Skip to main content Accessibility help
×
Hostname: page-component-68c7f8b79f-kpv4p Total loading time: 0 Render date: 2026-01-01T17:17:40.956Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  11 December 2025

Virginia Cox
Affiliation:
University of Cambridge
Get access

Information

Type
Chapter
Information
The Italian Renaissance
A Cultural History
, pp. 279 - 306
Publisher: Cambridge University Press
Print publication year: 2026

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Book purchase

Temporarily unavailable

References

Primary Sources

Secondary Sources

Abdon, D., ‘Sheltering refugees: ephemeral architecture and mass migration in early modern Venice’, Urban History, 49/4 (2022), 725–45.CrossRefGoogle Scholar
Ajmar, M., ‘Mechanical disegno’, When Art History Meets Design History, special issue of RIHA Journal, 0084 (2014). Online publication.Google Scholar
Ajmar, M. and Dennis, F. (eds.), At Home in Renaissance Italy (London, 2006).Google Scholar
Alberti, L. B., I libri della famiglia, ed. Romano, R., Tenenti, A., and Furlan, F. (Turin, 1994)Google Scholar
Alberti, L. B., Il nuovo De Pictura, ed. and trans. Sinisgalli, R. (Rome, 2006).Google Scholar
Alberts, T., Conflict and Conversion: Catholicism in South-East Asia, 1500–1700 (Oxford, 2013).CrossRefGoogle Scholar
Alighieri, D., The Divine Comedy, ed. Durling, R. M. and Martinez, R. L., trans. R. M. Durling, 3 vols. (New York, 1996–2013).Google Scholar
Allen, P., The Concept of Woman, vol. 1: The Aristotelian Revolution, 750 B.C.–1250 A.D. (Grand Rapids, MI, 1997).Google Scholar
Allen, P., The Concept of Woman, vol. 2: The Early Humanist Reformation, 1250–1500 (Grand Rapids, MI, 2002).Google Scholar
Allen Brown, P., The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata (Oxford, 2021).CrossRefGoogle Scholar
Allen Brown, P., ‘The traveling diva and generic innovation’, Renaissance Drama, 44/2 (2016), 249–67.Google Scholar
Allerston, P., ‘Clothing and early modern Venetian society’, Continuity and Change, 15/3 (2000), 367–90.CrossRefGoogle Scholar
Almási, G., ‘The work ethic in Renaissance Florence: a study of its origins’, in Almási, G. and Lizzul, G. (eds.), Rethinking the Work Ethic in Premodern Europe, 4372 (London, 2023).CrossRefGoogle Scholar
Almási, G. and Lizzul, G., ‘Introduction: rethinking work ethics’, in Almási, and Lizzul, G. (eds.), Rethinking the Work Ethic in Premodern Europe, 141 (London, 2023).CrossRefGoogle Scholar
Almási, G. and Lizzul, G. (eds.), Rethinking the Work Ethic in Premodern Europe (London, 2023).CrossRefGoogle Scholar
Amato, L., ‘Un poeta riscoperto: le poesie “persiane” di Giovan Battista Vecchietti nel manoscritto 8853 della Biblioteca Apostolica Vaticana’, Studi italici, 74 (2024), 126.Google Scholar
Ames-Lewis, F., The Intellectual Life of the Early Renaissance Artist (New Haven, 2000).Google Scholar
Ames-Lewis, F., Isabella and Leonardo: The Artistic Relationship Between Isabella d’Este and Leonardo da Vinci, 1500–1506 (New Haven, 2012).Google Scholar
Andreini, I., Lovers’ Debates for the Stage: A Bilingual Edition, ed. and trans. Allen Brown, P., Campbell, J. D., and Nicholson, E. (Toronto, 2022).Google Scholar
Andrews, L., ‘Botticelli’s Primavera, Angelo Poliziano and Ovid’s Fasti’, Artibus et historiae, 32/63 (2011), 7384.Google Scholar
Arcangeli, A., ‘Renaissance dance and writing: the case of Arcangelo Tuccaro’, in Potremoli, A. (ed.), ‘Virtute et arte’ del danzare. Contributi di storia della danza in onore di Barbara Sparti, 3948 (Rome, 2011).Google Scholar
Aretino, P., Lettere. Libro primo, ed. Erspamer, F. (Parma, 1995).Google Scholar
Arimura, R., ‘The Catholic architecture of early modern Japan: between adaptation and Christian identity’, Japan Review 27 (2014), 5376.Google Scholar
Ariosto, L., The Satires of Ludovico Ariosto: An Autobiography, trans. P. DeSa Wiggins (Athens, OH, 1976).Google Scholar
Armstrong, L., Petrarch’s Famous Men in the Early Renaissance: The Illuminated Copies of Felice Feliciano’s Edition (London, 2016).Google Scholar
Ascari, M., ‘Monumental Chaucer: print culture, conflict, and canonical resistance’, The Chaucer Review, 53/4 (2018), 402–27.CrossRefGoogle Scholar
Ascoli, A. R., A Local Habitation and a Name: Imagining Histories in the Italian Renaissance (New York, 2011).Google Scholar
Atkinson, C., Inventing Inventors: Polydore Vergil’s De inventoribus rerum (Tübingen, 2007).Google Scholar
Aviva Garribba, M., ‘La prima traduzione completa del Canzoniere di Petrarca in spagnolo: Los sonetos y canciones del Petrarcha, que traduzía Henrique Garcés de lengua thoscana en castellana (Madrid, 1591)’, Artifara, 3 (2003). Online publication.Google Scholar
Bagchi, D., ‘Printing, propaganda, and public opinion in the age of Martin Luther’, Oxford Research Encyclopedia of Religion, 2016 Online publication.CrossRefGoogle Scholar
Baker-Bates, P., ‘Constructing Sebastiano del Piombo: Pietro Aretino and the artistic landscape of Clementine Rome’, Renaissance Studies, 37/2 (2023), 211–31.CrossRefGoogle Scholar
Balme, C. B., Vescovo, P., and Vianello, D. (eds.), Commedia dell’arte in Context (Cambridge, 2018).CrossRefGoogle Scholar
Bailey, E., ‘Raising the mind to God: the sensual journey of Giovanni Morelli (1371–44) through devotional images’, Speculum 84/4 (2009), 9841008.CrossRefGoogle Scholar
Bailey, G. A., Art on the Jesuit Missions in Asia and Latin America, 1547–1773 (Toronto, 1999).Google Scholar
Bamji, A., Janssen, G. H., and Laven, M. (eds.), The Ashgate Research Companion to the Counter-Reformation (London, 2013).Google Scholar
Baron, H., ‘Cicero and the Roman civic spirit in the Middle Ages and early Renaissance’, Bulletin of the John Rylands Library, 22/1 (1938), 7297.CrossRefGoogle Scholar
Baroni, A. and Sellink, M., Stradanus (1523–1605): Court Artist to the Medici (Turnhout, 2012).Google Scholar
Bartels, V., ‘Dressed to kill: arms, armour, and protective attire in Renaissance men’s middle- and lower-class dress’, in Hohti, P. (ed.), Refashioning the Renaissance: Everyday Dress in Europe, 1500–1650, 170–89 (Manchester, 2025).Google Scholar
Basile, D., ‘Fasseli gratia per poetessa: Duke Cosimo I de’ Medici’s role in the Florentine literary circle of Tullia d’Aragona’, in Eisenbichler, K. (ed.), The Cultural Politics of Duke Cosimo I de’ Medici, 135–47 (Aldershot, 2001).Google Scholar
Baskins, C. L., Cassone Painting, Humanism, and Gender in Early Modern Italy (Cambridge, 1998).Google Scholar
Bauer, S. and Ditchfield, S. (eds.), A Renaissance Reclaimed: Jacob Burckhardt’s Civilisation of the Renaissance in Italy Reconsidered (Oxford, 2022).CrossRefGoogle Scholar
Bellettini, P., ‘Pietro Vecchi e il suo progetto di lettura pubblica, con ascolto a pagamento, delle notizie periodiche di attualità (Bologna 1596)’, in Bellettini, P., Campioni, R., and Zanardi, R. (eds.), Una città in piazza. Comunicazione e vita quotidiana a Bologna tra Cinque e Seicento, 6876 (Bologna, 2000).Google Scholar
Beltramini, G., Burns, H., and Gasparotto, D. (eds.), Pietro Bembo e l’invenzione del Rinascimento (Venice, 2013).Google Scholar
Benedetti, A., Anatomice sive historia corporis humani (Paris, 1514).Google Scholar
Beneš, C. E., Urban Legends: Civic Identity and the Classical Past in Northern Italy, 1250–1350 (University Park, PA, 2011).Google Scholar
Benzoni, G., ‘Ercole II d’Este’, DBI, 43 (1993).Google Scholar
Bethancourt, F., ‘The Portuguese Empire (1415–1822)’, in Bang, P. F., Bayly, C. A., and Scheidel, W. (eds.), The Oxford World History of Empire, 832–61 (Oxford, 2021).Google Scholar
Billings, T., ‘Introduction’, in Ricci, M., On Friendship: One Hundred Maxims for a Chinese Prince, trans. and ed. Billings, T., 182 (New York, 2009).Google Scholar
Biow, D., Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy (Chicago, 2002).Google Scholar
Biow, D., Vasari’s Words: The Lives of the Artists as a History of Ideas in the Italian Renaissance (Cambridge, 2018).CrossRefGoogle Scholar
Biringucci, V., La Pirotechnia (Venice, 1559).Google Scholar
Biringucci, V., The Pirotechnia of Vannoccio Biringuccio, ed. and trans. Smith, C. S. and Gnudi, M. T. (New York, 1943).Google Scholar
Bisaha, N., From Christians to Europeans: Pope Pius II and the Concept of the Modern Western Identity (London, 2023).CrossRefGoogle Scholar
Black, C., Early Modern Italy: A Social History (London, 2002).CrossRefGoogle Scholar
Black, R., Education and Society in Florentine Tuscany: Teachers, Pupils and Schools, c. 1250–1500 (Leiden, 2007).CrossRefGoogle Scholar
Boemler, A. and Brazeau, B., ‘Tears in heaven: tracing the contours of a pan-Euopean transconfessional genre’, Humanities, 11/1 (2022). Online publication.Google Scholar
Bohn, B., Women Artists, Their Patrons, and Their Publics in Early Modern Bologna (University Park, PA, 2021).Google Scholar
Bolzoni, L., A Marvelous Solitude: The Art of Reading in Early Modern Europe, trans. S. Greenup (Cambridge, MA, 2023).Google Scholar
Bolzoni, L., with Pich, F., Poesia e ritratto nel Rinascimento (Bari, 2008).Google Scholar
Bossier, P., ‘Female writing and the use of literary byways: pastoral drama by Maddalena Campiglia (1553–1595)’, in Gilleir, A., Montoya, A. C., and van Dijk, S. (eds.), Women Writing Back / Writing Women Back: Transnational Perspectives from the Late Middle Ages to the Dawn of the Modern Era, 115–33 (Leiden, 2010).Google Scholar
Bracciolini, P., Lettere, ed. Harth, H., 3 vols. (Florence, 1984).Google Scholar
Branca, V., ‘L’epopea dei mercatanti’, Lettere italiane, 8/1 (1956), 933.Google Scholar
Branca, V., Merchant Writers: Florentine Memoirs from the Middle Ages and Renaissance, trans. M. Baca, with a biographical essay by C. de Michelis (Toronto, 2015).CrossRefGoogle Scholar
Brewer, M. B. and Sedikides, C. (eds.), Individual Self, Relational Self, Collective Self (Philadelphia, 2001).Google Scholar
Brockey, L. M., ‘Conquests of memory: Franciscan chronicles of the East Asian Church in the early modern period’, Culture and History Digital Journal, 5/2 (2016). Online publication.Google Scholar
Broecke, L., Cennino Cennini’s Il libro dell’arte: A New English Translation and Commentary with Italian Transcription (London, 2015).Google Scholar
Brooks, C., Courtly Song in Late Sixteenth-Century France (Chicago, 2001).CrossRefGoogle Scholar
Brown, A., The Return of Lucretius to Renaissance Florence (Cambridge, MA, 2010).CrossRefGoogle Scholar
Brundin, A., ‘Leading others on the road to salvation: Vittoria Colonna and her readers’, in Cox, V. and McHugh, S. (eds.), Vittoria Colonna: Poetry, Religion, Art, Impact, 273–90 (Amsterdam, 2022).Google Scholar
Buratelli, C., Spettacoli di corte a Mantova tra Cinquecento e Seicento (Florence, 1999).Google Scholar
Burckhardt, J., The Civilization of the Renaissance in Italy (1860), trans. S. G. C. Middlemore, with an introduction by P. Burke (London, 2004).Google Scholar
Burke, E. C., The Greeks of Venice, 1498–1600: Immigration, Settlement, and Integration (Turnhout, 2016).CrossRefGoogle Scholar
Burke, P., The Fortunes of the Courtier: The European Reception of Castiglione’s Cortegiano (University Park, PA, 1996).Google Scholar
Burke, P., Hybrid Renaissance: Culture, Language, Architecture (Budapest, 2016).CrossRefGoogle Scholar
Burke, P., The Italian Renaissance: Culture and Society in Italy, 3rd ed. (Princeton, 2014).Google Scholar
Burke, P., The Renaissance, 2nd ed. (New York, 1997).CrossRefGoogle Scholar
Burke, P., ‘Rome as center of information and communication for the Catholic world, 1550–1650’, in Jones, P. M. and Worcester, T. (eds.), From Rome to Eternity: Catholicism and the Arts in Italy, ca. 1550–1650, 253–69 (Leiden, 2002).Google Scholar
Butrica, J. L., ‘History and transmission of the text’, in Skinner, M. B. (ed.), A Companion to Catullus, 1334 (London, 2007).Google Scholar
Butters, H. C., ‘Conflicting attitudes towards Machiavelli’s works in Spain, Rome, and Florence’, in Law, J. E. and Patton, B. (eds.), Communes and Despots in Medieval and Renaissance Italy, 7590 (Farnham, 2010).Google Scholar
Butters, S. B., ‘From skills to wisdom: making, knowing and the arts’, in Smith, P. H., Meyers, A. R. W., and Cook, H. J. (eds.), Ways of Making and Knowing: The Material Culture of Empirical Knowledge, 4781 (Chicago, 2014).Google Scholar
Byatt, L., Niccolò Ridolfi and the Cardinal’s Court: Politics, Patronage and Service in Sixteenth-Century Italy (London, 2023).Google Scholar
Calvi, G., The World in Dress: Costume Books across Italy, Europe, and the East (Cambridge, 2022).CrossRefGoogle Scholar
Campbell, S. J., The Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d’Este (New Haven, 2006).Google Scholar
