Skip to main content Accessibility help
×
  1. Home
  2. Books
  3. T. S. Eliot and the Dynamic Imagination
  • Cited by 1
      • Show more authors
      • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      April 2018
      April 2018
      ISBN:
      9781108643016
      9781108425216
      9781108441346
      DOI:
      https://doi.org/10.1017/9781108643016
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.51kg, 268 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.39kg, 270 Pages
      • Subjects:
      Literature, English Literature 1900-1945
    You may already have access via personal or institutional login
    • Selected: Digital
    Add to cart View cart Buy from Cambridge.org
    Subjects:
    Literature, English Literature 1900-1945
    Information

    Book description

    How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry.

    Reviews

    'It’s remarkable for its depth of knowledge of Eliot’s work, in prose and in poetry (a pre-condition for such a book one might suppose but often less evident than in this case) as well as of her other sources. Sarah Kennedy draws selectively but astonishingly widely on her predecessors (paying due tribute) but her book stands out also for its penetration into the imaginative workings of Eliot the creative artist.'

    Chris Joyce Source: Exchanges (Newsletter of the T. S. Eliot Society)

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    Cancel
    ×

    Contents

    Page 1 of 2

    Contents

    Page 1 of 2

    References

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.