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Discover the foundations of classical and quantum information theory in the digital age with this modern introductory textbook. Familiarise yourself with core topics such as uncertainty, correlation, and entanglement before exploring modern techniques and concepts including tensor networks, quantum circuits and quantum discord. Deepen your understanding and extend your skills with over 250 thought-provoking end-of-chapter problems, with solutions for instructors, and explore curated further reading. Understand how abstract concepts connect to real-world scenarios with over 400 examples, including numerical and conceptual illustrations, and emphasising practical applications. Build confidence as chapters progressively increase in complexity, alternating between classic and quantum systems. This is the ideal textbook for senior undergraduate and graduate students in electrical engineering, computer science, and applied mathematics, looking to master the essentials of contemporary information theory.
Considering how to communicate your research or engage others with the latest science, social science or humanities research? This book explores new and emerging approaches to engaging people with research, placing these in the wider context of research communication. Split into three sections, Creative Research Communication explores the historical routes and current drivers for public engagement, before moving on to explore practical approaches and finally discussing ethical issues and the ways in which research communication can contribute to research impact.Starting from the premise that researchers can and ought to participate in the public sphere, this book provides practical guidance and advice on contributing to political discourse and policymaking, as well as engaging the public where they are (whether that is at the theatre, at a music festival or on social media). By considering the plurality of publics and their diverse needs and interests, it is quite possible to find a communications niche that neither offers up bite-sized chunks of research, nor conceptualises the public as lacking the capacity to consider the myriad of issues raised by research, but explains and considers thoughtfully the value of research endeavours and their potential benefits to society.It’s time for researchers to move away from one-size fits all, and embrace opportunities for creative approaches to research communication. This book argues for a move away from metrics and tick box approaches and towards approaches that work for you, as an individual researcher, in the context of your own discipline and interests.
Although a number of funders are now actively encouraging collaboration between artists and researchers, this is not a new field. Artists have appropriated technological developments for hundreds of years (if not longer), and there are challenging examples today of Bio-Art, where artists use tools, such as genetic engineering to create living artworks. What is new is the ways that researchers are now becoming involved as co-creators in artistic projects. With this in mind, the chapter explores audiences for the arts, before moving on to discuss examples of the ways that artists and researchers might work together. We consider issues around collaborative working, before briefly discussing the potential impact of artistic approaches to public engagement.
The chapter highlights not only why it is important to share best practice with the research communication community, but also how readers might further disseminate their work though approaches like reports, conferences, publication and professional networks. It considers the ‘conundrum’ of communicating about research communication or engaging about engagement. The chapter finishes with a short summary of the key points of the book and some final encouraging, motivational, and confidence building insights that will enable readers to make the best use of the approaches outlined.