Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-wq2xx Total loading time: 0 Render date: 2024-04-18T23:34:50.910Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  16 May 2018

David M. Bethea
Affiliation:
University of Wisconsin, Madison
Siggy Frank
Affiliation:
University of Nottingham
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Boyd, Brian, Vladimir Nabokov: The American Years (Princeton: Princeton University Press, 1991).CrossRefGoogle Scholar
Boyd, Brian, Vladimir Nabokov: The Russian Years (Princeton: Princeton University Press, 1990).CrossRefGoogle Scholar
Grayson, Jane, Illustrated Lives: Vladimir Nabokov (London: Penguin, 2001).Google Scholar
Schiff, Stacey, Véra (Mrs. Vladimir Nabokov) (New York: Random House, 1999).Google Scholar
Wyllie, Barbara, Vladimir Nabokov (London: Reaktion, 2010).Google Scholar

Secondary Sources

Clayton, J. Douglas, Pierrot in Petrograd: Commedia dell’Arte/‘Balagan’ in Twentieth Century Russian Theatre and Drama (Montreal & Kingston, ON: McGill-Queen’s University Press, 1993).Google Scholar
Goscilo, Helena and Norris, Stephen M. (eds.), Preserving Petersburg: History, Memory, Nostalgia (Bloomington and Indianapolis, IN: Indiana University Press, 2008).CrossRefGoogle Scholar
Kelly, Catriona, Children’s World: Growing Up in Russia, 1890–1991 (New Haven, CT and London: Yale University Press, 2007).Google Scholar
Pyman, Avril, A History of Russian Symbolism (Cambridge and New York: Cambridge University Press, 1994).CrossRefGoogle Scholar
Rendle, Matthew, Defenders of the Motherland: The Tsarist Elite in Revolutionary Russia (Oxford and New York: Oxford University Press, 2010).Google Scholar
Shapiro, Gavriel, The Tender Friendship and the Charm of Perfect Accord: Nabokov and His Father (Ann Arbor, MI: University of Michigan Press, 2014).Google Scholar
Smith, Douglas, Former People: The Final Days of the Russian Aristocracy (New York: Picador, 2013).Google Scholar
Blackwell, Stephen, Zina’s Paradox: The Figured Reader in Nabokov’s Gift (New York: Peter Lang, 2000).Google Scholar
Herbold, Sarah, ‘“(I have camouflaged everything, my love)”: Lolita and the Woman Reader’, Nabokov Studies, 5 (1998/1999), 71–98.Google Scholar
Larmour, David H. J., ‘Leaving Eurydice in the Dark: The Absent Woman in Nabokov’s Early Fiction’, The McNeese Review, 43 (2005), 116.Google Scholar
Nabokov, Vladimir, Letters to Véra, ed. and tr. Voronina, Olga and Boyd, Brian (London: Penguin, 2014).Google Scholar
Rakhimova-Sommers, Elena (ed.), Nabokov’s Women: The Silent Sisterhood of Textual Nomads (Lanham, MD: Lexington Books, 2017).Google Scholar
Shrayer, Maxim, ‘Vladimir Nabokov and Women Authors’, The Nabokovian, 44 (Spring 2000), 5263.Google Scholar
Berberova, Nina, The Italics Are Mine, tr. Radley, Philippe (New York: Knopf, 1992).Google Scholar
Karlinsky, Simon (ed.), Dear Bunny, Dear Voldoya: The Nabokov-Wilson Letters, 1940–1971, revised edition (Berkeley: University of California Press), 2001.Google Scholar
Nabokov, Vladimir, Selected Letters 1940–1977, ed. Nabokov, Dmitri and Bruccoli, Matthew J. (London: Weidenfeld and Nicolson, 1990).Google Scholar
Shrayer, Maxim, Bunin i Nabokov: Istoriia sopernichestva (Moscow: Al’pina non-fikshn, 2014).Google Scholar
