16. Regarding the various parts of the story in comparison with historical sources: On the story in general, see Halevy, A. A., Sha‘arei ha'aggadah (Tel Aviv: Gottenberg Press, 1982), 183–88Google Scholar. On Herod and the Hasmonean girl, see Josephus, Flavius, Jewish War, 1, 22, 1–5, ed. Loeb, (London: Heinemann, 1927), 205–11Google Scholar; Shalit, Avraham, Hordos ha-melekh—ha-’ish u-fa‘olo (Jerusalem: Mossad Bialik, 1964), 40–43, 276–86Google Scholar. On the identity of the Hasmonean girl in the Aggadah, see also Ben-Zion Lurie, “Demuyot mi-zman kibbush Yerushalayim bi-yedey Sossius,” Proceedings of the 4th World Congress for Jewish Studies (Jerusalem, 1969), 1:97, and, in contrast, Feldman, Louis H., Josephus and Modern Scholarship (Berlin: W. de Gruyter, 1984), 282CrossRefGoogle Scholar. On part B of the Aggadah (the killing of the scholars), see Shalit, Hordos ha-melekh, 60–61 (and his footnotes, especially n. 10); on the building of the Temple, see ibid., 194ff. On Herod's personality, see Kasher, Aryeh and Witztum, Eliezer, King Herod: A Persecuted Persecutor: A Case Study in Psychohistory and Psychobiography, trans. Gold, Karen (Berlin and New York: W. de Gruyter, 2007)Google Scholar. At the forty-first annual conference of the Association for Jewish Studies (Los Angeles, December 2009), Jeffrey L. Rubenstein presented a paper titled “King Herod in Ardashir's Court: The Bavli Story of Herod (Bava Batra 3b–4a) in Light of Sasanian Sources.” In this intriguing paper, Rubenstein demonstrated that the story of Herod discussed here was influenced not only by Josephus but also largely by several Sasanian traditions. Thus, it seems that previous scholarly rulings with respect to the historical and literary kernels of the Herod story need to be reexamined. The idea that the Aggadah in Bava Batra is not a historical account, but rather a literary text based on a historical kernel, is supported by the fact that Part B of the story, dealing with the confrontation between Herod and the scholars, has several thematic parallels in the Talmud, which are very similar to the present story in their plot; they deal, however, with different characters. See B. Berakhot 48a; B. Sotah 47a (B. Sanhedrin 107b); B. Kiddushin 66b; B. Sanhedrin 19a. We find another tradition about King Yannai being brought before the Sanhedrin on account of his servant who committed murder, an event that ended with the death of all the Sanhedrin's scholars except for Shimon b. Shatah. This tradition parallels Josephus’ account of Herod being brought before the Sanhedrin for killing thieves in the Galilee without a trial, and silencing the judges with his belligerent appearance, with the exception of one rabbi (possibly Shammai the Elder; see Shalit, Hordos ha-melekh, 33 and n. 151; concerning the relationship between the stories about Yannai and Herod, see also nn. 152–53), who threatened the reticent judges with punishment from heaven (Josephus Flavius, Jewish Antiquities, 14, 9, 4 [ed. Loeb, 539–43]). The relation between the characters of Herod and Yannai finds its expression also in the scholium of Megillat Ta‘anit, in the passage that relates to the second of Shevat (ed. Noam, 109–110, MS F; cf. also 122): “The second of Shevat. . . . Mourning is forbidden . . . and why do they differ? On the first it is not written that mourning is forbidden as on the second. On the first, Herod had died and on this, King Yannai. . . .” Further on it is recounted that Yannai attempted to bring about the killing of all the scholars on the day of his death, but the attempt was thwarted by his wife. According to Schwartz (above, note 2), the phenomenon that part of the Herod stories were “transferred” in rabbinic literature to Yannai is related to the sparse contact between Herod and the religious world, in contrast with Yannai, who as a High Priest and a Hasmonean spurred more interest among the rabbis. Thus, for example, the story in B. Sanhedrin 19a about Yannai is actually the story about Herod, but Yannai's name was inserted as the wicked king, and subsequently, Shimon b. Shatah's character was also inserted.