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Collecting the pieces

Published online by Cambridge University Press:  27 March 2018

Leila Kassir
Leila Kassir*
Affiliation:
Research Librarian: British, USA & Commonwealth Literature, Senate House Library, University of London, Malet Street, London WC1E 7HU, UK Email: leila.kassir@london.ac.uk (Formerly Academic Support Librarian, London College of Communication Library)
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Extract

As befits a journal for art libraries I shall begin this opinion piece with Max Ernst's quote on exhibiting Dada: ‘What's the matter with everyone, wanting to make a museum piece out of Dada? Dada was a bomb…can you imagine anyone…wanting to collect the pieces, sticking it together and displaying it?’

Type
viewpoint
Information
Art Libraries Journal , Volume 43 , Special Issue 2: Zines and Libraries in the UK , April 2018 , pp. 69 - 70
Copyright
Copyright © ARLIS/UK&Ireland 2018 

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References

1. Bigsby, C.W.E., Dada & Surrealism (London: Methuen, 1972), 4Google Scholar.

2. Gilbert, Pat, Passion is a Fashion: the Real Story of the Clash (London: Aurum, 2004), 139Google Scholar.

3. MayDay Rooms, “Archives”, http://maydayrooms.org/archives [Accessed on October 1, 2017]

4. ibid.

5. Fales Library & Special Collections, “Guide to the Kathleen Hanna Papers, 1988-2015 MSS.271”, http://dlib.nyu.edu/findingaids/html/fales/hanna/ [Accessed on October 1, 2017]

6. Kathleen Hanna, “This is My Thing: an Interview with Kathleen Hanna”, Interview by Lena Singer, Rookiemag, http://www.rookiemag.com/2013/09/kathleen-hanna-interview/3/ [Accessed on October 1, 2017]

7. Sinor, Jennifer, “Another Form of Crying: Girl Zines as Life Writing”, Prose Studies: History, Theory, Criticism. Vol. 26, issue 1-2 Women's Life Writing and Imagined Communities (2003): 260-264CrossRefGoogle Scholar