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‘The most awkward building in England’? The ‘Rotten’ heritage of ‘Tin Pan Alley’ revisited

  • Paul Graves-Brown (a1) and John Schofield (a2)
Abstract
Abstract

How should we identify, protect and preserve contemporary heritage? Five years ago, comparisons in an Antiquity paper between the ‘simulations of scenes’ drawn on the wall of 6 Denmark Street by John Lydon, during Sex Pistols rehearsals in the 1970s, and the Palaeolithic cave art of Lascaux provoked a strong response. Less contentious was the recent listing of the building, bringing its punk artworks under statutory protection. In this follow-up to their earlier article, the authors review the initial reaction from the media, the public and the artist himself, and consider how attitudes may have shifted. They also offer a novel, ‘punk’-informed approach to the management of cultural heritage.

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*Author for correspondence (Email: john.schofield@york.ac.uk)
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R. Adams 2008. The Englishness of English punk: Sex Pistols, subcultures, and nostalgia. Popular Music and Society 31: 469–88. http://dx.doi.org/10.1080/03007760802053104

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S. Krätke 2010. ‘Creative cities’ and the rise of the dealer class: a critique of Richard Florida's approach to urban theory. International Journal of Urban and Regional Research 34: 119. http://dx.doi.org/10.1111/j.1468-2427.2010.00939.x

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J. Schofield 2014b. Characterizing the Cold War: music and memories of Berlin, 1960–1989, in B. Lashua , K. Spracklen & S. Wagg (ed.) Sounds and the city: popular music, place and globalization: 273–84. London: Palgrave Macmillan.

J. Schofield & L. Rellensmann . 2015. Underground heritage: Berlin techno and the changing city. Heritage & Society 8: 111–38. http://dx.doi.org/10.1080/2159032X.2015.1126132

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Antiquity
  • ISSN: 0003-598X
  • EISSN: 1745-1744
  • URL: /core/journals/antiquity
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