Campbell, S. J., The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy (Chicago, 2019).CrossRefGoogle Scholar
Campiglia, M., Flori, a Pastoral Drama: A Bilingual Edition, trans. V. Cox, ed. with an introduction and notes by Cox, V. and Sampson, L. (Chicago, 2004).CrossRefGoogle Scholar
Camporeale, S., Christianity, Latinity, and Culture: Two Studies on Lorenzo Valla, ed. Barker, P. and Celenza, C. S. (Leiden, 2014).CrossRefGoogle Scholar
Caneparo, F., ‘Di molte figure adornato’: L’Orlando furioso nei cicli pittorici tra Cinque e Seicento (Rome, 2015).Google Scholar
Carlino, A., Books of the Body: Anatomical Ritual and Renaissance Learning, trans. J. Tedeschi and A. Tedeschi (Chicago, 1999).Google Scholar
Caroso, F., Courtly Dance of the Renaissance: A New Translation and Edition of the Nobiltà di dame (1600), ed. and trans. Sutton, J. (New York, 1995).Google Scholar
Carter, T., ‘Renaissance, Mannerism, Baroque’, in Carter, T. and Butt, J. (eds.), The Cambridge History of Seventeenth-Century Music, 126 (Cambridge, 2005).CrossRefGoogle Scholar
Carter, T. and Fantappiè, F., Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence (Cambridge, 2021).CrossRefGoogle Scholar
Casari, M., ‘The conceits of poetry: Firdausi’s Shahnama and the discovery of Persian in early modern Europe’, The La Trobe Journal, 91 (2013), 119–35, 199–203.Google Scholar
Casari, M., ‘Vecchietti, Giovanni Battista’, DBI, 98 (2020).Google Scholar
Castiglione, B., Lettere, 1497–marzo 1521, ed. La Rocca, G. (Milan, 1978).Google Scholar
Castiglione, B., Lettere inedite e rare, ed. Gorni, G. (Milan and Naples, 1969).Google Scholar
Castiglione, B., Il libro del cortegiano, ed. Quondam, A. (Milan, 1987).Google Scholar
Cavazzini, P., ‘Painters vs architects at the papal court, 1550–1672’, in Fumagalli, E. and Morselli, F. (eds.), The Court Artist in Seventeenth-Century Italy, 2147 (Rome, 2014).Google Scholar
Celenza, C. S., Renaissance Humanism and the Papal Curia: Lapo da Castiglionchio the Younger’s De curiae commodis (Ann Arbor, MI, 2000).CrossRefGoogle Scholar
Cellini, B., The Autobiography of Benvenuto Cellini, trans. G. Bull, 2nd ed. (Harmondsworth, 1998).Google Scholar
Cellini, B., Vita, ed. Camesasca, E. (Milan, 2009).Google Scholar
Cervio, V., Il trinciante, ampliato e ridotto a perfettione dal Cavalier Reale Fusoritto da Narni (Venice, 1581).Google Scholar
Cherchi, P., Polimatia di riuso. Mezzo secolo di plagio (1539–1589) (Rome, 1998).Google Scholar
Chittolini, G., ‘Urban population, urban territories, small towns: some problems of the history of urbanization in Northern and Central Italy (thirteenth to sixteenth centuries)’, in Hoppenbrouwers, P., Janse, A., and Stein, R. (eds.), Power and Persuasion: Essays on the Art of Statebuilding in Honour of W. P. Blockmans, 227–41 (Turnhout, 2010).Google Scholar
Ciappelli, G., Memory, Family, and Self: Tuscan Family Books and Other European Egodocuments (14th–18th Century), trans. S. A. George (Leiden, 2014).CrossRefGoogle Scholar
Cicero, M. T., Brutus, Orator, trans. G. L. Hendrickson and H. M. Hubbell (Cambridge, MA, 1939).Google Scholar
Cicero, M. T., De officiis, trans. W. Miller (Cambridge, MA, 1913).Google Scholar
Cicero, M. T., De oratore, trans. E. W. Sutton and H. Rackman (Cambridge, MA, 1976).Google Scholar
Clayton, M. and Philo, R., Leonardo da Vinci: Anatomist (London, 2012).Google Scholar
Clines, R. J., ‘The converting sea: religious change and cross-cultural interaction in the early modern Mediterranean’, History Compass, 17/1 (2019). Online publication.CrossRefGoogle Scholar
Clines, R. J., ‘Pope as arbiter: the place of early modern Rome in the pan-Mediterranean ecumenical visions of Eastern Rite Christians’, in Michelson, E. and Wainwright, M. C. (eds.), A Companion to Religious Minorities in Early Modern Rome, 5588 (Leiden, 2021).Google Scholar
Clough, C. H., ‘Federico da Montefeltro and the kings of Naples: a study in fifteenth-century survival’, Renaissance Studies, 6/2 (1992), 113–72.CrossRefGoogle Scholar
Clough, C. H., ‘The New World and the Italian Renaissance’, in Clough, C. H. and Hair, P. E. H. (eds.), The European Outthrust and Encounter: The First Phase c. 1400–c. 1700. Essays in Tribute to David Beers Quinn on His 85th Birthday, 291328 (Liverpool, 1994).Google Scholar
Cobianchi, R., ‘The use of woodcuts in fifteenth-century Italy’, Print Quarterly, 23/1 (2006), 4754.Google Scholar
Cochrane, E., Florence in the Forgotten Centuries, 1527–1800 (Chicago, 1976).CrossRefGoogle Scholar
Cochrane, E., Italy, 1530–1630 (London, 1989).Google Scholar
Cockram, S., ‘Isabella d’Este’s sartorial politics’, in Griffey, E. (ed.), Sartorial Politics in Early Modern Europe: Fashioning Women, 3356 (Amsterdam, 2019).Google Scholar
Cohen, M. R., ‘Leone da Modena’s Riti: a seventeenth-century appeal for social toleration of Jews’, Jewish Social Studies, 34/4 (1972), 287321.Google Scholar
Cohen-Aponte, A., ‘Decolonizing the global Renaissance: a view from the Andes’, in Savoy, D. (ed.), The Globalization of Renaissance Art: A Critical Review, 6794 (Leiden, 2017).Google Scholar
Cole Ahl, D., Painting in Fifteenth-Century Italy: This Splendid and Noble Art (New Haven, 2023).Google Scholar
Coller, A., ‘How to succeed at court: Annibal Guasco’s advice to his daughter Lavinia and Renaissance manuals of conduct’, California Italian Studies, 4/2 (2013). Online publication.CrossRefGoogle Scholar
Collina, B., ‘La gloria delle donne “in rozzi accenti”’, in Casali, E. and Capaci, B. (eds.), La festa del mondo rovesciato: Giulio Cesare Croce e il carnevalesco, 157–75 (Bologna, 2002).Google Scholar
Connors, J., ‘Ars tornandi: Baroque architecture and the lathe’, Journal of the Warburg and Courtauld Institutes, 53 (1990), 217–36.CrossRefGoogle Scholar
Cornelison, S. J., ‘Lorenzo Ghiberti and the Renaissance reliquary: the Shrine of the Three Martyrs from Santa Maria degli Angeli, Florence’, in Bork, R. et al. (eds.), De re metallica: The Uses of Metal in the Middle Ages, 163–79 (Aldershot, 2005).Google Scholar
Cornish, A., Vernacular Translation in Dante’s Italy: Illiterate Literature (Cambridge, 2010).Google Scholar
Corsaro, A., ‘Dionigi Atanagi e la silloge per Irene di Spilimbergo. (Intorno alla formazione del giovane Tasso)’, Italica 75/1 (1998), 4161.CrossRefGoogle Scholar
Corte, C., Il cavallarizzo (Venice, 1562).Google Scholar
Cotrugli, B., The Book of the Art of Trade, ed. Carraro, C. and Favero, G., trans. J. F. Phillimore, with essays by N. Ferguson, G. Favero, M. Infelise, T. Zanato, and V. Ribaudo (Cham, 2017).Google Scholar
Cotrugli, B., Libro de l’arte de la mercatura, ed. Ribaudo, V., with an introduction by T. Zanato (Venice, 2016).Google Scholar
Cox, V., ‘Citizenship and gender’, in Cox, V. and Paul, J. (eds.), A Cultural History of Democracy in the Renaissance, 117–39 (London, 2022).CrossRefGoogle Scholar
Cox, V., ‘“Consenti, o pia, ch’in lagrimosi carmi…” Birgitta in the verse, thought, and artistic commissions of Angelo Grillo’, in Falkeid, U. and Wainwright, A. (eds.), The Legacy of Birgitta of Sweden: Women, Politics, and Reform in Renaissance Italy, 242–76 (Amsterdam, 2023).Google Scholar
Cox, V., ‘The exemplary Vittoria Colonna’, in Brundin, A., Crivelli, T., and Sapegno, M. S. (eds.), A Companion to Vittoria Colonna, 467501 (Leiden, 2016).CrossRefGoogle Scholar
Cox, V., ‘Leonardo Bruni on women and rhetoric: De studiis et litteris revisited’. Rhetorica, 27/1 (2009), 4775.CrossRefGoogle Scholar
Cox, V., ‘Members, muses, mascots: women and Italian academies’, in Everson, J. E., Reidy, D. V., and Sampson, L. (eds.), The Italian Academies (1525–1700): Networks of Culture, Innovation, and Dissent, 132–69 (Oxford, 2016).Google Scholar
Cox, V., ‘The performance of identity in Renaissance Italy’, in Bauer, S. and Ditchfield, S. (eds.), A Renaissance Reclaimed: Jacob Burckhardt’s Civilisation of the Renaissance in Italy Reconsidered, 99119 (Oxford, 2022).CrossRefGoogle Scholar
Cox, V., The Prodigious Muse: Women’s Writing in Counter-Reformation Italy (Baltimore, 2011).Google Scholar
Cox, V., ‘Quintilian in the Italian Renaissance’, in van der Poel, M., Edwards, M., and Murphy, J. J. (eds.), The Oxford Handbook of Quintilian, 359–79 (Oxford, 2021).Google Scholar
Cox, V., ‘Re-thinking Counter-Reformation literature’, in McHugh, S. and Wainwright, A. (eds.), Innovation in the Italian Counter-Reformation, 1555 (Newark, DE, 2020).Google Scholar
Cox, V., ‘Rhetoric and ethics in Machiavelli’, in Najemy, J. M. (ed.), The Cambridge Companion to Machiavelli, 173–89 (Cambridge, 2010).Google Scholar
Cox, V., ‘The twenty-first century Vittoria Colonna’, in Cox, V. and McHugh, S. (eds.), Vittoria Colonna: Poetry, Religion, Art, Impact, 1733 (Amsterdam, 2022).Google Scholar
Cox, V., ‘An unknown early modern New World epic: Girolamo Vecchietti’s Delle prodezzze di Ferrante Cortese (1587–88)’, Renaissance Quarterly, 71/4 (2018), 1351–90.CrossRefGoogle Scholar
Cox, V., ‘Women writers and the canon: the case of Vittoria Colonna’, in Benson, P. J. and Kirkham, V. (eds.), Strong Voices, Weak History: Early Women Writers and Canons in England, France and Italy, 1431 (Ann Arbor, MI, 2005).Google Scholar
Cox, V., Women’s Writing in Italy, 1400–1650 (Baltimore, 2008).CrossRefGoogle Scholar
Cox, V., (ed.), Lyric Poetry by Women of the Italian Renaissance (Baltimore, 2013).CrossRefGoogle Scholar
Cox, V. and Sampson, L. (eds.), Drama, Poetry and Music in Late-Renaissance Italy: The Life and Works of Leonora Bernardi (London, 2023). Open access:CrossRefGoogle Scholar
Crivelli, T., ‘“She showed the world a beacon of female worth”: Vittoria Colonna in Arcadia’, in Cox, V. and McHugh, S. (eds.), Vittoria Colonna: Poetry, Religion, Art, Impact, 351–70 (Amsterdam, 2022).Google Scholar
Croce, G. C., ‘Descrittione della vita del Croce’, in Rouch, M. (ed.), Storie di vita popolare nelle canzoni di piazza di G .C. Croce, 3957 (Bologna, 1982).Google Scholar
Croizat, Y. C., ‘“Living dolls”: François 1er dresses his women’, Renaissance Quarterly, 60/1 (2007), 94130.CrossRefGoogle Scholar
Cropper, E., ‘Ancients and moderns: Alessandro Tassoni, Francesco Scannelli, and the experience of modern art’, in Marino, J. and Schlitt, M. W. (eds.), Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy S. Struever, 303–24 (Rochester, 2001).Google Scholar
Cropper, E., ‘The petrifying art: Marino and Caravaggio’, Metropolitan Museum Journal, 26 (1991), 193212.Google Scholar
Cunningham, A., The Anatomical Renaissance: The Resurrection of the Anatomical Projects of the Ancients (Aldershot, 1997).Google Scholar
Cunningham, A., ‘The end of the sacred ritual of anatomy’, Canadian Bulletin of Medical History 18/2 (2001), 187204.Google ScholarPubMed
Currie, E., ‘Diversity and design in the Florentine tailoring trade, 1550–1620’, in O’Malley, M. and Welch, E. (eds.), The Material Renaissance, 154–73 (Manchester, 2007).Google Scholar
Currie, E. and Mitchell-King, J., ‘The clothing of the contadina: women’s work, leisure, and morality, 1550–1650’, in Hohti, P. (ed.), Refashioning the Renaissance: Everyday Dress in Europe, 1500–1650, 247–64 (Manchester, 2025).Google Scholar
Cusick, S. G., Francesca Caccini and the Medici Court: Music and the Circulation of Power (Chicago, 2009).CrossRefGoogle Scholar
da Como, M., The Art of Cooking: The First Modern Cookery Book, ed. Ballerini, L., trans. J. Parzen, with fifty modernized recipes by S. Barzini (Berkeley and Los Angeles, 2005).Google Scholar
D’Alessandro Camaiti, T., ‘Documentazione locale su Pietro Aretino’, in Procaccioli, P. (ed.), In utrumque paratus. Aretino e Arezzo, Aretino a Arezzo: in margine al ritratto di Sebastiano del Piombo, 5576 (Rome, 2008).Google Scholar
Dauverd, C., Imperial Ambition in the Early Modern Mediterranean: Genoese Merchants and the Spanish Crown (Cambridge, 2014).CrossRefGoogle Scholar
Davis, R. C., The War of the Fists: Popular Culture and Public Violence in Late Renaissance Venice (Oxford, 1994).CrossRefGoogle Scholar
de Beer, S., The Renaissance Battle for Rome: Completing Claims to an Idealized Renaissance Past in Humanist Latin Poetry (Oxford, 2024).CrossRefGoogle Scholar
de’ Medici, F., Costituzione livornina (2006 [1593]). (www.liberliber.it). Online publication.Google Scholar
De Rycker, K., ‘Commodifying the author: the mediation of Aretino’s fame in the Harvey-Nashe pamphlet war’, English Literary Renaissance, 49/2 (2019), 145–71.Google Scholar
de Vries, J., European Urbanization [ebook ed.] (London, 2013).Google Scholar
Dean, T., ‘Este, Azzo d’’, DBI, 43 (1993).Google Scholar