Lodge, David, ‘Nabokov and the Campus Novel’, Cycnos, 24/1 (2007), 223–46.Google Scholar
Moseley, Merritt (ed.), The Academic Novel: New and Classic Essays (Chester: Chester Academic Press, 2007).Google Scholar
Nicol, Charles, ‘Teaching’, in Alexandrov, Vladimir E. (ed.), The Garland Companion to Vladimir Nabokov (New York and London: Garland, 1995), 705–9.Google Scholar
Smith, Wilson and Bender, Thomas (eds.), American Higher Education Transformed, 1940–2005: Documenting the National Discourse (Baltimore, MD: Johns Hopkins University Press, 2008).CrossRefGoogle Scholar
Wetzsteon, Ross, ‘Nabokov as Teacher’, in Appel, Alfred Jr. and Newman, Charles (eds.), Nabokov: Criticism, Reminiscences, Translations, and Tributes (Evanston, IL: Northwestern University Press, 1970), 240–46.Google Scholar
Connolly, Julian W., ‘From Biography to Autobiography and Back: The Fictionalizing of Narrative Self in The Real Life of Sebastian Knight’, Cycnos, 10/1 (2008), 3946.Google Scholar
Dolinin, Alexander, Istinnaia zhizn’ pisatelia Sirina: raboty o Nabokove (St Petersburg: Akademicheskii proekt, 2004).Google Scholar
Field, Andrew, Nabokov: His Life in Part (New York: Viking, 1977).Google Scholar
Malikova, Maria, Nabokov: avtobiografiia (St Petersburg: Akademicheskii proekt, 2002).Google Scholar
Tammi, Pekka, Problems of Nabokov’s Poetics: A Narratological Analysis (Helsinki: Suomalainen Tiedekatemia, 1985).Google Scholar
Volkov, Kirill, Biografiia pisatelia v tvorchestve V. V. Nabokova 1930-kh – nachala 1940-kh godov (“Dar”, “Istinnaia zhizn’ Sebast’iana Naita”, “Nikolai Gogol”), PhD Thesis, Russian State University for the Humanities, Moscow, 2013.Google Scholar
Volkov, Kirill, ‘From Text to Work: Vladimir Nabokov’s Novel The Real Life of Sebastian Knight and Its Interpretations’, Social Sciences, 43/2 (2012), 4460.Google Scholar
Annenkov, P. V., The Extraordinary Decade: Literary Memoirs, trans. Titunik, Irwin R. (Ann Arbor, MI: University of Michigan Press, 1968).Google Scholar
Antsiferov, N. P., Dusha Peterburga (Petrograd: Brockhaus-Efron, 1922).Google Scholar
Day, Jennifer Jean, Memory as Space: The Created Petersburg of Vladimir Nabokov and Iosif Brodskij (Bloomington: Indiana University Press, 2001).Google Scholar
Giroud, Vincent, St. Petersburg: A Portrait of a Great City (New Haven, CN: Beinecke Rare Book & Manuscript Library, Yale University, University Press of New England, 2003).Google Scholar
Lilly, Ian K. (ed.), Moscow and Petersburg: The City in Russian Culture (Nottingham: Astra, 2002).Google Scholar
Tammi, Pekka, ‘The St Petersburg Text and Its Nabokovian Texture’, Cycnos, 10 (1993), 123–33.Google Scholar
Brooke, Christopher, The History of the University of Cambridge, 1870–1990 (Cambridge: Cambridge University Press, 1993).Google Scholar
Trevelyan, George Macaulay, Trinity College: An Historical Sketch (Cambridge: Cambridge University Press, 1943).Google Scholar
Dolinin, Alexander, ‘“The Stepmother of Russian Cities”: Berlin of the 1920s Through the Eyes of Russian Writers’, in Barabtarlo, Gennady (ed.), Cold Fusion: Aspects of the German Cultural Presence in Russia (New York, Oxford: Berghahn Books, 2000), 225–40.Google Scholar
