Skip to main content
×
×
Home
  • Print publication year: 2004
  • Online publication date: March 2008

19 - Architecture and the Visual Arts

Summary
The gap between history and art history is enshrined in the stylistic labels that art historians still use for the subdivisions of their subject. This chapter discusses Romanesque and early Gothic. Romanesque was the creation of a later age. It emerged in the early nineteenth century as the main French candidate in a competition to find an adequate name for the sort of architecture which preceded Gothic. The rise of architecture to parity of esteem with the so-called minor arts, which took place in the eleventh and twelfth centuries, was the truly momentous event in the art history of the middle ages. The image of the church became a compound of all the visual arts. It brought together architecture, sculpture and painting at their highest levels of attainment, and projected them upon the attention of the world at large with the single-mindedness of a marketing exercise.
Recommend this book

Email your librarian or administrator to recommend adding this book to your organisation's collection.

The New Cambridge Medieval History
  • Online ISBN: 9781139054027
  • Book DOI: https://doi.org/10.1017/CHOL9780521414104
Please enter your name
Please enter a valid email address
Who would you like to send this to *
×
Anthony, E. W. (1951), Romanesque Frescoes, Princeton
Aubert, M. (1947), L’Architecture cistercienne en France, Paris
Bandmann, G. (1951), Mittelalterliche Architektur als Bedeutunsgsträger, Berlin
Baxter, R. (1998), Bestiaries and Their Users in the Middle Ages, Stroud
Baylé, M. and Bouet, P. (1997), L’Architecture normande au moyen âge, Caen
Benson, R. L. and Constable, G. (1982), Renaissance and Renewal in the Twelfth Century, Cambridge, MA
Bertaux, E. (1903), L’Art dans l’Italie méridionale, Paris
Bony, J. (1983), French Gothic Architecture of the Twelfth and Thirteenth Centuries, Berkeley
Borg, A. (1972), Architectural Sculpture in Romanesque Provence, Oxford
Branner, R. (1963), ‘Gothic architecture, 1160–1180, and its Romanesque sources’, in Acts of the XX International Congress of the History of Art, Princeton, I
Braudel, F. (1986), L’Identité de la France, II: Les Hommes et les choses, Paris
Bredero, A. H. (1985), Cluny et Cîteaux au douzième siècle, Amsterdam and Maarsen
Brown, R. A., Colvin, H. M. and Taylor, A. J. (1963), The History of the King’s Works, London
Caviness, M. H. (1977), The Early Stained Glass of Canterbury Cathedral, Princeton
Chapelot, O. and Benoit, P. (1985), Pierre et métal dans le bâtiment au moyen âge, Paris
Colvin, H. M., The Building Accounts of Henry III, Oxford (1971)
Conant, K. J. (1968), Cluny: les églises et la maison du chef d’ordre, Macon
Crosby, S. McK. (1987), The Royal Abbey of Saint-Denis, ed. Blum, P. R., New Haven and London
Crozet, R. (1971), L’Art roman en Saintonge, Paris
Crozet, R. (1948), L’Art roman en Poitou, Paris
Das Reich der Salier, Mainz (1992)
Demus, O. (1949), The Mosaics of Norman Sicily, London
Demus, O. (1960), The Church of San Marco in Venice, Washington, DC
Demus, O. and Hirmer, M. (1968), Romanische Wandmalerei, Munich
Die Zeit der Staufer, Stuttgart (1977)
Dodwell, C. R. (1954), The Canterbury School of Illumination, Cambridge
Dodwell, C. R. (1993), The Pictorial Arts of the West, 800–1200, New Haven and London
Duby, G. (1976), Le Temps des cathédrales, Paris
