du 1587, ed. Isidore Silver, 8 vols. (Chicago and London: University of Chicago Press, 1968).
Ronsard, Pierre, The Roxburghe Ballads, ed. William Chappell, 9 vols. (Hertford: Stephen Austin & Sons, 1880).
Augustine, St, On Christian Doctrine, trans. D. W. Robertson, Jr (Upper Saddle River: Prentice Hall, 1958).
Augustine, St, The Trinity, trans. McKenna, Stephen (Washington, DC: The Catholic University of America Press, 1963).
Sandford, James, Houres of Recreation, or Afterdinners (London, 1576).
Saris, John, The Voyage of Captain John Saris to Japan, 1613, ed. Satow, Sir Ernest M. (London: Hakluyt Society, 1900, repr. 1967).
Shakespeare, William, The Oxford Shakespeare: The Complete Works, ed. Wells, Stanley, Taylor, Gary, Jowett, John and Montgomery, William (Oxford: Clarendon Press, 1986).
Shakespeare, William, A Midsommer Nights Dreame: A New Variorum Edition, ed. Furness, H. H. (Philadelphia and London: J. B. Lippincott, 1895).
Shakespeare, William, Pericles, ed. Gossett, Suzanne (London: Thomson Learning, 2004).
Sharpham, Edward, A Critical Old Spelling Edition of The Works of Edward Sharpham, ed. Petter, Christopher Gordon (New York and London: Garland, 1986).
Shirley, James, The Dramatic Works and Poems of James Shirley, ed. Gifford, William and Alexander Dyce, 6 vols. (New York: Russell & Russell, 1966).
Shyngleton, Robert, The Court of Venus, ed. Fraser, Russell A. (Durham, NC: Duke University Press, 1955).
Sidney, Sir Philip, The Countess of Pembroke's Arcadia (The Old Arcadia), ed. Duncan-Jones, Katherine (OxfordUniversity Press, 1985, repr. 1999).
Sidney, Sir Philip, The Countess of Pembroke's Arcadia, ed. Evans, Maurice (Harmondsworth: Penguin, 1977).
Sidney, Sir Philip, The Countess of Pembroke's Arcadia (The New Arcadia), ed. Skretkowicz, Victor (Oxford: Clarendon Press, 1987).
Sidney, Sir Philip, The Poems of Sir Philip Sidney, ed. Ringler, William A. (Oxford: Clarendon Press, 1962).
Sidney, Sir Philip, Sir Philip Sidney: The Major Works, ed. Duncan-Jones, Katherine (OxfordUniversity Press, 1989, repr. 2002).
Skelton, John, The Complete Poems of John Skelton, ed. Henderson, Philip (London and Toronto: J. M. Dent & Sons, 1948).
Sophocles, , The Theban Plays, trans. Watling, E. F. (Harmondsworth: Penguin, 1947).
Spenser, Edmund, The Faerie Queene, ed. C. Hamilton, A. and Hiroshi Yamashita, 2nd edn (London and New York: Longman, 1977, repr. 2001).
Spenser, Edmund, Spenser: Poetical Works, ed. Smith, J. C. and Selincourt, E. (OxfordUniversity Press, 1970).
Stanley, Thomas, The Poems and Translations of Thomas Stanley, ed. Crump, Galbraith Miller (Oxford: Clarendon Press, 1962).
Striggio, Alessandro, ‘A Description of Alessandro Striggio and Francesco Corteccia's Intermedi “Psyche and Amor” ’, trans. Baker, Theodore, in Miscellaneous Studies in the History of Music, ed. Sonneck, O. G. (New York: Macmillan, 1921), pp. 269–86.
Stuart, Mary, Bittersweet Within my Heart: The Collected Poems of Mary, Queen of Scots, ed. Bell, Robin (London: Pavilion Books, 1992).
Three Renaissance Pastorals: Tasso, Guarini, Daniel, ed. Donno, Elizabeth Story (Binghamton: Medieval and Renaissance Texts and Studies, 1993).
Tottel, Richard, Richard Tottel's Songes and Sonettes: The Elizabethan Version, ed. Marquis, Paul A. (Tempe: ACMRS and Renaissance English Text Society, 2007).
Vaenius, Otto, Amorum Emblemata, ed. Porteman, Karel (Aldershot: Scolar Press, 1996).
Virgil, , Virgil's Aeneid, trans. Oakley, Michael (London: J. M. Dent & Sons, 1957).
Virgil, , The Pastoral Poems, trans. Rieu, E. V. (Harmondsworth: Penguin, 1949).
Virgil, , Visitation Articles and Injunctions of the Period of the Reformation, ed. Frere, W. H. and Kennedy, W. M., 3 vols. (London: Longmans, Green & Co., 1910).
Vives, Juan Luis, Instruction of a Christian Woman, trans. Hyrde, Richard (London, 1522, repr. 1529).
White, Robert, Cupid's Banishment, in Renaissance Drama by Women: Texts and Documents, ed. Cerasano, S. P. and Davies, Marion Wynne (London and New York: Routledge, 1996), pp. 76–89.
Whitney, Geffrey, A Choice of Emblemes, ed. Green, Henry (New York: Benjamin Blom, 1866, repr. 1967).
Wilmot, Robert, Gismond of Salerne, in Early English Classical Tragedies, ed. Cunliffe, J. W. (Oxford: Clarendon Press, 1912).
Wilmot, Robert, The Tragedy of Tancred and Gismund (London: Malone Society, 1914).
Wing, J., The Crown Conjugall, or Spouse Royal: A True Discovery of the True Honor and Happiness of Christian Matrimony (London, 1620).
Wither, George, A Collection of Emblemes, Ancient and Moderne (London, 1635).
Wotton, Henry, A Courtlie Controversie of Cupid's Cautels (London, 1578).
Wroth, Mary, Loves Victory, in Renaissance Drama by Women: Texts and Documents, ed. Cerasano, S. P. and Davies, Marion Wynne (London and New York: Routledge, 1996).
Wroth, Mary, The Poems of Lady Mary Wroth, ed. Roberts, Josephine (Baton Rouge and London: Louisiana State University Press, 1983).
Secondary material
Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays: ‘Hamlet’ to ‘The Tempest’ (New York: Routledge, 1992).
Aldritch, Robert and Wotherspoon, Garry (eds.), Who's Who in Gay and Lesbian History: From Antiquity to World War II (London: Routledge, 2000).
Alpers, Paul J., The Poetry of The Faerie Queene (Columbia and London: University of Missouri Press, 1967, repr. 1982).
Anderson, Jaynie, Giorgione: The Painter of ‘Poetic Brevity’ (Paris and New York: Flammarion, 1997).
Anderson, Judith H., ‘ “In living colours and right hew”: The Queen of Spenser's Central Books’, in Poetic Traditions of the English Renaissance, ed. Mack, Maynard and Lord, George de Forest (New Haven and London: Yale University Press, 1982), pp. 47–66.
Arias, Judith H., ‘Don Juan, Cupid, the Devil’, Hispania 75 (1992), 1108–15.
Ariès, Philippe, Centuries of Childhood: A Social History of Family Life, trans. Baldick, Robert (Harmondsworth: Penguin, 1960, repr. 1973).
Ariès, Philippe, The Hour of Our Death, trans. Weaver, Helen (London: Penguin, 1983).
Armstrong, Nancy, Jewellery: An Historical Survey of British Styles and Jewels (Guildford and London: Lutterworth Press, 1973).
Armstrong, Rebecca, Ovid and His LovePoetry (London: Duckworth, 2005).
Armstrong, W. A., ‘The Background and Sources of Preston's Cambises’, English Studies 31 (1950), 129–35.
Astington, John H., ‘The Popularity of Cupid's Revenge’, Studies in English Literature 19 (1979), 215–27.
Aston, Margaret, England's Iconoclasts, vol. I: Laws against Images (Oxford: Clarendon Press, 1988).
Aune, Michael B., To Move the Heart: Philip Melanchthon's Rhetorical View of Rite and its Implications for Contemporary Ritual Theory (San Francisco: Christian University Press, 1994).
Bach, Rebecca, Shakespeare and Renaissance Literature before Heterosexuality (Houndmills and New York: Palgrave, 2007).
Bailey, Amanda, ‘ “Monstrous Manner: Style and the Early Modern Theater’, Criticism 43.3 (summer 2001), 249–84.
Barkan, Leonard, The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven and London: Yale University Press, 1986).
Barroll, Leeds, Politics, Plague and Shakespeare's Theater: The Stuart Years (Ithaca and London: Cornell University Press, 1991, repr. 1995).
Bartlett, Kenneth R., ‘The Occasion of Lord Morley's Translation of the Trionfi: The Triumph of Chastity over Politics’, in Petrarch's Triumphs: Allegory and Spectacle, ed. Eisenbichler, Konrad and Iannucci, Amilcare A. (Toronto: University of Toronto Press, 1990), pp. 325–34.
Bataille, Georges, Death and Sensuality: A Study of Eroticism and the Taboo (New York: Ballantine Books, 1969).
Bates, Catherine, ‘Astrophil and the Manic Wit of the Abject Male’, Studies in English Literature 41.1 (winter 2001), 1–24.
