Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-05-01T04:00:18.991Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 November 2011

Jacky Bratton
Affiliation:
Royal Holloway, University of London
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Making of the West End Stage
Marriage, Management and the Mapping of Gender in London, 1830–1870
, pp. 209 - 217
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

British Library Add. MSS
British Library Add. MSS
Harvard Theatre Collectionletter from Robert Keeley to W. CMacready 12 1841Google Scholar
London Metropolitan Archives
www.oxforddnb.com
www.british-history.ac.uk/surveyoflondon
Accounts of the Total Population, 1841British Parliamentary Papers 1841 ii 277
Adams, James EliDandies and Desert Saints: Styles of Victorian MasculinityIthaca, NYCornell University Press 1995Google Scholar
Adams, William DavenportA Book of Burlesque: Sketches of English Stage Travestie and ParodyLondonHenry & Co 1891Google Scholar
Allen, PercyThe Stage Life of Mrs Stirling: With some Sketches of the Nineteenth-century TheatreLondonT. Fisher Unwin 1922Google Scholar
Altick, RichardThe Shows of LondonCambridge, MAHarvard University Press 1978Google Scholar
Andrews, MalcolmCharles Dickens and his Performing Selves: Dickens and the Public ReadingsOxford University Press 2006Google Scholar
Anon 1842
Armstrong, IsobelVictorian Glassworlds: Glass Culture and the Imagination 1830–1880Oxford University Press 2008Google Scholar
Arnold, Matthew‘Equality’Fortnightly Review 23 135 1878Google Scholar
Ashton, RosemaryG. H. Lewes, a lifeOxfordClarendon Press 1991Google Scholar
Auerbach, NinaEllen Terry, Player in her TimeLondonJ. M. Dent 1987Google Scholar
Bailey, PeterLeisure and Class in Victorian England: Rational Recreation and the Contest for Control, 1830–1885LondonRoutledge & Kegan Paul 1978Google Scholar
Bailey, Peter‘The Victorian Middle Class and the Problem of Leisure’Victorian Studies Popular Culture and Performance in the Victorian CityCambridge University Press 1998 13Google Scholar
Baker, H. BartonThe London Stage, 2 volsLondonW. H. Allen & Co 1880Google Scholar
Bancroft, Mr and Mrs Bancroft On and Off the Stage, 2 volsLondonRichard Bentley 1888Google Scholar
Barringer, Tim‘Equipoise and the Object: The South Kensington Museum’Hewitt, MartinAn Age of Equipoise? Reassessing Mid-Victorian BritainAldershotAshgate 2000 68Google Scholar
Blackmer, Corrine E.En Travesti: Women, Gender and SubversionNew YorkColumbia University Press 1995Google Scholar
Blanchard, E. L. 1839
Blanchard, E. L.The Life and Reminiscences of E. L. Blanchard, with Notes from the Diary of Wm. BlanchardScott, ClementHoward, Cecil 2 LondonHutchinson & Co 1891Google Scholar
Bolton, H. PhilipDickens DramatizedBoston, MAG. K. Hall & Co 1987Google Scholar
Booth, Michael R.English Plays of the Nineteenth Century, vol. , FarcesOxfordClarendon Press 1873Google Scholar
Brannan, Robert LouisUnder the Management of Mr Charles Dickens: His Production of ‘The Frozen Deep’Ithaca, NYCornell University Press 1966Google Scholar
Bratton, JackyNew Readings in Theatre HistoryCambridge University Press 2003Google Scholar
Bratton, Jacky‘Mirroring Men: The Actress in Drag’Gale, MaggieStokes, JohnThe Cambridge Companion to the ActressCambridge University Press 2007 253Google Scholar
Bratton, Jacky‘Fanny Kemble, Shakespearean’Marshall, GailGreat Shakespeareans, vol. , LondonContinuum 2011 92Google Scholar
Brecht, Bertolt‘The Modern Theatre is the Epic Theatre: Notes to the opera Aufstieg und Fall der Stadt Mahagonny’. 1950Brecht on Theatre: The Development of an AestheticWillett, JohnLondonMethuen 1964Google Scholar
