Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x24gv Total loading time: 0 Render date: 2024-05-15T16:30:04.201Z Has data issue: false hasContentIssue false

Notes

Published online by Cambridge University Press:  05 June 2012

Stephen Kern
Affiliation:
Ohio State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Modernist Novel
A Critical Introduction
, pp. 221 - 248
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Stevenson, Randall, Modernist Fiction: An Introduction (Lexington: University of Kentucky Press, 1992), 8–9, 14–15Google Scholar
Matz, Jesse, The Modernist Novel: A Short Introduction (Oxford: Blackwell, 2004), 8–9Google Scholar
Lewis, Pericles, The Cambridge Introduction to Modernism (Cambridge: Cambridge University Press, 2007), 1–10CrossRefGoogle Scholar
Lodge, David, “Two Kinds of Modern Fiction,” in The Modes of Modern Writing: Metaphor, Metonymy, and the Typology of Modern Literature (Ithaca: Cornell University Press, 1977), 45–46Google Scholar
Auerbach, Erich, Mimesis (Princeton: Princeton University Press, 1953)Google Scholar
Kadlec, David, Mosaic Modernism: Anarchism, Pragmatism, Culture (Baltimore: Johns Hopkins University Press, 2000)Google Scholar
Trotter, David, The English Novel in History 1895–1920 (London: Routledge, 1993)Google Scholar
Lukács, Georg, “The Ideology of Modernism,” in Realism in Our Time: Literature and the Class Struggle (New York: Harper, 1964), 17–46Google Scholar
Gasset, José Ortega y, The Dehumanization of Art (Princeton: Princeton University Press, 1948)Google Scholar
Weir, David, Decadence and the Making of Modernism (Amherst: University of Massachusetts Press, 1995)Google Scholar
Moses, Michael Valdez, “Disorientalism: Conrad and the Imperial Origins of Modern Aesthetics,” in Modernism and Colonialism: British and Irish Literature, 1899–1939, ed. Begam, Richard and Moses, Michael Valdez (Durham: Duke University Press, 2007), 43–69CrossRefGoogle Scholar
Weber, Max, “Science as a Vocation” [1918], in From Max Weber: Essays in Sociology, ed. Gerth, H. H. and Mills, C. Wright (New York: Oxford University Press, 1958), 129–56Google Scholar
Weinstein, Philip, Unknowing: The Work of Modernist Fiction (Ithaca: Cornell University Press, 2005)Google Scholar
Trilling, Lionel, “On the Modern Element in Modern Literature,” Partisan Review (January–February 1961): 3–30Google Scholar
Lester, John A.., Journey Through Despair 1880–1914: Transformation in British Literary Culture (Princeton: Princeton University Press, 1968)CrossRefGoogle Scholar
Armstrong, Paul B, The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford (Ithaca: Cornell University Press, 1987)Google Scholar
Perloff, Marjorie, The Poetics of Indeterminacy: Rimbaud to Cage (Princeton: Princeton University Press, 1981)Google Scholar
Haslam, Sara, Fragmenting Modernism: Ford Madox Ford, the Novel and the Great War (Manchester: Manchester University Press, 2002)Google Scholar
Mellard, James M., The Exploded Form: The Modernist Novel in America (Urbana: University of Illinois Press, 1980)Google Scholar
Berman, Marshall, All that Is Solid Melts into Air: The Experience of Modernity (New York: Penguin, 1982)Google Scholar
Lyotard, Jean-François, The Postmodern Condition: A Report on Knowledge [1979] (Minneapolis: University of Minnesota Press, 1984), xxivGoogle Scholar
Mao, Douglas and Walkowitz, Rebecca L., “The New Modernist Studies,” PMLA 123, 3 (May 2008): 737–48CrossRefGoogle Scholar
Friedman, , “Planetarity: Musing Modernist Studies,” Modernism/Modernity 17, 3 (September 2010): 471–99CrossRefGoogle Scholar
Woolf, Virginia, “Mr. Bennett and Mrs. Brown” [1924], in The Captain's Death Bed and Other Essays (New York: Harcourt Brace, 1978), 110Google Scholar
Fludernik, Monika, “The Diachronization of Narratology,” Narrative 11, 3 (October 2003): 331–48CrossRefGoogle Scholar
Megill, Allan, “‘Grand Narrative’ and the Discipline of History,” in A New Philosophy of History, ed. Ankersmit, Frank and Kellner, Hans (Chicago: University of Chicago Press, 1995), 152Google Scholar
Ross, Dorothy, “Grand Narrative in American Historical Writing: From Romance to Uncertainty,” The American Historical Review 100, 3 (June 1995): 651–77CrossRefGoogle Scholar
Kern, Stephen, “Gender,” in The Culture of Love: Victorians to Moderns (Cambridge: Harvard University Press, 1992), 191–217Google Scholar
Perkin, Joan, Women and Marriage in Nineteenth-Century England (London: Routledge, 1989), 1–2Google Scholar
Fiction as Social Fantasy: Europe's Domestic Crisis of 1879–1914,” Journal of Social History (Summer 1994): 679
Roberts, Mary Louise, Civilization Without Sexes: Reconstructing Gender in Postwar France, 1917–1927 (Chicago: University of Chicago Press, 1994)CrossRefGoogle Scholar
Cook, Chris and Paxton, John, European Political Facts 1848–1918 (New York: Palgrave, 1978)CrossRefGoogle Scholar
Trilling, Lionel, “The Princess Casamassima,” in The Liberal Imagination (New York: Harcourt Brace, 1950), 59Google Scholar
Marinetti, Filippo, “The Founding and Manifesto of Futurism,” in Marinetti: Selected Writings, ed. Flint, R. W. (New York: Farrar Straus, 1971), 42Google Scholar
Rabaté, Jean-Michel, 1913: The Cradle of Modernism (Malden, Mass.: Wiley Blackwell, 2007)CrossRefGoogle Scholar
Hochschild, Adam, King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa (New York: Mariner, 1998), 225–33Google Scholar
Kahan, Alan S., “The Decline of Liberalism,” in Liberalism in Nineteenth-Century Europe: The Political Culture of Limited Suffrage (New York: Palgrave, 2003), 173–201CrossRefGoogle Scholar
Perkin, Harold, The Rise of Professional Society (London: Routledge, 1990)Google Scholar
Gentile, Emilio, Politics as Religion (Princeton: Princeton University Press, 2006)Google Scholar
Booth, Allyson, Postcards from the Trenches: Negotiating the Space Between Modernism and the First World War (New York: Oxford University Press, 1996), 21.Google Scholar
Bersani, Leo, A Future for Astyanax: Character and Desire in Literature (Boston: Little Brown, 1984), 56.Google Scholar
Mach, Ernst, The Analysis of Sensations [1885] (New York: Dover, 1959), 22–29.Google Scholar
James, William, Principles of Psychology (New York: Henry Holt, 1890), vol. i, 239.Google Scholar
The Standard Edition of the Complete Psychological Works of Sigmund Freud (London: Hogarth, 1953), vol. xvi, 285.