degli Arienti, G. S., Gynevera, de le clare donne, ed. Ricchi, C. and Bacchi della Lega, A. (Bologna, 1888).Google Scholar
Del Panta, L., Livi Bacci, M., Pinto, G., and Sonnino, E., La popolazione italiana dal medioevo a oggi (Bari, 1996).Google Scholar
della Casa, G., Il Galateo, ovvero de’ costumi, ed. Maier, B. (Milan, 1971).Google Scholar
della Chiesa, F. A., Theatro delle donne letterate, con un breve discorso della preminenza e perfettione del sesso donnesco (Mondovì, 1620).Google Scholar
Dempsey, C., The Portrayal of Love: Botticelli’s Primavera and Humanist Culture at the Time of Lorenzo the Magnificent (Princeton, 1992).Google Scholar
Descendre, R., L’État du Monde: Giovanni Botero entre raison d’État et géopolitique (Geneva, 2009).Google Scholar
Deslauriers, M., ‘Patriarchal power as unjust: tyranny in seventeenth-century Venice’, British Journal for the History of Philosophy, 27/4 (2019), 718–37.CrossRefGoogle Scholar
DeVos, J. E., ‘The elegiac origins of Vittoria Colonna’s exemplarity: echoes of Heroides 13 in the Pistola and beyond’, Modern Philology, 121/4 (2024), 375401.CrossRefGoogle Scholar
Di Schino, J., Arte dolciaria barocca. I segreti del credenziere di Alessandro VII (Rome, 2016).Google Scholar
Dialeti, A., ‘Defending women, negotiating masculinity in early modern Italy’, The Historical Journal, 54/1 (2011), 123.CrossRefGoogle Scholar
Dionisotti, C., ‘Bembo, Pietro’, in DBI, 8 (1966).Google Scholar
Domenichi, L. (ed.), Rime diverse d’alcune nobilissime e virtuosissime donne (Lucca, 1559).Google Scholar
Du Bellay, J., ‘The Regrets’, with ‘The Antiquities of Rome’, Three Latin Elegies, and ‘The Defense and Enrichment of the French Language’: A Bilingual Edition, ed. and trans. Helgerson, R. (Philadelphia, 2006).Google Scholar
Duggan, C., A Concise History of Italy, 2nd ed. (Cambridge, 2013).CrossRefGoogle Scholar
Duncan, S. G., Privileged Horses: The Italian Renaissance Court Stable (London, 2020).Google Scholar
Durante, E. and Martellotti, A., Don Angelo Grillo, O. S. B., alias Livio Celiano, poeta per musica del secolo decimosesto (Florence, 1989).Google Scholar
Dursteler, E. R., ‘Speaking in tongues: language and communication in the early modern Mediterranean’, Past and Present, 217/1 (2012), 4777.CrossRefGoogle Scholar
Dymond, J., ‘Human character and the formation of the state: reconsidering Machiavelli and Polybius 6’, Journal of the History of Ideas, 82/1 (2021), 2950.CrossRefGoogle Scholar
Edson, E., The World Map, 1300–1492: The Persistence of Tradition and Transformation (Baltimore, 2007).Google Scholar
Edwards, M. U., Printing, Propaganda, and Martin Luther (Berkeley and Los Angeles, 1994).Google Scholar
Eisenbichler, K., The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena (Notre Dame, 2012).CrossRefGoogle Scholar
Elias, N., The Civilizing Process (Oxford, 1994).Google Scholar
Emmett, K., ‘Resisting marriage, reclaiming right: an (early) modern critique of marriage’, Journal of the American Philosophical Association, 8/4 (2022), 721–40.Google Scholar
Erdmann, A., My Gracious Silence: Women in the Mirror of 16th C Printing in Western Europe (Lucerne, 1999).Google Scholar
Esche-Ramshorn, C., ‘Multi-ethnic pilgrim centre: sharing sacred space in Renaissance Rome, the diversity of religions and the arts’, in Bell, P., Suckow, D., and Wolf, G. (eds.), Fremde in der Stadt: Ordnungen, Repräsentationen, und soziale Praktiken (13–15 Jahrhundert), 171–94 (Frankfurt, 2010).Google Scholar
Everson, J. E., Reidy, D. V., and Sampson, L. (eds.), The Italian Academies, 1525–1700: Networks of Culture, Innovation, and Dissent (Oxford, 2016).CrossRefGoogle Scholar
Evitascandalo, C., Dialogo del maestro di casa (Rome, 1598).Google Scholar
Falchetta, P., Fra Mauro’s World Map, trans. J. Scott, foreword by M. Zorzi (Turnhout, 2006).Google Scholar
Falciani, C. and Natali, A. (eds.), The Cinquecento in Florence: ‘Modern Manner’ and Counter-Reformation (Florence, 2017).Google Scholar
Farrell, Z., ‘The materiality of marriage in the artisan community of Renaissance Verona’, The Historical Journal, 63/2 (2020), 243–66.CrossRefGoogle Scholar
Favero, G., ‘A new edition of Benedetto Cotrugli’s The Book of the Art of Trade’, in Cotrugli, B., The Book of the Art of Trade, ed. Carraro, C. and Favero, G., trans. J. F. Phillimore, 919 (Cham, 2017).Google Scholar
Feng, A., Writing Beloveds: Humanist Petrarchism and the Politics of Gender (Toronto, 2017).CrossRefGoogle Scholar
Feile Tomes, M., ‘“Una heroica dama?” The Discurso en loor de la poesía (1608) in context and the case for Diego Mexía as “Clarinda”’, Colonial Latin America Review, 34/4 (2023), 452–80.Google Scholar
Feinberg, L. J., ‘The Studiolo of Francesco I reconsidered’, in Acidini Luchinat, C. (ed.), The Medici, Michelangelo, and the Art of Late Renaissance Florence, 4765 (New Haven, 2002).Google Scholar
Fenlon, I., ‘Rossi, Salamone’. Grove Music Online, 2001. (Online publication).CrossRefGoogle Scholar
Fera, V., ‘Petrarca lettore dell ’Iliade’, in Feo, M. et al. (eds.), Petrarca e il mondo greco, 2 vols., 1.141–54 (Florence, 2007).Google Scholar
Fernández Valbuena, A.Influencing gender roles: the commedia dell’arte in Spain’, in Cruz, A. J. and Quintero, M. C. (eds.), Beyond Spain’s Borders: Women Players in Early Modern National Theaters, 113–28 (London, 2016).Google Scholar
Findlen, P., Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy (Berkeley and Los Angeles, 1996).Google Scholar
Fiorani, F., The Marvel of Maps: Art, Cartography, and Politics in Renaissance Italy (New Haven, 2005).Google Scholar
Fioravanti, L., Dello specchio di scientia universale (Venice, 1564).Google Scholar
Fioravanti, L., Dello specchio di scientia universale (Venice, 1583).Google Scholar
Folkerth, W., ‘Pietro Aretino, Thomas Nashe, and early modern rhetorics of address’, in Wilson, B. and Yachnin, P. (eds.), Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, 6880 (London, 2010).Google Scholar
Fonte, M., ‘Le feste, written by Moderata Fonte’, ed. and trans. Quaintance, C., in Weaver, E. B. (ed.), Scenes from Italian Convent Life: An Anthology of Convent Texts and Contexts, 193231 (Ravenna, 2009).Google Scholar
Fonte, M., Floridoro, A Chivalric Romance, trans. J. Kisacky, with notes by V. Finucci and J. Kisacky, and an introduction by V. Finucci (Chicago, 2006).CrossRefGoogle Scholar
Fonte, M., Il merito delle donne, ed. Chemello, A. (Venice, 1988).Google Scholar
Fonte, M., Tredici canti del Floridoro, ed. Finucci, V. (Modena, 1995).Google Scholar
Fonte, M., The Worth of Women, ed. and trans. Cox, V. (Chicago, 1997).Google Scholar
Foucault, M., The Order of Things: An Archaeology of the Human Sciences (New York, 1970).Google Scholar
Franco, V., Poems and Selected Letters, ed. and trans. Jones, A. R. and Rosenthal, M. F. (Chicago, 1998).CrossRefGoogle Scholar
Franklin, M., Boccaccio’s Heroines: Power and Virtue in Renaissance Society (Aldershot, 2006).Google Scholar
Freedberg, D., The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History (Chicago, 2002).Google Scholar
Freedman, L., Classical Myths in Italian Renaissance Painting (Cambridge, 2011).Google Scholar
Freedman, L., Titian’s Portraits through Aretino’s Lens (University Park, PA, 1995).Google Scholar
Frick, C. C., Dressing Renaissance Florence: Families, Fortunes, and Fine Clothing (Baltimore, 2002).Google Scholar
Frize, M., Laura Bassi and Science in 18th Century Europe: The Extraordinary Life and Role of Italy’s Pioneering Female Professor (Heidelberg, 2013).CrossRefGoogle Scholar
Fu, Y., ‘L’ambasciata Tenshō: un’occasione poetica per Tasso e Grillo’, in Torre, A. (ed.), Prospettive sulle rime di Torquato Tasso, 207–32 (Ancona, 2023).Google Scholar
Fujikawa, M., ‘Pope Paul V’s global design: the fresco cycle in the Quirinal Palace’, Renaissance Studies, 30/2 (2016), 192217.CrossRefGoogle Scholar
Furstenberg-Levi, S., ‘The d’Avalos-Colonna literary circle: a “renewed Parnassus”’, in Cox, V. and McHugh, S. (eds.), Vittoria Colonna: Poetry, Religion, Art, Impact, 3754 (Amsterdam, 2022).CrossRefGoogle Scholar
Fynn-Paul, J., ‘The Greater Mediterranean slave trade’, in Perry, C. et al. (eds.), The Cambridge World History of Slavery, vol. 2: A.D. 500–1420, 2752 (Cambridge, 2021).Google Scholar
Gambara, V., The Complete Poems: A Bilingual Edition, ed. and trans. Martin, M. M. and Ugolini, P. (Toronto, 2014).Google Scholar
Gamberini, A. and Lazzarini, I. (eds.), The Italian Renaissance State (Cambridge, 2012).Google Scholar
Gamberini, D. New Apelleses and New Apollos: Poet-Artists Around the Court of Florence (1537–1587) (Berlin, 2022).CrossRefGoogle Scholar
García-Montón, A., Genoese Entrepreneurship and the Asiento Slave Trade, 1650–1700 (London, 2022).Google Scholar
Garrard, M. D., Artemisia Gentileschi and Feminism in Early Modern Europe (London, 2023).Google Scholar
Garzoni, T., La piazza universale di tutte le professioni del mondo, ed. Cherchi, P. and Collina, B., 2 vols. (Turin, 1996).Google Scholar
Gatward Cevizli, A., ‘Portraits, turbans, and cuirasses: material exchange between Mantua and the Ottomans at the end of the fifteenth century’, in Biedermann, Z., Gerritsen, A., and Riello, G. (eds.), Global Gifts: The Material Culture of Diplomacy in Early Modern Eurasia, 3455 (Cambridge, 2017).CrossRefGoogle Scholar
Genovesi, G., ‘Il Libro primo delle lettere di Pietro Aretino e una medaglia di Leone Leoni’, in Bolzoni, L. and Volterrani, S. (eds.), ‘Con parola brieve e con figura’: Emblemi e imprese fra antico e moderno, 199228 (Pisa, 2008).Google Scholar
Gentilcore, D., ‘The impact of New World plants, 1500–1800: the Americas in Italy’, in Horodowich, E. and Markey, L. (eds.), The New World in Early Modern Italy, 1492–1750, 190205 (Cambridge, 2017).Google Scholar
George of Trebizond, , Vindicatio Aristotelis: Two Works of George of Trebizond in the Plato-Aristotle Controversy of the Fifteenth Century, ed. and trans. Monfasani, J. (Tempe, AZ, 2021).Google Scholar
Gerbino, G., Music and the Myth of Arcadia in Renaissance Italy (Cambridge, 2009).Google Scholar
Ghiroldi, S., ‘Uno sguardo verso gli Antipodi: visioni orientali e immaginari dell’esotico agli albori del Seicento nelle Lettere di Padre Angelo Grillo’, Part I, Studi seicenteschi, 63 (2002), 105–59.Google Scholar
Ghiroldi, S., ‘Uno sguardo verso gli Antipodi: visioni orientali e immaginari dell’esotico agli albori del Seicento nelle Lettere di Padre Angelo Grillo’, Part II, Studi seicenteschi, 64 (2003), 103–42.Google Scholar
Giannetti, L., Lelia’s Kiss: Imagining Gender, Sex, and Marriage in Italian Renaissance Comedy (Toronto, 2009).CrossRefGoogle Scholar
Ginzburg, C., The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller, trans. J. Tedeschi and A. Tedeschi (Baltimore, 1980).Google Scholar
Giovio, P., Notable Men and Women of Our Time, ed. and trans. Gouwens, K. (Cambridge, MA, 2013).Google Scholar
Gnann, A., with Ekserdjian, D. and Foster, M., Chiaroscuro: Renaissance Woodcuts from the Collections of Georg Baselitz and the Albertina, Vienna (London, 2014).Google Scholar
Goethals, J., Margherita Costa, Diva of the Baroque Court (Toronto, 2023).CrossRefGoogle Scholar
Goldthwaite, R. A., ‘The painting industry in early modern Italy’, in Spear, R. E. and Sohm, P. (eds.), Painting for Profit: The Economic Lives of Seventeenth-Century Painters, 275301 (New Haven, 2010).Google Scholar
Goldthwaite, R. A., Wealth and the Demand for Art in Italy, 1300–1600 (Baltimore, 1993).Google Scholar
Gorini, G., ‘Le medaglie carraresi: genesi e fortuna’, in Longo, O. (ed.), Padova carrarese, 259–67 (Padua, 2005).Google Scholar
Gorse, G. L., ‘A classical stage for the old nobility: the Strada Nuova and sixteenth-century Genoa’, The Art Bulletin, 79/2 (1997), 301–27.CrossRefGoogle Scholar
Grafton, A., Leon Battista Alberti: Master Builder of the Italian Renaissance (Cambridge, MA, 2002).Google Scholar
Grafton, A., with Shelton, A. and Siraisi, N., New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery (Cambridge, MA, 1992).Google Scholar
Greenblatt, S. J., Renaissance Self-Fashioning: From More to Shakespeare (Chicago, 1980).Google Scholar
Greene, T. M., ‘The flexibility of the self in Renaissance literature’, in Demetz, P., Greene, T. M., and Silson, L. (eds.), The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History, 241–64 (New Haven, 1968).Google Scholar
Grendler, P. F., The Roman Inquisition and the Venetian Press, 1540–1605 (Princeton, 1977).Google Scholar
Grillo, A., Lettere, 2 vols. (Venice, 1616).Google Scholar
Grisone, F., Federico Grisone’s The Rules of Riding: An Edited Translation of the First Renaissance Treatise on Classical Horsemanship, ed. and trans. Tobey, E. M. (Tempe, AZ, 2014).Google Scholar