Brook, PeterThe Empty Space: A Book about the Theatre: Deadly, Holy, Rough, ImmediateLondonMacGibbon & Kee 1968Google Scholar
Brooks, PeterThe Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of ExcessNew YorkColumbia University Press 1985Google Scholar
Brough, RobertMarston Lynch: His Life and Times, his Friends and Enemies, his Victories and Defeats, his Kicks and HalfpenceSala, G. A.LondonWard & Lock 1860Google Scholar
Buck-Morss, Susan‘Walter Benjamin – Revolutionary Writer (1)’New Left Review 1 1981 50Google Scholar
Buckstone, John BaldwinThe Green Bushes, or a Hundred Years AgoLondonWebster & Co 1845Google Scholar
Buckstone, John BaldwinThe Flowers of the Forest, a Gypsy StoryNew YorkSamuel French
Bunn, AlfredThe Stage: Both Before and Behind the Curtain, 3 volsLondonRichard Bentley 1840Google Scholar
Bush-Bailey, GilliTreading the BawdsManchester University Press 2006CrossRefGoogle Scholar
Bush-Bailey, GilliPerforming Herself: Autobiography and Fanny Kelly's Dramatic RecollectionsManchester University Press 2011Google Scholar
Butter, Frances AnneRecords of Later LifeLondonRichard Bentley 1882Google Scholar
Cannadine, DavidClass in BritainHarmondsworthPenguin 1998Google Scholar
Carlisle, ThomasOn Heroes, Hero-Worship and the Heroic in HistoryLondonChapman & Hall 1872Google Scholar
Castle, TerryMasquerade and Civilization: The Carnivalesque in Eighteenth-century English Culture and FictionLondonMethuen 1986Google Scholar
Certeau, Michel DeThe Practice of Everyday Life, trans. Steven Randall, BerkeleyUniversity of California Press 1984Google Scholar
Clark, Maribeth‘The Quadrille as Embodied Musical Experience in 19th-century Paris’Journal of Musicology 19 2002CrossRefGoogle Scholar
Cole, John WilliamThe Life and Theatrical Times of Charles Kean, F.S.A. Including a Summary of the English Stage for the Last Fifty Years, and a Detailed Account of the Management of the Princess's Theatre, From 1850 to 1859 2 LondonRichard Bentley 1859Google Scholar
Coleman, JohnPlayers and Playwrights I have Known, 2 volsLondonChatto & Windus 1888Google Scholar
Davidoff, LeonoreHall, CatherineFamily Fortunes: Men and Women of the English Middle Class 1780–1850LondonHutchinson 1987Google Scholar
Davies, RobertsonThe Mirror of Nature: The Alexandra Lectures 1982University of Toronto Press 1983Google Scholar
Davis, JimPlays by H. J. ByronCambridge University Press 1984
Davis, Jim‘“He danced, he did not merely walk – he sang, he by no means merely spoke”: Irving, Theatricality and the Modernist Theatre’Foulkes, RichardHenry Irving: A Re-evaluation of the Pre-eminent Victorian Actor-ManagerAldershotAshgate 2008 27Google Scholar
Davis, JimEmeljanow, VictorReflecting the AudienceUniversity of Iowa Press 2001Google Scholar
Davis, Tracy C.The Economics of the British Stage 1800–1914Cambridge University Press 2000Google Scholar
Davis, Tracy C.‘Female Managers, Lessees and Proprietors of the British Stage (to 1914)’Nineteenth-century Theatre 28 2000 115CrossRefGoogle Scholar
Davis, Tracy C.‘“I long for my home in Kentuck”Christy's Minstrels in Britain (1857–64)conference paper in progress, delivered first at TaPRA 2010Google Scholar
Davis, Tracy C.The Broadview Anthology of Nineteenth-century British PerformancePeterborough, OntBroadview Press 2011Google Scholar
Dickens, CharlesThe Letters of Charles DickensDickens, MamieHogarth, Georgina 2 LondonChapman & Hall 1880Google Scholar
Dickens, CharlesThe Pilgrim Edition of the Letters of Charles DickensHouse, MadelineStorey, GrahamTillotson, Kathleen 12 OxfordClarendon Press 1969Google Scholar
Duncan, BarryThe St James's Theatre, its Strange and Complete History 1835–1957LondonBarrie & Rockliff 1964Google Scholar