Bates, Catherine, ‘Shakespeare's Tragedies of Love’, in The Cambridge Companion to Shakespearean Tragedy, ed. McEachern, Claire Elizabeth (CambridgeUniversity Press, 2002), pp. 182–203.
Bednarz, James P., ‘Imitations of Spenser in A Midsummer Night's Dream’, Renaissance Drama 145 (1983), 79–102.
Bednarz, James P., ‘Ralegh in Spenser's Historical Allegory’, Spenser Studies 4 (1983), 49–70.
Beecher, Donald, ‘The Lover's Body: The Somatogenesis of Love in Renaissance Medical Treatises’, Renaissance and Reformation 12 (1988), 1–11.
Beilin, Elaine, ‘ “The Onely Perfect Vertue”: Constancy in Mary Wroth'sPamphilia to Amphilanthus’, Spenser Studies 2 (1981), 229–45.
Belsey, Catherine, ‘Cleopatra's Seduction’, in Alternative Shakespeares 2, ed. Hawkes, Terence (London: Routledge, 1988), pp. 38–62.
Belsey, Catherine, Desire: Love Stories in Western Culture (Oxford and Cambridge, MA: Blackwell, 1994).
Belsey, Catherine, ‘Love asTrompe-l’œil: Taxonomies of Desire in Venus and Adonis', Shakespeare Quarterly 46.3 (fall 1995), 257–76.
Bender, John, Spenser and Literary Pictorialism (Princeton University Press, 1972).
Bentley, Greg W., Shakespeare and the New Disease: The Dramatic Function of Syphilis in Troilus and Cressida, Measure for Measure and Timon of Athens (Peter Lang: New York and Bern, 1989).
Bergvall, Ake, ‘Reason in Luther, Calvin and Sidney’, Sixteenth Century Journal 23 (1992), 115–27.
Bernardo, Aldo S., ‘The Plague as Key to Meaning in Boccaccio's Decameron’, in The Black Death: The Impact of the Fourteenth-Century Plague, ed. Williman, Daniel (Binghamton, NY:Center for Medieval and Early Renaissance Studies, 1982), pp. 39–64.
Berry, Edward, The Making of Sir Philip Sidney (London and Toronto: University of Toronto Press, 1998).
Berry, Philippa, Of Chastity and Power: Elizabethan Literature and the Unmarried Queen (New York: Routledge, 1989, repr. 1994).
Betteridge, Tom, Literature and Politics in the English Reformation (Manchester and New York: Manchester University Press, 2004).
Bevington, David, From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA: Harvard University Press, 1962).
Bly, Mary, Queer Virgins and Virgin Queens on the Early Modern Stage (OxfordUniversity Press, 2000).
Boas, Frederick, University Drama in the Tudor Age (OxfordUniversity Press, 1914).
Bold, John, Greenwich: The Architectural History of the Royal Hospital for Seamen and the Queen's House (New Haven and London: Yale University Press, 2000).
Bray, Alan, Homosexuality in Renaissance England (London: Gay Men's Press, 1982).
Breitenberg, Mark, Anxious Masculinity in Early Modern England (CambridgeUniversity Press, 1996).
Breitenberger, Barbara, Aphrodite and Eros: The Development of Erotic Mythology in Early Greek Poetry and Cult (London: Routledge, 2007).
Britland, Karen, Drama at the Courts of Queen Henrietta Maria (CambridgeUniversity Press, 2006).
Broaddus, James W., Spenser's Allegory of Love: Social History in Books III, IV and V of The Faerie Queene (London: Associated University Presses, 1995).
Brock, Maurice, Bronzino, trans. Radzinowicz, David Poole and Scultz-Touge, Christine (London: Thames & Hudson, 2002).
Bromham, A. A., ‘Women Beware Women, Danae and Iconographic Tradition’, Notes & Queries 50 (March 2003), 74–6.
Broneer, O., ‘Eros and Aphrodite on the North Slope of the Acropolis in Athens’, Hesperia 1 (1932), 31–55.
Buck, P. M., ‘Note on Milton's Comus’, Modern Language Notes 21 (January 1906), 17–18.
Bull, Malcolm, The Mirror of the Gods: Classical Mythology in Renaissance Art (London: Penguin, 2005).
Burgess, Irene, ‘ “The Wreck of Order” in Early Modern Women's Drama’, Early Modern Literary Studies 6.3 (January 2001), 1–24.
Burton, Jonathan, ‘English Anxiety and the Muslim Power of Conversion: Five Perspectives on “Turning Turk” in Early Modern Texts’, Journal for Early Modern Cultural Studies 2.1 (spring/summer 2002), 35–67.
Bush, Douglas, The Classics and English Renaissance Poetry: Three Case Studies (New Haven and London: Yale University Press, 1978).
Bush, Douglas, Mythology and the Renaissance Tradition in English Poetry (Minneapolis: University of Minnesota Press, 1932).
Bushnell, Rebecca W., Tragedies of Tyrants: Political Thought and Theater in the English Renaissance (Ithaca and London: Cornell University Press, 1990).
Callaghan, Dympna, Shakespeare without Women: Representing Gender and Race on the Renaissance Stage (London and New York: Routledge, 2000).
Camille, Michael, The Gothic Idol: Ideology and Image-Making in Medieval Art (CambridgeUniversity Press, 1989, repr. 1991).
Campbell, Stephen, The Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d'Este (New Haven and London: Yale University Press, 2004).
Campbell, Tom, ‘Cardinal Wolsey's Tapestry Collection’, Antiquaries Journal 76 (1996), 73–138.
Carnicelli, D. D., Lord Morley's ‘Tryumphes of Frauncis Petrarcke’: The First English Translation of the ‘Trionfi’ (Cambridge, MA: Harvard University Press, 1971).
Carpenter, Sarah, ‘Performing Diplomacies: The 1560s Court Entertainments of Mary, Queen of Scots’, The Scottish Historical Review 82 (October 2003), 194–225.
Carver, Robert H., The Protean Ass: The Metamorphoses of Apuleius from Antiquity to the Renaissance (OxfordUniversity Press, 2007).
Cavicchioli, Sonia, The Tale of Cupid and Psyche: An Illustrated History (New York: George Braziller, 2002).
Celovsky, Lisa, ‘Early Modern Masculinities andThe Faerie Queene’, English Literary Renaissance 35.2 (2005), 210–47.
Chakravorty, Swapan, Society and Politics in the Plays of Thomas Middleton (OxfordUniversity Press, 1991).
Chambers, E. K., ‘The Occasion of A Midsummer Night's Dream’, in Shakespearean Gleanings (OxfordUniversity Press, 1944), pp. 61–7.
Chambers, E. K., (ed.), The Elizabethan Stage, 4 vols. (OxfordUniversity Press, 1923).
Chance, Jane, The Mythographical Chaucer: The Fabulation of Sexual Politics (Minneapolis: University of Minnesota Press, 1994).
Charlton, H. B., The Senecan Tradition in Renaissance Tragedy (ManchesterUniversity Press, 1946).
Chedgzoy, Kate, ‘Playing with Cupid: Gender, Sexuality and Adolescence’, in Alternative Shakespeares 3, ed. Henderson, Diana E. (London: Routledge, 2007), pp. 138–57.
Chedgzoy, Kate, ‘Shakespeare in the Company of Boys’, in Shakespeare and Childhood, ed. Chedgzoy, Susanne Greenhalgh and Shaughnessy, Robert (CambridgeUniversity Press, 2007), pp. 184–200.
Christensen, Carl C., Art and the Reformation in Germany (Athens: Ohio University Press, 1979).
Clark, Arthur Melville, Thomas Heywood: Playwright and Miscellanist (Oxford: Basil Blackwell, 1931).
Clarke, Danielle, ‘ “Lover's Songs shall turne to Holy Psalmes”: Mary Sidney and the Transformation of Petrarch’, Modern Language Review 92.2 (April 1997), 282–94.
Cole, Bruce, Titian and Renaissance Painting, 1450–1590 (Oxford and Boulder: Westview Press, 1999).
Coles, Kimberley Ann, ‘ “Perfect Hole”: Elizabeth I, Spenser and Chaste Productions’, English Literary Renaissance 32 (2002), 31–61.
Collinson, Patrick, The Birthpangs of Protestant England: Religious and Cultural Change in the Sixteenth and Seventeenth Centuries (London: Macmillan, 1988, repr. 1991).
Collinson, Patrick, From Iconoclasm to Iconophobia: The Cultural Impact of the Second English Reformation (Reading: University of Reading, 1986).
Cook, Ann Jennalie, Making a Match: Courtship in Shakespeare and His Society (Princeton University Press, 1991).
Cooper, Emmanuel, The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West (London and New York: Routledge, 1986, repr. 1994).
Cope, Jackson I., ‘Marlowe's Dido and the Titillating Children’, English Literary Renaissance 4 (1974), 315–25.
Corns, Thomas N., Uncloistered Virtue: English Political Literature, 1640–1660 (Oxford: Clarendon Press, 1992).
Cox-Rearick, Janet, The Collection of Francis I: Royal Treasures (Antwerp: Fonds Mercator Paribas, 1995).
