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In Chapter 9 Harriet Piercy, Head of English at Haggerston School in London, turns her attention to the Unites States. Drawing on her experience as a Fulbright scholar Nashville, Tennessee, Piercy explores the challenges of promoting spoken language in English classrooms, citing time constraints and exam pressures as significant obstacles. She compares the oracy practices in the US, where policies like the Common Core State Standards prioritize speaking and listening skills, to the UK’s less-defined approach. She discusses how US classrooms vary in their implementation of oracy teaching despite clear guidelines, emphasizing the importance of professional development and pedagogical approaches. Additionally, she examines the role of assessment in shaping classroom practices, noting the absence of formal speaking and listening assessments in Tennessee. Piercy concludes by advocating for inclusive oracy practices across schools, highlighting the need for sustained investment and shared understanding among educators.
In this chapter, Neil Mercer engages with some of the criticisms of oracy education. He looks back over his career as a key figure in the oracy debate and re-affirms his current understanding of oracy education. Engaging productively with the observations of Cushing, Cameron and others in this book, he re-asserts oracy’s importance for social equality and democracy, and its role in empowering young people for diverse communication scenarios. Unity among educators in pursuit of inclusive practices, he argues, will be crucial in ensuring equitable opportunities for all students.
In this chapter, evidence from past social movements highlights oracy education’s role in empowering marginalized communities in 19th-century Britain. Critics argue that oracy education diverts attention from socio-economic issues, exerting coercive control over the powerless. However, grassroots oracy within movements like Chartism and Suffragettes challenges these notions. The struggle for articulacy, I show, underpinned the struggle for the vote. These examples underscore grassroots oracy’s historical significance and potential implications for contemporary policy debates.
In this chapter, Deborah Cameron, University of Oxford’s Professor of English Language tackles head on what she calls ‘The Trouble with Oracy’. She identifies several key contradictions and tensions within the oracy movement, including the lack of consensus on goals and definitions, the issue of social class, and the enduring clash between traditional and progressive education philosophies. Despite a contemporary shift towards business-centric goals, she notes, defining essential spoken language skills remains problematic, reflecting broader societal divisions. Though supportive of the aspirations of the oracy movement, she concludes on a sceptical note. To Cameron the complexities in defining "good" communication and the enduring influence of class divisions on educational discourses, will continue to hinder equitable oracy education.
In ‘Releasing Civic Voices’, the political scientist Stephen Coleman proposes a radical new understanding of oracy. He lays out a framework addressing power directly, emphasizing communicative justice. This shift moves beyond cultivating individual voices to a relational view of expressive efficacy. Communicating is seen as a product of social relationships rather than personal eloquence, involving addressing and listening within mutual attentiveness. All members of society engage in a continuous performance of self, vulnerable to interpretation within social interactions. Expressive agency is either realized or hindered within these relational dynamics. From this theoretical basis, Coleman concludes that oracy must offer resources beyond elocution training to navigate and potentially challenge these dynamics if it is to transcend its current limitations.
In this chapter, Amy Gaunt of the educational chairty Voice 21underscores the vital need for oracy education, particularly in empowering disadvantaged youth. Despite increasing recognition of oracy skills, ambiguity persists regarding the speech types valued in classrooms. Gaunt advocates for explicit oracy teaching using Voice 21’s Oracy Benchmarks and Framework, emphasizing physical, linguistic, cognitive, and social abilities. However, she notes a gap in prioritizing speech types, often favoring "standard English" and perpetuating linguistic biases. Gaunt challenges this deficit view, proposing an inclusive pedagogy that celebrates linguistic diversity. She urges an asset-based approach, fostering pride in students’ authentic voices while teaching standard English within its historical and social context. Gaunt ultimately makes the positive case for how inclusive oracy education can prepare students for academic and life success, and calls for educators to engage in dialogue to ensure oracy education benefits all students.
Our family album is often the first medium through which we encounter war: nestled in the heart of home life and revisited throughout childhood, its pages intertwine peacetime photos of vacations and gatherings with wartime images featuring smiling soldiers and pastoral landscapes from missions abroad, blending these contrasting realities into one familiar story. This article introduces, for the first time, this overlooked heritage, tracing its roots to WWI – the first conflict photographed by the public. With the outbreak of war, the amateur photography industry, focused on leisure and holidays, came to a halt. Kodak found an unexpected solution: rebranding the camera as a tool to transform harsh realities into peaceful moments by capturing images that portrayed war as joyfully as a summer vacation. It marketed the zoom as a way to avoid violence by keeping it out of the frame while promoting one-click shooting as a means to preserve fleeting moments of beauty amid chaos. The flash was positioned as a source of optimism in dark times, and the family album was framed as a nostalgic object creating a view of the ongoing war as if it had already ended. Capitalizing on witnesses’ longing for peace, this campaign achieved unprecedented success, establishing norms for amateur war photography. This article defines this model that shapes how we see, capture, and share the experience of war, acquiring renewed significance as amateur war photography expands from family albums to the global reach of social media.
Many young people feel distressed about climate change, and pessimistic about what the future holds. Gaps in education about climate change contribute to limited understanding of opportunities for climate mitigation and adaptation, and to a pervasive “discourse of doom.” Here we describe a “game for change” co-designed by climate and education researchers and young people, that aims to shift narratives about climate changed futures toward an active, adaptation-oriented focus.
