Ben-Hador, R. & Neoran, I.. 2004. Capturing manipulation and reproduction of sampled acoustic impulse responses. Paper presented at the 117th AES Convention, San Francisco, 28-31 October 2004.
1996. Concert and opera halls: how they sound. New York: Woodbury.
Farina, A. & Ayalon, R.. 2003. Recording concert hall acoustics for posterity, in AES (ed.) Proceedings of the AES 24th International Conference: Multichannel Audio, The New Reality, Banff, Alberta, Canada, 2003 June 26-28: 1-14. New York: AES. Available at: http://pcfarina.eng.unipr.it/Public/Papers/185- AES24.PDF (accessed 20 July 2012).
1975. Recording concert hall acoustics for posterity. Journal of the Acoustical Society of America
2008. Reviving the architectural and acoustical theatre heritage: the role of ERATO Project, in CSAAR (ed.) The Fifth International Conference of the Center for the Study of Architecture in the Arab Region (CSAAR 2008B): responsibilities and opportunities in architectural conservation: theory, education, and practice 3-5: 421-34. Amman: CSAAR.
Hidaka, J., Beranek, L. & Okano, T.. 1995. Interaural cross-correlation, lateral fraction, and low- and high-frequency sound levels as measures of acoustical quality in concert halls. Journal of the Acoustical Society of America
2010. The archaeoacoustics of San Vitale, Ravenna. Unpublished PhD dissertation, University of Southampton.
1960. Vitruvius: the ten books on architecture. New York: Dover.
2005. Multi-channel impulse response measurement, analysis and rendering in archaeological acoustics. Paper presented at the 119th AES Convention, New York, 7-10 October 2005.
2006. Archaeological acoustic space measurement for convolution reverbation and auralization applications, in 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, September 18-20 2006: 221-26. Montreal: McGill University. Available at: http://www.dafx.ca/ proceedings/papers/p 221.pdf (accessed 21 July 2012).
Nishihara, N., Hidaka, T. & Beranek, L.. 2001. Mechanism of sound absorption by seated audience in halls. Journal of the Acoustical Society of America
Savioja, L., Huopaniemi, J., Lokki, T. & Väänänen, R.. 1999. Interactive virtual acoustic environments. Journal of the Acoustical Society of America
Scarre, C. & Lawson, G. (ed.). 2006. Archaeoacoustics. Cambridge: McDonald Institute for Archaeological Research.
SUTN Slovenský ústav technickej normalizácie. 2010. STN EN ISO 3382-1 Acoustics. Measurement of room acoustic parameters. Part 1: performance spaces. Bratislava: Slovak Office of Standards, Metrology and Testing.
Vondrášek, M. & Antek, M.. 2005. Comparison of objective criteria of concert halls quality. Acoustic Letters
Vondráˇek, M., M., Mikeˇ & Fleischman, R.. 2008. Acoustics of music spaces in the Czech Republic.
Vondráˇek, M., M., Mikeˇ & Fleischman, R.. 2010a. Acoustics of music spaces in the Czech Republic 2. Prague: AMU.
Vondráˇek, M., M., Mikeˇ & Fleischman, R.. 2010b. Acoustics of music spaces in the Czech Republic 3. Prague: AMU.
Vondráˇek, M., M., Mikeˇ & Fleischman, R.. 2011. Acoustics of music spaces in the Czech Republic 4. Prague: AMU.
Watson, A. & Keating, D.. 1999. Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain. Antiquity