Engel-Braunschmidt, Annelore, ‘Die Suggestion der Berliner Realität bei Vladimir Nabokov’, in Schlögel, Karl (ed.), Russische Emigration in Deutschland 1918 bis 1941: Leben im europäischen Bürgerkrieg (Berlin: Akademie Verlag, 1995), 367–78.Google Scholar
Naumann, Marina Turkevich, Blue Evenings in Berlin: Nabokov’s Short Stories of the 1920s (New York: New York University Press, 1978).Google Scholar
Shvabrin, Stanislav, ‘Nabokov and Heine’, Russian Literature, LXXIV (III–IV) (2013), 363416.CrossRefGoogle Scholar
Williams, Robert C., Culture in Exile: Russian Émigrés in Germany, 1881–1941(Ithaca, NY: Cornell University Press, 1972).Google Scholar
Zimmer, Dieter E., Nabokovs Berlin (Berlin: Nikolai, 2001).Google Scholar
Beaujour, Elizabeth Klosty, Alien Tongues: Bilingual Russian Writers of the ‘First’ Emigration, Studies of the Harriman Institute (Ithaca, NY, and New York: Cornell University Press, 1989).Google Scholar
Benjamin, Walter, The Arcades Project, Tiedemann, Rolf (ed.), trans. Eiland, Howard and McLaughlin, Kevin (Cambridge, MA, and London: Belknap Press, 1999).Google Scholar
Casanova, Pascale, The World Republic of Letters, trans. Debevoise, M. B., (Cambridge, MA, and London: Harvard University Press, 2004).Google Scholar
Gretchanaia, Elena, ‘Je vous parlerai la langue de l’Europe…’: La francophonie en Russie (XVIIIe-XIXe siècles) (Brussels: P.I.E. Peter Lang, 2012).Google Scholar
Higonnet, Patrice, Paris: Capital of the World, trans. Goldhammer, Arthur (Cambridge, MA, and London: Belknap Press, 2002).Google Scholar
Milne, Anne-Louise (ed.), The Cambridge Companion to the Literature of Paris (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
Haegert, John, ‘Artist in Exile: The Americanization of Humbert Humbert’, in Bloom, Harold (ed.), Lolita (New York: Chelsea House, 1993), 120–33.Google Scholar
Manolescu, Monica, Jeux de mondes : L’ailleurs chez Vladimir Nabokov (Bordeaux: Presses universitaires de Bordeaux, 2010).Google Scholar
Roper, Robert, Nabokov in America: On the Road to Lolita (New York: Bloomsbury, 2015).Google Scholar
Sweeney, Susan Elizabeth, ‘“By Some Sleight of Land”: How Nabokov Rewrote America’, in Connolly, Julian W. (ed.), The Cambridge Companion to Vladimir Nabokov (Cambridge: Cambridge University Press, 2005), 6584.CrossRefGoogle Scholar
Bankowski, Monika, Brang, Peter, Goehrke, Carsten and Kemball, Robin (eds.), Fakten und Fabeln: Schweizerisch-slavische Reisebegegnung vom 18. bis 20. Jahrhundert (Basel and Frankfurt am Main: Helbing & Lichtenhahn, 1991).Google Scholar
Beaujour, Elizabeth Klosty, ‘Devenir Nabokov’, Revue de littérature comparée, 342 (2012), 139–54.Google Scholar
Lanne, Jean-Claude, ‘L’autobiographie chez Vladimir Nabokov: poétique et problématique’, Revue des Études Slaves, 72 (2000), 405–13.CrossRefGoogle Scholar
Shishkin, Mikhail, Russkaia Shveitsariia: Literaturno-istoricheskii putevoditel’ (Zürich: Pano Verlag, 2000).Google Scholar
Vincent, Patrick, La Suisse vue par les écrivains de langue anglaise (Lausanne: Presses polytechniques et universitaires romandes, 2009).Google Scholar
Wood, Michael, ‘Nabokov’s Late Fiction’, in Connolly, Julian W. (ed.), The Cambridge Companion to Nabokov (Cambridge: Cambridge University Press, 2005), 200–12.Google Scholar