The Heat Is On is designed to be played by high school classes. Set in 2050, the game takes place on a fictional island called “Adaptania.” Teams of students play the role of town councillors in communities facing the same challenges that Australian towns are experiencing as the climate heats up, including flooding, heatwaves, bushfires, inequality, health issues and economic challenges. By focussing on decision-making for adaptation and resilience, The Heat Is On enables participants to envision climate-changed futures in which communities can thrive. Students learn how to plan and collaborate to prepare for diverse and cascading impacts of climate hazards. We explore the potential for games in climate education, focussing on The Heat Is On as a case study, and share initial learnings from its development and implementation in schools.
This text accompanies the performance A Foot, A Mouth, A Hundred Billion Stars, which premiered at the Lapworth Museum of Geology in the United Kingdom on 18 March 2023, as part of the Flatpack film festival. It includes both the text and a film version, developed during a residency at the museum. Over 18 months, I had full access to the collection and archives, selecting objects that served as prompts for stories about time and memory. A central theme of the work is slippage – misremembering and misunderstanding – as a generative methodology for exploring the connection between the collection, our past, and possible futures.
A Foot, A Mouth, A Hundred Billion Stars combines analogue media and digital technologies to examine our understanding of remembering and forgetting. I used a live digital feed and two analogue slide projectors to explore the relationships between image and memory. This article does not serve as a guide to the performance but instead reflects on the process and the ideas behind the work. My goal is to share my practice of rethinking memory through direct engagement with materials. In line with the performance’s tangential narrative, this text weaves together diverse references, locations, thoughts, and ideas, offering a deeper look into the conceptual framework of the work.
Students of the arts are empowered to explore new concepts, communicate confidently and grow into creative, critical thinkers. Teaching the Arts: Early Childhood and Primary Education emphasises the fundamental nature of the arts in learning and development. Arranged in three parts and focusing on the key areas of dance, drama, media arts, music and visual arts, this book encourages educators to connect to the 'why', 'what' and 'how' of arts education. This fourth edition continues to provide up-to-date and comprehensive coverage of arts education in Australia, with links to the updated Australian Curriculum and Early Years Learning Framework. The text supports further learning in each area of the Arts through teacher tips, spotlights on Arts education and teaching in the remote classroom. Teaching the Arts is an essential resource for all pre-service early childhood and primary teachers aiming to diversify and enhance their engagement with the Arts in early education environments.
The prominence and significance of research on specific learning differences (SpLDs) in language learning, teaching, assessment, and teacher education have substantially increased in the past ten years, which justifies the need to review the findings of studies conducted in recent years. The growth of the field also requires that the scope of the review is extended to research in the area of L2 assessment and teacher education. In our paper, we first offer a short discussion of different views of disability and inclusion and a succinct summary of the definitions of SpLDs. We then summarize recent research developments in five main areas: (1) the impact of SpLDs on L2 learning and achievement, (2) the identification of SpLDs in multilingual contexts, (3) teaching techniques and programmes in supporting language learners with SpLDs, (4) assessing the second language competence of test-takers with SpLDs, and (5) raising language teachers’ awareness and knowledge of SpLDs.
In our conclusion, we highlight the implications of recent scholarship in this field for language teaching and testing, teacher education, and suggest further research directions.
This article traces the unique set of factors that allowed mid-nineteenth-century coeducation at a medical college traditionally reserved for men. I argue that in the period 1850-1856, a window of opportunity offered a small group of women the chance to pursue medical education at the traditionally all-male regular Cleveland Medical College, at a time when medical training was inaccessible to women. A unique confluence of factors inspired this development, including a temporary fluidity of standards in medical training and practice, rising prospects for women’s access to higher education, the rapidly changing Cleveland urban environment and its progressive women’s network, and the College’s internal dynamics. The female graduates of the Cleveland Medical College joined a pioneer generation of women physicians in the mid-nineteenth-century US who chipped away at long-standing barriers limiting the role of women in medicine.
Speaking is often challenging for language learners to develop due to factors such as anxiety and limited practice opportunities. Dialogue-based computer-assisted language learning (CALL) systems have the potential to address these challenges. While there is evidence of their usefulness in second language (L2) learning, the effectiveness of these systems on speaking development remains unclear. The present meta-analysis attempts to provide a comprehensive overview of the effect of dialogue-based CALL in facilitating L2 speaking development. After an extensive literature search, we identified 16 studies encompassing 89 effect sizes. Through a three-level meta-analysis, we calculated the overall effect size and investigated the potential moderating effect of 13 variables spanning study context, study design and treatment, and measures. Results indicated a moderate overall effect size (g = .61) of dialogue systems on L2 learners’ speaking development. Notably, three moderators were found to have significant effects: type of system, system meaning constraint, and system modality. No significant moderating effect was identified for education stage, L2 proficiency, learning location, corrective feedback, length of intervention, type of interaction, measure, and key assessment component. These findings suggest directions for future research, including the role of corrective feedback in dialogue-based CALL, the effectiveness of such systems across proficiency levels, and their potential in diverse learning contexts with the integration of generative artificial intelligence.