Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-06-05T21:54:39.443Z Has data issue: false hasContentIssue false

4 - The Corpse Vanishes and the Case of the Missing Brides

Published online by Cambridge University Press:  26 October 2023

Gary D. Rhodes
Affiliation:
Oklahoma Baptist University
Get access

Summary

Monogram Pictures was not usually given to understatement, particularly when it came to Bela Lugosi. The title of Wallace Fox’s The Corpse Vanishes is a fascinating exception. Released in May 1942, the film features Lugosi as Dr. Lorenz, a physician and scientist who abducts women in an effort to keep his aging wife, Countess Lorenz (Elizabeth Russell), alive and well. Three bodies disappear during its running time, along with the kidnapping of a journalist (Luana Walters). And that’s to say nothing of at least three bodies Lorenz stole in the days, weeks, months, and perhaps years prior to the film’s opening scene. To announce the vanishing of a single corpse in the film title hardly seems to be an adequate tabulation of Lorenz’s crimes.

Shooting on The Corpse Vanishes began in early March 1942. Sam Robins and Gerald Schnitzer received credit for the original story, which Harvey Gates adapted into a screenplay. When interviewed in 2012, Schnitzer mentioned that one of the producers had provided the idea for the tale: “I vaguely recall discussing the idea with Jack Dietz, who claimed he had read about a socialite bride being kidnapped, headlined in the tabloids.” Little else is known of the film’s production. Daily Variety joked that producer Sam Katzman had borrowed six coffins from an undertaker to use in the film, promising that they would be returned in perfect condition. Two were damaged, which meant an unhappy Katzman had to purchase them.

The company moved through production and post-production rapidly, giving a preview screening on April 10, 1942. The final cut was released on May 8, 1942, only two months after shooting had begun. Industry trade reviews were largely positive—somewhat surprising given that The Corpse Vanishes was just a B-movie, a “programmer” meant to complete the lower half of double features. Motion Picture Daily judged it to be “about as eerie an offering as has appeared on the screen,” in spite of a merely “competent” production that featured some “inept” acting and dialogue. Film Daily told readers:

Bela Lugosi has made some horrifying horror films in his day, but this one tops them all for suspense and sheer, grim, mad frightfulness.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×