Guasco, A., Discourse to Lady Lavinia His Daughter, ed. and trans. Osborn, P. (Chicago, 2003).CrossRefGoogle Scholar
Guerzoni, G., Apollo and Vulcan: The Art Markets in Italy, 1400–1700 (East Lansing, 2011).Google Scholar
Guerzoni, G., ‘The Italian Renaissance courts’ demand for the arts: the case of d’Este of Ferrara’, in North, M. and Omrod, D. (eds.), Art Makers in Europe, 1400–1800, 6180 (Aldershot, 1998).Google Scholar
Ebreo of Pesaro, Guglielmo, De pratica sive arte tripudii (On the Practice or Art of Dancing), ed. Sparti, B., trans. B. Sparti and M. Sullivan (Oxford, 1993).Google Scholar
Guillen-Nuñes, C., ‘The portrait of Matteo Ricci: a mirror of Western religious and Chinese literati portrait painting’, Journal of Jesuit Studies, 1/3 (2014), 443–64.Google Scholar
Guy, J. and Britschgi, J., Wonder of the Age: Master Painters of India, 1100–1900 (New Haven, 2011).Google Scholar
Hairston, J. L. (ed.), The Poems and Letters of Tullia d’Aragona and Others: A Bilingual Edition (Toronto, 2014).Google Scholar
Hamilton, A., The Copts and the West, 1439–1822: The European Discovery of the Egyptian Church (Oxford, 2006).CrossRefGoogle Scholar
Han, S. and Zhu, Y., ‘Cultural differences in the self: from philosophy to psychology and neuroscience’, Social and Personality Psychology Compass, 2/5 (2008), 1799–811.Google Scholar
Hankins, J., ‘Humanism, scholasticism, and Renaissance philosophy’, in Hankins, J. (ed.), The Cambridge Companion to Renaissance Philosophy, 3048 (Cambridge, 2007).CrossRefGoogle Scholar
Hankins, J., Virtue Politics: Soulcraft and Statecraft in Renaissance Italy (Cambridge, MA, 2019).Google Scholar
Harper, J. G., ‘Introduction’, in Harper, J. G. (ed.), The Turk and Islam in the Western Eye, 1450–1650: Visual Imagery Before Orientalism, 118 (London, 2011).Google Scholar
Hay, D. and Law, J., Italy in the Age of the Renaissance, 1380–1530 (London, 1989).Google Scholar
Hayes, J., ‘Franco-Italian literary sociability and early modern Rome (1545–60)’, PhD dissertation, Early Modern Studies, University of London (2022–3).Google Scholar
Helmrath, J., ‘The German Reichstage and the crusade’, in Housley, N. (ed.), Crusading in the Fifteenth Century: Message and Impact, 5368 (London, 2004).CrossRefGoogle Scholar
Helmstutler Di Dio, K., ‘Signs of success: Leone Leoni’s signposting in sixteenth-century Milan’, in Nelson, J. K. and Zeckhauser, R. J. (eds.), The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art, 149–65 (Princeton, 2008).Google Scholar
Henke, R., Performance and Literature in the Commedia dell’Arte (Cambridge, 2002).Google Scholar
Henry, C., ‘Courtesans as collectors and tastemakers in Renaissance Italy’, in When Michelangelo Was Modern: Collecting, Patronage and the Art Market in Italy, 1450–1650, 7697 (Leiden, 2022).CrossRefGoogle Scholar
Hershenzon, D., ‘Towards a connected history of bondage in the Mediterranean: recent trends in the field’, History Compass, 15/8 (2017). Online publication.CrossRefGoogle Scholar
Herzig, T., ‘Slavery and interethnic sexual violence: a multiple perpetrator rape in seventeenth-century Livorno’, American Historical Review, 127/1 (2022), 194222.CrossRefGoogle Scholar
Hoby, T., The Travels and Life of Sir Thomas Hoby of Bisham Abbey, Written by Himself, 1547–1564, ed. Powell, E. (London, 1902).Google Scholar
Hohti, P., ‘Dress, dissemination, and innovation: artisan fashions in sixteenth- and early seventeenth-century Italy’, in Welch, E. (ed.), Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500–1800, 143–65 (Oxford, 2017).Google Scholar
Hohti, P. (ed.), Refashioning the Renaissance: Everyday Dress in Early Modern Europe, 1500–1650 (Manchester, 2025).CrossRefGoogle Scholar
Hohti Erichsen, P., ‘The art of artisan fashions: Moroni’s tailor and the changing culture of clothing in sixteenth-century Italy’, in Duits, R. (ed.), The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600, 109–16, 229–31 (London, 2020).Google Scholar
Hohti Erichsen, P., Artisans, Objects, and Everyday Life in Renaissance Italy: The Material Culture of the Middling Class (Amsterdam, 2020).Google Scholar
Hopkin, D., ‘The ecotype, or a modest proposal to reconnect social and cultural history’, in Calaresu, M., de Vivo, F., and Rubiés, J.-P. (eds.), Exploring Cultural History: Essays in Honour of Peter Burke, 3154 (Farnham, 2010).Google Scholar
Horodowich, E., ‘Italy and the New World’, in Horodowich, E. and Markey, L. (eds.), The New World in Early Modern Italy, 1492–1750, 1933 (Cambridge, 2017).Google Scholar
Horodowich, E., The Venetian Discovery of America: Geographic Imagination and Print Culture in the Age of Encounters (Cambridge, 2018).CrossRefGoogle Scholar
Horsley, A., Libertines and the Law: Subversive Authors and Criminal Justice in Early Seventeenth-Century France (Oxford, 2021).Google Scholar
Hosne, A. C., ‘Friendship among literati: Matteo Ricci, SJ (1552–1610) in Late Ming China’, The Journal of Transcultural Studies, 5/1 (2014), 190214.Google Scholar
Howard, P., Creating Magnificence in Renaissance Florence (Toronto, 2012).Google Scholar
Hughes, A. W., ‘Translation and the invention of Renaissance Jewish culture: the case of Judah Messer Leon and Judah Abravanel’, in Decter, J. and Prats, A. (eds.), The Hebrew Bible in Fifteenth-Century Spain: Exegesis, Literature, Philosophy, and the Arts, 245–66 (Leiden, 2012).Google Scholar
Iaccarino, U., ‘Early Spanish intruders in China: the 1579 mission of Pedro de Alfaro, O. F. M., reconsidered’, Journal of Jesuit Studies, 9/2 (2022), 245–62.CrossRefGoogle Scholar
Ikemoto, A. D., Pedro de Alfaro and the Struggle for Power in the Globalized Pacific, 1565–1644 (Lanham, MD, 2023).CrossRefGoogle Scholar
Infelise, M., ‘Roman avvisi: information and politics in the seventeenth century’, in Signorotto, G. and Visceglia, M. A. (eds.), Court and Politics in Papal Rome, 1492–1700, 212–28 (Cambridge, 2002).Google Scholar
Jacobs, F. H., Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism (Cambridge, 1997).Google Scholar
Jacobus, L., ‘A knight in the Arena: Enrico Scrovegni and his “true image”’, in Rogers, M. (ed.), Fashioning Identities in Renaissance Art, 1732 (Aldershot, 2000).Google Scholar
Jacobus, L., ‘The tomb of Enrico Scrovegni in the Arena Chapel, Padua’, The Burlington Magazine, 1311/154 (2012), 403–9.Google Scholar
Jaffe-Berg, E., Commedia dell’arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (Farnham, 2015).Google Scholar
Jaffe-Berg, E., Jewish Theatre Making in Mantua, 1520–1650 (Leeds, 2022).Google Scholar
James, C., ‘In praise of women: Giovanni Sabadino degli Arienti Gynevera de le clare donne’, in Monagle, C. F. (ed.), The Intellectual Dynamism of the High Middle Ages, 297315 (Amsterdam, 2021).Google Scholar
Janick, J. and Paris, H. S., ‘The cucurbit images (1515–1518) of the Villa Farnesina, Rome’, Annals of Botany, 97/2 (2006), 165–76.CrossRefGoogle ScholarPubMed
Javitch, D., Proclaiming a Classic: The Canonization of Orlando Furioso (Princeton, 1991).Google Scholar
Jones, A. R., ‘Cesare Vecellio, Venetian writer and art-book cosmopolitan’, in Singh, J. G. (ed.), A Companion to the Global Renaissance: Literature and Culture in the Age of Expansion, 1500–1700, 2nd ed., 341–59 (Oxford, 2021).Google Scholar
Jones, A. R. and Rosenthal, M., The Clothing of the Renaissance World: Europe, Asia, Africa, the Americas. Cesare Vecellio’s Habiti antichi et moderni (New York, 2008).Google Scholar
Jones, P., The Italian City-State: From Commune to Signoria (Oxford, 1997).CrossRefGoogle Scholar
Kaborycha, L., ‘Brigida Baldinotti and her two epistles in Quattrocento Florentine manuscripts’, Speculum, 87/3 (2012), 793826.CrossRefGoogle Scholar
Kainulainen, J., ‘Virtue and civic values in early Jesuit education’, Journal of Jesuit Studies, 5/4 (2018), 530–48.Google Scholar
Kalas, R., ‘The technology of reflection: Renaissance mirrors of steel and glass’, Journal of Medieval and Early Modern Studies, 32/3 (2002), 519–42.CrossRefGoogle Scholar
Kallendorf, C. W. (ed.), Humanist Educational Treatises (Cambridge, MA, 2002).Google Scholar
Kaplan, B. J., Divided by Faith: Religious Conflict and the Practice of Toleration in Early Modern Europe (Cambridge, MA, 2007).CrossRefGoogle Scholar
Kaplan, P. H. D., ‘Isabella d’Este and black African women’, in Earle, T. F. and Lowe, K. J. P. (eds.), Black Africans in Renaissance Europe, 125–54 (Cambridge, 2005).Google Scholar
Kaufmann, T. D., ‘Ranges of response: Asian appropriations of European art and culture’, in Savoy, D. (ed.), The Globalization of Renaissance Art: A Critical Review, 95127 (Leiden, 2017).CrossRefGoogle Scholar
Kelly, J, Women, History, and Theory: The Essays of Joan Kelly (Chicago, 1984).Google Scholar
Kelly, S., ‘Biondo Flavio on Ethiopia: knowledge production in the Renaissance’, in Caferro, W. P. (ed.), The Routledge History of the Renaissance, 167–82 (London, 2017).Google Scholar
Kendrick, R. L., Celestial Sirens: Nuns and their Music in Early Modern Milan (Oxford, 1996).Google Scholar
Kennerley, S., ‘Ethiopian Christians in Rome, c. 1400–c. 1700’, in Michelson, E. and Wainwright, M. C. (eds.), A Companion to Religious Minorities in Early Modern Rome, 142–68 (Leiden, 2021).Google Scholar
Kerr, R., The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage (Toronto, 2015).Google Scholar
Kieffer, F., ‘La confiserie des Offices: art, sciences, et magnificence à la cour des Médicis’, Predella, 33 (2013), 85105.Google Scholar
King, C., ‘The arts of carving and casting’, in Norman, D. (ed.), Siena, Florence, and Padua: Art, Society, and Religion, 1280–1400, 2 vols., 1.96–121 (New Haven, 1995).Google Scholar
King, M. L., ‘Book-lined cells: women and humanism in the early Italian Renaissance’, in Labalme, P. H. (ed.), Beyond Their Sex: Learned Women of the European Past, 6690 (New York, 1980).Google Scholar
Kirkham, V., ‘Creative partners: the marriage of Laura Battiferra and Bartolomeo Ammannati,’ Renaissance Quarterly, 55/2 (2002), 498558.CrossRefGoogle Scholar
Kirkham, V., ‘Laura Battiferra degli Ammanati’s First Book of Poetry: a Renaissance holograph comes out of hiding’, Rinascimento 36 (1996), 351–91.Google Scholar
Kirkham, V. and Maggi, A. (eds.), Petrarch: A Critical Guide to the Complete Works (Chicago, 2009).CrossRefGoogle Scholar
Kirkham, V., Sherberg, M., and Smarr, J. L. (eds.), Boccaccio: A Critical Guide to the Complete Works (Chicago, 2013).Google Scholar
Kohl, B. G., ‘The myth of the Renaissance despot’, in Law, J. E. and Patton, B. (eds.), Communes and Despots in Medieval and Renaissance Italy, 6174 (Aldershot, 2010).Google Scholar
Kolsky, S., The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy (Turnhout, 2005).CrossRefGoogle Scholar
Kovesi Killerby, C., Sumptuary Law in Italy, 1200–1500 (Oxford, 2002).CrossRefGoogle Scholar
Kraye, Jill, ‘The revival of Hellenistic philosophies’, in Hankins, J. (ed.), The Cambridge Companion to Renaissance Philosophy, 97112 (Cambridge, 2007).CrossRefGoogle Scholar
Krohn, D. L., Food and Knowledge in Renaissance Italy: Bartolomeo Scappi’s Paper Kitchens (Farnham, 2015).Google Scholar
Kyle, S. R., ‘A new heraldry: vision and rhetoric in the Carrara Herbal’, in Melion, W., Rothstein, B., and Weemans, M. (eds.), The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts, 231–50 (Leiden, 2015).Google Scholar
Laird, A., Aztec Latin: Renaissance Learning and Nahuatl Traditions in Early Colonial Mexico (Oxford, 2024).CrossRefGoogle Scholar
Langdale, S. R., Battle of the Nudes: Pollaiuolo’s Renaissance Masterpiece (Cleveland, OH, 2002).Google Scholar
Lange, H. C., ‘Portraiture, projection, perfection: the multiple effigies of Enrico Scrovegni’, in Perkinson, S. and Turel, N. (eds.), Picturing Death, 1200–1600, 3648 (Leiden, 2021).Google Scholar
Laurenza, D., Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution (New York, 2012).Google Scholar
Laven, M., ‘Encountering the Counter-Reformation’, Renaissance Quarterly, 59/3 (2006), 706–20.CrossRefGoogle Scholar
Laven, M., ‘“From His Holiness to the King of China”: gifts, diplomacy, and Jesuit evangelization’, in Biedermann, Z., Gerritsen, A., and Riello, G. (eds.), Global Gifts: The Material Culture of Diplomacy in Early Modern Eurasia, 217–34 (Cambridge, 2017).Google Scholar
Lazzaro, C., The Italian Renaissance Garden: From the Conventions of Planting, Design, and Ornament to the Grand Gardens of Sixteenth-Century Central Italy (New Haven, 1990).Google Scholar
