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This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.
The Dioscuri first appeared at the Battle of Lake Regillus in 496 BC to save the new Republic. Receiving a temple in the Forum in gratitude, the gods continued to play an important role in Roman life for centuries and took on new responsibilities as the needs of the society evolved. Protectors of elite horsemen, boxers and sailors, they also served as guarantors of the Republic's continuation and, eventually, as models for potential future emperors. Over the course of centuries, the cult and its temples underwent many changes. In this book, Amber Gartrell explores the evolution of the cult. Drawing on a range of methodological approaches and a wide range of ancient evidence, she focuses on four key aspects: the gods' two temples in Rome, their epiphanies, their protection of varied groups, and their role as divine parallels for imperial heirs, revealing how religion, politics and society interacted and influenced each other.
There is a long history of successful engagement between social science and classical studies. This new collection of essays surveys the current state of the new field of 'social science Greek history' and demonstrates the potential of this interdisciplinary field.
This collection explores a range of literary and historical texts from ancient Greece and Rome, medieval Iceland and medieval and early modern England to provide an understanding of wider historical continuities and discontinuities in representations of gender and revenge.
The goal of the book as a whole is to ‘translate’ coin evidence for a new generation of historians. The work of Michael Crawford represented a major leap forward in the study of Roman republican coins during the twentieth century while on the work of earlier generations.The major thematic structure of the book is summarized, and eight basic principles related to the use of coin evidence are laid out.
This chapter looks at cases where those subject to Roman hegemony attempted to throw off Roman control and also where the power of individuals within the state became so contested that it threatened the constitutional integrity of the republic.In the first half coin evidence is used to look at South Italian communities that sided with Hannibal during the Second Punic War, uprisings of enslaved peoples and Roman responses, and the failed attempt by Rome’s former Italian allies to set up a rival federal state.The second half examines what numismatic evidence can tell us about the autocratic ambitions of Marius, Sulla, and Pompey and ends with a close look at how Sulla’s memory was used during the period of Pompey’s ascendency.
This chapter explores the diverse ways in which coins serve as ‘monuments in miniature’, commemorating a wide variety of aspects of Roman public life.The first section uses two case studies to exemplify the different types of interactions of individuals, families, and the state seen through the coins.The first looks at the coinage produced over three generations by the Marcii Philippi; the second looks at the diversity of commemorative strategies used within the divisive years 56-55 BCE.The second section looks at how the Romans conceived of their empire as proof of divine favor.This type of ideology is evident in their foundation legends, how Rome is personified, the importance of priesthoods to individual and family status, and how military victories are themselves the subject of religious thanksgiving.
This chapter provides answers to some basic questions: when did Rome start making coins, and why did they make them?What caused the coinage to change?And what are the limits of our quantification of the coin evidence that survives? Answering these questions gives new insights into Rome’s relationship with her regional neighbors in the third century, especially the Pyrrhic War and the wars with Carthage. Attention is given to legends and designs that advertise the purpose of a specific issue, as well as changing weight standards, denomination systems, and retariffing of the denarius.The final section reviews the application of statistics to estimate the size of issues and to compare hoards, and interpret coin weights and metallurgical tests.
This chapter documents how the Roman elite attempted to speak to ‘popular’ concerns: Will there be enough to eat? Can we keep the favor of the gods? How will our rights to land and our own bodies be protected? What can preserve the anonymity of our votes? It starts with coins celebrating concord in the aftermath of the Catilinarian conspiracy.It then looks at the representation of religious festivals and the city's grain supply on the coinage.The next section examines numismatic evidence related to Roman agrarian policies and colonization, with particular attention to Paestum.The last section considers how the coinage reflects constitutional issues, especially the secret ballot and political rhetoric in reaction to the Sullan Constitution.