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The Cambridge Companion to Vaughan Williams
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    OWEN, CERI 2016. Making an English Voice: Performing National Identity during the English Musical Renaissance. Twentieth-Century Music, Vol. 13, Issue. 01, p. 77.


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    The Cambridge Companion to Vaughan Williams
    • Online ISBN: 9781139043243
    • Book DOI: https://doi.org/10.1017/CCO9781139043243
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Book description

An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered; his international impact and enduring influence on areas as diverse as church music, film scores and popular music has been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composer's output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composer's relationship with the BBC and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola Lefanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.

Reviews

'The fourteen chapters take a variety of differing approaches to the process of exploring Vaughan William's life, work and broader cultural and social surroundings, so that the total result gives a genuine sense of 'something for everyone' … A thoughtful and informative companion.'

Malcolm Hayes Source: BBC Music Magazine

'A challenging and a stimulating read.'

Source: Gramophone

' All the essays here are valuable and often insightful … A really fine book about a great composer and a great man.'

Source: Classical Music

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Weltzien, O. Alan, ‘Notes and Lineaments: Vaughan Williams’s “Job: A Masque for Dancing” and Blake’s “Illustrations”’, MQ 76/3 (1992), 301–36.

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