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House of cards: cultural taxonomy and the study of the European Upper Palaeolithic

Published online by Cambridge University Press:  15 October 2019

Natasha Reynolds*
Affiliation:
UMR 5199 PACEA, Université de Bordeaux, Bâtiment B8, Allée Geoffroy Saint Hilaire, CS 50023, PESSAC CEDEX 33615, France
Felix Riede
Affiliation:
Department of Archaeology and Heritage Studies, Aarhus University, Moesgård Allé 20, Højbjerg 8270, Denmark
*
*Author for correspondence (Email: natasha.reynolds@u-bordeaux.fr)
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Abstract

A fundamental element of Upper Palaeolithic archaeological practice is cultural taxonomy—the definition and description of taxonomic units that group assemblages according to their material culture and geographic and chronological distributions. The derived taxonomies, such as Aurignacian, Gravettian and Magdalenian, are used as units of analysis in many research questions and interpretations. The evidential and theoretical bases defining these taxonomic units, however, are generally lacking. Here, the authors review the current state of Upper Palaeolithic cultural taxonomy and make recommendations for the long-term improvement of the situation.

Information

Type
Debate
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - SA
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike licence (http://creativecommons.org/licenses/by-nc-sa/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the same Creative Commons licence is included and the original work is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use.
Copyright
Copyright © Antiquity Publications Ltd, 2019
Figure 0

Figure 1. The house of cards of Upper Palaeolithic archaeological interpretation (figure by Natasha Reynolds and Felix Riede, based on an image by Lluisa Iborra licensed under CC BY 3.0; the figure is available at https://doi.org/10.6084/m9.figshare.8293784 and is licensed under CC BY 4.0).

Figure 1

Figure 2. Morphological variability in one assemblage alone: the large tanged points from the Bromme site on Zealand, eastern Denmark (Final Palaeolithic). These objects were arbitrarily selected by the excavator for drawing and to be representative of the total variability of the eponymous archaeological culture. Subsequent publications on the Bromme Culture commonly show even less of the shape variability of this supposedly diagnostic artefact class. Redrawn from Mathiessen (1946: fig. 6).