Published online by Cambridge University Press: 22 November 2024
O! we’re a’ Jock Tamson’s bairns,
We’re a’ Jock Tamson’s bairns;
There ne’er will be peace till the warld again
Has learn’d to sing wi’ micht and main,
We’re a’ Jock Tamson’s bairns
Scottish folk songFrom Iraq and Somalia,
Your family’s coming home
And from Syria and Gaza
Your family’s coming home
Seeking rest and refuge
They have never known
They’re coming home, Your family’s coming home
Coming home to a place they’ve never been
Coming home to a land they’ve never seen
Coming home to a family they have never known
A’ Jock Tamson’s bairns
Are coming home
‘Coming Home’ by Steven Clark, songmakerThe Scottish folk song ‘Jock Tamson’s Bairns’ tells a story about universal human equality. In the Scots language, Jock Tamson stands in for ‘every man’, as Jock is the generic name for a man and Tamson is a derivative of a common Scottish surname. ‘Jock Tamson’s bairns’ metaphorically represents common humanity, and the idea that all humans share a common ancestry. The song by Steven Clark extends a Scottish homeland to everyone, and connects an abstract and uniquely Scottish symbol with concrete, international, and politically charged populations. The invitation would be provocative in many nations, but the extension of a Scottish vision of egalitarian hospitality reflects political consensus about the desirability of immigration and a vision of Scotland as a welcoming place. In reflecting on why he wrote the song, Clark explained:
The song was originally written in 2004, and came out of witnessing some petty acts of begrudgery and prejudice against refugees/asylum seekers in Glasgow. I travel to work in town on public transport, and the bus services I used went past both the Red Road flats and Sighthill, where many refugees were being housed at the time. I just felt like saying, in whatever way I could, ‘You are welcome, despite what it sometimes may feel like.’ (Personal communication 16 May 2021)
Clark’s message of welcome is echoed by the leaders of Scottish political parties, the dominant scholarly voices, and business owners, all of whom discuss migration favourably as a critical part of Scotland’s economic and cultural future. What encourages Scottish actors to perceive immigration as an asset and opportunity at a time when much of Europe and the UK government view it as a liability?
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