Durandus, William, Mende, bishop, Rationale divinorum officiorum, ed. Beleth, J., Naples (1859); trans. of Book 1 by Neale, J. M. and Webb, B., The Symbolism of Churches and Church Ornaments, Leeds (1843)
Durliat, M. (1990), La Sculpture romane de la route de Saint-Jacques, Dax
English Romanesque Art, 1066–1200, London (1984)
Erlande-Brandenburg, A. (1975), Le Roi est mort, Geneva
Erlande-Brandenburg, A. (1991), Notre Dame de Paris, Paris
Erlande-Brandenburg, A. (1994), The Cathedral: The Social and Architectural Dynamics of Construction, trans. Thom, M. (Cambridge Studies in the History of Architecture), Cambridge
Evans, J. (1938), The Romanesque Architecture of the Order of Cluny, Cambridge
Fergusson, P. (1984), Architecture of Solitude: Cistercian Abbeys in Twelfth Century England, Princeton
Fernie, E. (2000), The Architecture of Norman England, Oxford
Focillon, H. (1947), Art d’Occident, Paris
Focillon, H. (1964), L’Art des sculpteurs romanes, Paris
Fournier, G. (1978), Le Château dans la France médiévale, Paris
Francastel, P. (1942), L’Humanisme roman, Rodez
Francovich, G. de (1935), ‘La corrente comasca nella scultura romanica europa (gliinizi)’, Rivista del Reale Istituto d’Archeologia e Storia dell’Arte 13
Francovich, G. de (1937–8), ‘La corrente comasca nella scultura romanica europa (la diffusione), Rivista del Reale Istituto d’Archeologia e Storia dell’Arte 16
Frankl, P. (1960), The Gothic, Princeton
Frankl, P. (1962), Gothic Architecture, Harmondsworth; revised Crossley, P. (2000), London and New Haven
Gall, E. (1955), Die gotische Baukunst in Frankreich und Deutschland, I, Braunschweig and Brunswick
Gameson, R. (1992), ‘The Romanesque crypt capitals of Canterbury Cathedral’, Archaeologia Cantiana 110
Gantner, J. (1958), Formositas Romanica, Frauenfeld
Garrigou Grandchamp, P., Jones, M., Meirion-Jones, G. and Salveque, J.-D. (1997), La Ville de Cluny et ses maisons, Paris
Grabar, A. and Nordenfalk, C. (1958), Romanesque Painting from the Eleventh to the Thirteenth Century, New York
Green, R., Evans, M., Bischoff, C. and Curschmann, M. (1979), Hortus Deliciarum, Leiden and London
Grivot, D. and Zarnecki, G. (1961), Gislebertus, sculptor of Autun, London
Grodecki, L. (1976), Les Vitraux de Saint-Denis: étude sur les vitraux au XIIe siècle, I, Paris
Grodecki, L. (1977), Le Vitrail roman, Freiburg
Grodecki, L. (1986), Le Moyen Age retrouvé, Paris
Hahn, H. (1957), Die frühe Kirchenbaukunst der Zisterzienser, Berlin
Heinrich der Löwe und sein Seit, Brunswick (1995)
Héliot, P. (1966), Du Carolingien au Gothique: l’évolution de la plastique murale dans l’architecture religieuse du nord-ouest de l’Europe (IXe-XIIIe siècle), Paris
Honnecourt, Villard de, Sketchbook, ed. Hahnloser, H. R., Villard de Honnecourt: Kritische Gesamtausgabe des Bauhüttenbuches ms fr. 19093 der Pariser Nationalbibliothek, 2nd edn, Graz (1972)
Hubert, J. (1977), Arts et vie sociale de la fin du monde antique au moyen âge, Geneva
Jantzen, H. (1962), High Gothic, London
Johnson, J. R. (1964), The Radiance of Chartres, London
Kauffmann, C. M. (1966), ‘The Bury Bible’, Journal of the Warburg and Courtauld Institutes 29
Kauffmann, C. M. (1975), Romanesque Manuscripts 1066–1190, London
Kidson, P. (1990), ‘A metrological investigation’, Journal of the Warburg and Courtauld Institutes 53
Kidson, P. (1993), Salisbury Cathedral: Perspectives on the Architectural History, London
Kidson, P. (1993), Salisbury Cathedral: Perspectives on the Architectural History, London
Kimpel, D. and Suckale, R. (1985), Die Gotische Architektur in Frankreich, 1130–1270, Munich.
