Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-05-14T12:41:02.291Z Has data issue: false hasContentIssue false

8 - Artists and patrons

from PART I - GENERAL THEMES

Published online by Cambridge University Press:  28 March 2008

Timothy Reuter
Affiliation:
University of Southampton
Get access

Summary

architecture

The architectural world of the tenth and eleventh centuries is not easy to recover either from what is now to be seen or from the literary sources. First, although we have the literary and archaeological evidence for Ottonian royal palace complexes such as those in Magdeburg or Ravenna, our evidence is predominantly that of churches. And second, as to churches, we see some remarkable experimentation in what has survived, but the literary texts, our only evidence for so much that has been destroyed or rebuilt, tend to present building by abbots and bishops in its traditionalist aspects. Often we have to work from analogies. The church of Romainmôtier in modern Switzerland is probably our best chance of seeing what the second church of Cluny looked like, and Nivelles, where around 1000 a cousin of Otto III called Adelaide was abbess, and where the church has a transept at each end of the nave, is likely to reflect the appearance of Bishop Notker’s (972–1008) cathedral at Liège.

One church of novel character which can still be seen is that of St Martin de Canigou, dating from the earliest years of the eleventh century, and built under the patronage of Count Wifred of Cerdaña. The Pyrenees, as Puig y Cadafalch long ago showed, was an important region for the early development of Romanesque styles. It would be a great mistake to regard this region as out of the way, despite the impression of remoteness the monastery of Canigou now gives, standing on a magnificent spur of the mountain of that name, and commanding staggering views upwards from its cloister.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Auda, A. (1923), Etienne de Liège, Brussels
Belting, H. (1967), ‘Probleme der Kunstgeschichte Italiens im Frühmittelalter’, Frühmittelalterliche Studien I Google Scholar
Binding, G. (1996), Der früh- und hochmittelalterliche Bauherr als sapiens architectus, Darustadt
Bischoff, B. (1967b), Mittelalterliche Schatzverzeichnisse, Munich
Bischoff, B. (1967a), ‘Literarisches und kü;nstlerisches Leben in St Emmeram (Regensburg) während des frü;hen und hohen Mittelalters’, in Bischoff, , Mittelalterliche Studien, Stuttgart, II Google Scholar
Boutémy, A. (1950), ‘Un Grand Enlumineur du xe siècle, l’abbé Odbert de Saint-Bertin’, Annales de la Fédération Archéologique et Historique de Belge Google Scholar
Brandt, M. (ed.) (1993), Das Kostbare Evangeliar des Heiligen Bernward, with contributions by Brandt, M., Kahsnitz, R. and Schuffels, H.-J., Munich
Brandt, M. and Eggebrecht, A. (eds.) (1993a, 1993b,), Bernward von Hildesheim und das Zeitalter der Ottonen, 2 vols., Hildesheim
Buckton, D. (1988), ‘Byzantine enamel and the West’, in Howard-Johnston, J. D. (ed.), Byzantium and the West c. 850-c. 1200: Proceedings of the XVIII Spring Symposium of Byzantine Studies, Oxford 1984, Amsterdam Google Scholar
Cameron, A. (1987), ‘The construction of court ritual: the Byzantine Book of Ceremonies ’, in Cannadine, D. and Price, S. (eds.), Rituals of Royalty: Power and Ceremonial in Traditional Societies, Cambridge Google Scholar
Cameron, A. (1987), ‘The construction of court ritual: the Byzantine Book of Ceremonies ’, in Cannadine, D. and Price, S. (eds.), Rituals of Royalty, Cambridge Google Scholar