Döblin, Alfred, “Ulysses by Joyce,” in The Weimar Republic Sourcebook, ed. Kaes, Anton et al. (Berkeley: University of California Press, 1994), 514.Google Scholar
Brown, Dennis argues that “it was above all the recognition of ‘shell-shock’ which transformed the dissolving self of prewar literature into the chronically fragmented self of the twenties.” The Modernist Self in Twentieth-Century English Literature: A Study in Self-Fragmentation (London: Macmillan, 1989), 20.CrossRefGoogle Scholar
Faulkner in the University: Class Conferences at the University of Virginia 1957–1958, ed. Gwynn, Frederick L. and Blotner, Joseph L. (New York: Vintage, 1959), 72.
Kern, Stephen, A Cultural History of Causality: Science, Murder Novels, and Systems of Thought (Princeton: Princeton University Press, 2004), 42–47.Google Scholar
Chauncey, Jr George., “From Sexual Inversion to Homosexuality: Medicine and the Changing Conceptualization of Female Deviance,” Salmagundi (Fall 1982–Winter 1983): 122.Google Scholar
Kern, Stephen, The Culture of Love: Victorians to Moderns (Cambridge: Harvard University Press, 1992), 191–217.Google Scholar
Trilling, Lionel, Beyond Culture: Essays on Literature and Learning (New York: Viking, 1965), 3–30.Google Scholar
Letters of James Joyce, ed. Gilbert, Stuart (London: Faber, 1957), vol. i, 170.
Joyce, James, Selected Letters of James Joyce, ed. Ellmann, Richard (New York: Viking, 1975), 181–82.Google Scholar
Letters of James Joyce, ed. Ellmann, Richard (London: Faber, 1966), vol. ii, 81
Ames, Keri Elizabeth, “The Rebirth of Heroism from Homer's Odyssey to Joyce's Ulysses,” in Twenty-First Joyce, ed. Jones, Carol and Beja, Morris (Gainesville: University of Florida Press, 2004), 157–78.Google Scholar
Vargish, Thomas argues that “most major English novelists before George Eliot assumed the existence of a providential order to the cosmos and found evidence for a providential intention at work in it.” The Providential Aesthetic in Victorian Fiction (Charlottesville: University Press of Virginia, 1985), 1Google Scholar
Christ, Carol, “Aggression and Providential Death in George Eliot's Fiction,” Novel 9 (Winter 1976): 130–40.CrossRefGoogle Scholar
Buckley, Jerome H., Season of Youth: The Bildungsroman from Dickens to Golding (Cambridge: Harvard University Press, 1974), 17CrossRefGoogle Scholar
Castle, Gregory, Reading the Modernist Bildungsroman (Gainesville: University Press of Florida, 2006).Google Scholar
Moretti, Franco, Modern Epic: The World System from Goethe to García Márquez (London: Verso, 1996), 195.Google Scholar
Seret, Roberta, Voyage into Creativity: The Modern Künstlerroman (New York: Lang, 1992).Google Scholar
Woolf, Virginia, The Diary of Virginia Woolf, vol. ii: 1920–24, ed. Bell, Anne Olivier, assisted by McNeillie, Andrew (New York: Harcourt Brace, 1977), 13–14.Google Scholar
Bishop, Edward L., “The Subject in Jacob's Room,” Modern Language Studies 38, 1 (Spring 1992): 169Google Scholar
Sherry, Vincent, The Great War and the Language of Modernism (New York: Oxford University Press, 2003), 270–97.Google Scholar
Eide, Marian, “The Woman of the Ballyhoura Hills: James Joyce and the Politics of Creativity,” Twentieth Century Literature 44, 4 (Winter 1998): 377–93.CrossRefGoogle Scholar
James, Henry, “The Art of Fiction,” in The Future of the Novel, ed. Edel, Leon (New York: Vintage, 1956), 15–16.Google Scholar
James, Henry, in The Art of the Novel: Critical Prefaces by Henry James, ed. Blackmur, Richard P. (New York: Scribner's, 1962), 57.Google Scholar
Lubbock, Percy notes this feature. “The view that [James] opens is as panoramic, often enough, as any of Thackeray's sweeping surveys, only the scale is different, with a word barely breathed in place of a dialogue, minutes for months, a turn of a head or an intercepted glance for a chronicle of crime or adulterous intrigue.” The Craft of Fiction (New York: Viking, 1957), 149Google Scholar
Brooks, Peter, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (New Haven: Yale University Press, 1995), 153–57.Google Scholar
Maeterlinck, Maurice, The Treasure of the Humble (New York: Dodd, Mead & Company, 1899), 105–06.Google Scholar
Joyce, James, “Drama and Life” (1900), in The Critical Writings of James Joyce, ed. Mason, Ellsworth and Ellmann, Richard (New York: Viking, 1959), 45.Google Scholar
Joyce, James, Stephen Hero (New York: New Directions, 1963), 211.Google Scholar
Beja, Morris, Epiphany in the Modern Novel (Seattle: University of Washington Press, 1971), 83.Google Scholar
The Workshop of Daedalus: James Joyce and the Raw Materials for “A Portrait of the Artist as a Young Man,” ed. Scholes, Robert and Kain, Richard M. (Evanston: Northwestern University Press, 1965), 11, 25.
Woolf, Virginia, “A Sketch of the Past,” in Moments of Being, ed. Schulkind, Jeanne (New York: Harcourt, 1985), 70.Google Scholar
Spoo, Robert E., “‘Nestor’ and the Nightmare: The Presence of the Great War in Ulysses,” Twentieth Century Literature 32, 2 (Summer 1986): 137–54.CrossRefGoogle Scholar
The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization (New York: Oxford University Press, 2008).
Lee, Hermione, Virginia Woolf (New York: Vintage, 1996), 338.Google Scholar
Haule, James M., “‘Le Temps passé and the Original Typescript: An Early Version of the ‘Time Passes’ Section of To the Lighthouse,” Twentieth Century Literature 29, 3 (Autumn 1983): 267–311CrossRefGoogle Scholar
Haule, James M., “To the Lighthouse and the Great War: The Evidence of Virginia Woolf 's Revisions of ‘Time Passes’,” in Virginia Woolf and War, ed. Hussey, Mark (Syracuse: Syracuse University Press, 1991), 164–79.Google Scholar
Letters of Henry James, ed. Lubbock, Percy (New York: Scribner's, 1920), vol. ii, 384, 388.
