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The Mediterranean's Iron Age period was one of its most dynamic eras. Stimulated by the movement of individuals and groups on an unprecedented scale, the first half of the first millennium BCE witnesses the development of Mediterranean-wide practices, including related writing systems, common features of urbanism, and shared artistic styles and techniques, alongside the evolution of wide-scale trade. Together, these created an engaged, interlinked and interactive Mediterranean. We can recognise this as the Mediterranean's first truly globalising era. This volume introduces students and scholars to contemporary evidence and theories surrounding the Mediterranean from the eleventh century until the end of the seventh century BCE to enable an integrated understanding of the multicultural and socially complex nature of this incredibly vibrant period.
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a script, and how identity was negotiated at a moment of closer societal interaction between Cretans and Greek-speaking Mainlanders in the Late Bronze Age. By delving deeper into the structure and inner workings of these two writing systems, this book will make us rethink the relationship between Linear A and B.
Decades after Michael Ventris deciphered Linear B and showed that its language was Greek, nearly one-sixth of its syllabic signs' sound-values are still unknown. This book offers a new approach to establishing these undeciphered signs' possible values. Analysis of Linear B's structure and usage not only establishes these signs' most likely sound-values – providing the best possible basis for future decipherments – but also sheds light on the writing system as a whole. The undeciphered signs are also used to explore the evidence provided by palaeography for the chronology of the Linear B documents and the activities of the Mycenaean scribes. The conclusions presented in this book therefore deepen our understanding not only of the undeciphered signs but also of the Linear B writing system as a whole, the texts it was used to write, and the insight these documents bring us into the world of the Mycenaean palaces. A colour version of figures 5.1-5.4 of chapter 5 can be found under the 'Resources' tab.
How does literary form change as Christianity and rabbinic Judaism take shape? What is the impact of literary tradition and the new pressures of religious thinking? Tracing a journey over the first millennium that includes works in Latin, Greek, Hebrew and Aramaic, this book changes our understanding of late antiquity and how its literary productions make a significant contribution to the cultural changes that have shaped western Europe.