Dyos, H. J.Wolff, MichaelThe Victorian City, Images and RealitiesLondonRoutledge & Kegan Paul 1973Google Scholar
Ebers, JohnSeven Years of the King's TheatreLondonAinsworth 1828Google Scholar
Edwards, F. G.‘Mrs Keeley and “Oberon”’Musical Times 40 1899 240Google Scholar
Edwards, P. D.Dickens's ‘Young Men’: George Augustus Sala, Edmund Yates and the World of Victorian JournalismAldershotAshgate 1997Google Scholar
Eliot, GeorgeThe George Eliot LettersHaight, Gordon S.Oxford University Press 1954Google Scholar
Ehrenreich, BarbaraDancing in the Streets: A History of Collective JoyNew YorkMetropolitan Books 2007Google Scholar
Fawcett, F.Dubrez, Dickens the Dramatist on Stage, Screen and RadioLondonW. H. Allen 1952Google Scholar
Fawkes, RichardDion Boucicault: A BiographyLondonQuartet Books 1979Google Scholar
Fasick, LauraProfessional Men and Domesticity in the Mid-Victorian Novel, LampeterEdwin Mellen Press 2003Google Scholar
Fielding, K. J.‘Thackeray and the “Dignity of Literature”’parts and TLS 19 1958 552Google Scholar
Fitzsimons, RaymundThe Baron of Piccadilly: The Travels and Entertainments of Albert Smith 1816–1860LondonGeoffrey Bles 1967Google Scholar
Flanders, JudithConsuming Passions: Leisure and Pleasure in Victorian BritainLondonHarperPerennial 2007Google Scholar
Fraser, HilaryGreen, StephanieJohnson, JudithGender and the Victorian PeriodicalCambridge University Press 2003Google Scholar
Garber, MarjorieVested Interests: Cross-Dressing and Cultural AnxietyLondon and New YorkRoutledge 1992Google Scholar
Gernsheim, AlisonVictorian and Edwardian Fashion, a Photographic SurveyNew YorkDover Publications 1963 1981Google Scholar
Gilbert, W. S.‘From St Pauls to Piccadilly’Belgravia 2 1867 69Google Scholar
Glavin, JohnAfter Dickens: Reading, Adaptation and PerformanceCambridge University Press 1999CrossRefGoogle Scholar
Goodall, JanePerformance and Evolution in the Age of DarwinLondon and New YorkRoutledge 2002CrossRefGoogle Scholar
Goodman, WalterThe Keeleys, on the Stage and at HomeLondonRichard Bentley 1895Google Scholar
Grazia, Victoria deFurlough, EllenThe Sex of Things: Gender and Consumption in Historical PerspectiveBerkeleyUniversity of California Press 1996Google Scholar
Haines, John Thomas
Hall, Jennifer Lee 1996
Hall-Witt, JenniferFashionable Acts: Opera and Elite Culture in London, 1780–1880DurhamUniversity of New Hampshire Press 2007Google Scholar
Halliday, AndrewThe Savage Club PapersLondonTinsley Brothers 1867
Hardwick, J. M. DEmigrant in Motley: Unpublished Letters of Charles and Ellen KeanLondonRockliff 1954
Harvey, JohnMen in BlackLondonReaktion Books 1995Google Scholar
Hewitt, MartinAn Age of Equipoise? Reassessing Mid-Victorian BritainLondonAshgate 2000
House, MadelineStorey, GrahamThe Letters of Charles Dickens, vol. , 1840–1841Oxford University Press 1969Google Scholar
Howard, DianaLondon Theatres and Music Halls 1850–1900LondonLibrary Association 1970Google Scholar
Hudson, DerekMunby: Man of Two Worlds. The Life and Diaries of Arthur J. Munby 1828–1910LondonAbacus 1972Google Scholar
Hyman, AlanThe Gaiety YearsLondonCassell 1975Google Scholar
James, Henry 1893
John, JulietDickens's Villains: Melodrama, Character, Popular CultureOxford University Press 2001CrossRefGoogle Scholar
Kemble, Frances AnneRecords of Later Life 3 LondonRichard Bentley 1882Google Scholar
Kemble, Frances AnneRecords of a GirlhoodNew YorkHenry Holt 1883Google Scholar
Kent, Christopher‘The Whittington Club: A Bohemian Experiment in Middle-Class Social Reform’Victorian Studies 18 1974 31Google Scholar
Kent, Christopher‘The Idea of Bohemia in Mid-Victorian England’Queen's Quarterly 80 1973 360Google Scholar