Hueffer, Ford Madox, “A Day of Battle,” quoted in Hynes, Samuel, A War Imagined: The First World War and English Culture (New York: Atheneum, 1960)Google Scholar
Stein, Gertrude, “How Writing is Written” [1934–35], in The Gender of Modernism, ed. Scott, Bonnie Kime (Bloomington: Indiana University Press, 1990), 493.Google Scholar
Forster, E. M., Aspects of the Novel (New York: Harcourt Brace, 1927), 86.Google Scholar
Booth, Wayne C., The Rhetoric of Fiction (Chicago: University of Chicago Press, 1961), 126.Google Scholar
Richardson, Brian, Unlikely Stories: Causality and the Nature of Modern Narrative (Newark: University of Delaware Press, 1997).Google Scholar
“Camus' The Outsider,” in Jean-Paul Sartre: Literary and Philosophical Essays (New York: Collier, 1955), 44.
Eliot, T. S., “Ulysses, Order, and Myth,” The Dial 75 (1923): 480–83.Google Scholar
Ziolkowski, Theodore, Dimensions of the Modern Novel (Princeton: Princeton University Press, 1969), 99–137Google Scholar
Komar, Kathleen, Pattern and Chaos: Multilinear Novels by Dos Passos, Döblin, Faulkner and Koeppen (Columbia, S.C.: Camden House, 1983), 35–56.Google Scholar
Frank, Joseph, “Spatial Form in Modern Literature” [1945], in The Widening Gyre: Crisis and Mastery in Modern Literature (Bloomington: Indiana University Press, 1968), 3–62Google Scholar
Conrad, , Ford, , Faulkner, , Huxley, , and Fitzgerald, , in “Time Sequence in Spatial Fiction,” in Spatial Form in Narrative, ed. Smitten, Jeffrey R. and Daghistany, Ann (Ithaca: Cornell University Press, 1981), 131–57.Google Scholar
The Probabilistic Revolution, ed. Krüger, Lorenz, Daston, Lorraine J., and Heidelberger, Michael, 2 vols. (Cambridge: MIT Press, 1987)
Porter, Theodore M., The Rise of Statistical Thinking 1820–1900 (Princeton: Princeton University Press, 1986), 315.Google Scholar
Vargish, Thomas, The Providential Aesthetic in Victorian Fiction (Charlottesville: University Press of Virginia, 1985).Google Scholar
Monk, Leland, Standard Deviations: Chance and the Modern British Novel (Stanford: Stanford University Press, 1993), 9.Google Scholar
Gide, André, “Faits-divers,” Nouvelle Revue Française 30 (June 1, 1928): 841Google Scholar
“The Significance of the ‘acte gratuit,’” in Modernist Conjectures: A Mainstream in European Literature 1910–1940, by Fokkema, Douwe and Ibsch, Elrud (London: Hurst, 1987), 181–91.
Nelson, Roy Jay, Causality and Narrative in French Fiction from Zola to Robbe-Grillet (Columbus: Ohio State University Press, 1990), 21–22.Google Scholar
Kern, Stephen, A Cultural History of Causality: Science, Murder Novels, and Systems of Thought (Princeton: Princeton University Press, 2004), 13–14Google Scholar
The Selected Letters of Gustave Flaubert, ed. Steegmuller, Francis (New York: Vintage, 1953).
Hulme, T. E., “A Lecture on Modern Poetry” [1908], in Further Speculations (Lincoln: University of Nebraska Press, 1972), 72.Google Scholar
Stein, Gertrude, “Portraits and Repetition” [1934], in Look at Me Now and Here I Am: Writings and Lectures 1901–1945, ed. Meyerowitz, Patricia (Harmondsworth: Penguin, 1967), 110.Google Scholar
Stein, claimed to have “killed.” Reading Gertrude Stein: Body, Text, Gnosis (Ithaca: Cornell University Press, 1990), 124–28.Google Scholar
Woolf, Virginia, “Modern Fiction” [1919], in The Common Reader (New York: Harcourt Brace, 1925), 154–55Google Scholar
Bishop, E. L., “The Shaping of Jacob's Room: Woolf 's Manuscript Revisions,” Twentieth Century Literature 32, 1 (Spring 1986): 115–35.CrossRefGoogle Scholar
McHale, Brian, “Telling Stories Again: On the Replenishment of Narrative in the Postmodernist Long Poem,” The Yearbook of English Studies 30 (2000): 250.CrossRefGoogle Scholar
Eliot, T. S., The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound, ed. Eliot, Valerie (New York: Harcourt Brace, 1971), 5.Google Scholar
The Selected Letters of Ezra Pound, 1907–1941, ed. Paige, D. D. (New York: New Directions, 1971), 180.
Hadfield, John, Every Picture Tells a Story: Images of Victorian Life (London: Herbert, 1985).Google Scholar
Steinberg, Leo, “The Philosophical Brothel, Part 1,” Art News 71, 5 (September 1972): 21, 40Google Scholar
Rubin, William, “From Narrative to ‘Iconic’ in Picasso: The Buried Allegory in Bread and Fruitdish on a Table and the Role of Les Demoiselles d'Avignon,” Art Bulletin 45, 4 (December 1983): 615–49.Google Scholar
Leighten, Patricia, “Colonialism, l'art nègre, and Les Demoiselles d'Avignon,” in Picasso's “Les Demoiselles d'Avignon,” ed. Green, Christopher (Cambridge: Cambridge University Press, 2001), 78–79.Google Scholar
Caserio, Robert, Plot, Story, and the Novel: From Dickens and Poe to the Modern Period (Princeton: Princeton University Press, 1979), 233.Google Scholar
Booth, Allyson, Postcards from the Trenches: Negotiating the Space between Modernism and the First World War (New York: Oxford University Press, 1996), 108–11.Google Scholar
McAfee, Helen, “The Literature of Disillusion,” Atlantic Monthly (August 1923): 225–26.Google Scholar
Weinstein, Philip, Unknowing: The Work of Modernist Fiction (Ithaca: Cornell University Press, 2005), 99.Google Scholar
Poincaré, Henri, Science and Hypothesis [1901] (New York: Dover, 1927), 52–56.Google Scholar
Uexküll, Jacob, Umwelt und Innenwelt der Tiere (Berlin, 1909).Google Scholar
Durkheim, Émile and Mauss, Marcel, Primitive Classification [1903] (Chicago: University of Chicago Press, 1970), 43–44, 82, 86.Google Scholar
Gasset, José Ortega y, “Adám en el Paraiso” [1910], in Obras Completas (Madrid: Revista de Occidente, 1946), vol. i, 471Google Scholar
Verdad y perspectiva,” El Espectador 1 (1916): 10ff.