Connolly, Julian W., Nabokov’s Early Fiction: Patterns of Self and Other (Cambridge: Cambridge University Press, 1992).CrossRefGoogle Scholar
Dolinin, Alexander, Istinnaia zhizn’ pisatelia Sirina: raboty o Nabokove (St Petersburg: Akademicheskii proekt, 2004).Google Scholar
Dolinin, Aleksandr, ‘Nabokov as a Russian Writer’, in Connolly, Julian W. (ed.), The Cambridge Companion to Nabokov (Cambridge: Cambridge University Press, 2005), 4965.CrossRefGoogle Scholar
Karlinsky, Simon, ‘Nabokov and Chekhov: The Lesser Russian Tradition’, in Appel, Alfred Jr. and Newman, Charles (eds.), Nabokov: Criticism, Reminiscences, Translations and Tributes (Evanston, IL: Northwestern University Press, 1971), 716.Google Scholar
Tammi, Pekka, Russian Subtexts in Nabokov’s Fiction: Four Essays (Tampere: Tampere University Press, 1999).Google Scholar
Bloom, Harold, The Western Canon: The Books and Schools of the Ages (New York: Riverhead Books, 1995).Google Scholar
Coetzee, J. M., ‘What is a Classic?’ in Stranger Shores: Literary Essays 1986–1999 (London: Vintage, 2002).Google Scholar
Guillory, John, Cultural Capital: The Problem of Literary Canon Formation (University of Chicago Press, 1993).CrossRefGoogle Scholar
Hirsch, E. D., Cultural Literacy: What Every American Needs to Know (New York: Vintage, 1988).Google Scholar
Kermode, Frank, The Classic: Literary Images of Permanence and Change (Cambridge, MA: Harvard University Press, 1983).Google Scholar
Wood, Michael, The Magician’s Doubts: Nabokov and the Risks of Fiction (London: Pimlico, 1994).Google Scholar
Bethea, David M., Khodasevich: His Life and Art (Princeton: Princeton University Press, 1983).Google Scholar
Bethea, David M. and Frank, Siggy, ‘Exile and Russian Literature’, in Balina, Marina and Dobrenko, Evgeny (eds.), The Cambridge Companion to Twentieth-Century Russian Literature (Cambridge: Cambridge University Press, 2011), 195213.Google Scholar
Johnston, Robert H., New Mecca, New Babylon: Paris and the Russian Exiles, 1920–45 (Kingston and Montreal: McGill-Queen’s University Press, 1988).Google Scholar
Livak, Leonid, How It Was Done in Paris: Russian Émigré Literature and French Modernism (Madison, WI, and London: University of Wisconsin Press, 2003).Google Scholar
Mel’nikov, N. G. and Korostelev, O. A. (eds.), Klassik bez retushi: Literaturnyi mir o tvorchestve Vladimira Nabokova (Moscow: Novoe literaturnoe obozrenie, 2000).Google Scholar
Morard, Annick, De l’émigré au déraciné : la “jeune génération” des écrivains russes entre identité et esthétique (Paris, 1920–1940) (Lausanne: L’Âge d’Homme, 2010).Google Scholar
Rubins, Maria, Russian Montparnasse: Transnational Writing in Interwar Paris (Basingstoke: Palgrave, 2015).CrossRefGoogle Scholar
Schlögel, Karl (ed.), Russische Emigration in Deutschland: Leben im europäischen Bürgerkrieg (Berlin: Akademie Verlag, 1995).CrossRefGoogle Scholar
Rainey, Lawrence, Institutions of Modernism: Literary Elites and Public Culture (New Haven, CT: Yale University Press, 1998).Google Scholar
Turner, Catherine, Marketing Modernism Between the Two World Wars (Amherst: University of Massachusetts Press, 2003).Google Scholar
White, Duncan, Nabokov and his Books: Between Late Modernism and the Literary Marketplace (Oxford: Oxford University Press, 2017).CrossRefGoogle Scholar
