This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book follows the belief that ecocriticism has relevance across disciplines. It explores the ecocritical implications of collaboration across genres in the humanities, and literary, artistic and performance production through direct collaboration between the creative disciplines and the sciences. The book considers the possibilities for literary critique to account for the difficulties, focusing on contemporary environmental crisis fiction. It provides an account of a walking and camping tour of Iceland in the company of other artists. The book explains how photomontage has been used during the planning process to address concerns about the aesthetic appearance and community acceptance of turbines and wind farms. It also considers how international treaties have imposed strict environmental controls on what is permissible on the continent, and its unique status as an area where military activity is banned.