Kaufmann, Edgar and Raeburn, Ben, Frank Lloyd Wright: Writings and Buildings (New York: New American Library, 1960), 314.Google Scholar
Vallier, Dora, “Braque, la peinture et nous: propos de l'artiste recueillis,” Cahiers d'art 29 (October 1954): 15–16.Google Scholar
Mallarmé, Stéphane, “Sur Poë,” Oeuvres complètes (Paris: Pléiade, 1954), 872.Google Scholar
Mallarmé, Stéphane, “Mystery in Literature,” in Mallarmé: Selected Prose Poems, Essays, and Letters, ed. Cook, Bradford (Baltimore: Johns Hopkins University Press, 1956), 33.Google Scholar
Kern, Stephen, The Culture of Time and Space 1880–1918 (Cambridge: Harvard University Press, 1983), 152–80.Google Scholar
Stein, Gertrude, “A Transatlantic Interview” [1946], in The Gender of Modernism, ed. Scott, Bonnie Kime (Bloomington: Indiana University Press, 1990), 502–03.Google Scholar
Boccia, Michael, “The Novel as the Ambiguous Night: Djuna Barnes' Nightwood,” in Form as Content and Rhetoric in the Modern Novel (New York: Lang, 1989).Google Scholar
Djuna Barnes and Thelma Wood: The Vengeance of Nightwood,” Journal of Modern Literature 18, 1 (Winter 1992): 5–18
Bergson, Henri, Essai sur les données immédiates de la conscience (Paris: Felix Alcan, 1889)Google Scholar
Heidegger, Martin, Being and Time, translated by Macquarrie, John and Robinson, Edward (New York: Harper, 1962), 149, 154–57.Google Scholar
Dames, Nicholas, Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810–1870 (Oxford: Oxford University Press, 2003), 3–4.Google Scholar
Ford, Ford Madox, Joseph Conrad: A Personal Remembrance [1924] (New York: Ecco, 1989), 192–95.Google Scholar
Watt, Ian, Conrad and the Nineteenth Century (Berkeley: University of California Press, 1979), 169–80.Google Scholar
Pascal, Roy, The Dual Voice: Free Indirect Speech and its Functioning in the Nineteenth-Century European Novel (Manchester: Manchester University Press, 1977).Google Scholar
Tate, Trudi, “Mrs. Dalloway and the Armenian Question,” in Modernism, History and the First World War (Manchester: Manchester University Press, 1998), 147–70.Google Scholar
James, William, Principles of Psychology [1890] (New York: Dover, 1950), vol. i, 245.Google Scholar
James, William, “Stream of Consciousness,” in Talks to Teachers [1899] (New York: Holt, 1921), 15.Google Scholar
Moretti, Franco, “Ulysses and the Twentieth Century,” in Modern Epic: The World System from Goethe to Garcia Márquez (London: Verso, 1996), 171.Google Scholar
Sinclair, May, “The Novels of Dorothy Richardson,” Egoist 5 (April 1918): 57–59Google Scholar
We'll to the Woods No More (New York: New Directions, 1938).
Ford, Ford Madox, “A Haughty and Proud Generation,” Yale Review 11 (July 1922): 717.Google Scholar
The Culture of Love: Victorians to Moderns (Cambridge: Harvard University Press, 1992)
Stein, Gertrude, “Portraits and Repetition” [1934], in Look at Me Now and Here I Am: Writings and Lectures 1901–1945, ed. Meyerowitz, Patricia (Harmondsworth: Penguin, 1967), 109Google Scholar
Herman, David, “1880–1945: Re-minding Modernism,” in The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English, ed. Herman, David (Lincoln: University of Nebraska Press, 2011)CrossRefGoogle Scholar
Lukács, Georg, “The Ideology of Modernism” [1956], in Realism in Our Time (New York: Harper, 1964), 25Google Scholar
Smiles, Samuel, Thrift [1875] (London: J. Murray, 1886), 70Google Scholar
Budgen, Frank, James Joyce and the Making of Ulysses (Bloomington: Indiana University Press, 1960), 122Google Scholar
Ellmann, Richard, Ulysses on the Liffey (New York: Oxford University Press, 1972)Google Scholar
Severini, Gino, “The Plastic Analogies of Dynamism – Futurist Manifesto 1913,” in Futurist Manifestos, ed. Apollonio, Umbro (New York: Viking, 1973), 121Google Scholar
Bergman, Pär, “Modernolatria” et “Simultaneità”: Recherches sur deux tendances dans l'avant-garde littéraire en Italie et en France à la veille de la première guerre mondiale (Uppsala: Bonnier, 1962), xGoogle Scholar
Narrative Discourse: An Essay in Method (Ithaca: Cornell University Press, 1980)
Narrative Discourse Revisited (Ithaca: Cornell University Press, 1988)
Realism and Consensus in the English Novel: Time, Space and Narrative (Princeton: Princeton University Press, 1983), 46
Reading Berlin 1900 (Cambridge: Harvard University Press, 1996), 181
Stein, Gertrude, Narration (Chicago: University of Chicago Press, 1935), 25Google Scholar
Stein, Gertrude, “Sacred Emily,” in Geography and Plays (Boston: Four Seas, 1922), 187Google Scholar
Wilder, Thornton, “Introduction” to Gertrude Stein, Four in America (New Haven: Yale University Press, 1947), v–viGoogle Scholar
Faulkner, William, “Interview with Jean Stein Vanden Heuvel,” in Lion in the Garden: Interviews with William Faulkner, 1926–1962, ed. Merriweather, James B. and Millgate, Michael (Lincoln: University of Nebraska Press, 1968), 255Google Scholar
Weinstein, Philip, Becoming Faulkner: The Art and Life of William Faulkner (Oxford: Oxford University Press, 2010), 52Google Scholar
Lewis, Wyndham, “Long Live the Vortex,” Blast 1 (June 20, 1914): 7, 18, 147Google Scholar
Pound, Ezra, interview with Vengerova, Zinaida, “Angliiskie futuristy,” Strelets 1 (1915): 93–94Google Scholar
Isaak, Jo-Anne in “The Revolution of a Poetics,” in Modernism: Challenges and Perspectives, ed. Chefdor, Monique et al. (Urbana: University of Illinois Press, 1986), 163–64Google Scholar
Nietzsche, Friedrich, Thus Spoke Zarathustra, translated by Kaufmann, Walter (New York: Vintage, 1978), 139Google Scholar
Nietzsche, Friedrich, Ecce Homo (written in 1888, first published in 1908), translated by Kaufmann, Walter (New York: Vintage, 1967), 258Google Scholar
Marinetti, Filippo, “Manifesto of Futurism,” in Marinetti: Selected Writings, ed. Flint, R. W. (New York: Noonday, 1971), 41Google Scholar
