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Background and Foreground: Getting Things in Context

Published online by Cambridge University Press:  05 January 2009

David Knight
Affiliation:
Editor, British Journal for the History of Science, Department of Philosophy, University of Durham, 50 Old Elvet, Durham DH1 3HN, U.K.

Extract

Historians generally grumble at the liberties taken with letters and papers by editors and biographers in the past, while reviewers may complain at the professorial pomposities which interfere with the reader's interaction with the text. Certainly, reading is not a mere matter of information retrieval or of source-mining, but a meeting of minds, and any over-zealous editing which makes this more difficult will have failed. Editors, whether of journals or of documents, are midwives of ideas—self-effacingly bringing an author's meaning and style into the world. What reviewers praise is the unobtrusive, and what they damn is ‘a manner at once slapdash and intrusive’, making allowances perhaps for an ‘introduction which is as admirable as his footnotes are useless’. When in the 1960s new technology brought us a flood of facsimile reprints of scientific works, some avoided these problems by appearing naked and unashamed: but for a text on phrenology, or for Goethe's Theory of Colours, a fig leaf or two of commentary is really necessary to help the innocent reader to interact with the book. Facsimiles of nineteenth-century editions of Wilkins' papers, of some Newton correspondence, or of Henry More's poetry are even more problematic; the reader should know that these editors' assumptions cannot be taken for granted, and that their introductions are themselves historical documents. The exact reproduction of misprints and misbindings (giving pages out of order and misnumbered) is of dubious assistance to the modern reader.

Type
Research Article
Copyright
Copyright © British Society for the History of Science 1987

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References

1 The great example of bad documentary editing is Hawkesworth's account of Cook's voyage of 1773; see Beaglehole, J.C. (ed.), The Journals of Captain James Cook, I, Cambridge, 1955, ccxlii ffGoogle Scholar. The remarks quoted come from recent issues of the TLS.

2 Combe, G., The Constitution of Man, (1847), Farnborough, 1970Google Scholar; Goethe's Theory of Colours, (1840), London, 1967, (with new index)Google Scholar; Wilkins, J., Mathematical and Philosophical Works, (1802), London, 1970Google Scholar; Edelsten, J. (ed.), Correspondence of Sir Isaac Newton and Professor Cotes, (1850), London, 1969Google Scholar; More, H., The Complete Poems, (ed. Grosart, A. B.) (1878), Hildesheim, 1969Google Scholar; Hooke, R., Posthumous Works, (1705), London, 1971Google Scholar, is an uncorrected reprint, misdescribed as a second edition, where the confusions of the page numbering in the Royal Institution copy reproduced are understated on the verso of the title page.

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5 Sabra, A.I., Theories of Light from Descartes to Newton, 2nd edn., Cambridge, 1981Google Scholar, has some rather dangerous ‘translations’ on pp. 97, 228, 252, 281, where modern views and notations are used to express old ideas. For translation in the ordinary sense, see the two translations of Hegel's Philosophy of Nature which appeared in 1970: by A.V. Miller (Oxford), and by M.J. Petry (London). Petry's is fully annotated, in three volumes; without such editorial guidance it is almost impossible to make sense of the text; merely putting it into English is not enough.

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19 See my Chemistry and poetic imagery’, Chemistry in Britain, (1983), 19, pp. 578582.Google Scholar

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