Africanus, Leo [al-Hasan ibn Muhammad al-Wazzan], The Cosmography and Geography of Africa, ed. and trans. Ossa-Richardson, A. and Oosterhoff, R. J. (London, 2023).Google Scholar
Ebreo, Leone [Judah Abravanel], Dialogues of Love, ed. Pescatori, R., trans. C. D. Bacich and R. Pescatori, with a foreword by B. P. Copenhaver (Toronto, 2009).CrossRefGoogle Scholar
Leoniceno, N., De Plinii et aliorum medicorum erroribus liber (Basel, 1529).Google Scholar
Leydi, S., ‘The swordsmiths of Milan, c. 1525–1630’, in Capwell, T. (ed.), The Noble Art of the Sword: Fashion and Fencing in Renaissance Europe 1520–1630, 177201 (London, 2012).Google Scholar
Liberto, A., ‘Vittoria Piissimi, zingara medicea: analisi di un’“interpretazione”’, Italica Wratislaviensia, 10/2 (2019), 5164.CrossRefGoogle Scholar
Libes, K., ‘1583/5, Annibale Carracci, Portrait of a Woman Holding a Clock’, Fashion History Timeline, 26 June 2020 (Online Publication).Google Scholar
Lincoln, E., The Invention of the Italian Renaissance Printmaker (New Haven, 2000).Google Scholar
Lis, C. and Soly, H., Worthy Efforts: Attitudes to Work and Workers in Pre-Industrial Europe (Leiden, 2012).CrossRefGoogle Scholar
Lizzul, G., ‘Industry, utility, and the distribution of wealth in Quattrocento humanist thought’, in Almási, G. and Lizzul, G. (eds.), Rethinking the Work Ethic in Premodern Europe, 101–32 (London, 2023).Google Scholar
Lowe, K. J. P., ‘Isabella d’Este and the acquisition of black Africans at the Mantuan court’, in Jackson, P. and Rebecchini, G. (eds.), Mantova e il Rinascimento italiano: studi in onore di David S. Chambers, 6576 (Mantua, 2011).Google Scholar
Lowe, K. J. P., Nuns’ Chronicles and Convent Culture in Renaissance and Counter-Reformation Italy (Cambridge, 2003).Google Scholar
Lowe, K. J. P., Provenance and Possession: Acquisitions from the Portuguese Empire in Renaissance Italy (Princeton, 2024).CrossRefGoogle Scholar
Lowe, K. J. P., ‘“Representing” Africa: ambassadors and princes from Christian Africa to Renaissance Italy and Portugal, 1402–1608’, Transactions of the Royal Historical Society, 17 (2007), 101–28.CrossRefGoogle Scholar
Lowe, K. J. P., ‘Visible lives: black gondoliers and other black Africans in Renaissance Venice’, Renaissance Quarterly, 66/2 (2013), 412–52.CrossRefGoogle Scholar
Lubkin, G., A Renaissance Court: Milan under Galeazzo Maria Sforza (Berkeley and Los Angeles, 1994).CrossRefGoogle Scholar
Luzio, A. and Renier, R., ‘Niccolò da Correggio’, Giornale storico della letteratura italiana, 21 (1893), 85–119 and 22 (1893), 205–64.Google Scholar
Machiavelli, N., Il principe, ed. Inglese, G. (Turin, 1994).Google Scholar
Maclean, I., The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life (Cambridge, 1980).CrossRefGoogle Scholar
Malanima, P., The Economy of Renaissance Italy (London, 2022).CrossRefGoogle Scholar
Malanima, P., ‘Urbanisation and the Italian economy during the last millennium’, European Review of Economic History, 9/1 (2005), 97122.CrossRefGoogle Scholar
Malanima, P., ‘When did England overtake Italy? Medieval and early modern divergence in prices and wages’, European Review of European History, 17/1 (2013), 4570.CrossRefGoogle Scholar
Malcolm, N., Useful Enemies: Islam and the Ottoman Empire in Western Political Thought (1450–1750) (Oxford, 2019).Google Scholar
Mancino, M. R., ‘Parasole Cagnaccia, Geronima’, DBI, 81 (2015).Google Scholar
Mancino, M. R., ‘Parasole Catanea, Elisabetta’, DBI, 81 (2015).Google Scholar
Mandressi, R., ‘Of the eye and of the hand: performance in early modern anatomy’, trans. E. Claire, The Drama Review, 59/3 (2015), 6076.CrossRefGoogle Scholar
Mangraviti, V., L’Odissea marciana di Leonzio tra Boccaccio e Petrarca (Turnhout, 2016).Google Scholar
Markey, L., Imagining the Americas in Medici Florence (University Park, PA, 2016).Google Scholar
Marr, A., From Raphael to Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy (Chicago, 2011).CrossRefGoogle Scholar
Martin, C., Subverting Aristotle: Religion, History and Philosophy in Early Modern Science (Baltimore, 2014).CrossRefGoogle Scholar
Martin, C. G., Milton’s Italy: Anglo-Italian Literature, Travel, and Connections in Seventeenth-Century England (London, 2017).Google Scholar
Martin, J. J., ‘The imaginary piazza: Tommaso Garzoni and the late Italian Renaissance’, in Cohn, S. K. Jr and Epstein, S. A. (eds.), Portraits of Medieval and Renaissance Living: Essays in Memory of David Herlihy, 439–54 (Ann Arbor, MI, 1996).Google Scholar
Martin, J. J., Myths of Renaissance Individualism (Basingstoke, 2004).CrossRefGoogle Scholar
Martines, L., Power and Imagination: City-States in Renaissance Italy (Baltimore, 1988).CrossRefGoogle Scholar
Massai, S., ‘John Wolfe and the impact of exemplary go-betweens on early modern print culture’, in Höfele, A. and von Koppenfels, W. (eds.), Renaissance Go-Betweens: Cultural Exchange in Early Modern Europe, 104–18 (Berlin, 2005).Google Scholar
Massarella, D. (ed.), Japanese Travellers in Sixteenth-Century Europe: A Dialogue Concerning the Mission of the Japanese Ambassadors to the Roman Curia (1590), trans. J. F. Moran (London, 2012).Google Scholar
Matraini, C., Rime e lettere, ed. Rabitti, G. (Bologna, 1989).Google Scholar
Matraini, C., Selected Poetry and Prose, ed. and trans. Maclachlan, E., with an introduction by G. Rabitti (Chicago, 2008).Google Scholar
Mausoli, S., ‘“De la gran Cantona i chiari honori”: Caterina Cantoni, Lomazzo, and the Accademia di Val di Blenio’, in Tantardini, L. and Norris, R. (eds.), Lomazzo’s Aesthetic Principles Reflected in the Work of His Time, 109–30 (Leiden, 2020).Google Scholar
Maxson, B. J., The Humanist World of Renaissance Florence (Cambridge, 2014).Google Scholar
Maxson, B. J., ‘“This sort of men”: the vernacular and the humanist movement in fifteenth-century Florence’, I Tatti Studies in the Italian Renaissance, 16/1–2 (2013), 257–72.Google Scholar
McCall, T., The Art of Anatomy in Medieval Europe (London, 2023).Google Scholar
McClelland, J., ‘Montaigne and the sports of Italy’, Renaissance and Reformation, 27/2 (2003), 4151.CrossRefGoogle Scholar
McClure, G. W., The Culture of Profession in Late Renaissance Italy (Toronto, 2004).CrossRefGoogle Scholar
McClure, G. W., Parlour Games and the Public Life of Women in Renaissance Italy (Toronto, 2013).CrossRefGoogle Scholar
McGinnis, K. T., ‘Milan and the development and dissemination of Il ballo nobile: Lombardy as the Terpsichorean treasury for early modern European courts’, Quidditas, 20 (1999), 155–71.Google Scholar
McHugh, S., ‘A guided tour of Heaven and Hell: the otherworldly journey in Chiara Matraini and Lucrezia Marinella’, Early Modern Women, 9/1 (2014), 2546.CrossRefGoogle Scholar
McHugh, S., Petrarch and the Making of Gender in Renaissance Italy (Amsterdam, 2023).Google Scholar
McIver, K. A., Cooking and Eating in Renaissance Italy: From Kitchen to Table (Lanham, MD, 2015).Google Scholar
McKee, S., ‘Domestic slavery in Renaissance Italy’, Slavery and Abolition, 29/3 (2008), 305–26.CrossRefGoogle Scholar
McMahon, B. C., ‘Contingent images: looking obliquely at colonial Mexican featherwork in early modern Italy’, The Art Bulletin, 103/2 (2021), 2549.CrossRefGoogle Scholar
McManus, S. M., ‘Decolonizing Renaissance humanism’, American Historical Review, 127/3 (2022), 1131–61.CrossRefGoogle Scholar
McManus, S. M., Empire of Eloquence: The Classsical Rhetorical Tradition in Colonial Latin America and the Iberian World (Cambridge, 2021).CrossRefGoogle Scholar
MacNeil, A., Music and Women of the Commedia dell’Arte in the Late Sixteenth Century (Oxford, 2003).CrossRefGoogle Scholar
Melo, J. V. (ed.), with Wahlgren-Smith, L. and Rubiés, J.-P., The Writings of Antoni de Monserrat at the Mughal Court (Leiden, 2023).CrossRefGoogle Scholar
Membrè, M., Mission to the Lord Sophy of Persia (1539–1542), ed. and trans. Morton, A. H., 2nd ed. (Warminster, 1999).Google Scholar
Meserve, M., Papal Bull: Print, Politics and Propaganda in Renaissance Rome (Baltimore, 2021).CrossRefGoogle Scholar
Messer Leon, J. [Judah ben Jehiel], The Book of the Honeycomb’s Flow (Sepher Nopheth Suphim), ed. and trans. Rabinowitz, I. (Ithaca, 2020).Google Scholar
Michelson, E., Catholic Spectacle and Rome’s Jews: Early Modern Conversion and Resistance (Princeton, 2022).Google Scholar
Milligan, G., Moral Combat: Women, Gender, and War in Italian Renaissance Literature (Toronto, 2018).Google Scholar
Minnich, N. H., ‘The Catholic Church and the pastoral care of black Africans in Renaissance Italy’, in Earle, T. F. and Lowe, K. J. P. (eds.), Black Africans in Renaissance Europe, 280302 (Cambridge, 2005).Google Scholar
Mocarelli, L., ‘Attitudes to work and commerce in the late Italian Renaissance: a comparison between Tomaso Garzoni’s La piazza universal and Leonardo Fioravanti’s Dello specchio di scientia universale’, The Joy and Pain of Work: Global Attitudes and Valuations, 1500–1650, special issue of International Review of Social History, 56/19 (2011), 89106.Google Scholar
Mocarelli, L. and Ongaro, G., Work in Early Modern Italy, 1500–1800 (Cham, 2019).CrossRefGoogle Scholar
Modena, L. [Yehudah Aryeh Mi-Modena], The Autobiography of a Seventeenth-Century Venetian Rabbi: Leon Modena’s Life of Judah, ed. Cohen, M. R. (Princeton, 1989).CrossRefGoogle Scholar
Monfasani, J., ‘The Greeks and Renaissance humanism’, in Rundle, D. (ed.), Humanism in Fifteenth-Century Europe, 3177 (Oxford, 2012).Google Scholar
Monfasani, J., ‘The impuissant and immoral city: George of Trebizond’s critique of Plato’s Laws’, in Davies, J. and Monfasani, J. (eds.), Renaissance Politics and Culture: Essays in Honour of Robert Black, 3958 (Leiden, 2021).CrossRefGoogle Scholar
Monson, C. A., Disembodied Voices: Music and Culture in an Early Modern Convent (Berkeley and Los Angeles, 1995).Google Scholar
Montaigne, M. de, Journal de voyage, ed. Garavini, F. (Paris, 1983).Google Scholar
Moore, J., ‘The expedition of the brothers Vivaldi: new archival evidence’, in López-Portillo, J.-J. (ed.), Spain, Portugal and the Atlantic Frontier of Medieval Europe, 518 (Farnham, 2013).Google Scholar
Morar, F.-S., ‘The Westerner: Matteo Ricci’s world map and the quandaries of European identity in the late Ming dynasty’, Journal of Jesuit Studies, 6/1 (2019), 1430.CrossRefGoogle Scholar
Morelli, G., Ricordi. Nuova edizione e introduzione storica, ed. Tripodi, C. (Florence, 2019).CrossRefGoogle Scholar
Morrill, P. C., La Casa del Deán: New World Imagery in a Sixteenth-Century Mexican Mural Cycle (Austin, TX, 2014).CrossRefGoogle Scholar
Muir, E., Civic Ritual in Renaissance Venice (Princeton, 1981).CrossRefGoogle Scholar
Murano, G., ‘History rewritten: Francesco Guicciardini’s Storia d’Italia and Fiammetta Frescobaldi’, in Niskanen, S. (ed.), The Art of Publication from the Ninth to the Sixteenth Century, 347–70 (Turnhout, 2023).Google Scholar
Murphy, C. P., Lavinia Fontana: A Painter and Her Patrons in Renaissance Bologna (New Haven, 2003).Google Scholar
Najemy, J. M., A History of Florence, 1200–1575 (Oxford, 2006).CrossRefGoogle Scholar
Najemy, J. M. (ed.), Italy in the Age of the Renaissance (Oxford, 2004).CrossRefGoogle Scholar
Nalezyty, S., ‘From Padua to Rome: Pietro Bembo’s mobile objects and convivial interiors’, in Campbell, E. J., Miller, S. R., and Carroll Consavari, E. (eds.), The Early Modern Italian Domestic Interior, 1400–1700: Objects, Spaces, Domesticities, 3346 (Aldershot, 2014).Google Scholar
Natali, A., ‘Andrea del Sarto: a model of thought and language’, in Falciani, C. and Natali, A. (eds.), The Cinquecento in Florence: ‘Modern Manner’ and Counter-Reformation, 2739 (Florence, 2017).Google Scholar
Necipoğlu, G., ‘The aesthetics of empire: arts, politics and commerce in the construction of Sultan Süleyman’s magnificence’, in Fodor, P. (ed.), The Battle for Central Europe: The Siege of Szigetvár and the Death of Süleyman the Magnificent and Nicholas Zrínyi (1566), 115–59 (Leiden, 2019).Google Scholar
Negri, C., Le gratie d’amore (Milan, 1602).Google Scholar
Nelles, P., ‘Devotion in transit: agnus Dei, Jesuit missionaries and global salvation in the sixteenth century’, in Nelles, P. and Salzberg, R. (eds.), Connected Mobilities in the Early Modern World: The Practice and Experience of Movement, 185214 (Amsterdam, 2022).Google Scholar
Nelson, J. K. (ed.), Plautilla Nelli (1524–1588): The Painter-Prioress of Florence (Syracuse, NY, 2008).Google Scholar
Nelson, J. K. and Zeckhauser, R. J., The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art (Princeton, 2008).Google Scholar
Nevile, J., The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (Bloomington, IN, 2004).Google Scholar