Craft, William, ‘The Shaping Picture of Love in Sidney's Arcadia’, Studies in Philology 81 (fall 1984), 395–418.
Crawfurd, Raymond, Plague and Pestilence in Literature and Art (Oxford: Clarendon Press, 1914).
Croll, Morris W., The Works of Fulke Greville: A Thesis (Philadelphia: J. B. Lippincott, 1903).
Crossley, Fred H., English Church Craftsmanship (London: B. T. Batsford, 1920).
Cunliffe, J. W., ‘Italian Prototypes of the Masque and Dumb Show’, Publications of the Modern Language Association of America 22 (1907), 140–56.
Cunliffe, J. W., ‘Gismond of Salerne’, Publications of the Modern Language Association of America 21 (1906), 435–61.
Cunliffe, J. W. (ed.), Early English Classical Tragedies (Oxford: Clarendon Press, 1912).
Curbet, Joan, ‘ “Changeling Love”: The Function of Cupid in Fulke Greville's Caelica’, SEDERI 9 (1998), 163–70.
Curran, John E., Hamlet, Protestantism and the Mourning of Contingency (Aldershot: Ashgate, 2006).
Curteis, Tobit, ‘The Elizabethan Wall Paintings of Hill Hall: Influences and Techniques’, in Painting Techniques: History, Materials and Studio Practice, ed. Roy, Ashok and Smith, Perry (London: International Institute for Conservation of Historic and Artistic Works, 1998), pp. 131–5.
Daly, Peter, ‘England and the Emblem: The Cultural Context of English Emblem Books’, in The English Emblem and the Continental Tradition, ed. Daly, (New York: AMS Press, 1988), pp. 1–60.
Davis, Walter, ‘Thematic Unity in the New Arcadia’, Studies in Philology 57 (April 1960), 123–43.
Dawson, Lesel, Lovesickness and Gender in Early Modern Literature (OxfordUniversity Press, 2008).
D'Ancona, , Levi, Mirella, Botticelli's Primavera: A Botanical Interpretation Including Astrology, Alchemy and the Medici (Florence: Olschki Editore, 1983).
DeNeef, A. Leigh, Spenser and the Motives of Metaphor (Durham, NC: Duke University Press, 1982).
Rougemont, Denis, Love in the Western World, trans. Belgion, Montgomery (New York: Schocken Books, 1940, repr. 1983).
Dickey, Franklin M., Not Wisely But Too Well: Shakespeare's Love Tragedies (San Marino, CA: Huntington Library, 1966).
Diehl, Huston, ‘Bewhored Images and Imagined Whores: Iconophobia and Gynophobia in Stuart Love Tragedies’, English Literary Renaissance 26.1 (1996), 111–37.
Diehl, Huston, Staging Reform, Reforming the Stage: Protestantism and Popular Theatre in Early Modern England (Ithaca and London: Cornell University Press, 1997).
DiGangi, Mario, The Homoerotics of Early Modern Drama (CambridgeUniversity Press, 1997).
Dimmick, Jeremy, Simpson, James and Zeeman, Nicolette (eds.), Images, Idolatry, and Iconoclasm in Late Medieval England: Textuality and the Visual Image (OxfordUniversity Press, 2002).
DiPasquale, Theresa M., Literature and Sacrament: The Sacred and the Secular in John Donne (Cambridge: James Clarke & Co., 2001).
Dodd, William George, Courtly Love in Chaucer and Gower (Boston and London: Ginn and Co., 1913).
Dodds, Madeline Hope, ‘A Forrest Tragedye in Vacunium’, Modern Language Review (1945), 246–58.
Dolan, Frances, E., ‘Marian Devotion and Maternal Authority in Seventeenth-Century England’, in Maternal Measures: Figuring Caregiving in the Early Modern Period, ed. Miller, Naomi J. and Yavneh, Naomi (Aldershot: Ashgate, 2000), pp. 282–92.
Dollimore, Jonathan, Death, Desire and Loss in Western Culture (London: Allen Lane, 1998).
Donaldson, Gordon, All the Queen's Men: Power and Politics in Mary Stewart's Scotland (London: Batsford Academic and Educational, 1983).
Donno, Elizabeth Story, ‘The Triumph of Cupid: Spenser's Legend of Chastity’, Yearbook of English Studies 4 (1974), 37–48.
Doran, Susan, ‘Juno versus Diana: The Treatment of Elizabeth I's Marriage in Plays and Entertainments, 1561–1581’, The Historical Journal 2 (June 1995), 257–74.
Doran, Susan, Monarchy and Matrimony: The Courtships of Elizabeth I (London and New York: Routledge, 1996).
Dubrow, Heather, Echoes of Desire: English Petrarchism and its Counterdiscourses (Ithaca and London: Cornell University Press, 1995).
Duncan-Jones, , Katherine, , ‘Sidney and Titian’, in English Renaissance Studies, ed. Carey, John (Oxford: Clarendon Press, 1980), pp. 1–11.
Duncan-Jones, , Katherine, , ‘Sidney's Pictorial Imagination’, BLitt thesis, Somerville College, Oxford, June 1964.
Duncan-Jones, , Sir Philip Sidney: Courtier Poet (New Haven and London: Yale University Press, 1991).
Duncan-Jones, , ‘Was the 1609 Shake-speare Sonnets Really Unauthorized?’, Review of English Studies 34 (1983), 151–71.
Dundas, Judith, ‘De Morte et Amore: A Story-Telling Emblem and Its Dimensions’, in The Art of the Emblem, ed. Bath, Michael, Manning, John and Young, Alan R. (New York: AMS Press, 1993), pp. 39–70.
Dundas, Judith, Pencils Rhetorique: Renaissance Poets and the Art of Painting (London and Toronto: Associated University Presses, 1993).
Dunnigan, Sarah M., ‘ “Daughterly Desires”: Representing and Re-imagining the Feminine in Anna Hume's Triumphs’, in Woman and the Feminine in Medieval and Early Modern Scottish Writing, ed. Dunnigan (Houndmills: Palgrave, 2004), pp. 120–35.
Dunnigan, Sarah M., Eros and Poetry at the Courts of Mary Queen of Scots and James VI (Houndmills: Palgrave, 2002).
Durling, Robert M., ‘Petrarch's “Giovene Donna Sotto un Verde Lauro” ’, Modern Language Notes 86.1 (1971), 1–20.
Ellrodt, Robert, Neoplatonism in the Poetry of Spenser (Geneva: Librairie E. Droz, 1960).
Erne, Lukas, Beyond The Spanish Tragedy: A Study of the Works of Thomas Kyd (Manchester and New York: Manchester University Press, 2001).
Evans, Maurice, Spenser's Anatomy of Heroism (CambridgeUniversity Press, 1970).
Evett, David, Literature and the Visual Arts in Tudor England (Athens and London: University of Georgia Press, 1990).
Fabricius, Johannes, Syphilis in Shakespeare's England (London and Bristol, PA: Jessica Kingsley, 1994).
Feuillerat, Albert, John Lyly (New York: Russell & Russell, 1968).
Fienberg, Nona, ‘Mary Wroth and the Invention of Female Poetic Subjectivity’, in Reading Mary Wroth: Representing Alternatives in Early Modern England, ed. Miller, Naomi J. and Waller, Gary (Knoxville: University of Tennessee Press, 1991), pp. 175–90.
Finaldi, Gabriele (ed.), Orazio Gentileschi at the Court of Charles I (London: National Gallery, 1999).
Finkelpearl, Philip J., Court and Country Politics in the Plays of Beaumont and Fletcher (Princeton University Press, 1990).
Fisher, Will, ‘The Renaissance Beard: Masculinity in Early Modern England’, Renaissance Quarterly 54 (2001), 155–87.
Fletcher, Anthony, ‘Men's Dilemma: The Future of Patriarchy in England 1560–1660’, Transactions of the Royal Historical Society 6th ser., vol. 4 (1994), 61–81.
Fletcher, Anthony, ‘The Protestant Idea of Marriage in Early Modern England’, in Religion, Culture and Society in Early Modern Britain: Essays in Honour of Patrick Collinson, ed. Fletcher, Anthony and Roberts, Peter (CambridgeUniversity Press, 1994), pp. 161–81.
Foister, Susan, ‘Paintings and Other Works of Art in Sixteenth-Century English Inventories’, The Burlington Magazine 123.937 (April 1981), 273–82.
Ford, Philip J., George Buchanan: Prince of Poets (Aberdeen University Press, 1983).
Foucault, Michel, The History of Sexuality Volume. 1: An Introduction, trans. Hurley, Robert (London: Allen Lane, 1978).
Fox, Alistair, The English Renaissance: Identity and Representation in Elizabethan England (Oxford: Blackwell, 1997).
Fraser, Antonia, Mary, Queen of Scots (London: Weidenfeld & Nicolson, 1969, repr. 1994).
Freud, Sigmund, Civilisation and Its Discontents (1930), in The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey, 24 vols. (London: The Hogarth Press, 1960).