Kent, Christopher‘British Bohemia and the Victorian Journalist’Australasian Victorian Studies Journal 6 2000 25Google Scholar
King, W. D.Henry Irving's Waterloo: Theatrical Engagements with Late-Victorian Culture and HistoryUniversity of California Press 1993Google Scholar
Koven, SethSlumming: Sexual and Social Politics in Victorian LondonPrinceton University Press 2004CrossRefGoogle Scholar
Leach, JosephBright Particular StarNew Haven, CTYale University Press 1970Google Scholar
Lewes, George HenryOn Actors and the Art of ActingLondonSmith, Elder & Co 1875Google Scholar
Linton, Eliza LynnThe Autobiography of Christopher Kirkland 1885 Morrow, W. CharlesPerry Willett, for the Victorian Women Writers Project Library, Library Electronic Text Resource Service (LETRS), Indiana UniversityGoogle Scholar
Loehlin, JamesRomeo and JulietCambridge University Press 2002Google Scholar
Marsh, Joss‘Mimi and the Matinée Idol: Martin-Harvey, Sydney Carton, and the Staging of , 1860–1939’Charles Dickens, A Tale of Two Cities and the French RevolutionJones, ColinMcDonagh, JosephineMee, JonLondonPalgrave Macmillan 2009Google Scholar
Marshall, GailGreat Shakespeareans, vol. , Jameson, Cowden Clarke, Kemble and CushmanLondonContinuum 2011Google Scholar
Mathews, AnneThe Life and Correspondence of Charles Mathews, the Elder, Comedian, by Mrs Mathews, a new edition, abridged and condensed by Edmund YatesLondonRoutledge 1860Google Scholar
Meer, SarahUncle Tom Mania: Slavery, Minstrelsy and Transatlantic Culture in the 1850sUniversity of Georgia Press 2005Google Scholar
Meisel, MartinRealizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-century EnglandPrinceton University Press 1983Google Scholar
Morley, HenryThe Journal of a London Playgoer from 1851 to 1866LondonRoutledge, 1866; Leicester University Press 1974Google Scholar
Morley, MalcolmThe Old Marylebone TheatreLondonSt Marylebone Society 1960Google Scholar
Nead, LyndaMyths of Sexuality: Representations of Women in Victorian BritainOxfordBlackwell 1988Google Scholar
Nead, LyndaVictorian Babylon: People, Streets and Images in Nineteenth-century LondonNew Haven, CTYale University Press 2000Google Scholar
Newey, KatherineWomen's Theatre Writing in Victorian BritainLondonPalgrave Macmillan 2005CrossRefGoogle Scholar
Nicoll, AllardyceA History of Early Nineteenth Century Drama 1800–1850, 2 volsCambridge University Press 1930Google Scholar
Nicoll, AllardyceA History of the English Drama, vol. , A Short-Title Alphabetical Catalogue of Plays . . Cambridge University Press 1959Google Scholar
Orr, LyndonFamous Affinities of HistoryNew YorkHarper 1912 www.authorama.com/famous-affinities-of-history-iv-1.htmlGoogle Scholar
Pemberton, T.Edgar, Charles Dickens and the Stage: A Record of his Connection with the Drama as Playwright, Actor and CriticLondonGeorge Redway 1888Google Scholar
Perugini, Mark EdwardThe Omnibus BoxLondonJarrolds 1946Google Scholar
Pick, JohnThe West End: Mismanagement and SnobberyEastbourneJohn Offord 1983Google Scholar
Pilbeam, PamelaMadame Tussaud and the History of WaxworksLondonHambledon & London 2003Google Scholar
Pierce, Charles E.Madame Vestris and her TimesLondonStanley Paul & Co
Planché, James RobinsonPlaysRoy, DonaldCambridge University Press 1986Google Scholar
Porter, RoyLondon, a Social HistoryLondonHamish Hamilton 1994Google Scholar
Pulling, ChristopherThey Were Singing, and what they sang aboutLondonGeorge Harrap & Co 1952Google Scholar
Poovey, MaryUneven Developments: The Ideological Work of Gender in Mid-VictorianEngland, LondonVirago 1989Google Scholar
Poovey, MaryMaking a Social Body: British Cultural Formation, 1830–1864University of Chicago Press 1995Google Scholar
Powell, KerryWomen and Victorian TheatreCambridge University Press 1997CrossRefGoogle Scholar
