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For all their scientific prowess and public renown, there is no comparable Lyell-ism, Faraday-ism, Einstein-ism, Curie-ism, Hawking-ism, or deGrasse-Tyson-ism. So, there must be something even more powerful than scientific ideas alone caught in the net of this ism attached to Darwin. And whatever the term meant, it’s fair to say that Darwinism frightened Bryan.
Historian Everett Mendelsohn was intrigued. In the middle of writing a review of an annual survey of academic publications in the History of Science, he marveled that an article in that volume contained almost 40 pages’ worth of references to works on Darwin published in just the years between 1959 and 1963. Almost 200 works published in a handful of years – no single figure in the history of science commanded such an impressive academic following. Yet Mendelsohn noted that, paradoxically, no one had written a proper biography of Darwin by 1965. Oh sure, there was commentary. Lots of commentary. But so many of the authors were retired biologists who had a tendency toward hagiography or, the opposite, with axes to grind.
Meeting the “White Raja of Sarawak” in Singapore in 1853 had been a stroke of luck. Honestly, it could have been a major turning point in what had been an unlucky career so far for 30-year-old collector Alfred Russel Wallace (1823–1913) (Figure 4.1). But the steep, rocky, sweaty climb up Borneo’s Mt. Serembu (also known as Bung Moan or Bukit Peninjau) in the last week of December 1855 wasn’t exactly what Wallace expected. His eyeglasses fogged in the humidity. Bamboo taller than buildings crowded the narrow path. Near the top, the rainforest finally parted. But it revealed neither a temple nor some sort of massive colonial complex with all the trappings of empire worthy of a “raja.” Instead, there leaned a modest, very un-colonial-ruler-like white cabin. When he saw it, Wallace literally called it “rude.”
Charles Darwin spent nearly the whole of his writing career attempting to convince his colleagues, the general public, and, by extension, you and me, that change occurs gradually. Tiny slivers of difference accumulate over time like grains of sand in a vast hourglass. Change happens, in other words. It’s painfully slow, but it’s inevitable. By implication, two organisms that look different enough to us to be classified as separate species share, many tens of thousands or even millions of generations back, the same ancestors. (Inbreeding means we don’t even need to go back quite that many generations to demonstrate overlap, but you get the point.) But change that gradual means, as Darwin himself well recognized, that looking for “missing links” would be a pretty silly errand. Differences between one generation and the next look to our eyes just like common variation. It’s one grain falling from the top of the hourglass to the bottom. You can’t perceive the change. You would have to go back in time to find the very first individuals who possessed a particular trait – bat-like wings, say, or human-ish hands – and then, turning to their parents, you would see something almost identical.
Transmutation. “Evolutio,” if you wanted to be fancy and Italian about it. Whatever you want to call it, the grand unrolling of one type into another, connecting all living things into a single tree of life was all the rage among the society gentlemen. James Burnett, Lord Monboddo, an influential Scottish judge in the 1700s, had said shocking things about it. Monboddo’s metaphysics separated humans from brutes by only the thinnest slice of cognition. And imagine how he scandalized the chattering classes when, according to rumor anyway, he suggested perhaps tails even lingered, dangling from the spinal cords of the underdeveloped. They called him an “eccentric,” a fusty, argumentative judge and a voracious reader. Perhaps too learned – genius and madness, you know.
The Good News finally snagged him. In late September 1881, he was near the end, bedridden, languishing in a soft purple robe, still able to read, though he always preferred to be read to. Lady Hope entered the drawing room at the top of the stairs quietly, respectfully, as the golden hour gently illuminated corn fields and English oak forests through his picturesque bay window. The faintest crown of white hair encircled his head in the late afternoon light; the rest was wizardly beard (Figure 6.1). Lady Hope, the well-known evangelist, was visiting the Darwins, and she approached the old scientist cautiously. But she needn’t have. In his wrinkled hands he held the Bible, open to the New Testament Epistle of Hebrews. “The Royal Book,” Darwin called it, serenely, mentioning a few favored passages.
The stone is still there in the garden. That’s what gets me. It’s not the house itself – houses decay slowly and can be preserved pretty easily, especially in Britain where even an eighteenth-century country house is not “old.” It’s not even the tree behind the house, alive when Charles Darwin still lived in his Down House, now propped up by guywires against inevitable collapse as a kind of totem of the great naturalist’s existence. If you leave the rear exit, the one that takes you to Darwin’s preserved greenhouse and the stunning flora on a pretty path lined in that particular English way of making the perfectly manicured seem somehow “natural,” you might glance to the left and see behind a small iron fence a one-foot-wide stone. A round mill stone or pottery wheel, it was, or appears to have been.
The legend of Charles Darwin has never been more alive or more potent, but by virtue of this, his legacy has become susceptible to myths and misunderstandings. Understanding Charles Darwin examines key questions such as what did Darwin's work change about the world? In what ways is 'Darwinism' reflective of Darwin's own views? What problems were left unsolved? In our elevation of Darwin to this iconic status, have we neglected to recognise the work of other scientists? The book also examines Darwin's struggle with his religious beliefs, considering his findings, and whether he was truly an atheist. In this engaging account, Peterson paints an intimate portrait of Darwin from his own words in private correspondence and journals. The result is the Darwin you never knew.
A social construct is always created at the centre of any communication framework. Science communication is no different in this regard, despite its goals and the evidence-based scientific facts it presents. Like any other kind of communication, science communicators inevitably create a frame and pursue an agenda. The creation of a frame falls within the realm of normative action and normativity. In our dictionaries such as Merriam-Webster we can read that normal is defined as conforming to a pre-existing standard, ‘a type, standard, or regular pattern: characterised by that which is considered usual, typical, or routine’ (Merriam-Webster, 2021). The general understanding is that the norm is the usual or common, while normal is opposed to abnormal. In contrast to these two terms, normative refers to a morally approved ideal, or ‘what ought to be’ from an ethical point of view.
From a philosophical perspective, normative ethics analyse how people should act, while descriptive ethics analyse what people think is right. The problems of science communication do not lie in descriptive ethics: there is a clear consensus on the ethical problem of Eurocentric hegemony and its consequences. Science communicators are well aware of normative aspects as long as they are related to the disciplines they communicate about. These understandings beg the following questions: what role does our own normative frame play when it comes to decolonising our field? If it does have a role, then why is it poorly addressed? Does science communication have a blind spot when it comes to its own normality, norms, and normativity? This chapter seeks to explore some possible reasons for this blind spot in science communication in relation to the normative ethics of decolonisation. If these epistemic norms are grounded in the colonial purpose of domination and hegemony, demonstrating and elaborating some of their impact on non-Western populations could help identify the problematic influence of unchallenged norms.
Postcolonial literature has defined the causes of this historically unchallenged state of normativity in the Western world. In this chapter, practical case studies from the scholarly communication of museums, and other areas of communication such as popular culture within the same framing analysis, will illustrate how systematic and widespread the problem is. The work of Gloria Wekker (2016) will be used to demonstrate how unquestioned colonial norms have created a sense of innocence that limits the possibilities of challenging said norms.