Frye, Roland Mushat, ‘Ladies, Gentlemen and Skulls: Hamlet and the Iconographic Traditions’, Shakespeare Quarterly 30 (1979), 15–28.
Frye, Susan, Elizabeth I: The Competition for Representation (OxfordUniversity Press, 1993).
Fucilla, Joseph G.‘De Morte et Amore’, Philological Quarterly 14 (1935), 97–104.
Gaisser, Julia Haig, The Fortunes of Apuleius and the Golden Ass (Princeton and Oxford: Princeton University Press, 2008).
Garber, Marjorie, Vested Interests: Cross-Dressing and Cultural Anxiety (New York and London: Routledge, 1992).
Geren, Elizabeth Klein, ‘ “The Painted Gloss of Pleasure”: Sir Philip Sidney and the Visual Arts in Sixteenth-Century England’, PhD thesis, Yale University, October 1998.
Giebe, Marlies, ‘Die Schlummernde Venus von Giorgione und Tizian. Bestandaufnahme und Konservierung – neue Ergebnisse der Röngenanlyse’, Jahrbuch der Staatlichen Kunstsammlungen Dresden (1992), 91–108.
Gilbert, Allan H., The Symbolic Persons in The Masques of Ben Jonson (Durham, NC: Duke University Press, 1948).
Gilbert, Creighton E., Caravaggio and His Two Cardinals (University Park: Pennsylvania State University Press, 1995).
Gilman, Ernest B., Iconoclasm and Poetry in the English Reformation: Down Went Dagon (Chicago and London: University of Chicago Press, 1986).
Goff, Barbara E., The Noose of Words: Readings of Desire, Violence and Language in Euripides' Hippolytos (CambridgeUniversity Press, 1990).
Goffen, Rona, Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian (New Haven and London: Yale University Press, 2004).
Goldberg, Jonathan, Sodometries: Renaissance Texts, Modern Sexualities (Stanford University Press, 1992).
Gombrich, E. H., ‘Botticelli's Mythologies: A Study of the Neoplatonic Symbolism of His Circle’, Journal of the Warburg and Courtauld Institutes 8 (1945), 7–60.
Gordon, D. J., ‘Ben Jonson's “Haddington Masque”: The Story and the Fable’, Modern Language Review 42.2 (1947), 180–7.
Gordon, D. J., ‘The Imagery of Ben Jonson'sThe Masque of Blacknesse and The Masque of Beautie’, Journal of the Warburg and Courtauld Institutes (1943), 122–41.
Gottfried, Rudolf, ‘The Pictorial Element in Spenser's Poetry’, English Literary History 19 (September 1952), 203–13.
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (Chicago and London: University of Chicago Press, 1980, repr. 1984).
Greenblatt, Stephen, Will in the World: How Shakespeare became Shakespeare (London: Jonathan Cape, 2004).
Greenblatt, Stephen, The Greenwood Encyclopedia of Folktales and Fairy Tales, ed. Haase, Donald (Westport and London: Greenwood, 2008).
Greer, Germaine, The Boy (London: Thames & Hudson, 2003).
Grierson, Edward, King of Two Worlds: Philip II of Spain (London: Collins, 1974).
Griffiths, Paul, Youth and Authority: Formative Experiences in England 1560–1640 (Oxford: Clarendon Press, 1996).
Gross, Kenneth, Spenserian Poetics: Idolatry, Iconoclasm and Magic (Ithaca and London: Cornell University Press, 1985).
Gunn, S. J. and Lindley, P. G. (eds.), Cardinal Wolsey: Church, State and Art (CambridgeUniversity Press, 1991).
Guy, John, ‘My Heart Is My Own’: The Life of Mary Queen of Scots (London and New York: Fourth Estate, 2004).
Hackenbroch, Yvonne, Renaissance Jewellery (Munich and New York: Sotheby Parke Bernet, 1979).
Hackett, Helen, Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary (London: Macmillan, 1995, repr. 1996).
Hackett, Helen, Women and Romance Fiction in the English Renaissance (CambridgeUniversity Press, 2000).
Haigh, Christopher, English Reformations: Religion, Politics and Society under the Tudors (Oxford, Clarendon Press, 1993).
Haller, William and Malleville, , ‘The Puritan Art of Love’, Huntington Library Quarterly 5 (1941–2), 235–72.
Halperin, David M., ‘How to Do the History of Homosexuality’, GLQ: A Journal of Lesbian and Gay Studies 6 (2000), 81–124.
Halstead, W. L., ‘Dekker's Cupid and Psyche and Thomas Heywood’, English Literary History 11.3 (September 1944), 182–91.
Hamilton, A. C. (ed.), The Spenser Encyclopedia (Toronto and London: Routledge and University of Toronto Press, 1990).
Hammill, Graham L., Sexuality and Form: Caravaggio, Marlowe and Bacon (Chicago and London: University of Chicago Press, 2000).
Hamrick, Stephen, The Catholic Imaginary and the Cults of Elizabeth, 1558–1582 (Aldershot: Ashgate, 2008).
Hamrick, Stephen, ‘Tottel's Miscellany and the English Reformation’, Criticism 44.4 (fall 2002), 329–61.
Harbison, Craig, The Art of the Northern Renaissance (London: George Weidenfeld & Nicolson, 1995).
Hardin, Richard F., Civil Idolatry: Desacralizing and Monarchy in Spenser, Shakespeare and Milton (Newark: University of Delaware Press, 1992).
Haselkorn, Anne M., Prostitution in Elizabethan and Jacobean Comedy (Troy: Whitstun, 1983).
Haskell, Francis and Penny, Nicholas, Taste and the Antique: The Lure of Classical Sculpture, 1500–1900 (New Haven and London: Yale University Press, 1981).
Hayton, Darin, ‘Joseph Gurnpeck's Astrological Explanation of the French Disease’, in Sins of the Flesh: Responding to Sexual Disease in Early Modern Europe, ed. Siena, Kevin (Toronto: Centre for Reformation and Renaissance Studies, 2005), pp. 81–108.
Healy, Margaret, ‘Bronzino's London “Allegory” and the Art of Syphilis’, The Oxford Art Journal 20.1 (1997), 3–11.
Healy, Margaret, Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (Houndmills: Palgrave, 2001).
Hendrix, Laurel L., ‘Pulchritudo vincit?: Emblematic Reversals in Spenser's House of Busirane’, Spenser Studies 16 (2002), 23–54.
Herman, Peter C., Squitter-Wits and Muse-Haters: Sidney, Spenser, Milton and Renaissance Antipoetic Sentiment (Detroit: Wayne State University Press, 1996).
Herrick, Marvin T., Italian Tragedy in the Renaissance (Urbana: University of Illinois Press, 1965).
Hervey, Mary F. S. (ed.), The Life, Correspondence and Collections of Thomas Howard, Earl of Arundel (CambridgeUniversity Press, 1921).
Hibbard, Howard, Caravaggio (London: Thames & Hudson, 1983).
Hieatt, A. Kent, ‘Scudamour's Practice of Maistrye upon Amoret’, Essential Articles, ed. Hamilton, A. C. (Hamden: Archon, 1972), pp. 199–201.
Hill, G. F., A Corpus of Italian Medals of the Renaissance, 2 vols. (1930).
Hopkins, Lisa, ‘Art and Nature in Women Beware Women’, Renaissance Forum 1.2 (1996), online.
Hopkins, Lisa, The Female Hero in English Renaissance Tragedy (Houndmills: Palgrave, 2002).
Howarth, David, Lord Arundel and his Circle (New Haven and London: Yale University Press, 1985).
Howarth, David, ‘ “Mantua Peeces”: Charles I and the Gonzaga Collections’, in Splendours of the Gonzaga, ed. Chambers, David and Martineau, Jane (London: V & A, 1981), pp. 95–103.
Howarth, David, ‘The Patronage and Collecting of Aletheia, Countess of Arundel, 1606–54’, Journal of the History of Collections 10.2 (1998), 125–37.
Huizinga, Johan, The Waning of the Middle Ages, trans. Hopman, F. (London: Penguin, 1924, repr. 2001).
Hulbert, Viola Blackburn, ‘The Belge Episode in The Faerie Queene’, Studies in Philology 36 (1939), 124–46.
Hunt, Maurice, ‘A Speculative Allegory in A Midsummer Night's Dream’, Comparative Drama 34 (winter 2001), 423–53.
Huppé, Bernard, ‘Allegory of Love in Lyly's Court Comedies’, English Literary History 14 (1947), 93–113.
Hutton, James, ‘Cupid and the Bee’, Publications of the Modern Language Association of America 56.4 (December 1941), 1036–58.
Hutton, James, ‘The First Idyll of Moschus in Imitations to the Year 1800’, American Journal of Philology 49.2 (1928), 105–36.
Hyde, Thomas, The Poetic Theology of Love: Cupid in Renaissance Literature (Newark: University of Delaware Press, 1986).
Iriye, Kyoko, ‘A Stylistic Comparison of Gismond of Salerne and Tancred and Gismund’, Shakespeare Studies 4 (1965–6), 1–31.
James, Heather, ‘Shakespeare's Classicism’, in The Cambridge Companion to Shakespeare's Poetry, ed. Cheney, Patrick (CambridgeUniversity Press, 2007), pp. 202–20.