Wicke, Jennifer, Advertising Fictions: Literature, Advertisement and Social Reading (New York: Columbia University Press, 1988).Google Scholar
Auden, W. H., ‘The Guilty Vicarage: Notes on the Detective Story, by an Addict’, in The Dyer’s Hand and Other Essays (New York: Random House, 1962), 146–58.Google Scholar
Hoffmann, Josef, Philosophy of Crime Fiction, trans. by Kelly, Carolyn et al. (Harpenden: No Exit Press, 2013).Google Scholar
Merivale, Patricia and Sweeney, Susan Elizabeth (eds.), Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism (Philadelphia: University of Pennsylvania Press, 1999).Google Scholar
Panek, LeRoy L., Watteau’s Shepherds: The Detective Novel in Britain 1914– 1940 (Bowling Green, OH: Popular Press, 1979).Google Scholar
Priestman, Martin, Detective Fiction and Literature: The Figure on the Carpet (Basingstoke: Macmillan, 1990).Google Scholar
Routley, Erik, The Puritan Pleasures of the Detective Story (London: Gollancz, 1972).Google Scholar
Theimer Nepomnyashchy, Catharine, ‘Revising Nabokov Revising the Detective Novel: Vladimir, Agatha, and the Terms of Engagement’, in Numano, Mitsuyoshi and Wakashima, Tadashi (eds.), Revising Nabokov Revising: The Proceedings of the International Nabokov Conference (Kyoto: The Nabokov Society of Japan, 2010), 163–68.Google Scholar
Kind-Kovács, Friederike, Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Budapest-New York: CEU Press, 2014).CrossRefGoogle Scholar
Kind-Kovács, Friederike and Labov, Jessie (eds), From Samizdat to Tamizdat: Transnational Media During and After Socialism (New York: Berghahn Books, 2013).Google Scholar
Komaromi, Ann, Uncensored: Samizdat Novels and the Quest for Autonomy in Soviet Dissidence (Evanston, IL: Northwestern University Press, 2015).CrossRefGoogle Scholar
Paperno, Slava and Hagopian, John V., ‘Official and Unofficial Responses to Nabokov in the Soviet Union’, in Gibian, George and Parker, Stephen Jan (eds.), The Achievements of Vladimir Nabokov (Ithaca, NY: Center for International Studies, 1984), 99117.Google Scholar
Proffer, Ellendea, ‘Nabokov’s Russian Readers’ in Appel, Alfred Jr. and Newman, Charles (eds.), Nabokov: Criticism, Reminiscences, Translations and Tributes (Evanston, IL: Northwestern University Press, 1970), 253–60.Google Scholar
Zverev, Alexei, ‘Literary Return to Russia’, in Alexandrov, Vladimir E. (ed.), The Garland Companion to Vladimir Nabokov (New York and London: Garland Publishing, 1995), 291305.Google Scholar
Appel, Alfred Jr., Nabokov’s Dark Cinema (Oxford: Oxford University Press, 1974).Google Scholar
Bozovic, Marijeta, Nabokov’s Canon: From Onegin to Ada (Evanston, IL: Northwestern University Press, 2016).Google Scholar
Leving, Yuri, ‘Filming Nabokov: On the Visual Poetics of the Text’, Russian Studies in Literature, 40/3 (Summer 2004), 631.CrossRefGoogle Scholar
Shapiro, Gavriel, The Sublime Artist’s Studio: Nabokov and Painting (Evanston, IL: Northwestern University Press, 2009).Google Scholar
Trubikhina, Julia, ‘Struggle for the Narrative: Nabokov and Kubrick’s Collaboration on the Lolita Screenplay’, Ulbandus, 10 (2007), 149–72.Google Scholar