Niccoli, O., ‘Italy’, in Raymond, J. (ed.), The Oxford History of Popular Print Culture, vol. 1: Cheap Print in Britain and Ireland Until 1660, 187–95 (Oxford, 2011).Google Scholar
Nicholson, E., Commedia dell’arte in early modern English drama’, in Marrapodi, M. (ed.), The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture, 358–75 (London, 2019).Google Scholar
Norman, D., ‘Splendid models and examples from the past: Carrara patronage of art’, in Norman, D. (ed.), Siena, Florence, and Padua: Art, Society, and Religion, 1280–1400, 2 vols., 1.154–75 (New Haven, 1995).Google Scholar
Nussdorfer, L., ‘Managing cardinals’ households for dummies’, in Blair, A. and Goeing, A.-S. (eds.), For the Sake of Learning: Essays in Honor of Anthony Grafton, 173–94 (Leiden, 2016).Google Scholar
Nutton, V., ‘Hellenism postponed: some aspects of Renaissance medicine, 1490–1530,’ Sudhoffs Archiv, 81/2 (1997), 158–70.Google ScholarPubMed
Nutton, V., ‘Medical humanism: a problematic formulation?’ in Arts et Savoirs, 15 (2021). Online publication.CrossRefGoogle Scholar
O’Bryan, R., ‘Grotesque bodies, princely delight: dwarfs in Italian Renaissance court imagery’, Preternature, 1/2 (2012), 252–88.Google Scholar
Ogilvie, B., The Science of Describing: Natural History in Renaissance Europe (Chicago, 2006).CrossRefGoogle Scholar
Oosterhoff, R., Making Mathematical Culture: University and Print in the Circle of Lefèvre d’Étaples (Oxford, 2018).CrossRefGoogle Scholar
O’Rourke Boyle, M., Loyola’s Acts: The Rhetoric of the Self (Berkeley and Los Angeles, 1997).CrossRefGoogle Scholar
Overell, M. A., Nicodemites: Faith and Concealment Between Italy and Tudor England (Leiden, 2018).Google Scholar
Pade, M., ‘The fortuna of Leontius Pilatus’s Homer, with an edition of Pier Candido Decembrio’s “Why Homer’s Greek verses are rendered in Latin prose”’, in Coulson, F. T. and Grotans, A. A. (eds.), Classica et Beneventana: Essays Presented to Virginia Brown on the Occasion of Her 65th Birthday, 149–72 (Turnhout, 2007).Google Scholar
Palumbo Fossati, I., ‘Livres et lecteurs dans la Venise du XVIe siècle’, Revue française d’histoire du livre, 15/49 (1985), 481513.Google Scholar
Palumbo Fossati Casa, I., Dentro le case: abitare a Venezia nel Cinquecento (Venice, 2013).Google Scholar
Park, K., ‘The criminal and the saintly body: autopsy and dissection in late medieval Europe’, Renaissance Quarterly, 47/1 (1994), 133.CrossRefGoogle Scholar
Paulicelli, E., Writing Fashion in Early Modern Italy: From Sprezzatura to Satire (Farnham, 2014).Google Scholar
Payne, A., ‘Vasari, architecture, and the origins of historicizing art’, RES: Anthropology and Aesthetics, 40 (2001), 5176.Google Scholar
Peconi, A., ‘La presencia de Italia en Mexico en los siglos XVI y XVII’, in Massa, G. (ed.), Estudios sobre el mundo latinoamericano / Studi sul mondo latinoamericano, 97111 (Rome, 1981).Google Scholar
Pereda, F., ‘Measuring Jerusalem: the Marquis of Tarifa’s pilgrimage in 1520 and its urban consequences’, Città e storia, 7/1 (2012), 77102.Google Scholar
Petrarca, F., Le familiari, ed. Rossi, V. and Bosco, U., 4 vols. (Florence, 1933–42).Google Scholar
Petrella, G., L’officina del geografo. La Descrittione di tutta Italia di Leandro Alberti e gli studi geografico-antiquari tra Quattro e Cinquecento (Milan, 2004).Google Scholar
Pettegree, A., The Invention of News: How the World Came to Know About Itself (New Haven, 2014).Google Scholar
Phillips, M., The Memoir of Marco Parenti: A Life in Medici Florence (Princeton, 1987).Google Scholar
Pico della Mirandola, G., Discorso della dignità dell’uomo, ed. Bausi, F. (Parma, 2003).Google Scholar
Pico della Mirandola, G., ‘On the Dignity of Man’, trans. E. L. Forbes, in Cassirer, E., Kristeller, P. O., and Randall, J. H. Jr (eds.), The Renaissance Philosophy of Man, 223–54 (Chicago, 1956).Google Scholar
Pico della Mirandola, G., Oration on the Dignity of Man: A New Translation and Commentary, ed. Borghesi, F., Papio, F., and Riva, M. (Cambridge, 2012).Google Scholar
Pirillo, D., The Refugee-Diplomat: Venice, England, and the Reformation (Ithaca, 2018).CrossRefGoogle Scholar
Pitman, S., ‘Imitation in early modern artisan fashion’, in Hohti, P. (ed.), Refashioning the Renaissance: Everyday Dress in Early Modern Europe, 1500–1650, 79100 (Manchester, 2025).Google Scholar
Pliny, , Natural History, trans. H. Rackham et al., 10 vols. (Cambridge, MA, 1938–63).Google Scholar
Pon, L., A Printed Icon in Early Modern Italy: Forlì’s Madonna of the Fire (Cambridge, 2015).CrossRefGoogle Scholar
Pullan, B., ‘Wage-earners and the Venetian economy, 1530–1630’, The Economic History Review, 16/3 (1964), 407–26.Google Scholar
Quondam, A., ‘Foreword’, in McHugh, S. and Wainwright, A. (eds.), Innovation in the Italian Counter-Reformation, 920 (Newark, DE, 2020).Google Scholar
Rabil, A. (ed.), Knowledge, Goodness, and Power: The Debate over Nobility among Quattrocento Italian Humanists (Binghamton, NY, 1991).Google Scholar
Raby, J., ‘Mistaken identities’, Cornucopia Magazine, 63 (2021). Online publication.Google Scholar
Raggio, O., ‘The Velez Blanco patio: an Italian Renaissance monument from Spain’, Metropolitan Museum of Art Bulletin, 23/4 (1964), 141–76.CrossRefGoogle Scholar
Ramusio, G. B., Navigazioni e viaggi, ed. Milanesi, M., 6 vols. (Turin, 1978–88).Google Scholar
Ravid, B., ‘A tale of three cities and their raison d’état: Ancona, Venice, Livorno and the competition for Jewish merchants in the sixteenth century’, Mediterranean Historical Review, 6/2 (1991), 138–62.CrossRefGoogle Scholar
Ravid, B., ‘Venice and its minorities’, in Dursteler, E. (ed.), A Companion to Venetian History, 1400–1797, 449–85 (Leiden, 2013).Google Scholar
Ray, M. K., ‘Letters and lace: Arcangela Tarabotti and convent culture in Seicento Venice’, in Campbell, J. D. and Larsen, A. R. (eds.), Early Modern Women and Transnational Communities of Letters, 4573 (Farnham, 2009).Google Scholar
Ray, M. K., Margherita Sarrocchi’s Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (London, 2016).CrossRefGoogle Scholar
Reardon, C., Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700 (Oxford, 2002).Google Scholar
Rebhorn, W. A., ‘Baldesar Castiglione, Thomas Wilson, and the courtly body of Renaissance rhetoric’, Rhetorica, 11/3 (1993), 241–74.CrossRefGoogle Scholar
Refini, E., The Vernacular Aristotle: Translation as Reception in Medieval and Renaissance Italy (Cambridge, 2020).CrossRefGoogle Scholar
Regan, L. K., ‘Ariosto’s threshold patron: Isabella d’Este in the Orlando Furioso’, MLN, 120/1 (2005), 5069.CrossRefGoogle Scholar
Richardson, B., ‘The debates on printing in Renaissance Italy’, La bibliofilia, 100/2–3 (1998), 135–55.Google Scholar
Richardson, B., ‘The Prince and its early Italian readers’, in Coyle, M. (ed.), Niccolò Machiavelli’s The Prince: New Interdisciplinary Essays, 1839 (Manchester, 1995).Google Scholar
Richardson, B., Printing, Writers, and Readers in Renaissance Italy (Cambridge, 1999).Google Scholar
Rizzi, A., Vernacular Translators in Quattrocento Italy: Scribal Culture, Authority, and Agency (Turnhout, 2017).CrossRefGoogle Scholar
Roberts, S., ‘A global Florence and its blind spots’, in Savoy, D. (ed.), The Globalization of Renaissance Art: A Critical Review, 1544 (Leiden, 2017).CrossRefGoogle Scholar
Robinson, M. N., ‘Né vera né falsa: non-elite ownership of pearls in early modern Italy’, in Hohti, P. (ed.), Refashioning the Renaissance: Everyday Dress in Early Modern Europe, 1500–1650, 135–50 (Manchester, 2025).Google Scholar
Rocke, M., Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (Oxford, 1998).Google Scholar
Rodríguez Mesa, F. J., ‘Corrado Ricci e Alberto Bacchi della Lega curatori di Sabadino degli Arienti, o della necessità di una nuova edizione della Gynevera de le clare donne’, Cartaphilus, 19 (2021), 334–56. Open access:Google Scholar
Romano, A., ‘Pietro Aretino, poet’, in Faini, M. and Ugolini, P. (eds.), A Companion to Pietro Aretino, 189201 (Leiden, 2021).Google Scholar
Romano, D., Venice: The Remarkable History of the Lagoon City (Oxford, 2024).CrossRefGoogle Scholar
Romoli, D., La singolare dottrina … dell’ufficio dello scalco (Venice, 1593).Google Scholar
Root, J., ‘Space to Speke’: The Confessional Subject in Medieval Literature (New York, 1997).Google Scholar
Rosand, E., ‘Barbara Strozzi, virtuosissima cantatrice: the composer’s voice’, Journal of the American Musicological Society, 31/2 (1978), 241–81.Google Scholar
Rosen, M., The Mapping of Power in Renaissance Italy: Painted Cartographic Cycles in Social and Intellectual Context (Cambridge, 2014).CrossRefGoogle Scholar
Rosenthal, M. F., The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice (Chicago, 1992).CrossRefGoogle Scholar
Ross, S. G., Everyday Renaissances: The Quest for Cultural Legitimacy in Venice (Cambridge, MA, 2017).Google Scholar
Ross, S. G., ‘Throwing Aristotle from the train: women and humanism’, in Caferro, W. P. (ed.), The Routledge History of the Renaissance, 228–41 (London, 2017).Google Scholar
Rothman, E. N., Brokering Empire: Trans-Imperial Subjects Between Venice and Istanbul (Ithaca, 2011).CrossRefGoogle Scholar
Rouch, M. (ed.), Storie di vita popolare nelle canzoni di piazza di G. C. Croce (Bologna, 1982).Google Scholar
Rowe, E. K., Black Saints in Early Modern Global Catholicism (Cambridge, 2019).CrossRefGoogle Scholar
Rubiés, J.-P., ‘The concept of cultural dialogue and the Jesuit method of accommodation: between idolatry and civilization’, Archivum Historicum Societatis Iesu, 74/147 (2005), 237–80.Google Scholar
Rubiés, J.-P., ‘The Renaissance of encounters and the Renaissance of antiquities’, Renaissance Quarterly, 78/1 (2025), 141.CrossRefGoogle Scholar
Rubiés, J.-P., Travel and Ethnography in the Renaissance: South Asia Through European Eyes, 1250–1625 (Cambridge, 2000).CrossRefGoogle Scholar
Ruffini, M., Art Without an Author: Vasari’s Lives and Michelangelo’s Death (New York, 2011).Google Scholar
Ruiz, L., A Tale of Two Woman Painters: Sofonisba Anguissola and Lavinia Fontana, trans. J. Dodman (Madrid, 2019).Google Scholar
Rundle, D., The Renaissance Reform of the Book and Britain: The English Quattrocento (Cambridge, 2019).Google Scholar
Russo, A., ‘A contemporary art from New Spain’, in Russo, A., Fane, D., and Wolf, G. (eds.), Images Take Flight: Feather Art in Mexico and Europe (1400–1700), 2363 (Munich, 2015).Google Scholar
Salonia, M., ‘The first voyage of Giovanni da Empoli to India: mercantile culture, Christian faith, and the early production of knowledge about Portuguese Asia’, International Journal of Maritime History, 31/1 (2019), 318.CrossRefGoogle Scholar
Salvadore, M., ‘Encounters between Ethiopia and Europe, 1400–1660’, Oxford Research Encyclopedia of African History, 2018. Online publication.CrossRefGoogle Scholar
Salvadore, M. and De Lorenzi, J., ‘An Ethiopian scholar in Tridentine Rome: Täsfa Ṣeyon and the birth of Orientalism’, Itinerario, 45/1 (2021), 1746.CrossRefGoogle Scholar
Salzberg, R., Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester, 2014).CrossRefGoogle Scholar
Salzberg, R., The Renaissance on the Road: Mobility, Migration, and Cultural Exchange (Cambridge, 2023).CrossRefGoogle Scholar
Salzberg, R., ‘The sounds of a “migropolis”: listening to early modern Venice’, in Cornelissen, C., Kümin, B. A., and Rospocher, M. (eds.), Migration and the European City: Social and Cultural Perspectives from Early Modernity to the Present, 197212 (Berlin, 2022).CrossRefGoogle Scholar
Sampson, L., ‘Performing female cultural sociability between court and academy: Isabella Pallavicino Lupi and Angelo Ingegneri’s Danza di Venere (1584)’, in Jossa, S. and Pieri, G. (eds.), Chivalry, Academy, and Cultural Dialogues: The Italian Contribution to European Culture. Essays in honour of Jane E. Everson, 107–21 (Oxford, 2016).Google Scholar
San Juan, R. M., ‘The court lady’s dilemma: Isabella d’Este and art collecting in the Renaissance’, Oxford Art Journal, 14/1 (1991), 6778.CrossRefGoogle Scholar
Sarrocchi, M., Scanderbeide: The Heroic Deeds of George Scanderbeg, King of Epirus, ed. Russell, R. (Chicago, 2006).Google Scholar
Saslow, J. M., Ganymede in the Renaissance: Homosexuality in Art and Society (New Haven, 1986).Google Scholar
Sassetti, F., Lettere dall’India (1583–1588), ed. Dei, A. (Rome, 1995).Google Scholar
Schechner, S. J., ‘Between knowing and doing: mirrors and their imperfections in the Renaissance’, Early Science and Medicine, 10/2 (2005), 137–62.CrossRefGoogle Scholar
Schmidt, S., ‘“Sauter et voltiger en l’air”: the art of movement in late Renaissance Italy and France’, in Hairston, J. and Stephens, W. (eds.), The Body in Early Modern Italy, 213–25, 358–63 (Baltimore, 2010).Google Scholar