Jankowski, Theodora, ‘The Subversion of Flattery: The Queen's Body in John Lyly'sSappho and Phao’, Medieval and Renaissance Drama in England 5 (1991), 69–87.
Janson, Horst W., ‘The Putto with the Death's Head’, The Art Bulletin 19 (1937), 423–49.
Jardine, Lisa, ‘Twins and Travesties: Gender, Dependency and Sexual Availability in Twelfth Night’, in Erotic Politics: Desire on the Renaissance Stage, ed. Zimmerman, Susan (New York and London: Routledge, 1992), pp. 27–38.
Jayne, Sears, ‘Ficino and the Platonism of the English Renaissance’, Comparative Literature 4 (1952), 214–38.
Jayne, Sears, ‘The Subject of Milton's Ludlow Mask’, Publications of the Modern Language Association of America 74 (1959), 533–43.
John, Lisle Cecil, The Elizabethan Sonnet Sequences (New York, Morningside Heights: Columbia University Press, 1938).
Jones, Ann Rosalind, The Currency of Eros: Women's Love Lyric in Europe, 1540–1620 (Bloomington and Indianapolis: Indiana University Press, 1990).
Jones, Emrys, The Origins of Shakespeare (Oxford: Clarendon Press, 1977, repr. 1978).
Kaske, Carol V., ‘The Audiences of The Faerie Queene – Iconoclasm and Related Issues in Books I, V and VI’, Literature & History 3 (autumn 1994), 15–35.
Katritzky, M. A., The Art of Commedia: A Study in the Commedia dell'Arte 1560–1620 (Amsterdam: Rodopi, 2006).
Keach, William, ‘Cupid Disarmed, or Venus Wounded? An Ovidian Source for Bronzino and Michelangelo’, Journal of the Warburg and Courtauld Institutes 41 (1978), 327–31.
Keach, William, Elizabethan Erotic Narratives (Hassocks: Harvester Press, 1977).
Kearney, James, ‘Enshrining Idolatry in The Faerie Queene’, English Literary Renaissance 32 (2002), 3–30.
Kennedy, Judith M., Eclogues, Epitaphs and Sonnets (Toronto and London: University of Toronto Press, 1989).
Kenney, E. J., ‘Psyche and Her Mysterious Husband’, in Antonine Literature, ed. Russell, D. A. (Oxford: Clarendon Press, 1990), pp. 175–98.
King, John N., ‘Queen Elizabeth I: Representations of the Virgin Queen’, Renaissance Quarterly 43.1 (1990), 30–74.
King, John N., Spenser's Poetry and the Reformation Tradition (Princeton University Press, 1990).
King, John N., ‘Was Spenser a Puritan?’, Spenser Studies 6 (1985), 1–31.
Kingsley-Smith, Jane, ‘Gismond of Salerne: An Elizabethan and Cupidean Tragedy’, Yearbook of English Studies 38 (2008), 199–215.
Kingsley-Smith, Jane, ‘Love's Labour's Scorned: The Absence of Cupid on the Shakespearean Stage’, Cahiers Elisabéthains 73 (spring 2008), 9–21.
Kingsley-Smith, Jane, ‘Sidney, Cinthio and Painter: A New Source for Sidney's Arcadia’, Review of English Studies 57.229 (April 2006), 169–75.
Kinney, Clare R., ‘Epic Transgression and the Framing of Agency in Dido, Queen of Carthage’, Studies in English Literature 40 (spring 2000), 261–76.
Klein, David, ‘ “According to the Decorum of these Daies” ’, Publications of the Modern Language Association of America 33 (1918), 244–68.
Klein, Lisa M., ‘Your Humble Handmaid: Elizabethan Gifts of Needlework’, Renaissance Quarterly 50 (summer 1997), 459–93.
Klein, Melanie, Love, Guilt and Reparation and Other Works 1921–1945, ed. Segal, Hanna (London: Vintage, 1998).
Knecht, R. J., Francis I (CambridgeUniversity Press, 1982).
Kott, Jan, ‘The Bottom Translation’, in A Midsummer Night's Dream, ed. Bloom, Harold (New York and Philadelphia: Chelsea House, 1987), pp. 73–85.
Kouwenhoven, Jan Karel, ‘Sidney, Leicester and The Faerie Queene’, in Sir Philip Sidney: 1586 and the Creation of a Legend, ed. Dorsten, Jan, Baker-Smith, Dominic and Kinney, Arthur F. (Leiden: Brill, 1986), pp. 149–69.
Kraye, Jill, ‘The Transformation of Platonic Love in the Italian Renaissance’, in Platonism and the English Imagination, ed. Baldwin, Anna and Hutton, Sarah (CambridgeUniversity Press, 1994), pp. 76–85.
Kristeva, Julia, Tales of Love, trans. Roudiez, Leon S. (New York: Columbia University Press, 1987).
Lake, Peter, Anglicans and Puritans?: Presbyterianism and English Conformist Thought (London: Allen & Unwin, 1988).
Lamb, Mary Ellen, Gender and Authorship in the Sidney Circle (Madison: University of Wisconsin Press, 1990).
Landau, David and Parshall, Peter (eds.), The Renaissance Print, 1470–1550 (New Haven and London: Yale University Press, 1994).
Lane, Robert, Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society (Athens and London: The University of Georgia Press, 1993).
Lawry, Jon S., Sidney's Two Arcadias: Pattern and Proceeding (Ithaca and London: Cornell University Press, 1972).
Lea, K. M., Italian Popular Comedy: A Study in the Commedia dell'Arte, 1560–1620, 2 vols. (Oxford: Clarendon Press, 1934).
Leeflang, Huigen and Luijten, Ger, Hendrick Goltzius: Drawings, Prints and Paintings (Amsterdam and New York: Waanders Publishers, 2003).
Leinwand, Theodore, ‘Redeeming Beggary/Buggery in Michaelmas Term’, English Literary History 61.1 (1994), 53–70.
Leites, Edward, ‘The Duty to Desire: Love, Friendship and Sexuality in Some Puritan Theories of Marriage’, Journal of Social History 15.3 (spring 1982), 383–408.
Lemon, Rebecca, ‘Indecent Exposure in Mary Wroth’, in Women and Culture at the Courts of the Stuart Queens, ed. McManus, Clare (Houndmills: Palgrave, 2003), pp. 140–60.
Levaire, Janet, ‘Renaissance Anacreontics’, Comparative Literature 25 (1973), 221–39.
Levenstein, Jessica, ‘Out of Bounds: Passion and the Plague in Boccaccio's Decameron’, Italica 73 (autumn 1996), 313–35.
Levey, Michael, ‘Sacred and Profane Significance in Two Paintings by Bronzino’, in Studies in Renaissance and Baroque Art Presented to Anthony Blunt (London, 1967), pp. 30–3.
Levin, Richard A., ‘What? How? Female–female Desire in Sidney's New Arcadia’, Criticism 39 (fall 1997), 463–79.
Levin, Richard A., ‘Women in the Audience’, Shakespeare Quarterly 40 (1989), 165–74.
Levine, Laura, ‘Rape, Repetition and the Politics of Closure in A Midsummer Night's Dream’, in Feminist Readings of Early Modern Culture: Emerging Subjects, ed. Valerie Traub, M.Kaplan, Lindsay and Callaghan, Dympna (CambridgeUniversity Press, 1996), pp. 210–28.
Lewalski, Barbara K., ‘Mary Wroth's Love's Victory and Pastoral Tragicomedy’, Reading Mary Wroth, pp. 88–108.
Lewalski, Barbara K., ‘Milton's Comus and the Politics of Masquing’, in The Politics of the Stuart Court Masque, ed. Bevington, David and Holbrook, Peter (CambridgeUniversity Press, 1998), pp. 296–320.
Lewalski, Barbara K., Writing Women in Jacobean England (Cambridge, MA, and London: Harvard University Press, 1993).
Lewis, C. S., The Allegory of Love: A Study in Medieval Tradition (London: Oxford University Press, 1936, repr. 1953).
Lewis, C. S., Spenser's Images of Life, ed. Fowler, Alastair (CambridgeUniversity Press, 1967).
Lieb, Michael, ‘ “Cupid's funeral pile”: Milton's Projected Drama on the Theme of Lust’, Renaissance Papers (1977), 29–41.
Liebert, Robert S., Michelangelo: A Psychoanalytic Study of his Life and Images (New Haven and London: Yale University Press, 1983).
Liebler, Naomi Conn, The Female Tragic Hero in English Renaissance Drama (Houndmills: Palgrave, 2002).
Lim, Walter S. H., ‘Knowledge and Belief in The Winter's Tale’, Studies in English Literature 41.2 (spring 2001), 317–34.
Lin, Shen, ‘How Old Were the Children of Paul's?’, Theatre Notebook 45 (1991), 121–31.
Lindheim, Nancy, ‘Sidney's Arcadia, Book II: Retrospective Narrative’, Studies in Philology 64 (1967), 159–86.
Lindley, David, ‘Embarrassing Ben: The Masques for Frances Howard’, English Literary Renaissance 16 (1986), 343–59.
