Published online by Cambridge University Press: 07 September 2010
OVERVIEW
In 1525 the painter and printmaker Albrecht Dürer published a book, Underweysung der Messung (later translated as “The Painter's Manual”), in which he explained the methods of perspective, which he had just learned himself on a trip to Italy (see Figure 21.1).
Dürer's book includes a description of many polyhedra, which he presented as surface unfoldings, are now called “nets.” For example, Figure 21.2 shows his net for a cuboctahedron. Even when he drew a more complex net, such as that for a truncated icosahedron (the shape of a soccer ball; Figure 21.3), he always chose an unfolding that avoided self-overlap. Although there is no evidence that Dürer distilled this property into a precise question, it is at least implicit in the practice of subsequent generations that every convex polyhedron may be so unfolded. More precisely, define an edge unfolding as a development of the surface of a polyhedron to a plane, such that the surface becomes a flat polygon bounded by segments that derive from edges of the polyhedron. One may view such an unfolding as obtained by slicing the surface along a collection of edges. We would like an unfolding to possess three characteristics, enjoyed by all Dürer's drawings:
The unfolding is a single, simply connected piece.
The boundary of the unfolding is composed of (whole) edges of the polyhedron, that is, the unfolding is a union of polyhedron faces.
The unfolding does not self-overlap, that is, it is a “simple polygon.”
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