Skip to main content Accessibility help
×
  1. Home
  2. Browse subjects
  3. Art
  4. Architecture
  5. Content listing

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

24562 results in Architecture

Page 109 of 1229

  • RQX volume 75 issue 3 Cover and Front matter

  • Journal:
    Renaissance Quarterly / Volume 75 / Issue 3 / Fall 2022
    Published online by Cambridge University Press:
    01 November 2022, pp. f1-f11
    Print publication:
    Fall 2022
    • Article
      • You have access
    • PDF
    • Export citation

  • RQX volume 75 issue 3 Cover and Back matter

  • Journal:
    Renaissance Quarterly / Volume 75 / Issue 3 / Fall 2022
    Published online by Cambridge University Press:
    01 November 2022, pp. b1-b5
    Print publication:
    Fall 2022
    • Article
      • You have access
    • PDF
    • Export citation

  • Rubens's Skepticism

  • James Pilgrim
  • Journal:
    Renaissance Quarterly / Volume 75 / Issue 3 / Fall 2022
    Published online by Cambridge University Press:
    01 November 2022, pp. 917-967
    Print publication:
    Fall 2022
    • Article
      • You have access
      • Open access
    • PDF
    • HTML
    • Export citation

  • Peter Paul Rubens's Rockox Triptych is generally thought to represent the incredulity of Saint Thomas, even though the side wound that presented Christ's famously distrustful disciple with proof of the resurrection is nowhere to be seen. This article explores the significance of the missing side wound. Drawing attention to the circulation of skeptical philosophy within the artist's milieu, it argues that he conceived of the painting as an epistemic dilemma that would both elicit doubt and suggest how it might be set aside.

  • The Life of the Last Visconti: A Study in Tyranny?

  • Gary Ianziti
  • Journal:
    Renaissance Quarterly / Volume 75 / Issue 3 / Fall 2022
    Published online by Cambridge University Press:
    01 November 2022, pp. 753-795
    Print publication:
    Fall 2022
    • Article
      • You have access
      • Open access
    • PDF
    • HTML
    • Export citation

  • This article questions the traditional reading of Pier Candido Decembrio's “Life of Filippo Maria Visconti” (1447) as a tyrant narrative, a reading first proposed by Jacob Burckhardt and highly influential ever since. An examination of the Milanese context and relevant collateral documentation establishes the unlikelihood that Decembrio wished to denounce his former master as a tyrant. Rather, his avowed aim was to spread his prince's fame and glory. In so doing, however, Decembrio avoided the encomiastic model of biography dear to most humanists, delivering instead an insider's account of the astute political practices that underpinned his master's grip on power.

  • ARQ volume 26 issue 3 Cover and Back matter

  • Journal:
    arq: Architectural Research Quarterly / Volume 26 / Issue 3 / September 2022
    Published online by Cambridge University Press:
    05 January 2023, pp. b1-b2
    Print publication:
    September 2022
    • Article
      • You have access
    • PDF
    • Export citation

  • Jerusalem Reformed: Rethinking Early Modern Pilgrimage

  • Sundar Henny, Zur Shalev
  • Journal:
    Renaissance Quarterly / Volume 75 / Issue 3 / Fall 2022
    Published online by Cambridge University Press:
    01 November 2022, pp. 796-848
    Print publication:
    Fall 2022
    • Article
      • You have access
      • Open access
    • PDF
    • HTML
    • Export citation

  • Recent scholarship has challenged the still-powerful claim that long-distance pilgrimage and the journey to Jerusalem dramatically declined in number and significance in the sixteenth century. This article seeks to explore the different ways in which pilgrimage was embedded in the culture of the period. We interpret pilgrimage as a field of shared cross-confessional practices, representational conventions, and contestation. The paper presents a series of interlinked case studies, based on printed sources, correspondence, family archives, and material evidence. Together they demonstrate that early modern pilgrimage perpetuated medieval practices and yet was in constant dialogue with contemporary, post-Reformation religious and intellectual trends.

Page 109 of 1229