Lindley, P. G., ‘Playing Check-mate with Royal Majesty? Wolsey's Patronage of Italian Renaissance Sculpture’, in Cardinal Wolsey: Church, State and Art, ed. Gunn, S. J. and Lindley, P. J. (Cambridge University Press, 1991), pp. 261–85.
Lupton, Julia Reinhard, Afterlives of the Saints: Hagiography, Typology and Renaissance Literature (Stanford University Press, 1996).
Marcus, Leah S., The Politics of Mirth: Jonson, Herrick, Milton, Marvell and the Defence of Old Holiday Pastimes (University of Chicago Press, 1986).
Marshall, Louise, ‘Manipulating the Sacred: Image and Plague in Renaissance Italy’, Renaissance Quarterly 47 (1994), 483–532.
Masten, Jeffrey, ‘ “Shall I turn blabb?”: Circulation, Gender and Subjectivity in Mary Wroth's Sonnets’, in Reading Mary Wroth: Representing Alternatives in Early Modern England, ed. Miller, Naomi J. and Waller, Gary (Knoxville: University of Tennessee Press, 1991), pp. 67–87.
McColl, Alan, ‘The Temple of Venus, The Wedding of the Thames and the Medway, and the End of The Faerie Queene’, Review of English Studies 40 (1989), 26–47.
McIntyre, Jean, Costumes and Scripts in the Elizabethan Theatre (University of Alberta Press, 1992).
McLane, Paul E., Spenser's Shepheardes Calendar: A Study in Elizabethan Allegory (University of Notre Dame Press, 1961).
McLaren, Margaret Anne, ‘An Unknown Continent: Lady Mary Wroth's Forgotten Pastoral Drama, Love's Victorie’, in The Renaissance Englishwoman in Print: Counterbalancing the Canon, ed. Haselkorn, Anne M. and Travitsky, Betty S. (Amherst: University of Massachussetts Press, 1990), pp. 276–94.
McManus, Clare, ‘Memorialising Anna of Denmark's Court: Cupid's Banishment at Greenwich Palace’, in Women and Culture at the Courts of the Stuart Queens, pp. 81–99.
McManus, Clare, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Courts (1590–1619) (ManchesterUniversity Press, 2002).
Meagher, John C., Method and Meaning in Jonson's Masques (University of Notre Dame Press, 1966).
Mehl, Dieter, The Elizabethan Dumb Show: The History of a Dramatic Convention (London and New York: Methuen, 1964).
Mentz, Steve, Romance for Sale in Early Modern England: The Rise of Prose Fiction (Aldershot: Ashgate, 2006).
Mentz, Steve, ‘Reason, Faith and Shipwreck in Sidney's New Arcadia’, Studies in English Literature 44 (2004), 1–18.
Millar, Oliver, Van Dyck in England (London: National Portrait Gallery, 1982).
Miller, Jane M., ‘Some Versions of Pygmalion’, in Ovid Renewed: Ovidian Influences on Literature and the Arts from the Middle Ages to the Twentieth Century, ed. Martindale, Charles (CambridgeUniversity Press, 1988), pp. 205–14.
Miller, Naomi J., ‘Rewriting Lyric Fictions: The Role of the Lady in Lady Mary Wroth's Pamphilia to Amphilanthus’, in The Renaissance Englishwoman in Print: Counterbalancing the Canon, ed. Haselkorn, Anne M. and Travitsky, Betty S. (Amherst: University of Massachussetts Press, 1990), pp. 295–310.
Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Oxford: Clarendon Press, 1992, repr. 2001).
Miola, Robert S., ‘Spenser's Anacreontics: A Mythological Metaphor’, Studies in Philology 77 (1980), 50–66.
Montrose, Louis, ‘A Midsummer Night's Dream and the Shaping Fantasies of Elizabethan Culture: Gender, Power, Form’, in Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. Ferguson, Margaret M., Quilligan, Maureen and Vickers, Nancy J. (Chicago and London: University of Chicago Press, 1986), pp. 65–87.
Montrose, Louis, The Subject of Elizabeth: Authority, Gender and Representation (University of Chicago Press, 2006).
Moore, Mary B., Desiring Voices: Women Sonneteers and Petrarchism (Carbondale and Edwardsville: Southern Illinois University Press, 2000).
Moore, Mary B., ‘The Labyrinth as Style in Pamphilia to Amphilanthus’, Studies in English Literature 38 (1998), 109–25.
Moreschini, Claudio, ‘Towards a History of the Exegesis of Apuleius: The Case of “The Tale of Cupid and Psyche” ’, trans. Coco Stevenson, in Latin Fiction: The Latin Novel in Context, ed. Hofmann, Heinz (London and New York: Routledge, 1999), pp. 215–28.
Moroney, Maryclaire, ‘Spenser's Dissolution: Monasticism and Ruins in The Faerie Queene and The View of the Present State of Ireland’, Spenser Studies 12 (1991), 105–32.
Moulton, Ian Frederick, Before Pornography: Erotic Writing in Early Modern England (OxfordUniversity Press, 2000).
Munn, Geoffrey C., The Triumph of Love: Jewelry 1530–1930 (London: Thames & Hudson, 1993).
Munro, Joyce Underwood, ‘The Invisible Made Visible: The Fairy Changeling as a Folk Articulation of Failure to Thrive in Infants and Children’, in The Good People: New Fairylore Essays, ed. Narváez, Peter (New York and London: Garland, 1991), pp. 251–83.
Munro, Lucy, Children of the Queen's Revels: A Jacobean Theatre Repertory (CambridgeUniversity Press, 2005).
Munro, Lucy, ‘Coriolanus and the Little Eyases: The Boyhood of Shakespeare's Hero’, in Shakespeare and Childhood, ed. Chedgzoy, Kate, Susanne Greenhalgh and Robert Shaughnessy (Cambridge University Press, 2007), pp. 80–95.
Myers, James Phares, ‘The Heart of King Cambises’, Studies in Philology 70.4 (October 1973), 367–76.
Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997).
Neill, Michael, ‘ “What Strange Riddle's This?”: Deciphering ’Tis Pity She's a Whore', in John Ford: Critical Re-Visions, ed. Neill, Michael (CambridgeUniversity Press, 1988), pp. 153–80.
Nelson, John Charles, Renaissance Theory of Love: The Context of Giordano Bruno's Eroici furori (New York: Columbia University Press, 1958).
Nicolson, Benedict, The International Caravaggesque Movement: Lists of Pictures by Caravaggio and His Followers throughout Europe from 1590–1650 (Oxford: Phaidon, 1979).
Norris, Herbert, Tudor Costume and Fashion (Mineola: Dover, 1997).
Norton, Paul F.The Lost Sleeping Cupid of Michelangelo’, The Art Bulletin 39.4 (December 1957), 251–7.
O'Brien, John, Anacreon Redivivus: A Study of Anacreontic Translation in Mid-Sixteenth Century France (Ann Arbor: University of Michigan Press, 1995).
O'Connell, Michael, The Idolatrous Eye: Iconoclasm and Theater in Early Modern England (Oxford and New York: Oxford University Press, 2000).
O'Connor, John J., Amadis de Gaule and its Influence on Elizabethan Literature (New Brunswick: Rutgers University Press, 1970).
Ogle, M. B., ‘The Classical Origin and Tradition of Literary Conceits’, American Journal of Philology 34 (1913), 125–52.
Olds, Clifton C. and Williams, Ralph G., Images of Love and Death in Late Medieval and Renaissance Art (University of Michigan Museum of Art, 1975–6).
Oram, William, ‘Elizabethan Fact and Spenserian Fiction’, Spenser Studies 4 (1983), 33–48.
Oras, Ants, ‘Fulke Greville's Mustapha and Robert Wilmot's Tancred and Gismund’, Notes & Queries n.s. 7 (January 1960), 24–5.
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare's England (CambridgeUniversity Press, 1996).
Osborne, Charlotte, Eros Unveiled: Plato and the God of Love (Oxford: Clarendon Press, 1994).
Osborne, CharlotteOxford Dictionary of National Biography, 60 vols. (OxfordUniversity Press, 2004).
Paglia, Camille, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (London: Penguin, 1990, repr. 1992).
Panofsky, Erwin, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York: Harper & Row, 1972).
Parry, Joseph, ‘Petrarch's Mourning, Spenser's Scudamour, and Britomart's Gift of Death’, Comparative Literature 42 (2005), 24–49.
Paster, Gail Kern, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England (Ithaca: Cornell University Press, 1993).
Pate, Jennifer E. and Gabbard, Glen O., ‘Adult Baby Syndrome’, American Journal of Psychiatry 160 (November 2003), 1932–6.
Patterson, Annabel, Shakespeare and the Popular Voice (Oxford: Basil Blackwell, 1989).
Peacock, John, ‘Ben Jonson and the Italian Festival Books’, in Italian Renaissance Festivals and their European Influence, ed. Mulryne, J. R. and Shewring, Margaret (Lewiston: Edwin Mellen Press, 1992), pp. 271–88.
Phillips, James Emerson, Images of a Queen: Mary Stuart in Sixteenth-Century Literature (Berkeley and Los Angeles: University of California Press, 1964).