Marinetti, Filippo, “Destruction of Syntax – Imagination without Strings – Words-in-Freedom,” in Futurist Manifestos, ed. Apollonio, Umbro (New York: Viking, 1973), 98–99Google Scholar
Moran, Dermot, Introduction to Phenomenology (London: Routledge, 2000), 124–63Google Scholar
Bleuler, Eugen, “Die Psychoanalyse Freuds,” in Jahrbuch für psychoanalytische und psychopathologische Forschungen (Leipzig: Deuticke, 1910)Google Scholar
“It's impossible to sleep, impossible to wake, impossible to bear life or, more precisely, the successiveness of life. The clocks don't agree. The inner one rushes along in a devilish or demonic – in any case, inhuman – way while the outer one goes, falteringly, at its accustomed pace.” Tagebücher, 1910–1923 (Frankfurt: S. Fischer, 1951), 552
Everdell, William R., The First Moderns: Profiles in the Origins of Twentieth-Century Thought (Chicago: University of Chicago Press, 1997), 351CrossRefGoogle Scholar
Fussell, Paul, The Great War and Modern Memory (Oxford: Oxford University Press, 1975), 21Google Scholar
Hynes, Samuel, A War Imagined: The First World War and English Culture (New York: Atheneum, 1990), 431–33Google Scholar
Dilthey, Wilhelm, Pattern and Meaning in History (New York: Harper, 1961), 85Google Scholar
Freud, Sigmund, “Beyond the Pleasure Principle,” in Standard Edition (London: Hogarth, 1950), vol. xviii, 28Google Scholar
Brooks, Peter, Reading for the Plot: Design and Intention in Narrative (New York: Knopf, 1984), 284–85Google Scholar
Faulkner in the University: Class Conferences at the University of Virginia 1957–1958, ed. Gwynn, Frederick L. and Blotner, Joseph L. (New York: Vintage, 1959), 94
Singal, Daniel J., William Faulkner: The Making of a Modernist (Chapel Hill: University of North Carolina Press, 1977), 117–19Google Scholar
Ford, Ford Madox, Joseph Conrad: A Personal Remembrance [1924] (New York: Ecco, 1989), 136–37Google Scholar
Moses, Michael Valdez, “Disorientalism: Conrad and the Imperial Origins of Modern Aesthetics,” in Modernism and Colonialism: British and Irish Literature, 1899–1939, ed. Begam, Richard and Moses, Michael Valdez (Durham: Duke University Press, 2007), 43–69CrossRefGoogle Scholar
Ellmann, Richard, Ulysses on the Liffey (New York: Oxford University Press, 1972), 186–87Google Scholar
Rimmon-Kenan, Shlomith, Narrative Fiction (London: Routledge, 1983), 58CrossRefGoogle Scholar
Walker, Jayne L., The Making of a Modernist: Gertrude Stein (Amherst: University of Massachusetts Press, 1984), 43Google Scholar
Stein, Gertrude, “How Writing is Written” [1934–35], in The Gender of Modernism, ed. Scott, Bonnie Kime (Bloomington: Indiana University Press, 1990), 494Google Scholar
Freud, Sigmund, “The Aetiology of Hysteria,” in Standard Edition (London: Hogarth, 1950), vol. iii, 212Google Scholar
Freud, Sigmund, “From the History of an Infantile Neurosis,” in Standard Edition (London: Hogarth, 1955), vol. xviiGoogle Scholar
Galbraith, Mary, “Pip as ‘Infant tongue’ and as Adult Narrator in Chapter One of Great Expectations,” in Infant Tongues: The Voice of the Child in Literature, ed. Heberle, Mark A. et al. (Detroit: Wayne State University Press, 1994), 123–41Google Scholar
,Faulkner wrote, “In The Sound and the Fury I had already put perhaps the only thing in literature which would ever move me very much: Caddy climbing the pear tree to look in the window at her grandmother's funeral while Quentin and Jason and Benjy and the negroes looked up at the muddy seat of her drawers.” The Sound and the Fury, 2nd edition, ed. Minter, David (New York: Norton, 1994), 227Google Scholar
Beja, Morris, Epiphany in the Modern Novel (Seattle: University of Washington Press, 1971), 18Google Scholar
Shattuck, Roger, Marcel Proust (New York: Viking, 1974), 120–21Google Scholar
Cuddy-Keane, Melba, “Virginia Woolf and Beginning's Ragged Edge,” in Narrative Beginnings: Theories and Practices, ed. Richardson, Brian (Lincoln: University of Nebraska Press, 2008), 98Google Scholar
Kenner, Hugh, “The Portrait in Perspective,” in James Joyce: Two Decades of Criticism, ed. Givens, Seon (New York: Vanguard, 1948), 137, 142Google Scholar
Booth, Wayne C., A Rhetoric of Irony (Chicago: University of Chicago Press, 1974), 1–31Google Scholar
Ford Madox, Ford, The Good Soldier, ed. Stannard, Martin (New York: Norton, 1995), 310–17Google Scholar
Tobin, Patricia Drechsel, Time and the Novel: The Genealogical Imperative (Princeton: Princeton University Press, 1978), 5–8, 20Google Scholar
Das Vater-Sohn Motiv in der Dichtung 1880–1930,” from Stoff- und Motiv-geschichte der deutschen Literatur XI (1931)
Kern, Stephen, “Explosive Intimacy: Psychodynamics of the Victorian Family,” History of Childhood Quarterly 1, 3 (Summer 1974): 437–62Google Scholar
Palmer, Alan, “Intermental Thought in the Novel: The Middlemarch Mind,” Style 39, 4 (Winter 2005): 427–39Google Scholar
“to accept all manner of evidence that ours is a genuine end, a genuine beginning.” The Sense of an Ending: Studies in the Theory of Fiction (Oxford: Oxford University Press, 1966), 67–68, 94
“Structure, Sign and Play in the Discourse of the Human Sciences,” in Writing and Difference (Chicago: University of Chicago Press, 1978), 278–81
Miller, J. Hillis, The Disappearance of God: Five Nineteenth-Century Writers (Cambridge: Harvard University Press, 1963), 6ffGoogle Scholar
Seidman, Robert, Ulysses Annotated: Notes for James Joyce's “Ulysses” (Berkeley: University of California Press, 1988), 13Google Scholar
Walsh, Ruth M., “In the Name of the Father and of the Son … Joyce's Use of the Mass in Ulysses,” James Joyce Quarterly 6, 4 (Summer 1969): 321–47Google Scholar
Kenner, Hugh, Ulysses (Baltimore: Johns Hopkins University Press, 1987), 34–35Google Scholar
