This chapter explores Wallace Stevens’s understanding of the secular condition and the terms he cultivated to describe it. Familiar words from Stevens’s lexicon—“reality,” “imagination,” “the earth,” “repetition”—are linked to his vision of secularity. Mutter argues that this vision of the secular is highly dramatic: though Stevens viewed secularity as a condition of both deprivation and liberation, he transforms loss into a tragic theater in which the self is thrown into hostile territory and must depend on its own resources. The chapter suggests that while Stevens was enticed by the secular model of the real as a domain of neutral, impersonal fact, as his career progressed he increasingly recognized that secular reality was itself an imaginative construal. This recognition is linked to Stevens’s effort to rehabilitate, for his secular anthropology, the imaginative human capacities that historically generated religious ideas. Finally, the chapter elaborates Stevens’s understanding of play as a central mode of his secularism. Play reconciles the secular values of freedom and sensuousness with the discordant necessity of the world. Mutter concludes by observing an ongoing tension in Stevens’s view of desire between the good of immanence and the need for transcendence.