This paper examines the history of ‘Hindi’1 as a modern Indian language in Bihar between 1850 and 1900. It looks beyond the North-Western Provinces, hitherto the focus of most studies of Hindi, and issues that were important here but not in Bihar like, for example, the ‘Hindi’-Urdu conflict. Instead, it looks at how the ways in which the history of ‘Hindi’ unfolded in Bihar and was distinct from that in other parts of North India. It demonstrates how the regional languages of Bihar were more crucial to the development of ‘Hindi’ in this region than standardized ‘Hindi’, at least until the early twentieth century. A prime focus in this paper is Sir George Abraham Grierson who postulated the theory of an independent ‘Bihari’ language and collected materials to support it. These materials reflect the continuing popularity of Bihari cultural traditions throughout the nineteenth century despite the avowed support for a standardized ‘Hindi’ by the colonial government and the intelligentsia of Bihar. They add a dimension to the historical development of ‘Hindi’ that was distinctive to Bihar. Focussing on this, this paper stresses the part played in the history of ‘Hindi’ by an agent whose voice was marginalized and later ignored or suppressed in canonical accounts of its development as a modern Indian language.

Recently we have seen an increasing number of publications, mostly of an ethnographic nature, describing and discussing the significant religious roles and achievements of Thai Buddhist women, not only in the field of Buddhist education, and with regard to their monastic roles, but also in terms of their roles as accomplished Buddhist practitioners. This paper examines the changes occurring in the status and position of women in Thai Buddhist practice. In this regard I focus on the analysis of one of the first widely acknowledged female saints of modern Thai Buddhism: Khun Mae Bunruean Tongbuntoem (1895–1964). Khun Mae Bunruean has obtained her increasing reputation through the advanced meditative achievements which her followers believe she possessed. I use hagiographical accounts of her as a focal point to unravel and examine Thai beliefs in relation to female sainthood in present-day Thai Buddhism. This is done by discussing gendered hagiographical writing against the background of relevant canonical and post-canonical Pali texts that have exerted authority in religious discourses on gender by informing and nurturing Thai religious value systems. This textual research is complemented by the ethnographic examination of Thai Buddhist beliefs and venerational practices which cannot be found in authoritative Pali texts but which still play a significant role in the understanding of the particularities of female saints in modern Thai Buddhism. I do not confine myself to hagiographical accounts and venerational practices directly linked to gender, but also devote some attention to other conspicuous aspects, elements, and expressions of Mae Bunruean's sainthood and her veneration.

This paper details the history of the concept of Pakistan as debated by Bengali intellectuals and literary critics from 1940–1947. Historians of late colonial South Asia and analysts of Pakistan have focused on the Punjab along with colonial Indian ‘Muslim minority’ provinces and their spokesmen like Muhammed Ali Jinnah, to the exclusion of the cultural and intellectual aspects of Bengali conceptions of the Pakistan idea. When Bengal has come into focus, the spotlight has centred on politicians like Fazlul Huq or Hassan Shahid Suhrawardy. This paper aims to provide a corrective to this lacuna by analyzing Bengali Muslim conceptualizations of the idea of Pakistan. Bengali Muslim thinkers, such as Abul Mansur Ahmed, Abul Kalam Shamsuddin, and Farrukh Ahmed, blended concepts of Pakistan inside locally grounded histories of the Bengali language and literature and worked within disciplines of geography and political economy. Many Bengali Muslim writers from 1940 to 1947 creatively integrated concepts of Pakistan in poetry, updating an older Bengali literary tradition begun in earlier generations. Through a discussion of the social history of its emergence along with the role of geography, political thought, and poetry, this paper discusses the significance of ‘Pak-Bangla’ cultural nationalism within late colonial South Asian history.