Vries, Gerard de, and Johnson, D. Barton, Nabokov and the Art of Painting (Amsterdam: Amsterdam University Press, 2006).Google Scholar
Wyllie, Barbara, Nabokov at the Movies: Film Perspectives in Fiction (Jefferson, NC: McFarland, 2003).Google Scholar
Balestrini, Nassim W. (ed.), Nabokov Online Journal, X [special issue: ‘Nabokov and Popular Culture’] (2016).Google Scholar
Leving, Yuri, and Bertram, John (eds.), Lolita: The Story of a Cover Girl: Vladimir Nabokov’s Novel in Art and Design (Blue Ash, OH: Print Books, 2013).Google Scholar
Martiny, Erik (ed.), Lolita: From Nabokov to Kubrick to Lyne (Paris: Éditions Sedes, 2009).Google Scholar
Norman, Will, ‘Nabokov’s Dystopia: Bend Sinister, America and Mass Culture’, Journal of American Studies, 43/1 (2009), 4969.Google Scholar
Pifer, Ellen, ‘The Lolita Phenomenon from Paris to Tehran’, in Connolly, Julian W. (ed.), The Cambridge Companion to Nabokov (Cambridge: Cambridge University Press, 2005), 185–99.Google Scholar
Stringer-Hye, Suellen, ‘Vladimir Nabokov and Popular Culture’, in Larmour, David H. J. (ed.), Discourse and Ideology in Nabokov’s Prose (London: Routledge, 2002), 150–59.Google Scholar
Vickers, Graham, Chasing Lolita: How Popular Culture Corrupted Nabokov’s Little Girl all Over Again (Chicago: Chicago Review Press, 2008).Google Scholar
Blackwell, Stephen H., The Quill and the Scalpel: Nabokov’s Art and the Worlds of Science (Columbus: Ohio State University Press, 2009).Google Scholar
Blackwell, Stephen H. and Johnson, Kurt, ‘Introduction’, in their (eds.), Fine Lines: Vladimir Nabokov’s Scientific Art (New Haven, CT: Yale University Press, 2016), 128.Google Scholar
Johnson, Kurt and Coates, Steven L., Nabokov’s Blues: The Scientific Odyssey of a Literary Genius (Cambridge, MA: Zoland Books, 1999).Google Scholar
Nabokov’s Butterflies ed. Brian Boyd and Robert Michael Pyle (Boston, MA: Beacon Press, 2000).Google Scholar
Zimmer, Dieter E., A Guide to Nabokov’s Butterflies and Moths, Web Version, (2012). URL: www.d-e-zimmer.de/eGuide/PageOne.htm.Google Scholar
Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction, 3rd edn. (Cambridge: Cambridge University Press, 2009).Google Scholar
Bethea, David M.,‘The Evolution of Evolution: Genes, Memes, Intelligent Design, and Nabokov’, The Superstitious Muse: Thinking Russian Literature Mythopoetically (Boston, MA: Academic Studies Press, 2009), 127–48.CrossRefGoogle Scholar
Boyd, Brian, ‘Nabokov, Literature, Lepidoptera’ (2000), in Stalking Nabokov (New York: Columbia University Press, 2011), 7399.Google Scholar
Levine, George, Darwin the Writer (Oxford: Oxford University Press, 2011).Google Scholar
Todes, Daniel P., Darwin Without Malthus: The Struggle for Existence in Russian Revolutionary Thought (New York and Oxford: Oxford University Press, 1989).Google Scholar
Vucinich, Alexander, Darwin in Russian Thought (Berkeley: University of California Press, 1988).Google Scholar
Berman, Jeffrey, The Talking Cure: Literary Representations of Psychoanalysis (New York: New York University Press, 1985).Google Scholar
Bloom, Harold, Anxiety of Influence: A Theory of Poetry, 2nd edition (Oxford and New York: Oxford University Press, 1997).Google Scholar
Couturier, Maurice, Nabokov’s Eros and the Poetics of Desire (New York: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
