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6 - The gardens of Sir Nicholas and Sir Francis Bacon: an enigma resolved and a mind explored

Published online by Cambridge University Press:  03 December 2009

Anthony Fletcher
Affiliation:
University of Durham
Peter Roberts
Affiliation:
University of Kent, Canterbury
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Summary

God Almighty first planted a Garden. And indeed it is the purest of human pleasures. It is the greatest refreshment to the spirits of man; without which buildings and palaces are but gross handyworks: and a man shall ever see that when ages grow to civility and elegancy, men come to build stately sooner than to garden finely; as if gardening were the greater perfection.

With unsurpassed eloquence Sir Francis Bacon captures the significance of gardening for the human spirit and proclaims its challenge to artistic creativity. Yet as a garden designer Francis Bacon is an enigmatic figure. The problem arises because the ideal garden which he described in his essay Of Gardens (1625) owes nothing to the garden he created at Gorhambury. As Sir Roy Strong has remarked: ‘his detailed specification for a royal garden is oddly surprising after his own at Gorhambury’. The latter, planned in 1608, was a water-garden which, as will be shown, comprised a series of streams, palisaded ponds and islands which provided a setting for flowers, statues, a rock, a grotto, an arbour and a banqueting house. It has been suggested that he drew inspiration from the water parterres created for Henry IV at Fontainebleau, Gaillon and Saint-Germain-en-Laye, even perhaps from Salomon De Caus, whose work at Richmond and Hatfield may well have coincided with that of Francis at Gorhambury.

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Religion, Culture and Society in Early Modern Britain
Essays in Honour of Patrick Collinson
, pp. 125 - 160
Publisher: Cambridge University Press
Print publication year: 1994

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