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EDITORIAL

Published online by Cambridge University Press:  22 August 2018

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Editorial
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© Antiquity Publications Ltd, 2018 
Figure 0

Frontispiece 1 Flame-style (kaen-gata) pottery vessel from the site of Sasayama, Niigata prefecture, Japan, c. 3000 BC (height: 0.34m). Around 900 Flame-style pots were recovered during excavations at Sasayama during the early 1980s, even though less than 10 per cent of the settlement was investigated. Considered the best examples of the long Jomon tradition of the Japanese archipelago, the vessels were designated as National Treasures in 1999. Food residues indicate that, despite their elaborate decoration, they were cooking pots. Several Flame-style pots are on display at the newly refurbished Mitsubishi Corporation Japanese Galleries at the British Museum, and are also under consideration as models for the Olympic Cauldron for the Tokyo 2020 Olympics and Paralympics. Photograph: Tokamachi City Museum.

Figure 1

Frontispiece 2 Stratigraphy, 2018. Wax crayon, oil pastel and watercolour. This painting, by archaeologist and artist Rose Ferraby, is a preparatory piece for two artworks commissioned by the Museum of Archaeology and Anthropology in Cambridge for their current exhibition: 'A Survival Story—Prehistoric Life at Star Carr'. The resistance of the wax and oil to the watercolour echoes the way in which the delicate fronds of past activity emerge from the peaty ground at the famous Mesolithic site in North Yorkshire, UK. The exhibition features the work of three artists, offering a dynamic approach to the use of art in archaeological communication (http://maa.cam.ac.uk/a-survival-story-prehistoric-life-at-star-carr/).

Figure 2

Figure 1 SEAA delegates inspect some of the extraordinary finds from the Neolithic site of Tianluoshan.