Krautheimer, R. (1980), Rome: Profile of a City, 312–1308, Princeton
Kronig, W. (1965), Il duomo di Monreale e l’architettura normanna in Sicilia, Palermo
Kubach, H. E. (1972), Romanesque Architecture, New York
Kubach, H. E. and Haas, W. (eds.) (1972), Der Dom zu Speyer (Die Kunstdenkmäler von Rheinland-Pfalz 5), Munich
Kubach, H. E. and Verbeek, A. (1976–89), Romanische Baukunst an Rhein und Maas, 4 vols., Berlin
Lanfranco e Wiligelmo: il duomo di Modena, Modena (1991)
Lapeyre, A. (1960), Des Façades occidentales de Saint-Denis et de Chartres aux portails de Laon, Paris
Lasko, P. (1972), Ars Sacra, 800–1200, Harmondsworth
Lassalle, V. (1970), L’Influence antique dans l’art roman provençal, Paris
Lasteyrie, R. de (1929), L’Architecture religieuse à l’époque romane, Paris
Les Trésors des églises de France, Paris (1965)
Mâle, E. (1978), Religious Art in France: The Twelfth Century: A Study of the Origin of Medieval Iconography, Princeton; trans. Mathews, M. of L’Art religieux du XIIe siècle en France, Paris (1922)
Manuscrits à peintures du VIIe au XIIe siècles, Paris (1957)
Meer, F. (1965), L’Atlas de l’ordre cistercien, Paris and Brussels
Meiss, M. (1963), Romanesque and Gothic Art: Studies in Western Art, Princeton
Monumenta Annonis, Cologne (1975)
Norton, C. and Park, D. (1986), Cistercian Art and Architecture in the British Isles, Cambridge
Ornamenta Ecclesia, Cologne (1985)
Pächt, O. (1962), The Rise of Pictorial Narrative in Twelfth-Century England, Oxford
Pächt, O., Dodwell, C. R. and Wormald, F. (1960), The St Alban’s Psalter, London
Porter, A. K. (1915–17), Lombard Architecture, 4 vols., New Haven
Porter, A. K. (1923), The Sculpture of the Pilgrimage Roads, Boston
Powicke, F. M. (1961), The Loss of Normandy, 2nd edn, Manchester
Quintavalle, A. C. (1991), Wiligelmo e Matilde, Milan
Réau, L. (1955–9), Iconographie de l’art chrétien, 3 vols., Paris
Rhein und Maas, Cologne (1972)
Riegl, A. (1893), Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik, Berlin
Salet, F. (1948), La Madeleine de Vézelay, Melun
Salet, F. (1968), ‘Cluny III’, Bulletin Monumental 126
Salet, F. (1995), Cluny et Vézelay, Paris
Salvini, R. (1956), Wiligelmo e le origini della scultura romanica, Milan
Salzman, L. F. (1952), Building in England down to 1540, Oxford
Sanpaolesi, P. (1975), Il duomo di Pisa e l’architettura romanica toscana delle origini, Pisa
Sauer, J. (1924), Symbolik des Kirchengebäudes, Freiburg-im-Breisgau
Sauerländer, W. (1966), Von Sens bis Strassburg, Berlin
Sauerländer, W. (1989), Le Grand Siècle des cathédrales, Paris
Sauerländer, W. and Hirmer, M. (1970), Gotische Skulptur in Frankreich, 1140–1270, Munich
Saxl, F. (1954), English Sculpture of the Twelfth Century, London
Schapiro, M. (1977), Romanesque Art, London
Schramm, P. and Mütherich, F. (1962), Denkmale der deutsche Könige und Kaiser, Munich
Schwarzenski, H. (1953), Monuments of Romanesque Art: The Art of Church Treasures in North West Europe, London
Seidlmayer, H. (1950), Die Entstehung der Kathedrale, Zurich
Shaver-Crandell, A. and Gerson, P. (1995), The Pilgrim’s Guide to Santiago de Compostella, London
Simson, O. von (1956), The Gothic Cathedral, London
St Denis, Suger Liber de rebus in administratione sua gestis and Libellus alter de consecratione ecclesiae sancti, ed. and trans. Panofsky, E. (1979), Abbot Suger on the Abbey Church of St.-Denis and its Art Treasures, 2nd edn by Panofsky-Soergel, G., Princeton and
Tcherikover, A. (1997), High Romanesque Sculpture in the Duchy of Aquitaine, c. 1090–1140, Oxford
Thummler, H. (1939), ‘Die Baukunst des 11. Jahrhunderts in Italien’, Römisches Jahrbuch für Kunstgeschichte 3
Vöge, W. (1894), Die Anfänge des Monumentalen Stils im Mittelalter, Strasbourg
Vallery-Radot, J. (1931), Eglises romanes: filiations et échanges d’influences, Paris
Verdon, T. G. (ed.) (1984), Monasticism and the Arts, Syracuse, NY
Verzone, P. (1942), L’architettura religiosa dell’alto medioevo nell’Italia settentrionale, Milan
Viollet-le-Duc, E. E. (1858–68), Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, 10 vols., Paris
Wagner-Rieger, R. (1956, 1957), Die italienische Baukunst zu beginn der Gotik, I: Oberitalien; II Sud-mid Mittelitalien, Graz and Cologne
Waldeier-Bizzaro, T. (1992), Romanesque Architectural Criticism: A Prehistory, Cambridge
Weisbach, W. (1945), Religiöse Reform und mittelalterlicher Kunst, Zurich
Whitehill, W. M. (1941), Spanish Romanesque Architecture of the Eleventh Century, Oxford
Willis, R. (1845), The Architectural History of Canterbury Cathedral, London
Wilson, C. (1990), The Gothic Cathedral, London
Winterfeld, D. von (2000), Die Kaiserdome Speyer, Mainz, Worms und ihr romanisches Umland, Regensburg
Worringer, W. (1912), Formprobleme der Gotik, Munich
Zarnecki, G. (1951), English Romanesque Sculpture, 1066–1140, London
Zarnecki, G. (1953), Later English Romanesque Sculpture, 1140–1210, London