Lang, Frederick K., Ulysses and the Irish God (Lewisburg: Bucknell University Press, 1993), 105–32Google Scholar
Friedman, Alan, The Turn of the Novel: The Transition to Modern Fiction (Oxford: Oxford University Press, 1966)Google Scholar
Torgovnick, Marianna, Closure in the Novel (Princeton: Princeton University Press, 1981)Google Scholar
Miller, D. A., Narrative and its Discontents (Princeton: Princeton University Press, 1981)Google Scholar
Thickstun, William R., Visionary Closure in the Modern Novel (New York: St. Martin's Press, 1988)CrossRefGoogle Scholar
James, Henry, “The Art of Fiction” [1884], in The Future of the Novel (New York: Vintage, 1956), 8Google Scholar
Conrad, Joseph, “Henry James: An Appreciation” [1905], in Notes on Life and Letters (New York: Doubleday, 1923), 19Google Scholar
Woolf, Virginia, “The Russian Point of View,” in The Common Reader: First Series (New York: Harcourt Brace, 1925), 180Google Scholar
Forster, E. M., Aspects of the Novel (New York: Harcourt Brace, 1927), 95, 96Google Scholar
Ford, Ford Madox, “The Tradition of the Novel,” in Critical Writings of Ford Madox Ford, ed. MacShane, Frank (Lincoln: University of Nebraska Press, 1964), 17Google Scholar
Harrison, Thomas, Essayism: Conrad, Musil, and Pirandello (Baltimore: Johns Hopkins University Press, 1992)Google Scholar
Luft, David S., Robert Musil and the Crisis of European Culture 1880–1942 (Berkeley: University of California Press, 1980), 13–21Google Scholar
Kenda, Margaret Mason, “Poetic Justice and the Ending Trick in the Victorian Novel,” Genre 8 (1975): 336–51Google Scholar
Wheeler, Michael, Death and the Future Life in Victorian Literature and Theology (Cambridge: Cambridge University Press, 1990), 25Google Scholar
Watt, Ian P., “The Ending of Lord Jim,” Conradiana 11 (1979): 4–21Google Scholar
Scott, Bonnie Kime, “Barnes Being ‘Beast Familiar’: Representation on the Margins of Modernism,” Review of Contemporary Fiction 13, 3 (Fall 1993): 41–52Google Scholar
Scott, James B., Djuna Barnes (Boston: Twayne, 1976), 103Google Scholar
Herring, Phillip, “Djuna Barnes and Thelma Wood: The Vengeance of Nightwood,” Journal of Modern Literature 18, 1 (Winter 1992): 16Google Scholar
Gerstenberger, Donna, “The Radical Narrative of Djuna Barnes's Nightwood,” in Breaking the Sequence: Women's Experimental Fiction, ed. Friedman, Eileen G. and Fuchs, Miriam (Princeton: Princeton University Press, 1989), 138Google Scholar
Kern, Stephen, The Culture of Love: Victorians to Moderns (Cambridge: Harvard University Press, 1992), 350–51 and passimGoogle Scholar
James, Henry, “Preface to Roderick Hudson” [1908], in The Art of the Novel, ed. Blackmur, Richard P. (New York: Scribner's, 1934), 5Google Scholar
James Joyce and the Burden of Disease (Lexington: University of Kentucky Press, 1995), 58–61
Kadlec, David, “Syphilis and James Joyce's Ulysses,” in Mosaic Modernism: Anarchism, Pragmatism, Culture (Baltimore: Johns Hopkins University Press, 2000), 90–121Google Scholar
Malamud, Randy, “Letters: I AM A,'” in The Language of Modernism (Ann Arbor: University of Michigan Press, 1989), 159–64Google Scholar
Stein, Gertrude, What Are Masterpieces [1940] (New York: Pitman, 1970), 100Google Scholar
Jolas, Eugene, “The Revolution of Language and James Joyce,” in Our Exagmination Round His Factification for Incamination of Work in Progress, ed. Beckett, Samuel et al. [1929] (New York: New Directions, 1962), 79, 83Google Scholar
“A sentence of a vagueness that is violence is authority and a mission and stumbling and also certainly also a prison.” Selected Writings of Gertrude Stein, ed. Vechten, Carl (New York: Vintage, 1962), 481
The Linguistic Turn, ed. Rorty, Richard (Chicago: University of Chicago Press, 1967)
Bergmann, Gustav, Logic and Reality (Madison: University of Wisconsin Press, 1964), 177Google Scholar
Steiner, George, Real Presences (Chicago: University of Chicago Press, 1989), 93Google Scholar
Wittgenstein, Ludwig, Tractatus Logico-Philosophicus [1922] (New York: Humanities Press, 1974), 19Google Scholar
“a progressive fading of that realism which has long been associated with the novel; language ceases to be what we see through, and becomes what we see.” “The Introverted Novel,” in Modernism: A Guide to European Literature 1890–1930, ed. Bradbury, Malcolm and McFarlane, James (Harmondsworth: Penguin, 1976), 401
Hofmannsthal, Hugo, “The Letter of Lord Chandos,” in Selected Prose (Princeton: Princeton University Press, 1952), 129–41Google Scholar
Goux, Jean-Joseph, The Coiners of Language (Norman: University of Oklahoma Press, 1994)Google Scholar
Payne, Philip, “Words that Bend Minds,” in Robert Musil's “The Man Without Qualities”: A Critical Study (Cambridge: Cambridge University Press, 1988), 123–29CrossRefGoogle Scholar
Proust, Marcel, À la recherche du temps perdu (Paris: Gallimard, 1987), vol. i, 387Google Scholar
Wicke, Jennifer, Advertising Fictions: Literature, Advertisement & Social Reading (New York: Columbia University Press, 1988), 102–12Google Scholar
Leonard, Garry, “Joyce and Advertising: Advertising and Commodity Culture in Joyce's Fiction,” James Joyce Quarterly 30.4/31.1 (1993): 574Google Scholar
Berger, Alfred, “James Joyce, Adman,” James Joyce Quarterly 3 (1965): 25–33Google Scholar
Bell, M. David, “The Search for Agendath Netaim: Some Progress, but No Solution,” James Joyce Quarterly 12 (1974): 251–58Google Scholar
Williams, Edwin W., “Agendath Netaim: Promised Land or Waste Land,” Modern Fiction Studies 32, 2 (Summer 1986): 228–35CrossRefGoogle Scholar
Geyh, Paula, Cities, Citizens, and Technologies (New York: Routledge, 2009), 17Google Scholar
Brevda, William, “How Do I Get to Broadway? Reading Dos Passos's ‘Manhattan Transfer’ Sign,” Texas Studies in Literature and Language 38, 1 (Spring 1996): 32–51Google Scholar
