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The Year’s Contribution to Shakespeare Studies

Published online by Cambridge University Press:  17 August 2023

Edited by
Emma Smith
Emma Smith
Affiliation:
University of Oxford
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Type
Chapter
Information
Shakespeare Survey 76
Digital and Virtual Shakespeare
 , pp. 222 - 262
Publisher: Cambridge University Press
Print publication year: 2023

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References

Works Reviewed

Brown, Pamela Allen, The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata (Oxford, 2021)CrossRefGoogle Scholar
Engel, William E., and Williams, Grant, eds., The Shakespearean Death Arts: Hamlet among the Tombs (London, 2022)Google Scholar
Friedlander, Ari, Rogue Sexuality in Early Modern English Literature (Oxford, 2022)CrossRefGoogle Scholar
Johnson, Toria, Pity and Identity in the Age of Shakespeare (Woodbridge, 2022)Google Scholar
McCarthy, Harry, Boy Actors in Early Modern England (Cambridge, 2022)CrossRefGoogle Scholar
MacConochie, Alex, Staging Touch in Shakespeare’s England (Oxford, 2022)CrossRefGoogle Scholar
Rodrigues, Don, Shakespeare’s Queer Analytics: Distant Reading and Collaborative Intimacy in Love’s Martyr, Arden Shakespeare (London, 2022)CrossRefGoogle Scholar
Smith, Ian, Black Shakespeare: Reading and Misreading Race (Cambridge, 2022)CrossRefGoogle Scholar
Sokol, B. J., Shakespeare on Prejudice: ‘Scorns and Mislike’ in Shakespeare’s Plays (London, 2022)Google Scholar
Steggle, Matthew, Speed and Flight in Shakespeare (London, 2022)CrossRefGoogle Scholar
Williams, Katherine Schaap, Unfixable Forms: Disability, Performance, and the Early Modern English Theater (Ithaca, 2021)Google Scholar

Works Reviewed

Allred, Gemma Kate, Broadribb, Benjamin and Sullivan, Erin, eds., Lockdown Shakespeare: New Evolutions in Performance and Adaptation (London, 2022)Google Scholar
Carroll, William C., Adapting Macbeth: A Cultural History (London, 2022)Google Scholar
Hawkins, Ella, Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance (London, 2022)CrossRefGoogle Scholar
Henderson, Diana E., and O’Neill, Stephen, eds., The Arden Research Handbook of Shakespeare and Adaptation (London, 2022)Google Scholar
Issa, Islam, Shakespeare and Terrorism (London and New York, 2021)CrossRefGoogle Scholar
Joubin, Alexa Alice, Shakespeare and East Asia (Oxford, 2021)Google Scholar
Kirwan, Peter, and Prince, Kathryn, eds., The Arden Research Handbook of Shakespeare and Contemporary Performance (London, 2021)Google Scholar
Loftis, Sonya Freeman, Shakespeare and Disability Studies (Oxford, 2021)Google Scholar
MacConochie, Alex, Staging Touch in Shakespeare’s England (Oxford, 2022)Google Scholar
Motoyama, Tetsuhito, Fielding, Rosalind and Konno, Fumiaki, eds., Re-Imagining Shakespeare in Contemporary Japan: A Selection of Japanese Theatrical Adaptations of Shakespeare (London, 2021)Google Scholar
Rogers, Jami, British Black and Asian Shakespeareans: Integrating Shakespeare, 1966–2018 (London, 2022)CrossRefGoogle Scholar
Schoch, Richard, A Short History of Shakespeare in Performance: From the Restoration to the Twenty-First Century (Cambridge, 2021)CrossRefGoogle Scholar
Smith, Simon, and Whipday, Emma, eds., Playing and Playgoing in Early Modern England: Actor, Audience, and Performance (Cambridge, 2022)CrossRefGoogle Scholar
Sullivan, Jr, Garrett, A., Shakespeare and British World War Two Film (Cambridge, 2022)CrossRefGoogle Scholar
Woodford-Gormley, Donna, Shakespeare in Cuba: Caliban’s Books (New York, 2021)Google Scholar

Works Reviewed

Bate, Jonathan, and Rasmussen, Eric, eds., with De, Ian Jong, Molly G. Yarn, , RSC William Shakespeare: Complete Works, 2nd edn (London, 2022)Google Scholar
Erne, Lukas, Hazrat, Florence and Shmygol, Maria, Titus Andronicus and The Taming of the Shrew: Tito Andronico and Kunst über alle Künste, ein bös Weib gut zu machen in Translation (London, 2022)Google Scholar
Higgins, Ben, Shakespeare’s Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade (Oxford, 2022)CrossRefGoogle Scholar
Houghton, Eve, ‘Private owners, public books: Henrietta Bartlett’s feminist bibliography’, PBSA 116 (2022), 568–87Google Scholar
Smith, Emma, and Maguire, Laurie, ‘Theatre, revision and The Merry Wives of Windsor’, Shakespeare Quarterly 72 (2021), 177–202Google Scholar
Taylor, Gary, ‘Play manuscripts, vectors of transmission, and Shakespeare’s Henry the Fifth’, PBSA 116 (2022), 343–78Google Scholar

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