Phillips, John, The Reformation of Images: Destruction of Art in England, 1535–1660 (Berkeley, Los Angeles and London: University of California Press, 1973).
Pincombe, Michael, ‘Cupid and Eliza: Variations on a Virgilian Icon in Plays by Gager, Lyly, and Marlowe’, in The Iconography of Power: Ideas and Images of Rulership on the English Renaissance Stage, ed. Szőnyi, György E. and Wymer, Rowland (Szeged:Institute of English and American Studies: 2000), pp. 33–52.
Pincombe, Michael, The Plays of John Lyly: Eros and Eliza (ManchesterUniversity Press, 1996).
Polzer, Joseph, ‘Aspects of the Fourteenth-Century Iconography of Death and the Plague’, in The Black Death: The Impact of the Fourteenth-Century Plague, ed. Williman, Daniel (Binghamton, NY: Center for Medieval and Early Renaissance Studies, 1982), pp. 107–30.
Pon, Lisa, Raphael, Dürer and Marcantonio Raimondi (New Haven and London: Yale University Press, 2004).
Posner, Donald, ‘Caravaggio's Homo-Erotic Early Works’, Art Quarterly 34.3 (autumn 1971), 301–24.
Prescott, Anne Lake, ‘Mary Wroth, Louise Labé and Cupid’, Sidney Journal 15 (1997), 37–41.
Pugh, Syrithe, ‘Ovidian Exile in the Hesperides: Herrick's Politics of Intertextuality’, Review of English Studies 57.232, (2006), 733–65.
Pugh, Syrithe, Spenser and Ovid (Aldershot: Ashgate, 2005).
Quilligan, Maureen, Milton's Spenser: The Politics of Reading (Ithaca: Cornell University Press, 1983).
Rackin, Phyllis, ‘Foreign Country: The Place of Women and Sexuality in Shakespeare's Historical World’, in Enclosure Acts: Sexuality, Property and Culture in Early Modern England, ed. Burt, Richard and Archer, John Michael (Ithaca and London: Cornell University Press, 1994), pp. 68–95.
Reader, Francis W., ‘Tudor Domestic Wall-Paintings’, Archaeological Journal 92 (1935), 243–86.
Rees, Joan, Fulke Greville, Lord Brooke, 1554–1628: A Critical Biography (London: Routledge and Kegan Paul, 1971).
Robb, Peter, M (London: Bloomsbury, 1999).
Roberts, J. F. A., ‘English Wall-Paintings after Italian Engravings’, Burlington Magazine 28 (1941), 86–92.
Roberts, Josephine, ‘The Biographical Problem of Pamphilia to Amphilanthus’, Tulsa Studies in Women's Literature 1 (spring 1982), 43–53.
Roberts, Josephine, ‘Deciphering Women's Pastoral: Coded Language in Wroth's Love's Victory’, in Representing Women in Renaissance England, ed. Summers, Claude J. and Pebworth, Ted-Larry (Columbia and London: University of Missouri Press, 1997), pp. 163–74.
Robinson, Forest G., The Shape of Things Known: Sidney's Apology in its Philosophical Tradition (Cambridge, MA: Harvard University Press, 1972).
Roche, Thomas P., The Kindly Flame: A Study of the Third and Fourth Books of The Faerie Queene (Princeton University Press, 1964).
Rocke, Michael, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (New York and Oxford: Oxford University Press, 1996).
Roe, John, ‘Italian Neoplatonism and the Poetry of Sidney, Shakespeare, Chapman and Donne’, in Platonism and the English Imagination, pp. 100–16.
Roper, Lyndal, The Holy Household: Women and Morals in Reformation Augsburg (Oxford: Clarendon Press, 1989).
Roper, Lyndal, Oedipus and the Devil: Witchcraft, Sexuality and Religion in Early Modern Europe (London: Routledge, 2003).
Rose, Mark, Heroic Love: Studies in Sidney and Spenser (Cambridge, MA:Harvard University Press, 1968).
Rose, Mary Beth, Th'Expense of Spirit: Love and Sexuality in English Renaissance Drama (Ithaca and London: Cornell University Press, 1988).
Rose, Mary Beth, ‘Where Are the Mothers in Shakespeare? Options for Gender Representation in the English Renaissance’, Shakespeare Quarterly 42.3 (autumn 1991), 291–314.
Rowe, Donald W., O Love, O Charite!: Contraries Harmonized in Chaucer's Troilus and Criseyde (Carbondale: Southern Illinois University Press, 1976).
Rutkowski, Marie, ‘Breeching the Boy in Marlowe's Edward II’, Studies in English Literature 46.2 (2006), 281–304.
Saslow, James M., Ganymede in the Renaissance: Homosexuality in Art and Society (New Haven and London: Yale University Press, 1986).
Savage, James E., ‘Beaumont and Fletcher's Philaster and Sidney's Arcadia’, English Literary History 14 (September 1947), 194–206.
Savage, James E., ‘The Date of Beaumont and Fletcher's Cupid's Revenge’, English Literary History 15 (December 1948), 286–94.
Sawday, Jonathan, The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (London and New York: Routledge, 1995).
Schlam, Carl, Cupid and Psyche: Apuleius and the Monuments (University Park: The American Philological Association, 1976).
Schleiner, Winfried, ‘Differences of Theme and Structure of the Erona Episode in the “Old” and “New Arcadia” ’, Studies in Philology 70 (1973), 377–91.
Schwarz, Kathryn, ‘Missing the Breast: Desire, Disease and the Singular Effect of Amazons’, in The Body in Parts: Fantasies of Corporeality in Early Modern Europe, ed. Hillman, David and Mazzio, Carla (New York and London: Routledge, 1997), pp. 147–70.
Schwarz, Kathryn, ‘Mother Love: Clichés and Amazons in Early Modern England’, in Maternal Measures: Figuring Caregiving in the Early Modern Period, ed. Miller, Naomi J. and Yavneh, Naomi (Aldershot: Ashgate, 2000), pp. 293–305.
Scodel, Joshua, ‘The Pleasures of Restraint: The Mean of Coyness in Cavalier Poetry’, Criticism 38 (spring 1996), 239–79.
Scott, Jonathan, The Pleasures of Antiquity: British Collectors of Greece and Rome (New Haven and London: Yale University Press, 2003).
Scragg, Leah, The Metamorphosis of Gallathea: A Study in Creative Adaptation (Washington, DC: University Press of America, 1982).
Sensabaugh, G. F., ‘Platonic Love and the Puritan Rebellion’, Studies in Philology 37:2 (1940), 457–81.
Seznec, Jean, The Survival of the Pagan Gods: The Mythological Tradition and Its Place in Renaissance Humanism and Art, trans. Sessions, Barbara F. (Princeton University Press, 1940, repr. 1972).
Shapiro, Michael, Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: University of Michigan Press, 1996).
Sharman, Julian, The Library of Mary, Queen of Scots (London, 1889).
Sharpe, Kevin, Criticism and Compliment: The Politics of Literature in the England of Charles I (CambridgeUniversity Press, 1987, repr. 1990).
Shell, Alison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 (CambridgeUniversity Press, 1999).
Shepherd, Simon, Marlowe and the Politics of Elizabethan Theatre (Brighton: Harvester Press, 1986).
Siegel, Paul N., ‘Christianity and the Religion of Love in Romeo and Juliet’, Shakespeare Quarterly 12 (1961), 371–92.
Siegel, Paul N., ‘A Midsummer Night's Dream and the Wedding Guests’, Shakespeare Quarterly 4 (1953), 139–44.
Sinfield, Alan, ‘Sidney and Astrophil’, Studies in English Literature 20 (winter 1980), 25–41.
Smith, A. J., ‘The Failure of Love: Love Lyrics After Donne’, Metaphysical Poetry, ed. Bradbury, Malcolm and Palmer, David (London: Edward Arnold, 1970), pp. 41–71.
Smith, Bruce R., Homosexual Desire in Shakespeare's England: A Cultural Poetics (Chicago and London: University of Chicago Press, 1991).
Smith, Bruce R., Shakespeare and Masculinity (OxfordUniversity Press, 2000).
Smith, Joan Sumner, ‘The Italian Sources of Inigo Jones’ Style', The Burlington Magazine 94.592 (1952), 200–7.
Snyder, Susan, ‘Mamillius and Gender Polarization in The Winter's Tale’, Shakespeare Quarterly 50 (1999), 1–8.
Somerset, Anne, Elizabeth I (London: Weidenfeld & Nicolson, 1991).
Spencer, Floyd A., ‘The Literary Lineage of Cupid in Greek Literature’, The Classical Weekly 25.16–8 (1932), 121–7, 129–34, 139–44.
Spencer, Theodore, Death and Elizabethan Tragedy: A Study of Convention and Opinion in the Elizabethan Drama (Cambridge, MA:Harvard University Press, 1936).
Spufford, Margaret, Small Books and Pleasant Histories: Popular Fiction and its Readership in Seventeenth-Century England (CambridgeUniversity Press, 1985).