Cames, G. (1966), Byzance et la peinture romane de Germanie, Paris
Conant, K. J. (1959), Carolingian and Romanesque Architecture, 800–1200, Harmondsworth
Demus, O. (1970), Romanesque Mural Painting, London
Deshman, R. (1971), ‘Otto III and the Warmund Sacramentary: a study in political theology ’, Zeitschrft fü;r Kunstgeschichte 34 Google Scholar
Deshman, R. (1976), ‘ Christus rex et magi reges: kingship and christology in Ottonian and Anglo-Saxon art’, Frühmittelalterliche Studien 10 Google Scholar
Deshman, R. (1995), The Benedictional of St Ethelwold, Princeton
Dodwell, C. R. (1971), Painting in Europe. 800–1200, Harmondsworth (extensively revised and expanded edition, 1993)
Dodwell, C. R. (1982), Anglo-Saxon Art: A New Perspective, Manchester
Dodwell, C. R. and Turner, D. H. (1965), Reichenau Reconsidered, London
Dressler, F., Mü;therich, F. and Beumann, H. (eds..) (1977, 1978), Das Evangeliar Ottos III, Munich, Bayerische Staatsbibliothek, Codex Latinus Monacensis 4453, der Bayerischen Staatsbibliothek Mü;nchen, 2 vols., Faksimile- und Textband, Frankfurt
Fillitz, H., Kahsnitz, R. and Kuder, U. (1994), Zierde fü;r ewige Zeit: das Perikopenbuch Heinrichs II, Frankfurt am Main
Grabar, A. and Nordenfalk, C. (1957), Early Medieval Painting, Lausanne and New York
Hoffmann, H. (1986), Buchkunst und Königtum im ottonischen und frü;hsalischen Reich (Schriften der Monumenta Germaniae Historica, with subseries : 30, 1/2) 2 vols., Stuttgart
Jantzen, H. (1947), Ottonische Kunst, Munich
Keller, H. (1985), ‘Herrscherbild und Herrschaftslegitimation: zur Deutung der ottonischen Denkmäler’, Frühmittelalterliche Studien 19 Google Scholar
Lacarra, J.M. (1950), Un arancel de aduanas del siglo XI, Zaragoza
Lasko, P. (1972), Ars Sacra, 800–1200, Harmondsworth
Lehmann-Brockhaus, O. (1955), Die Kunst des X. Jahrhunderts im Lichte der Schriftquellen, Strasbourg
Magnani, L. (1934), Le miniature del sacramentario del Ivrea, e di altoi codici Warmondiani, Vatican
Mayr-Harting, H. (1991a, 1991b,), Ottonian Book Illumination: An Historical Study, 2 vols., London and New York
Mayr-Harting, H. (1991a, 1991b,), Ottonian Book Illumination: An Historical Study, 2 vols., London
Mü;therich, F. (1973), ‘L’Art Ottonien’, in Grodecki, L., Mü;therich, F., Taralon, J. and Wormald, F. (eds..), Le Siècle de l’an Mil, Paris Google Scholar
Nordenfalk, C. (1972), ‘The chronology of the Registrum Master’, in Rosenauer, A. and Weber, G. (eds..), Kunsthistorische Forschungen fü;r Otto Pächt, Munich Google Scholar
Pevsner, N. (1956), The Englishness of English Art, London
Puig, i Cadafalch J. (1935), La Géographie et les origines du premier art roman, Paris
Uhlirz, M. (1964), ‘Aus dem Kunstleben der Zeit Ottos III’, in Classen, P. and Scheibert, P. (eds..), Festschrift P. E. Schramm zu seinem siebzigsten Geburtstag, Wiesbaden, I Google Scholar
Wessel, K. (1966), Die Kreuzigung, Recklinghausen
Westermann-Angerhausen, H. (1983), ‘Blattmasken, Maskenkapitelle, Säulenhäupter’, Boreas 6 Google Scholar
Westermann-Angerhausen, H. (1987), ‘Spolie und Umfeld in Egberts Trier’, Zeitschrift fü;r Kunstgeschichte 50 Google Scholar
Westermann-Angerhausen, H. (1973), Die Goldschmiedarbeiten der Trierer Egbertwerkstatt, Trier
Westermann-Angerhausen, H. (1990), ‘Das Nagelreliquiar im Trierer Egbertschrein’, in Krohm, H. and Theuerkauf, C. (eds.), Festschrift fü;r Peter Bloch, Mainz Google Scholar
Williams, J. (1977), Early Spanish Manuscript Illumination, London

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×