Powell, Kerry‘Gendering Victorian Theatre’The Cambridge History of British Theatre, vol. , 1660–1895Donohue, JosephCambridge University Press 2004 352Google Scholar
Prowse, JeffreyNicholas's Notes and Sporting Prophesies, with some miscellaneous poems, serious and humorousHood, TomLondonRoutledge 1870Google Scholar
Purbrick, Louise‘The Bourgeois Body: Civic Portraiture, Public Men and the Appearance of Class Power in Manchester, 1838–50’Gender, Civic Culture and Consumerism: Middle Class Identity in Britain 1800–1940Kidd, AlanNicholls, DavidManchester University Press 1999 81Google Scholar
Rappaport, Erika DianaShopping for Pleasure: Women in the Making of London's West EndPrinceton University Press 2000Google Scholar
Rendell, JaneThe Pursuit of Pleasure: Gender, Space and Architecture in Regency LondonLondonAthlone Press 2002Google Scholar
Richards, JeffreySir Henry Irving: A Victorian Actor and his WorldLondonHambledon & London and Continuum 2005Google Scholar
Rowell, GeorgeQueen Victoria goes to the TheatreLondonElek 1978Google Scholar
Sala, George AugustusTwice Round the Clock; or The Hours of the Day and Night in Londonintroduction by Philip CollinsLeicester University Press 1971Google Scholar
Sala, George AugustusGaslight and DaylightLondonChapman & Hall 1859Google Scholar
Sala, George AugustusLife and Adventures of George Augustus Sala, written by himselfLondonCassell & Co 1895Google Scholar
Schafer, ElizabethMs-Directing ShakespeareLondonWomen's Press 1998Google Scholar
Schafer, ElizabethLilian Baylis: A BiographyHatfield: University of Hertfordshire press 2006Google Scholar
Schlesinger, MaxSaunterings in and about LondonLondonNathaniel Cooke 1853Google Scholar
Schoch, RichardShakespeare's Victorian Stage: Performing History in the Theatre of Charles KeanCambridge University Press 1998Google Scholar
Schoch, RichardWot Shakespheare: Bardolatry and Burlesque in the Nineteenth CenturyCambridge University Press 2002Google Scholar
Schoch, Richard‘Performing Bohemia’Nineteenth-Century Theatre and Film 30 2003 1CrossRefGoogle Scholar
Schoch, Richard‘Theatre and Mid-Victorian Society, 1851–1870’The Cambridge History of British Theatre, vol. , 1660–1895Donohue, JosephCambridge University Press 2004 331Google Scholar
Scott, ClementThe Drama of Yesterday and Today, 2 volsLondonMacmillan 1899Google Scholar
Scott, Mrs ClementOld Days in Bohemian LondonLondonHutchinson & Co
Sedgwick, Eve KosofskyThe Epistemology of the ClosetHarmondsworthPenguin 1994Google Scholar
Seigel, JerroldBohemian Paris: Culture, Politics and the Boundaries of Bourgeois Life, 1830–1930Baltimore, MDJohns Hopkins University Press 1986Google Scholar
Seigel, JerroldSelect Committee on Theatres and Places of Entertainment with Proceedings, Minutes of Evidence, Appendix and IndexBritish Parliamentary Papers Report 1892Google Scholar
Sennett, RichardThe Fall of Public ManCambridge University Press 1976Google Scholar
Shattuck, Charles H.Bulwer and Macready: A Chronicle of the Early Victorian TheatreUrbanaUniversity of Illinois Press 1958
Sheppard-Skaerved, PeterPalmer, FrancesSnowman, JanetJohn Orlando Parry and the Theatre of LondonLondonJanet Snowman 2010Google Scholar
Sherston, ErrollLondon's Lost Theatres of the Nineteenth CenturyLondonJohn Lane and the Bodley Head 1925Google Scholar
Slater, MichaelDouglas Jerrold 1803–1857LondonDuckworth 2002Google Scholar
Smith, AlbertThe Natural History of the GentLondonD. Bogue 1847Google Scholar
Smith, AlbertThe Natural History of the Ballet GirlLondonD. Bogue 1847Google Scholar
Smith, Richard JohnRecollections of O. Smith, ComedianAppleton, William 5 New YorkTheatre Library Association 1979Google Scholar