Thomson, George H., “Dorothy Richardson's Foreword to Pilgrimage,” Twentieth Century Literature 42, 3 (Fall 1966): 344CrossRefGoogle Scholar
Richardson, Dorothy, “Novels” [1948], in The Gender of Modernism, ed. Scott, Bonnie Kime (Bloomington: Indiana University Press, 1990), 433Google Scholar
Woolf, Virginia, “Romance and the Heart,” in The Essays of Virginia Woolf, vol. iii: 1919–1924, ed. McNeillie, Andrew (New York: Harcourt Brace, 1988), 365–68, at 367Google Scholar
A Literature of Their Own: British Women Novelists from Brontë to Lessing (Princeton: Princeton University Press, 1977), 258
“the very form of the sentence does not fit her. It is a sentence made by men; it is too loose, too heavy, too pompous for a woman's use.” Granite & Rainbow (New York: Harcourt Brace, 1958), 81
‘They Danced on Volcanoes’: Kandinsky's Breakthrough to Abstraction, the German Avant-Garde and the Eve of the First World War,” Art History 12, 3 (September 1989): 355
Long, Rose-Carol Washton, “Occultism, Anarchism, and Abstraction: Kandinsky's Art of the Future,” Art Journal 46, 1 (Spring 1987): 38–45CrossRefGoogle Scholar
Nineteenth-Century Theories of Art, ed. Taylor, Joshua C. (Berkeley: University of California Press, 1987), 347
Kandinsky, Wassily, “On the Spiritual in Art,” in Kandinsky: Complete Writings on Art, ed. Lindsay, Kenneth C. and Vergo, Peter (New York: Da Capo Press, 1994)Google Scholar
Long, Rose-Carol Washton, Kandinsky: The Development of an Abstract Style (Oxford: Oxford University Press, 1980), 26–41Google Scholar
Kandinsky, Wassily, “Reminiscences/Three Pictures,” in Kandinsky: Complete Writings on Art, ed. Lindsay, Kenneth C. and Vergo, Peter (New York: Da Capo Press, 1994), 384–85Google Scholar
Futurism & Futurisms, ed. Hultén, Pontus (New York: Abbeville Press, 1986), 79, 77
Malevich, Kasimir, “From Cubism and Futurism to Suprematism: The New Realism in Painting,” in K. S. Malevich: Essays on Art, 1915–1933, ed. Andersen, Troels (Copenhagen: Borgen, 1968), vol. i, 19–41Google Scholar
Isaak, Jo-Anne, “The Revolution of a Poetics,” in Modernism: Challenges and Perspectives, ed. Chefdor, Monique et al. (Urbana: University of Illinois Press, 1986), 168Google Scholar
Primitivism, Cubism, Abstraction: The Early Twentieth Century, ed. Harrison, Charles et al. (New Haven: Yale University Press, 1993), 236
Malevich, Kasimir, “Suprematism” [1927], in Modern Artists on Art: Ten Unabridged Essays, by Herbert, Robert L. (Englewood Cliffs, N.J.: Prentice Hall, 1964), 95Google Scholar
Lewis, Wyndham, “Enemy of the Stars,” Blast I [1914] (Santa Rosa: Black Sparrow Press, 1962), 64Google Scholar
Lewis, Wyndham, Rude Assignment: A Narrative of My Career Up-to-Date (London: Hutchinson, 1950), 128Google Scholar
Stein, Gertrude, “A Transatlantic Interview 1946,” in The Gender of Modernism, ed. Scott, Bonnie Kime (Bloomington: Indiana University Press, 1990), 504Google Scholar
The Yale Gertrude Stein (New Haven: Yale University Press, 1980), xxii–xxiv
Dada Art and Anti-Art, ed. Richter, Hans (New York: M. H. Abrams, 1970), 41–43
The Diary of Virginia Woolf, vol. iii: 1925–1930, ed. Bell, Anne Olivier assisted by McNeillie, Andrew (New York: Harcourt Brace, 1980), 76
Froula, Christine, “Picturing the World: The Quest for the Thing Itself in To the Lighthouse,” in Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (New York: Columbia University Press, 2005), 129–73Google Scholar
Cather, Willa, “The Novel Démeublé,” New Republic 30 (April 12, 1922): 5–6Google Scholar
Balakian, Anna, André Breton: Magus of Surrealism (New York: Oxford University Press, 1971), 20, 27Google Scholar
Breton, André, Manifestoes of Surrealism (Ann Arbor: University of Michigan Press, 1972), 26Google Scholar
Gilot, Françoise and Lake, Carlton, Life with Picasso (New York: McGraw-Hill, 1964), 70Google Scholar
Ulmer, Gregory L., “The Object of Post-Criticism,” in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Foster, Hal (Port Townsend, Wash.: Bay Press, 1983), 84Google Scholar
Perloff, Marjorie, The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (Chicago: University of Chicago Press, 1986), 46Google Scholar
Stenzel, Jürgen, “Mit Kleister und Schere: Zur Handschrift von Berlin Alexanderplatz,” Text + Kritik 13/14 (1972): 39–44Google Scholar
Döblin, Alfred, Aufsätze zur Literatur (Freiburg: Olten, 1963), 114Google Scholar
Dollenmayer, David B., The Berlin Novels of Alfred Döblin (Berkeley: University of California Press, 1988), 74Google Scholar
Mitchell, Breon, James Joyce and the German Novel 1922–1933 (Athens: Ohio University Press, 1976), 138–39Google Scholar
Miller, D. A., The Novel and the Police (Berkeley: University of California Press, 1988), 52–54Google Scholar
James, Henry, “Preface to The American,” in The Art of the Novel: Critical Prefaces by Henry James, ed. Blackmur, Richard P. (New York: Scribner's, 1934), 37Google Scholar
Genette, Gérard, Narrative Discourse: An Essay in Method [1972] (Ithaca: Cornell University Press, 1980), 187–88Google Scholar
Booth, Wayne, “Distance and Point of View,” Essays in Criticism 11 (1961): 60–79CrossRefGoogle Scholar
Past Impersonal: Group Process in Human History (Dekalb: Northern Illinois University Press, 2005), 29
Kern, Stephen, The Culture of Time and Space 1880–1918 (Cambridge: Harvard University Press, 1983), 131–52Google Scholar
Nietzsche, Friedrich, On the Genealogy of Morals (New York: Vintage, 1967), 119.Google Scholar
Dällenbach, Lucien, The Mirror in the Text (Chicago: University of Chicago Press, 1989), 8, 30–35Google Scholar
Woolf, Virginia, “Modern Fiction,” in The Common Reader (New York: Harcourt Brace, 1925), 155Google Scholar
Schlant, Ernestine, “Hermann Broch and Modern Physics,” Germanic Review 78, 53 (Spring 1978): 69–75CrossRefGoogle Scholar
