Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-xfwgj Total loading time: 0 Render date: 2024-06-15T03:03:25.186Z Has data issue: false hasContentIssue false

Part IV - Susan Glaspell, Women Artists, and Feminist History and Criticism

Published online by Cambridge University Press:  13 July 2023

J. Ellen Gainor
Affiliation:
Cornell University, New York
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Suggestions for Further Reading

Avrich, Paul. Anarchist Voices: An Oral History of Anarchism in America. Princeton: Princeton University Press, 1995.Google Scholar
Barlow, Judith E. Women Writers of the Provincetown Players. Albany: State University of New York Press, 2009.Google Scholar
Ben-Zvi, Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: University of Michigan Press, 1995.CrossRefGoogle Scholar
Carpentier, Martha, ed. Susan Glaspell: New Directions in Critical Inquiry. Newcastle: Cambridge Scholars Publishing, 2006.Google Scholar
Fishbein, Leslie. Rebels in Bohemia: The Radicals of The Masses, 1911–1917. Chapel Hill: University of North Carolina Press, 1982.Google Scholar
Heller, Adele and Rudnick, Lois, eds. 1915 The Cultural Moment: the New Politics, the New Woman, the New Psychology, the New Art, and the New Theatre in America. New Brunswick: Rutgers University Press, 1991.Google Scholar
Hernando-Real, Noelia. Self and Space in the Theater of Susan Glaspell. Jefferson, NC: McFarland & Co., Inc., 2011.Google Scholar
Jouve, Emeline. Susan Glaspell’s Poetics and Politics of Rebellion. Iowa City: University of Iowa Press, 2017.Google Scholar
Larabee, Ann E. “First Wave Feminist Theatre, 1890–1930.” PhD Diss. Binghamton University, 1988.Google Scholar
Ozieblo, Barbara. Susan Glaspell: A Critical Biography. Chapel Hill: University of North Carolina Press.Google Scholar

Suggestions for Further Reading

Carpentier, Martha C. The Major Novels of Susan Glaspell. Gainesville: University Press of Florida. 2001.Google Scholar
Makowsky, Veronica. Susan Glaspell’s Century of American Women: A Critical Interpretation of Her Work. Oxford: Oxford University Press. 1993.CrossRefGoogle Scholar

Suggestions for Further Reading

Hernando-Real, Noelia. “Alison’s House: A Play in Three Acts”. The Literary Encyclopedia. 2007. www.litencyc.com/php/sworks.php?rec=true&UID=16008. Accessed 25 March 2022.Google Scholar
Hinz-Bode, Kristina. Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays. Jefferson, NC: McFarland, 2006.Google Scholar
Kohler, Michelle, ed. The New Emily Dickinson Studies. Cambridge: Cambridge University Press, 2019.CrossRefGoogle Scholar
Martin, Wendy, ed. Cambridge Companion to Emily Dickinson. Cambridge: Cambridge University Press, 2002.Google Scholar
Wagner-Martin, Linda. Emily Dickinson. A Literary Life. Basingstoke: Palgrave Macmillan, 2013.CrossRefGoogle Scholar

Suggestions for Further Reading

Papke, Mary E. Susan Glaspell: A Research and Production Sourcebook. Westport, CT: Greenwood Press, 1993.Google Scholar
The International Susan Glaspell Society publications list available at http://blogs.shu.edu/glaspellsociety/category/publications/.Google Scholar

Suggestions for Further Reading

Bissell, John W., “Comments on Jury Nullification.” Cornell Journal of Law and Policy 7.1 (1997), pp. 5156.Google Scholar
Weinstein, J. B.Considering Jury Nullification: When May and Should a Jury Reject the Law to Do Justice.” American Criminal Law Review 30.2 (1993), pp. 239254.Google Scholar
Woicik, Mark E.Extending Batson to Peremptory Challenges of Jurors Based on Sexual Orientation and Gender Identity.” Northern Illinois University Law Review 40.1 (2019), pp. 143.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×