Schultz, B., Art and Anatomy in Renaissance Italy (Ann Arbor, MI, 1985).Google Scholar
Schulz, A. M., ‘Three unknown crucifixes by Andrea Fosco’, Nuovi studi. Rivista d’arte antica e moderna, 14 (2008), 91–6.Google Scholar
Scordari, C. C., ‘Behind multiple masks: Leon Modena’s diasporic tragedy Ester in seventeenth-century Venice’, Skenè: Journal of Theatre and Drama Studies, 6/2 (2020), 5369.Google Scholar
Scully, T., The Opera of Bartolomeo Scappi (1570): L’arte e prudenza d’un maestro cuoco (The Art and Craft of a Master Cook) (Toronto, 2008).Google Scholar
Segre, C. (ed.), Volgarizzamenti del Duecento e Trecento (Turin, 1953).Google Scholar
Shagan, E. H., ‘Religion and the principles of political obligation’, in Cox, V. and Paul, J. (eds.), A Cultural History of Democracy, vol. 3: The Renaissance, 101–16 (London, 2022).Google Scholar
Shemek, D., ‘Ariostan armory: feminist responses to the Orlando furioso’, MLN, 133/1 (2018), 148–59.CrossRefGoogle Scholar
Shemek, D., ‘Books at banquet: commodities, canon, and culture in Giulio Cesare Croce’s Convito universale’, Annali d’italianistica, 16 (1998), 85101.Google Scholar
Shrank, C., ‘Masters of civility: Castiglione’s Courtier, della Casa’s Galateo, and Guazzo’s Civil Conversation in early modern England’, in Marrapodi, M. (ed.), The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture, 144–59 (London, 2019).Google Scholar
Simoncini, F., ‘Le pioniere dell’arte: Barbara Flaminia e Vincenza Armani’, Drammaturgia, 15/5 (2020), 247–9.Google Scholar
Simons, P., ‘The black female attendant in Titian’s Diana and Actaeon (1559) and in modern oblivion’, in Chapman, M. and Wainwright, A. (eds.), Teaching Race in the European Renaissance: A Classroom Guide (Tempe, AZ, 2023) Online publication.Google Scholar
Singh, J. G. (ed.), A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion (1500–1700), 2nd ed. (Oxford, 2021).CrossRefGoogle Scholar
Siraisi, N. G., Medieval and Early Renaissance Medicine: An Introduction to Knowledge and Practice (Chicago, 1990).CrossRefGoogle Scholar
Sluhovsky, M., Becoming a New Self: Practices of Belief in Early Modern Catholicism (Chicago, 2017).CrossRefGoogle Scholar
Smarr, J. L., ‘The marriage of Plautus and Boccaccio’, Heliotropia, 1/1 (2003), 4961.Google Scholar
Smith, P. H., From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World (Chicago, 2022).CrossRefGoogle Scholar
Snyder, J. R., ‘Bodies of water: the Mediterranean in Italian Baroque theater’, California Italian Studies, 1/1 (2010). Online publication.CrossRefGoogle Scholar
Snyder, J. R., Dissimulation and the Culture of Secrecy in Early Modern Europe (Berkeley and Los Angeles, 2012).Google Scholar
Stacey, P., Roman Monarchy and the Renaissance Prince (Cambridge, 2007).CrossRefGoogle Scholar
Stamatakis, C., ‘“With diligent studie but sportingly”: how Gabriel Harvey read his Castiglione’, Journal of the Northern Renaissance, 2013 Online Publication.Google Scholar
Stampa, G., The Complete Poems. The 1554 Edition of the Rime: A Bilingual Edition, ed. Tower, T. and Tylus, J., trans. with an introduction by J. Tylus (Chicago, 2010).CrossRefGoogle Scholar
Standaert, N., ‘The transmission of Renaissance culture in seventeenth-century China’, Renaissance Studies, 17/3 (2003), 367–91.CrossRefGoogle Scholar
Stella, C., Lodovico Domenichi e le Rime diverse d’alcune nobilissime e virtuosissime donne (Paris, 2022).Google Scholar
Stewart, P., The Social History of Roman Art (Cambridge, 2008).Google Scholar
Stinger, C. L., Humanism and the Church Fathers: Ambrogio Traversari (1386–1439) and Christian Antiquity in the Italian Renaissance (Albany, NY, 1977).Google Scholar
Stoppino, E., Genealogies of Fiction: Women Warriors and the Dynastic Imagination in the Orlando Furioso (New York, 2012).Google Scholar
Storey, T., Carnal Commerce in Counter-Reformation Rome (Cambridge, 2008).Google Scholar
Stras, L., Music and Women in Sixteenth-Century Ferrara (Cambridge, 2018).CrossRefGoogle Scholar
Stras, L., ‘Sixteenth-century women composers, beyond borders’, in Head, M. and Wollenberg, S. (eds.), The Cambridge Companion to Women Composers, 116–36 (Cambridge, 2024).Google Scholar
Strocchia, S. T., Forgotten Healers: Women and the Pursuit of Health in Late Renaissance Italy (Cambridge, MA, 2019).CrossRefGoogle Scholar
Strocchia, S. T., ‘Knowing hands: nuns and the needle arts in Renaissance Italy’, in Barker, S. with Cinelli, L. (eds.), Artiste nel chiostro: produzione artistica nei monasteri femminili in età moderna, special issue of Memorie domenicane, 46 (2015), 3152.Google Scholar
Strocchia, S. T., ‘Learning the virtues: convent schools and female culture in Renaissance Florence’, in Whitehead, B. J. (ed.), Women’s Education in Early Modern Europe: A History, 1500–1800, 346 (New York, 1999).Google Scholar
Stuard, S. M., Gilding the Market: Luxury and Fashion in Fourteenth-Century Italy (Philadelphia, 2006).CrossRefGoogle Scholar
Sturba, G., ‘Dionigi Atanagi autore della Vita di Irene di Spilimbergo’, in Cleri, B. (ed.), I della Rovere dell’Italia delle corti, 4 vols., 3.37–50 (Urbino, 2002).Google Scholar
Suetonius, , The Lives of the Twelve Caesars, trans. J. C. Rolfe, 2 vols. (Cambridge, MA, 1989).Google Scholar
Tasso, T., Gerusalemme liberata, ed. Tomasi, F. (Milan, 2009).Google Scholar
Tazzara, C., Filippo Sassetti on Trade, Institutions and Empire (Abingdon, 2023).CrossRefGoogle Scholar
Tazzara, C., The Free Port of Livorno and the Transformation of the Mediterranean World (Oxford, 2017).CrossRefGoogle Scholar
Taylor, K., Ordering Customs: Ethnographic Thought in Early Modern Venice (Newark, DE, 2023).Google Scholar
Terracina, L., Discorsi sopra le prime stanze de’ canti d’Orlando furioso, ed. von Kulessa, R. and Perocco, D. (Florence, 2017).Google Scholar
Thornton, D., The Scholar in His Study: Ownership and Experience in Renaissance Italy (New Haven, 1998).Google Scholar
Tognatti, S., ‘The trade in black African slaves in fifteenth-century Florence’, in Earle, T. F. and Lowe, K. J. P. (eds.), Black Africans in Renaissance Europe, 213–24 (Cambridge, 2005).Google Scholar
Tommasino, P. M., The Venetian Qur’an: A Renaissance Companion to Islam (Philadelphia, 2018).CrossRefGoogle Scholar
Treadgold, W. (ed.), Renaissances Before the Renaissance: Classical Revivals of Late Antiquity and the Middle Ages (Redwood City, CA, 1984).Google Scholar
Treadwell, N., ‘“Simil combattimento fatto da dame”: the musico-theatrical entertainments of Margherita Gonzaga’s balletto delle donne and the female warrior in Ferrarese cultural history’, in Borgerding, T. C. (ed.), Gender, Sexuality, and Early Music, 2740 (New York, 2002).Google Scholar
Tripodi, C., ‘Giovanni di Pagolo Morelli e il suo libro detto de’ Richordi de’ discendenti de’ Moregli, in Morelli, G., Ricordi. Nuova edizione e introduzione storica, ed. Tripodi, C., 1160 (Florence, 2019).Google Scholar
Trivellato, F., The Familiarity of Strangers: The Sephardic Diaspora, Livorno, and Cross-Cultural Trade in the Early Modern Period (New Haven, 2009).Google Scholar
Ucerler, M. A. J., The Samurai and the Cross: The Jesuit Enterprise in Early Modern Japan (Oxford, 2022).CrossRefGoogle Scholar
Ugolini, P., The Court and Its Critics: Anti-Court Sentiments in Early Modern Italy (Toronto, 2020).CrossRefGoogle Scholar
Valerini, A., Oratione in morte della divina signora Vincenza Armani comica eccellentissima […] (Verona, 1570).Google Scholar
Van Kessel, E., The Lives of Paintings: Presence, Agency and Likeness in Venetian Art of the Sixteenth Century (Amsterdam, 2017).CrossRefGoogle Scholar
Vandi, L., ‘Sister Eufrasia Burlamacchi and the art of the wayside’, in Barker, S. with Cinelli, L. (eds.), Artiste nel chiostro: produzione artistica nei monasteri femminili in età moderna, special issue of Memorie domenicane, 46 (2015), 87102, 295–7.Google Scholar
Vasari, G., Le vite de’ più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568, ed. Bettarini, R. and Barocchi, P., 6 vols. (Florence, 1966–7).Google Scholar
Verbaere, L., ‘“Nacqui sotto riti barbari: ma di barbaro core però mai non fui”: conversion from Islam to Catholicism in early modern Italian comedy’, Rivista di storia e letteratura religiosa, 58/2 (2022), 273310.Google Scholar
Verhoeven, G., ‘“Le pays où on ne sait pas lire’: literacy, numeracy, and human capital in the commercial hub of the Austrian Netherlands (1715–75)’, European History Quarterly, 44/2 (2014), 223–43.CrossRefGoogle Scholar
Villani, S., ‘To be a foreigner in early modern Italy: were there ghettos for non-Catholic Christians?’, in Terpstra, N. (ed.), Global Reformations: Transforming Early Modern Religions, Societies, and Cultures, 115–33 (London, 2019).Google Scholar
Vinatea Recoba, M., ‘Women writers and Hispanic hegemony in the 17th-Century Viceroyalty of Peru: the cases of Clarinda and Amarilis’, in Engel, E. A. (ed.), A Companion to Early Modern Lima, 235–52 (Leiden, 2019).Google Scholar
vu Thanh, H., ‘The Jesuits in Asia under the Portuguese Padroado: India, China, and Japan (sixteenth to seventeenth centuries)’, in Županov, I. G. (ed.), The Oxford Handbook of the Jesuits, 400–26 (Oxford, 2019).Google Scholar
Waddington, R., ‘Inventing the celebrity author’, in Faini, M. and Ugolini, P. (eds.), A Companion to Pietro Aretino, 1943 (Leiden, 2021).Google Scholar
Waddington, R., Titian’s Aretino: A Contextual Study of All the Portraits (Florence, 2018).Google Scholar
Wainwright, A., ‘Outdoing Colonna: widowhood poetry in the late Cinquecento’, in Cox, V. and McHugh, S. (eds.), Vittoria Colonna: Poetry, Religion, Art, Impact, 95114 (Amsterdam, 2022).CrossRefGoogle Scholar
Wainwright, A., ‘Teaching race in the Italian Renaissance’, in Chapman, M. and Wainwright, A. (eds.), Teaching Race in the European Renaissance: A Classroom Guide (Tempe, AZ, 2023) Online publication.Google Scholar
Walden, J. L., ‘Muslim slaves in early modern Rome: the development and visibility of a labouring class’, in Michelson, E. and Wainwright, M. C. (eds.), A Companion to Religious Minorities in Early Modern Rome, 298323 (Leiden, 2021).Google Scholar
Wang, C.-H., ‘Whither art history? A global perspective on eighteenth-century Chinese art and culture’, The Art Bulletin, 96/4 (2014), 379–94.CrossRefGoogle Scholar
Weaver, E. B., Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women (Cambridge, 2002).Google Scholar
Weaver, E. B., ‘“With truthful tongue and faithful pen”: Arcangela Tarabotti against paternal tyranny’, Annali d’italianistica, 34 (2016), 281–96.Google Scholar
Weaver, E. B. (ed.), Scenes from Italian Convent Life: An Anthology of Convent Texts and Contexts (Ravenna, 2009).Google Scholar
Weaver, E. B., Cattaneo, A., and Murano, G., ‘Fiammetta Frescobaldi (1523–86)’, in Murano, G. (ed.), Autographa. II.1. Donne, sante, e madonne (da Matilda da Canossa ad Artemisia Gentileschi, 173–81 (Imola, 2018).Google Scholar
Welch, E. S., Art and Authority in Renaissance Milan (New Haven, 1995).Google Scholar
Welch, E. S., Shopping in the Renaissance: Consumer Cultures in Italy 1400–1600 (New Haven, 2005).Google Scholar
Witt, R. G., In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni (Leiden, 2000).CrossRefGoogle Scholar
Witt, R. G., ‘What did Giovannino read and write? Literacy in early Renaissance Florence’, I Tatti Studies in the Italian Renaissance, 6 (1995), 83114.Google Scholar
Woods-Marsden, J., ‘“In la Persia e nella India il mio ritratto si pregia”: Pietro Aretino e la costruzione visuale dell’intellettuale nel Rinascimento’, in Pietro Aretino nel cinquecentenario della nascita, 2 vols., 2.1099–125 (Rome, 1995).Google Scholar
Woods-Marsden, J., ‘Theorizing Renaissance portraiture’, in Elkins, J. and Williams, R. (eds.), Renaissance Theory (The Art Seminar), 360–6 (London 2008).Google Scholar
Wyatt, M., ‘Technologies’, in Wyatt, M. (ed.), The Cambridge Companion to the Italian Renaissance, 100–38 (Cambridge, 2014).CrossRefGoogle Scholar
Yousefzadeh, M., ‘Judeo-Persian Tobit and G. B. Vecchietti: exile and writing between Florence and the Persianate world’, I Tatti Studies in the Italian Renaissance, 24/2 (2021), 311–43.Google Scholar
Zak, G., ‘Modes of self-writing from antiquity to the later Middle Ages’, in Hexter, R. and Townsend, D. (eds.), The Oxford Handbook of Medieval Latin Literature, 485508 (Oxford, 2012).Google Scholar
Zver, U., ‘“I picked these flowers of knowledge for you”: Jesuit rules of statecraft for the emperor of Mughal India’, Yearbook of Islamic and Middle Eastern Law Online, 19/1 (2019), 68102.Google Scholar