Green, Geoffrey, Freud and Nabokov (Lincoln: University of Nebraska Press, 1988).Google Scholar
Hale, Nathan G. Jr., The Rise and Crisis of Psychoanalysis in the United States: Freud and the Americans, 1917–1985 (New York: Oxford University Press, 1995).Google Scholar
Meisel, Perry, The Literary Freud (London and New York: Routledge, 2006).Google Scholar
Naiman, Eric, Nabokov, Perversely (Ithaca, NY: Cornell University Press, 2010).Google Scholar
Shute, Jenefer P.Nabokov and Freud: The Play of Power’, Modern Fiction Studies, 30/4 (Winter 1984), 637–50.Google Scholar
Alexandrov, Vladimir E., Nabokov’s Otherworld (New Haven, CT: Yale University Press, 1991).Google Scholar
Boyd, Brian, Nabokov’s Ada: The Place of Consciousness (Ann Arbor, MI: Ardis, 1985).Google Scholar
Boyd, Brian, Nabokov’s ‘Pale Fire’: The Magic of Artistic Discovery (Princeton: Princeton University Press, 1999).Google Scholar
Connolly, Julian, ‘The Otherworldly in Nabokov’s Poetry’, Russian Literature Triquarterly, 24 (1991), 329–39.Google Scholar
Davydov, Sergei, ‘Invitation to a Beheading’, in Alexandrov, Vladimir E. (ed.), The Garland Companion to Vladimir Nabokov (New York and London: Garland, 1995), 188203.Google Scholar
Davydov, Sergei, “Teksty-Matreški” Vladimira Nabokova (Munich: Otto Sagner, 1982).CrossRefGoogle Scholar
Johnson, D. Barton, Worlds in Regression: Some Novels of Vladimir Nabokov (Ann Arbor, MI: Ardis, 1985).Google Scholar
Diment, Galya, Pniniad: Vladimir Nabokov and Marc Szeftel (Seattle: University of Washington Press, 1997).Google Scholar
Leving, Yuri (ed.), Anatomy of a Short Story: Nabokov’s Puzzles, Codes, “Signs and Symbols” (New York: Continuum, 2012).Google Scholar
Livak, Leonid, The Jewish Persona in the European Imagination: A Case of Russian Literature (Stanford, CA: Stanford University Press, 2010).Google Scholar
Shrayer, Maxim, ‘Jewish Questions in Nabokov’s Art and Life’, in W. Connolly, Julian (ed.), Nabokov and His Fiction: New Perspectives (Cambridge: Cambridge University Press, 1999), 7391.Google Scholar
Dragunoiu, Dana, Vladimir Nabokov and the Poetics of Liberalism (Evanston, IL: Northwestern University Press, 2011).Google Scholar
Nethercott, Frances, Russian Legal Culture Before and After Communism: Criminal Justice, Politics, and the Public Sphere (London: Routledge, 2007).CrossRefGoogle Scholar
Pipes, Richard, Struve: Liberal on the Left, 1870–1905 (Cambridge, MA: Harvard University Press, 1970).Google Scholar
Pipes, Richard, Struve: Liberal on the Right, 1905–1944 (Cambridge, MA: Harvard University Press, 1980).Google Scholar
Rosenberg, William G., Liberals in the Russian Revolution: The Constitutional Democratic Party, 1917–1921 (Princeton: Princeton University Press, 1974).Google Scholar
Walicki, Andrzej, Legal Philosophies of Russian Liberalism (Notre Dame, IN: University of Notre Dame Press, 1992).Google Scholar
Borejsza, Jerzy W. and Ziemer, Klaus (eds.), Totalitarian and Authoritarian Regimes in Europe: Legacies and Lessons from the Twentieth Century (New York: Berghahn Books, 2006).Google Scholar
Connolly, Julian W., Nabokov’s ‘Invitation to a Beheading’: A Critical Companion (Evanston, IL: Northwestern University Press, 1997).Google Scholar
