This chapter considers the decline of representations of the Existential drinker figure, partly a consequence of Existentialism’s fading from view as its ideas became assimilated, diluted, or discredited, and its major proponents faded away. It also notes an increasing antagonism towards the writer-drinker, once a staple of twentieth-century literature. The change in the philosophical, literary, and cultural landscape is seen in a number of texts where the protagonist is a committed drinker: Ivan Gold’s Sams in a Dry Season (1990), John O’Brien’s Better (2009, published posthumously), and Patrick de Witt’s Ablutions (2009). The acceptance of a neo-liberal world devoid not just of meaning but the search for meaning often characterises the nihilistic and hedonistic impulses of these novels.