Sypher, Wylie, “The Cubist Novel,” in Rococo to Cubism in Art and Literature (New York: Vintage, 1960), 295–311Google Scholar
Broch, Hermann, Gesammelte Werke (Zürich: Rhein-Verlag, 1957)Google Scholar
Mitchell, Breon, James Joyce and the German Novel 1922–1933 (Athens: Ohio University Press, 1976), 161Google Scholar
Gifford, Don with Seidman, Robert J., Ulysses Annotated: Notes for James Joyce's “Ulysses” (Berkeley: University of California Press, 1988), 314–81Google Scholar
Selected Letters of James Joyce, ed. Ellmann, Richard (New York: Viking, 1975), 251–52
Gibson, Andrew, Joyce's Revenge: History, Politics, and Aesthetics in “Ulysses” (Oxford: Oxford University Press, 2002), 172–73Google Scholar
Bakhtin, M. M., “Discourse in the Novel,” in The Dialogic Imagination: Four Essays, ed. Holquist, Michael (Austin: University of Texas Press, 1981), 262–63Google Scholar
“Dialogic Subversion: Bakhtin, the Novel and Gertrude Stein,” in Bakhtin and Cultural Theory, ed. Kirschkop, Ken and Shepherd, David (Manchester: Manchester University Press, 1989), 165–72
Kenner, Hugh, Joyce's Voices (Berkeley: University of California Press, 1978), 17–21Google Scholar
Constructing Postmodernism (London: Routledge, 1992), 51–52
Henke, Suzette, “Gerty MacDowell: Joyce's Sentimental Heroine,” in Women in Joyce, ed. Henke, Suzette and Unkeless, Elaine (Urbana: University of Illinois Press, 1982), 132–49Google Scholar
Culler, Jonathan, “Omniscience,” Narrative 12, 1 (January 2004): 22–34CrossRefGoogle Scholar
Lewis, Pericles, Modernism, Nationalism, and the Novel (Cambridge: Cambridge University Press, 2000), 17CrossRefGoogle Scholar
The Critical Writings of Ford Madox Ford, ed. MacShane, Frank (Lincoln: University of Nebraska Press, 1964), 68
“The Implied Author, Unreliability, and Ethical Positioning,” in Living To Tell About It: A Rhetoric and Ethics of Character Narration (Ithaca: Cornell University Press, 2005), 31–65
Furbank, P. N., E. M. Forster: A Life, 2 vols. (London: Secker and Warburg, 1977)Google Scholar
McHale, Brian, Postmodernist Fiction (London: Routledge, 1987), 9, 10CrossRefGoogle Scholar
Weinstein, Philip, Unknowing: The Work of Modernist Fiction (Ithaca: Cornell University Press, 2005), 257Google Scholar
Woolf, Virginia, “Mr. Bennett and Mrs. Brown,” in The Captain's Death Bed and Other Essays (New York: Harcourt Brace, 1978), 117Google Scholar
Daiches, David, The Novel and the Modern World (Chicago: University of Chicago Press, 1970), 26–27Google Scholar
Thatcher, David S., Nietzsche in England 1890–1914: The Growth of a Reputation (Toronto: University of Toronto Press, 1970)Google Scholar
Foster, Jr John Burt., Heirs to Dionysus: A Nietzschean Current in Literary Modernism (Princeton: Princeton University Press, 1981)Google Scholar
Aschheim, Steven E., The Nietzsche Legacy in Germany 1890–1990 (Berkeley: University of California Press, 1992)Google Scholar
Smith, Douglas, Transvaluations: Nietzsche in France 1872–1972 (Oxford: Oxford University Press, 1996)Google Scholar
Barucha, Rustom, “Forster's Friends,” Raritan 4 (Spring 1986): 105–22Google Scholar
Lasch, Christopher, Haven in a Heartless World: The Family Besieged (New York: Basic, 1977)Google Scholar
Lewis, Pericles, Modernism, Nationalism, and the Novel (Cambridge: Cambridge University Press, 2000), 10, 52–96CrossRefGoogle Scholar
Trevelyan, G. O., Cawnpore (London, 1865)Google Scholar
Brantlinger, Patrick, Rule of Darkness: British Literature and Imperialism, 1830–1914 (Ithaca: Cornell University Press, 1988), 203Google Scholar
Goux, Jean-Joseph, The Coiners of Language (Norman: University of Oklahoma Press, 1994)Google Scholar
Mourning Modernity: Literary Modernism and the Injuries of American Capitalism (Stanford: Stanford University Press, 2007)
Gide, André, Dostoevsky [1923] (New York: New Directions, 1961), 90Google Scholar
Wright, T. R., D. H. Lawrence and the Bible (Cambridge: Cambridge University Press, 2000)Google Scholar
Morse, J. Mitchell, Sympathetic Alien: James Joyce and Catholicism (New York: New York University Press, 1959)Google Scholar
Lang, Frederick K., “Ulysses” and the Irish God (Lewisburg, Pa.: Bucknell University Press, 1993)Google Scholar
Gottfried, Roy, Joyce's Misbelief (Gainesville: University Press of Florida, 2007)Google Scholar
Owens, Cóilín, James Joyce's Painful Case (Gainesville: University Press of Florida, 2008)CrossRefGoogle Scholar
After Christianity: Christian Survivals in Post-Christian Culture (Durango, Colo.: Logbridge-Rhodes, 1986)
“the overcoming but also the distortion and reemergence of received religious concepts and patterns of thought” in Secularization and Cultural Criticism: Religion, Nation, & Modernity (Chicago: University of Chicago Press, 2006), 23–24
Religious Experience and the Modernist Novel (Cambridge: Cambridge University Press, 2010), 19, 6.
Woolf, Virginia, “A Sketch of the Past,” in Moments of Being: Unpublished Autobiographical Writings, ed. Schulkind, Jeanne (New York: Harcourt Brace, 1985), 72Google Scholar
Budgen, Frank, James Joyce and the Making of “Ulysses” (Bloomington: Indiana University Press, 1960), 21Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Notes
  • Stephen Kern, Ohio State University
  • Book: The Modernist Novel
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511862656.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Notes
  • Stephen Kern, Ohio State University
  • Book: The Modernist Novel
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511862656.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Notes
  • Stephen Kern, Ohio State University
  • Book: The Modernist Novel
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511862656.011
Available formats
×