Accessibility standard: WCAG 2.2 AAA

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

The PDF of this book complies with version 2.2 of the Web Content Accessibility Guidelines (WCAG), offering more comprehensive accessibility measures for a broad range of users and attains the highest (AAA) level of WCAG compliance, optimising the user experience by meeting the most extensive accessibility guidelines.

Content Navigation

Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Index navigation
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.

Reading Order & Textual Equivalents

Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
Short alternative textual descriptions
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
Full alternative textual descriptions
You get more than just short alt text: you have comprehensive text equivalents, transcripts, captions, or audio descriptions for substantial non‐text content, which is especially helpful for complex visuals or multimedia.
Visualised data also available as non-graphical data
You can access graphs or charts in a text or tabular format, so you are not excluded if you cannot process visual displays.

Visual Accessibility

Use of colour is not sole means of conveying information
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.
Use of high contrast between text and background colour
You benefit from high‐contrast text, which improves legibility if you have low vision or if you are reading in less‐than‐ideal lighting conditions.

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Virginia Cox, University of Cambridge
  • Book: The Italian Renaissance
  • Online publication: 11 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009474221.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Virginia Cox, University of Cambridge
  • Book: The Italian Renaissance
  • Online publication: 11 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009474221.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Virginia Cox, University of Cambridge
  • Book: The Italian Renaissance
  • Online publication: 11 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009474221.011
Available formats
×