Book contents
- Frontmatter
- Contents
- 1 The past remembered
- 2 W. G. Sebald: an act of restitution
- 3 Rolf Hochhuth: breaking the silence
- 4 Peter Weiss: the investigation
- 5 Arthur Miller: the rememberer
- 6 Anne Frank: everybody's heroine
- 7 Jean Améry: home and language
- 8 Primo Levi: from the darkness to the light
- 9 Elie Wiesel: to forget is to deny
- 10 Tadeusz Borowski: the world of stone
- 11 Memory theft
- Coda
- Notes
- Index
5 - Arthur Miller: the rememberer
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- 1 The past remembered
- 2 W. G. Sebald: an act of restitution
- 3 Rolf Hochhuth: breaking the silence
- 4 Peter Weiss: the investigation
- 5 Arthur Miller: the rememberer
- 6 Anne Frank: everybody's heroine
- 7 Jean Améry: home and language
- 8 Primo Levi: from the darkness to the light
- 9 Elie Wiesel: to forget is to deny
- 10 Tadeusz Borowski: the world of stone
- 11 Memory theft
- Coda
- Notes
- Index
Summary
‘What I got out of the Holocaust’, Arthur Miller once remarked,
was that memory was being destroyed forever. But if one looks at it from a distance, the Holocaust, dreadful and terrible and significant as it was, was only one part of a wider phenomenon. Count the people who have been killed in wars in this century … Think of the memory that has gone. I often times think of that … Maybe there were six people among the tens of millions who could have saved the world … some philosopher who could have illuminated the whole universe … Maybe one's function, a writer's function, in part anyway, is to remember, to be the rememberer.
For a writer who throughout his life depended on memory as the raw material for his drama, who saw the past not as so many discarded presents, with no organic logic or moral relevance, but as an informing part of present and future actions, to walk down the path of history was not a retreat but a means of illuminating those actions. Besides, to be Jewish, whether religiously practising or not, was to be unavoidably aware of voices from the past, some insisting that he remain true to his heritage, others crying out against a terrible fate. Arthur Miller's plays are full of ghosts, in the Ibsen sense.
- Type
- Chapter
- Information
- Remembering and Imagining the HolocaustThe Chain of Memory, pp. 176 - 218Publisher: Cambridge University PressPrint publication year: 2006