‘People thought fungi repulsive, and I wanted
to show how beautiful they can be.’
Dillon WestonHere, in the looking –
beyond the rot,
a duplicity.
The glass is molasses;
I tease it with pliers
into a raft of mycelium,
fruiting and threading,
an asexual labour
of love,
hyaline, gutless,
brittle beauty tinted pink
hardening under the light.
And how to make the roots?
Not quite on little cat feet,
not quite a tub with lion's claws,
a bit like a faun, sprung
on tendon and bone
or something reptilian on hot sand
caught in the act of movement
exact as notes, the placement
the lift –
From this matter
I draw five hyphae-with-intent
to spread into fruiting bodies
beaded sporocarps,
where sweetness pools and drips
and yet to touch, the finest hairs
melt to nothing
on my skin, too delicate
for cellulose or lignin.
Contingent as mist
we rise up like little loaves
with dark spores
blaze our hackles, haring
across the greenest crucifers,
sinking into pulp,
waiting for the softest
fruits to fall.
Here, in the looking –
beyond the rot, we float,
wait for you to see.
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