De la Durantaye, Leland, Style is Matter: The Moral Art of Vladimir Nabokov (Ithaca, NY: Cornell University Press, 2007).Google Scholar
Geyer, Michael and Fitzpatrick, Sheila (eds.), Beyond Totalitarianism: Stalinism and Nazism Compared (New York: Cambridge University Press, 2009).Google Scholar
Larmour, David H. J. (ed.), Discourse and Ideology in Nabokov’s Prose (London and New York: Routledge, 2002).Google Scholar
Nafisi, Azar, Reading ‘Lolita’ in Tehran: A Memoir in Books (New York: Random House, 2003).Google Scholar
Belletto, Steven, No Accident, Comrade: Chance and Design in Cold War American Narratives (Oxford: Oxford University Press, 2012).Google Scholar
Isaac, Joel and Bell, Duncan (eds.), Uncertain Empire: American History and the Idea of the Cold War (Oxford: Oxford University Press, 2012).Google Scholar
Kennan, George F., American Diplomacy, expanded edition (Chicago: University of Chicago Press, 1984).Google Scholar
Nadel, Alan, Containment Culture: American Narratives, Postmodernism and the Atomic Age (Durham, NC: Duke University Press, 1995).Google Scholar
Norman, Will, Nabokov, History and the Texture of Time (London: Routledge, 2012).Google Scholar
Piette, Adam, The Literary Cold War: 1945 to Vietnam (Edinburgh: Edinburgh University Press, 2009).Google Scholar
Saunders, Frances Stonor, The Cultural Cold War: The CIA and the World of Arts and Letters (New York: The New Press, 2013).Google Scholar
Scott-Smith, Giles, The Politics of Apolitical Culture: The Congress for Cultural Freedom, the CIA and Post-war American Hegemony (London: Routledge, 2002).Google Scholar
Carosso, Andrea, Cold War Narratives: American Culture in the 1950s (Bern: Peter Lang, 2012).Google Scholar
Centerwall, Brandon S., ‘Hiding in Plain Sight: Nabokov and Paedophilia’, Texas Studies in Literature and Language, 32/3 (1990), 468–84.Google Scholar
Goldman, Eric, ‘“Knowing” Lolita: Sexual Deviance and Normality in Nabokov’s Lolita’, Nabokov Studies, 8 (2004), 87104.Google Scholar
Melody, Michael Edward and Peterson, Linda Mary, Teaching America About Sex: Marriage Guides and Sex Manuals from the Late Victorians to Dr. Ruth (New York: New York University Press, 1999).Google Scholar
Pitzer, Andrea, The Secret History of Vladimir Nabokov (New York and London: Pegasus Books, 2013).Google Scholar
Whiting, Frederick, ‘“The Strange Particularity of the Lover’s Preference”: Paedophilia, Pornography, and the Anatomy of Monstrosity in Lolita’, American Literature, 70/4 (1998), 833–62.CrossRefGoogle Scholar
Foster, John Burt Jr., Nabokov’s Art of Memory and European Modernism (Princeton: Princeton University Press, 1993).Google Scholar
Levie, Sophie, ‘Exile and Assimilation’, Arcadia: Internationale Zeitschrift für Literaturwissenschaft, 44/2 (2009) 400–19.Google Scholar
Meyer, Priscilla, Find What the Sailor Has Hidden (Middletown, CT: Wesleyan University Press, 1988).Google Scholar
Norman, Will and White, Duncan (eds.), Transitional Nabokov (London: Peter Lang, 2009).Google Scholar
Trousdale, Rachel, Nabokov, Rushdie, and the Transnational Imagination: Novels of Exile and Alternate Worlds (New York: Palgrave Macmillan, 2010).CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×