Stachniewski, John, The Persecutory Imagination: English Puritanism and the Literature of Religious Despair (Oxford: Clarendon Press, 1991).
Stallybrass, Peter, ‘Transvestism and the “Body Beneath”: Speculating on the Boy Actor’, in Erotic Politics: Desire on the Renaissance Stage, ed. Zimmerman, Susan (New York and London: Routledge, 1992), pp. 64–83.
Stanbury, Sarah, The Visual Object of Desire in Late Medieval England (Philadelphia: University of Pennsylvania Press, 2008).
Steinmetz, David C., Calvin in Context (New York and Oxford: Oxford University Press, 1995).
Stilling, Roger, Love and Death in Renaissance Tragedy (Baton Rouge: Louisiana State University Press, 1976).
Stillman, Robert E., ‘ “Deadly Stinging Adders”: Sidney's Piety, Philippism, and the Defense of Poesy’, Spenser Studies 6 (2002), 231–70.
Strong, Roy, Lost Treasures of Britain (London: Viking, 1990).
Sullivan, Margaret A., ‘The Witches of Dürer and Hans Baldung Grien’, Renaissance Quarterly 53 (2000), 332–401.
Sussman, Anne, ‘Histor, History, and Narrative Memory in Sidney's Arcadia’, Sidney Journal 21 (2003), 39–49.
Suttie, Ian D., The Origins of Love and Hate (London: Kegan Paul, 1935).
Swift, Carolyn Ruth, ‘Feminine Self-Definition in Lady Mary Wroth's Love's Victorie’, English Literary Renaissance 19 (1989), 171–88.
Talvacchia, Bette, Taking Positions: On the Erotic in Renaissance Culture (Princeton University Press, 1999).
Tatarkiewicz, Wladyslaw, History of Aesthetics, 3 vols. (The Hague: Mouton, 1970).
Taylor, Gary, Castration: An Abbreviated History of Western Manhood (New York and London: Routledge, 2000).
Taylor, Gary, ‘Divine []sences,’ Shakespeare Survey 54 (2001), 13–30.
Taylor, Gary, ‘Thomas Middleton, The Nice Valour, and the Court of James I’, The Court Historian 6 (2001), 1–36.
Taylor, Robert, ‘Figures of Amor in the Old Provençal Narrative Allegories’, in Court and Poet: Selected Proceedings of the Third Congress of the International Courtly Literature Society (Liverpool, 1980), ed. Burgess, Glyn S. (Liverpool: Francis Cairns, 1981), pp. 309–18.
Thomas, Derek, Proclaiming the Incomprehensible God: Calvin's Teaching on Job (Ross-shire: Mentor, 2004).
Thomas, Keith, ‘English Protestantism and Classical Art’, in Albion's Classicism: The Visual Arts in Britain, 1550–1660, ed. Gent, Lucy (New Haven and London: Yale University Press, 1995), pp. 221–38.
Thoms, William J., ‘Pictures of the Great Earl of Leicester’, Notes & Queries 3rd series (1862), 201–2, 224–6.
Tinkle, Theresa, Medieval Venuses and Cupids: Sexuality, Hermeneutics, and English Poetry (Stanford University Press, 1996).
Tomlinson, Sophie, Women on Stage in Stuart Drama (CambridgeUniversity Press, 2005).
Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (London: Routledge, 1992).
Traub, Valerie, The Renaissance of Lesbianism in Early Modern England (CambridgeUniversity Press, 2002).
Trypanis, C. A., ‘The Character of Alexandrian Poetry’, Greece & Rome 16.46 (January 1947), 1–7.
Tuell, Anne K., ‘The Original End of the Faerie Queene, Book III’, Modern Language Notes 36 (May 1921), 309–11.
Tweedie, David, David Rizzio and Mary Queen of Scots: Murder at Holyrood (Stroud: Sutton, 2006).
Underdown, D. E., ‘The Taming of the Scold: The Enforcement of Patriarchal Authority in Early Modern England’, in Order and Disorder in Early Modern England, ed. Fletcher, Anthony and Stevenson, John (CambridgeUniversity Press, 1985), pp. 116–36.
Vallance, Aymer, Old Crosses and Lychgates (London: B. T. Batsford, 1920).
Veevers, Erica, Images of Love and Religion: Queen Henrietta Maria and Court Entertainments (CambridgeUniversity Press, 1989).
Walker, Julia M., Dissing Elizabeth: Negative Representations of Gloriana (Durham, NC, and London: Duke University Press, 1998).
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (CambridgeUniversity Press, 2002).
Walton, Kristen P., Catholic Queen, Protestant Patriarchy: Mary Queen of Scots and the Politics of Gender and Religion (New York: Palgrave, 2006).
Waswo, Richard, The Fatal Mirror: Themes and Techniques in the Poetry of Fulke Greville (Charlottesville: University of Virginia, 1972).
Watkins, W. B. C., Shakespeare and Spenser (Princeton University Press, 1950).
Watson, Robert N., ‘Othello as Protestant Propaganda’, in Religion and Culture in Renaissance England, ed. McEachern, Claire and Shuger, Debora (CambridgeUniversity Press, 1997), pp. 234–57.
Watt, Tessa, Cheap Print and Popular Piety, 1550–1640 (CambridgeUniversity Press, 1991, repr. 1994).
Weber, Frederick Parkes, Aspects of Death and Correlated Aspects of Life in Art, Epigram, and Poetry, 4th edn (London: T. Fisher Unwin Ltd, 1922).
Weiner, Andrew, Sir Philip Sidney and the Poetics of Protestantism: A Study of Contexts (Minneapolis: University of Minnesota Press, 1978).
Wells, Robin Headlam, ‘Neo-Petrarchan Kitsch in Romeo and Juliet’, Modern Language Review 93.4 (October 1998), 913–33.
Wethey, Harold E., The Paintings of Titian, 3 vols. (London: Phaidon, 1975).
Whitaker, Virgil K., The Religious Basis of Spenser's Thought (Stanford University Press, 1950).
White, Christopher, The Later Flemish Paintings in the Collection of Her Majesty the Queen (London: Royal Collection, 2007).
Gallery, Whitworth Art, The Age of Shakespeare: Catalogue (Manchester: Whitworth Art Gallery, 1964).
Wiggins, Martin, ‘When Did Marlowe write Dido, Queen of Carthage?’, Review of English Studies 59 (2008), 521–41.
Wiggins, Martin (ed.), Four Jacobean Sex Tragedies (Oxford and New York: Oxford University Press, 1998).
Williams, Deanne, ‘Dido, Queen of England’, English Literary History 73 (spring 2006), 31–59.
Williams, Ethel Carleton, Bess of Hardwick (London and New York: Longmans Green, 1959).
Williams, Gordon, A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature (London and Atlantic Highlands: Athlone Press, 1994).
Williams, Penry, The Later Tudors: England 1547–1603 (Oxford: Clarendon Press, 1995).
Willis, Deborah, Malevolent Nurture: Witch-Hunting and Maternal Power in Early Modern England (Ithaca and London: Cornell University Press, 1995).
Wilson, Richard, Secret Shakespeare: Studies in Theatre, Religion and Resistance (ManchesterUniversity Press, 2004).
Wind, Edgar, ‘Amor as a God of Death’, in Pagan Mysteries in the Renaissance (London: Faber and Faber, 1958), pp. 129–41.
Wiseman, Susan, Drama and Politics in the English Civil War (Cambridge University Press, 1998).
Wofford, Susanne Lindgren, ‘Gendering Allegory: Spenser's Bold Reader and the Emergence of Character in The Faerie Queene Book III’, Criticism 30 (1988), 1–22.
Woolf, Rosemary, The English Religious Lyric in the Middle Ages (Oxford: Clarendon Press, 1968).
Worden, Blair, The Sound of Virtue: Philip Sidney's Arcadia and Elizabethan Politics (New Haven and London: Yale University Press, 1996).
Wormald, Jenny, Mary, Queen of Scots: Politics, Passion and a Kingdom Lost (London and New York: Tauris Parke Paperbacks, 1988, rev. 2001).
Woudhuysen, H. R., Sir Philip Sidney and the Circulation of Manuscripts 1558–1640 (Oxford: Clarendon Press, 1996).
Wright, Herbert G. (ed.), Early English Versions of the Tales of Guiscarde and Ghismonda and Titus and Gisippus from the Decameron (London: Early English Text Society, 1937).
Wynne-Davies, Marion, ‘The Queen's Masque: Renaissance Women and the Seventeenth-Century Court Masque’, in Gloriana's Face: Women, Public and Private, in the English Renaissance, ed. Cerasano, S. P. and Wynne-Davies, M. (New York and London: Harvester Wheatsheaf, 1992), pp. 79–104.
Wyon, Alfred Benjamin, The Great Seals of England (London, 1887).
Yates, Frances A., Astraea: The Imperial Theme in the Sixteenth Century (London: Routledge & Kegan Paul, 1975).
Young, Michael B., James VI and I and the History of Homosexuality (Houndmills: Palgrave, 2000).
Zandvoort, R. W., Sidney's Arcadia: A Comparison between the Two Versions (Amsterdam: N. V. Swets & Zeitlinger, 1929).