Book contents
- Frontmatter
- Contents
- Introduction A Light Thrown upon Darkness: Writing about Medieval British Sexuality
- 1 ‘Open manslaughter and bold bawdry’: Male Sexuality as a Cause of Disruption in Malory's Morte Darthur
- 2 Erotic (Subject) Positions in Chaucer's Merchant's Tale
- 3 Enter the Bedroom: Managing Space for the Erotic in Middle English Romance
- 4 ‘Naked as a nedyll’: The Eroticism of Malory's Elaine
- 5 ‘How love and I togedre met’: Gower, Amans and the Lessons of Venus in the Confessio Amantis
- 6 ‘Bogeysliche as a boye’: Performing Sexuality in William of Palerne
- 7 Fairy Lovers: Sexuality, Order and Narrative in Medieval Romance
- 8 Text as Stone: Desire, Sex, and the Figurative Hermaphrodite in the Ordinal and Compound of Alchemy
- 9 Animality, Sexuality and the Abject in Three of Dunbar's Satirical Poems
- 10 The Awful Passion of Pandarus
- 11 Invisible Woman: Rape as a Chivalric Necessity in Medieval Romance
- Notes on Contributors
- Index
7 - Fairy Lovers: Sexuality, Order and Narrative in Medieval Romance
Published online by Cambridge University Press: 05 August 2014
- Frontmatter
- Contents
- Introduction A Light Thrown upon Darkness: Writing about Medieval British Sexuality
- 1 ‘Open manslaughter and bold bawdry’: Male Sexuality as a Cause of Disruption in Malory's Morte Darthur
- 2 Erotic (Subject) Positions in Chaucer's Merchant's Tale
- 3 Enter the Bedroom: Managing Space for the Erotic in Middle English Romance
- 4 ‘Naked as a nedyll’: The Eroticism of Malory's Elaine
- 5 ‘How love and I togedre met’: Gower, Amans and the Lessons of Venus in the Confessio Amantis
- 6 ‘Bogeysliche as a boye’: Performing Sexuality in William of Palerne
- 7 Fairy Lovers: Sexuality, Order and Narrative in Medieval Romance
- 8 Text as Stone: Desire, Sex, and the Figurative Hermaphrodite in the Ordinal and Compound of Alchemy
- 9 Animality, Sexuality and the Abject in Three of Dunbar's Satirical Poems
- 10 The Awful Passion of Pandarus
- 11 Invisible Woman: Rape as a Chivalric Necessity in Medieval Romance
- Notes on Contributors
- Index
Summary
Me dremed al this nyght, pardee,
An elf-queene shal my lemman be
And slepe under my goore.
‘An elf-queene wol I love, ywis,
For in this world no womman is
Worthy to be my make
In towne;
Alle othere wommen I forsake,
And to an elf-queene I me take
By dale and eek by downe!'
(787–96)Sir Thopas's resolution to forsake human women in order to seek out an elf-queen as his lover satirizes one of the most well-known romance motifs: the fairy mistress who offers herself to the human protagonist of the narrative. It is characteristic of this motif that, with relatively few exceptions, the fairy offers sexual intercourse to the hero without any demand for the commitment of marriage and without stipulating any directly connected negative consequences. The motif's origins are a good deal earlier than those of romance – it features in several early medieval Irish narratives – but it is with romance that the motif is most particularly associated. It is noticeable that this extramarital sex is generally not explicitly condemned in the romances. Of course, romance authors are not prone to sermonizing digressions, so this might be passed over as merely a reflex of the genre; however, condemnation need not be overtly stated to still be clear and, in this respect, romance differs markedly from fabliaux, the other genre which frequently portrays extra-marital sex.
- Type
- Chapter
- Information
- Sexual Culture in the Literature of Medieval Britain , pp. 99 - 110Publisher: Boydell & BrewerPrint publication year: 2014