Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pjpqr Total loading time: 0 Render date: 2024-06-20T22:40:59.558Z Has data issue: false hasContentIssue false

18 - Photobombing as Figure Ground Reversal

Published online by Cambridge University Press:  28 February 2024

Get access

Summary

Photobombing derives its humorous nature from the incongruity of a forced reversal of the roles of the figure and selected aspects of ground in the image. The term “photobombing” seems to have been coined in 2009 (Wikipedia). It does not appear prior to 2008 in Google Ngram. Zimmer & Carson (2011, p. 473) narrow it down to a post on May 22, 2008. Most definitions of photobombing assume the intentionality of the act of photobombing: Know Your Meme defines photobomb as a practical joke. The top definition of photobomb in Urban Dictionary reads, in part, “Intentionally posing in other people's photos.” As we will see that is not entirely correct; to be fair another definition on Urban Dictionary hits the nail on the head: “Any time the background of a picture hijacks the original focus.”

Know Your Meme lists a large number of websites dedicated to photobombing and lists several particularly viral photobombs. Let us examine some examples, choosing among the viral cases. When the image of two copulating dogs appears in the background of a beachside picture of two friends, what should be an otherwise unremarkable detail of the background is brought to the foreground and the script opposition between the scene in the foreground (contextualized as such by the literal framing of the image) and the scene in the background. Consider that if the two dogs had been merely walking by, this would not be a photobomb. So, what should have been an unremarkable element of the ground becomes a figure, but a parasitic one: it is not the intended figure, which the photographer had chosen, framed the image around, etc.

The photobomb may be intentional or unintentional (see the contrasting definitions in Zimmer & Carson, 2011). In the former case, the gaze of the photobomber has to be directed at the camera. If the gaze of the photobomber is not directed at the camera, we have no particular reason to assume that the photobomb is intentional. A potential exception to this may be movie star Bill Murray, who is well-known as a photobombing aficionado. Notice that photobombs by animals fall within the same category. Animals have intentionality, just like humans. They may not know that the camera is taking their picture, but they know that the camera is an object and that they are gazing at it.

Type
Chapter
Information
Humor 2.0
How the Internet Changed Humor
, pp. 183 - 188
Publisher: Anthem Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×