Smith, John HarringtonThe Gay Couple in Restoration ComedyCambridge, MAHarvard University Press 1948CrossRefGoogle Scholar
Spielmann, M. H.The History of ‘Punch’LondonCassell & Co 1895Google Scholar
Stephens, John RussellThe Profession of the Playwright: British Theatre 1800–1900Cambridge University Press 1992CrossRefGoogle Scholar
Stobart, JonHann, AndrewMorgan, VictoriaSpaces of Consumption: Leisure and Shopping in the English Town c. 1680–1830LondonRoutledge 2007Google Scholar
Straub, KristinaSexual Suspects: Eighteenth-century Players and Sexual IdeologyPrinceton University Press 1992Google Scholar
Sustees, VirginiaThe Actress and the Brewer's wifeNorwichMichael Russell 1997Google Scholar
Sussman, HerbertVictorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and ArtCambridge University Press 1995Google Scholar
Sutherland, JohnVictorian Novelists and PublishersLondonAlthone Press 1976Google Scholar
Sutherland, JohnVictorian Fiction: Writers, Publishers, ReadersLondonMacmillan 1995CrossRefGoogle Scholar
Terry, EllenThe Story of my LifeLondonHutchinson 1908Google Scholar
Thackerary, W. M.‘Men's Wives: The Ravenswing’Ballads and TalesLondonSmith, Elder 1869Google Scholar
Tomalin, ClaireThe Invisible Woman: The Story of Nelly Ternan and Charles DickensHarmondsworthPenguin 1991Google Scholar
Trewin, J. C.The Journal of William Charles MacreadyLondonLongmans 1967
Tyldesley, WilliamMichael William BalfeAldershotAshgate 2003Google Scholar
Vandenhoff, GeorgeDramatic Reminiscences; or, Actors and Actresses in England and America, ed. Henry Seymour CarltonLondonThomas Cooper & Co 1860Google Scholar
Wahrmann, DrorImagining the Middle Class: The Political Representation of Class in Britain, c. 1780–1840Cambridge University Press 1995CrossRefGoogle Scholar
Wallace, James D.‘Race and Captivity in Cooper's ’American Literary History 7 1995 189CrossRefGoogle Scholar
Webster, MargaretThe Same only Different: Five Generations of a Theatre FamilyLondonVictor Gollancz 1969Google Scholar
White, JerryLondon in the Nineteenth CenturyLondonJonathan Cape 2007Google Scholar
Williams, Clifford JohnMadame Vestris – A Theatrical BiographyLondonSidgwick & Jackson 1973Google Scholar
Williams, RaymondThe Long RevolutionHarmondsworthPenguin Books, 1965, first published 1961Google Scholar
Williams, RaymondMarxism and LiteratureOxford University Press 1977Google Scholar
Wilson, ElizabethAdorned in Dreams: Fashion and ModernityLondonVirago 1985Google Scholar
Wilson, ElizabethBohemians: The Glamorous OutcastsLondonJ. B. Tauris & Co 2000Google Scholar
Wood, Gillen D'ArcyThe Shock of the Real: Romanticism and Visual Culture, 1760–1860LondonPalgrave 2001CrossRefGoogle Scholar
Yates, EdmundMy Haunts and their FrequentersLondonD. Bogue 1854Google Scholar
Yates, EdmundEdmund Yates: His Recollections and Experiences 2 LondonRichard Bentley 1884Google Scholar
Yates, Edmund 1886

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Jacky Bratton, Royal Holloway, University of London
  • Book: The Making of the West End Stage
  • Online publication: 05 November 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9781139031967.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Jacky Bratton, Royal Holloway, University of London
  • Book: The Making of the West End Stage
  • Online publication: 05 November 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9781139031967.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Jacky Bratton, Royal Holloway, University of London
  • Book: The Making of the West End Stage
  • Online publication: 05 November 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9781139031967.011
Available formats
×